1998-1999 Annual Report
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Sasha Mackay Thesis
STORYTELLING AND NEW MEDIA TECHNOLOGIES: INVESTIGATING THE POTENTIAL OF THE ABC’S HEYWIRE FOR REGIONAL YOUTH Sasha Mackay Bachelor of Fine Arts (Hons), Creative Writing Production Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2015 Keywords Australian Broadcasting Corporation Heywire new media narrative identity public service media regional Australia storytelling voice youth Storytelling and new media technologies: investigating the potential of the ABC’s Heywire for regional youth i Abstract This thesis takes a case study approach to examine the complexity of audience participation within the Australian public service media institution, the Australian Broadcasting Corporation (ABC). New media technologies have both enabled and necessitated an increased focus on user created content and audience participation within the context of public service media (PSM) worldwide and such practices are now embedded within the remit of these institutions. Projects that engage audiences as content creators and as participants in the creation of their own stories are now prevalent within PSM; however, these projects represent spaces of struggle: a variety of institutional and personal agendas intersect in ways that can be fruitful though at other times produce profound challenges. This thesis contributes to the wider conversation on audience participation in the PSM context by examining the tensions that emerge at this intersection of agendas, and the challenges and potentials these produce for the institution as well as the individuals whose participation it invites. The case study for this research – Heywire – represents one of the first instances of content-related participation within the ABC. -
Adelaide Radio
EMBARGOED UNTIL 9:30AM (AEDT) ADELAIDE RADIO - SURVEY 8 2019 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- FIVEaa 10.9 10.3 0.6 2.0 2.1 -0.1 0.7 0.8 -0.1 2.4 4.4 -2.0 6.6 6.5 0.1 8.5 9.9 -1.4 27.6 22.9 4.7 CRUISE1323 9.6 9.4 0.2 1.9 3.3 -1.4 4.2 0.5 3.7 1.3 2.0 -0.7 5.9 4.7 1.2 16.7 17.5 -0.8 17.9 18.3 -0.4 MIX102.3 13.6 11.9 1.7 19.5 19.1 0.4 17.5 13.6 3.9 10.7 8.9 1.8 17.2 16.3 0.9 19.9 15.0 4.9 5.5 5.9 -0.4 5MMM 8.6 9.7 -1.1 8.2 8.0 0.2 9.0 8.0 1.0 11.8 10.5 1.3 12.1 16.1 -4.0 8.5 10.9 -2.4 3.1 3.5 -0.4 NOVA91.9 11.0 12.0 -1.0 25.9 28.5 -2.6 20.8 32.1 -11.3 19.6 18.2 1.4 12.5 12.6 -0.1 4.7 5.6 -0.9 0.8 0.9 -0.1 HIT 107 9.3 9.6 -0.3 18.0 16.7 1.3 16.5 15.9 0.6 19.3 20.4 -1.1 9.0 10.5 -1.5 5.5 4.6 0.9 0.6 0.2 0.4 ABC ADE 9.0 10.0 -1.0 1.6 1.9 -0.3 0.7 0.8 -0.1 1.3 2.0 -0.7 4.9 3.5 1.4 12.2 14.4 -2.2 20.6 23.6 -3.0 5RN 2.1 1.9 0.2 0.2 * * 0.3 * * 0.3 0.1 0.2 1.0 0.9 0.1 3.6 1.5 2.1 4.3 5.4 -1.1 ABC NEWS 1.4 1.2 0.2 0.6 0.3 0.3 0.5 1.1 -0.6 0.7 0.6 0.1 2.4 1.9 0.5 1.2 1.3 -0.1 1.7 1.4 0.3 5JJJ 5.9 5.4 0.5 7.9 7.4 0.5 12.1 12.6 -0.5 11.4 7.8 3.6 8.2 8.6 -0.4 1.7 2.2 -0.5 0.3 0.4 -0.1 ABC CLASSIC 2.9 3.4 -0.5 1.1 0.8 0.3 0.3 0.1 0.2 2.0 2.1 -0.1 2.1 1.3 0.8 1.5 1.5 0.0 6.5 9.1 -2.6 Share Movement (%) by Session, P10+ Mon-Fri Breakfast Morning Afternoon Drive Evening Weekend Station Mon-Fri 5:30am-12mn Mon-Fri 5:30am-9:00am Mon-Fri 9:00am-12:00md -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Chapter 5 (PDF, 280.3KB)
