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A U S T R a L I a N B R O a D C a S T I N G a U T H O R I TY Annual Report
Introduction A U S T R A L I A N B R O A D C A S T I N G A U T H O R I TY annual report Sydney 1997 1 Annual Report 1996-97 © Commonwealth of Australia, 1997 ISSN 1320-2863 Design by Media and Public Relations Australian Broadcasting Authority Printed in Australia by Printing Headquarters, Broadway, NSW 2008 For inquiries about this report, contact: Publications Officer Australian Broadcasting Authority at address below For inquiries about information to be made available to Members of Parliament and Senators on request, contact: Director Corporate Services Branch Australian Broadcasting Authority at address below For inquiries relating to Freedom of Information, contact: FOI Officer Australian Broadcasting Authority Level 15, 201 Sussex Street Sydney NSW 2000 Ph. (02) 9334 7700 Fax: (02) 9334 7799 Postal address: PO Box Q500 Queen Victoria Building NSW 1230 E-mail: [email protected] Web site: http://www.dca.gov.au/aba/hpcov.htm 2 Introduction Reserved for letter of transmission 3 Annual Report 1996-97 4 Introduction Table of contents Page no. Letter of transmission 3 Introduction to the report 7 The year in review 8 Corporate overview 16 Performance reporting: Objective 1 — Expert advice 23 International liaison 24 Advice to the government 30 Digital terrestrial television broadcasting 30 Digital radio broadcasting 31 The sixth television channel 32 External liaison 34 Objective 2 — Planning the spectrum 45 Final licence area plans – radio 46 Final licence area plans – television 53 Objective 3 — Licence allocations 56 Allocation of commercial -
Pig Iron People
THE PIG IRON PEOPLE SCHOOLSDAY PERFORMANCE IMPORTANT INFORMATION Date: Wednesday, 26th November 2008 Venue: Drama Theatre, Sydney Opera House Pre-performance forum 10.30 am Lunch Break 11.15 am Performance commences: 12.15 pm Performance concludes: 2.45 pm Post performance Q+A concludes 3.00pm (approx) We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance. Running Late? Please contact Sydney Theatre Company’s main switch on 9250 1700 and a message will be passed to Toni Murphy. Booking and General Education Queries Please contact Toni Murphy, Education Coordinator, on 02 9250 1795 or [email protected] WARNING: Low and Medium level coarse language, sexual references and adult themes Sydney Theatre Company’s The Pig iron People Teacher’s Notes compiled by Elizabeth Surbey © 2008 1 Sydney Theatre Company and UBS present The Pig Iron People by John Doyle Directed by Ian Lawson Teacher's Resource Kit Written and compiled by Elizabeth Surbey Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Laura Scrivano (publications STC) as well as Currency Press (author of the month interview) and Actor, Glenn Hazeldine. Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s The Pig iron People -
The Humour Studies Digest
The Humour Studies Digest Australasian Humour Studies Network (AHSN) May 2018 The 25th AHSN Conference THIS EDITION The 25th Conference of the Australasian Humour The 25th AHSN Conference – Studies Network will take place from 6-8 February Message from the Conference Organising 2019 at RMIT University, Melbourne, Australia