CHAPTER 5 EXTERNAL FACTORS IN THE DECLINE OF THE PHILHARMONIC The decline and ultimate demise of the Royal Philharmonic Society of Sydney can be attributed to many factors. The evidence in the previous chapter has shown that the absence of a strong and long-term conductor during the second half of the Philharmonic’s existence hampered the organisation’s advancement. This artistic deterioration was further worsened by an increase in internal arguments, specifically among members of the committee. Later, during the Lastelle years, this conflict was felt between members of the choir and their conductor. These internal issues were further compounded by other significant factors. Externally, the Philharmonic faced a change in musical trends, increase in competition from several sources, specifically the ABC, and an ongoing lack of support from the city and state governments. As the Philharmonic faced artistic decline, the response from the press became more negative and public support for the ensemble waned. A close examination of these external factors will reveal the part they played in the collapse of the Royal Philharmonic Society of Sydney. A Change in Musical Trends and an Increase in Competition The amateur choral music society was an institution of the nineteenth century. These societies originated in Europe, specifically England, in the tradition of performances by amateur musicians encouraged by the Enlightenment movement of the eighteenth century.1 The social elites in Australia in the late nineteenth and early 1 Donald Jay Grout and Claude V. Palisca, A History of Western Music, 5th ed. (New York: W.W. Norton and Company, 1996), 443-444. -
Journalism : Technology, Industry, Management, Education
Deakin Research Online This is the published version: Hirst, Martin and Withnall, Janice 1997, JEA 1997 : Time for journalism : technology, industry, management, education. Proceedings of the Journalism Education Association annual conference, Sydney, N.S.W., 1-4 Dec. 1997, Kingswood, N.S.W., Journalism Department, School of Communication and Media, University of Western Sydney. Available from Deakin Research Online: http://hdl.handle.net/10536/DRO/DU:30043088 Reproduced with the kind permission of the copyright owner. Copyright : 1997, JEA Time for Journalism Technology, Industry, Management, Education Proceedings of the Journalism Education Association Annual Conference December 1 - 4, 1997 Editors: Martin Hirst Janice Withnall Desktop Publishing: Jodie Lancashire & Alison Bridger Journalism Department School of Communication and Media University of Western Sydney, Nepean PO Box 10 Kingswood NSW Australia 2747 © The authors and the University of Western Sydney, Nepean. ISBN 0-646-35388-8 CONTENTS Media Ownership: Old Themes, New Challenges Jock Given 1 Broadcasting in the Twenty First Century David Flint 6 Journalism Education: What the Editor Sees Jack Waterford 10 Journalism Education: Shooting the Rapids of Change Suellen Tapsall 16 Cyberspace: The Legal Black Hole Rhonda Breit 20 Pagination: Friend of Foe? Jacqui Ewart 23 Who's Ethics Are They Anyway? Ian Richards 26 The Ethics of Writing a Journalism Biography Matthew Ricketson 29 Journalism Educators' Perplexing Quest for Relevance and Respect Jay Black 32 Does Journalism have -
19.05.21 Notable Industry Recognition Awards List • ADC Advertising
19.05.21 Notable Industry Recognition Awards List • ADC Advertising Awards • AFI Awards • AICE & AICP (US) • Akil Koci Prize • American Academy of Arts and Letters Gold Medal in Music • American Cinema Editors • Angers Premier Plans • Annie Awards • APAs Awards • Argentine Academy of Cinematography Arts and Sciences Awards • ARIA Music Awards (Australian Recording Industry Association) Ariel • Art Directors Guild Awards • Arthur C. Clarke Award • Artios Awards • ASCAP awards (American Society of Composers, Authors and Publishers) • Asia Pacific Screen Awards • ASTRA Awards • Australian Academy of Cinema and Television Arts (AACTS) • Australian Production Design Guild • Awit Awards (Philippine Association of the Record Industry) • BAA British Arrow Awards (British Advertising Awards) • Berlin International Film Festival • BET Awards (Black Entertainment Television, United States) • BFI London Film Festival • Bodil Awards • Brit Awards • British Composer Awards – For excellence in classical and jazz music • Brooklyn International Film Festival • Busan International Film Festival • Cairo International Film Festival • Canadian Screen Awards • Cannes International Film Festival / Festival de Cannes • Cannes Lions Awards • Chicago International Film Festival • Ciclope Awards • Cinedays – Skopje International Film Festival (European First and Second Films) • Cinema Audio Society Awards Cinema Jove International Film Festival • CinemaCon’s International • Classic Rock Roll of Honour Awards – An annual awards program bestowed by Classic Rock Clio -
Joanne Donahoe-Beckwith DOP/Camera Operator CV
!1 ! ABN 13 074 384 133 JOANNE DONAHOE-BECKWITH DIRECTOR OF PHOTOGRAPHY CAMERA OPERATOR VIMEO SITE https://vimeo.com/user6075584 WEB SITE www.joannedonahoebeckwith.com.au AGENT Freelancers Promotions Phone +61 3 96822722 Phone +61 414 741 548 Email [email protected] TELEVISION SERIES/SPECIALS 2016 THE BIG DISEASE - DOP MAIN UNIT - ONAIR MID 2017 Series 1 , 3 x Episodes - Documentary Series Production: CJZ Cordel Jigsaw in association with SBS and Screen Australia Series Producer: Bruce Permezel Producers: Esther Coleman-Hawkins & Tamara Bodenham HOMELESS (woking title) - DOP MAIN UNIT - ONAIR 2017 Series 1 , 3 x Episodes - Documentary Series Production: Blackfella Films in association with SBS and Screen Australia Producer: Darren Dale Series Producer: Jacob Hickey Series Director: Cian O'Clery LITTLE ACORNS - DOP MAIN UNIT Web Series 1, 9 x Episodes - Comedy Production: Pocket TV Pty Ltd in association with Guilty and Screen Australia Producer: Eyvonne Carfora Associate Producer: Genevieve Morris & Rachel Griffiths Directors: Trudy Hellier, Maria Theodorakis, Chris Benz FIRST CONTACT - DOP MAIN UNIT with Justin Brickle & Simeon Bryan Series 2 , 3 x Episodes - Documentary Series Production: Blackfella Films in association with SBS and Screen Australia Producer: Darren Dale Series Producer: Jacob Hickey Directors: Bruce Permezel & David Grusovin DADVICE - DOP MAIN UNIT Web Series 1, 4 x Episodes for Beyond Blue Production Company: Stand Up Productions in association with J. WALTER THOMPSON Producer: Dave Dellar Director: Nick -
Adelaide Radio
EMBARGOED UNTIL 9:30AM (AEST) ADELAIDE RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- FIVEaa 12.3 10.8 1.5 1.9 2.0 -0.1 5.8 ** 3.2 1.7 1.5 9.5 6.9 2.6 13.0 13.3 -0.3 24.2 24.0 0.2 CRUISE1323 10.6 11.1 -0.5 1.0 2.0 -1.0 7.7 6.8 0.9 2.4 3.9 -1.5 7.0 8.3 -1.3 20.4 18.2 2.2 17.0 17.7 -0.7 MIX102.3 13.2 13.0 0.2 19.1 10.1 9.0 19.7 19.7 0.0 11.2 12.3 -1.1 15.8 15.9 -0.1 15.9 18.2 -2.3 7.4 7.3 0.1 5MMM 9.2 10.1 -0.9 11.1 13.4 -2.3 8.8 10.1 -1.3 11.8 14.9 -3.1 13.8 13.5 0.3 9.3 9.7 -0.4 3.7 3.6 0.1 NOVA91.9 10.4 11.5 -1.1 29.0 31.5 -2.5 24.0 22.9 1.1 16.7 16.0 0.7 9.8 13.3 -3.5 3.9 4.9 -1.0 1.0 2.1 -1.1 SAFM 7.9 7.1 0.8 14.7 9.4 5.3 16.1 15.0 1.1 14.7 12.5 2.2 7.5 8.3 -0.8 5.2 5.4 -0.2 1.2 0.8 0.4 ABC ADE 9.8 10.0 -0.2 1.5 1.7 -0.2 0.7 1.4 -0.7 1.6 3.6 -2.0 5.6 5.1 0.5 10.5 11.3 -0.8 22.4 22.1 0.3 5RN 1.5 1.9 -0.4 0.1 0.1 0.0 0.5 0.5 0.0 0.2 0.2 0.0 1.1 1.2 -0.1 1.7 2.3 -0.6 3.2 4.1 -0.9 ABC NEWSRADIO 1.3 1.4 -0.1 1.0 1.4 -0.4 0.3 0.5 -0.2 0.5 0.8 -0.3 1.7 1.7 0.0 2.4 1.9 0.5 1.3 1.6 -0.3 5JJJ 4.9 5.4 -0.5 5.6 8.3 -2.7 7.8 9.3 -1.5 11.6 11.1 0.5 6.8 7.1 -0.3 1.6 1.9 -0.3 0.2 0.4 -0.2 ABC CLASSIC 3.2 3.2 0.0 0.2 0.3 -0.1 0.2 0.6 -0.4 0.9 1.9 -1.0 1.4 2.2 -0.8 2.4 0.7 1.7 8.1 7.7 0.4 Share Movement (%) by Session, P10+ Mon-Fri Breakfast Morning Afternoon Drive Evening Weekend Station Mon-Fri 5:30am-12mn Mon-Fri 5:30am-9:00am -
Loopstick Transplant * Walter Cronkite RIP * Profile; the Mighty KBC * Lord
September 2009 Volume 55 No. 04 ♣ Loopstick transplant ♣ Walter Cronkite RIP ♣ Profile; the mighty KBC ♣ Lord Haw Haw microphone ♣ Summer DX-pedition ♣ Flag antenna amplifier Hon. President* Bernard Brown, 130 Ashland Road West, Sutton-in-Ashfield, Notts. NG17 2HS Secretary* Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Treasurer* Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] MWN General Steve Whitt, Landsvale, High Catton, Yorkshire YO41 1EH Editor* 01759-373704 [email protected] (editorial & stop press news) Membership Paul Crankshaw, 3 North Neuk, Troon, Ayrshire KA10 6TT Secretary 01292-316008 [email protected] (all changes of name or address) MWN Despatch Peter Wells, 9 Hadlow Way, Lancing, Sussex BN15 9DE 01903 851517 [email protected] (printing/ despatch enquiries) Publisher VACANCY [email protected] (all orders for club publications & CDs) MWN Contributing Editors (* = MWC Officer; all addresses are UK unless indicated) DX Loggings Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] Mailbag Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Home Front John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB 01442-408567 [email protected] Eurolog John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB World News Ton Timmerman, H. Heijermanspln 10, 2024 JJ Haarlem, The Netherlands [email protected] Beacons/Utility Desk Andy Robins KB8QGF, 1529 Miles Avenue, Kalamazoo, MI 49001, USA [email protected] Central American Tore Larsson, Frejagatan 14A, SE-521 43 Falköping, Sweden Desk +-46-515-13702 fax: 00-46-515-723519 [email protected] S. -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
M-Phazes | Primary Wave Music
M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft. -
Remembering Edouard Borovansky and His Company 1939–1959
REMEMBERING EDOUARD BOROVANSKY AND HIS COMPANY 1939–1959 Marie Ada Couper Submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy 2018 School of Culture and Communication The University of Melbourne 1 ABSTRACT This project sets out to establish that Edouard Borovansky, an ex-Ballets Russes danseur/ teacher/choreographer/producer, was ‘the father of Australian ballet’. With the backing of J. C. Williamson’s Theatres Limited, he created and maintained a professional ballet company which performed in commercial theatre for almost twenty years. This was a business arrangement, and he received no revenue from either government or private sources. The longevity of the Borovansky Australian Ballet company, under the direction of one person, was a remarkable achievement that has never been officially recognised. The principal intention of this undertaking is to define Borovansky’s proper place in the theatrical history of Australia. Although technically not the first Australian professional ballet company, the Borovansky Australian Ballet outlasted all its rivals until its transformation into the Australian Ballet in the early 1960s, with Borovansky remaining the sole person in charge until his death in 1959. In Australian theatre the 1930s was dominated by variety shows and musical comedies, which had replaced the pantomimes of the 19th century although the annual Christmas pantomime remained on the calendar for many years. Cinemas (referred to as ‘picture theatres’) had all but replaced live theatre as mass entertainment. The extremely rare event of a ballet performance was considered an exotic art reserved for the upper classes. ‘Culture’ was a word dismissed by many Australians as undefinable and generally unattainable because of our colonial heritage, which had long been the focus of English attitudes.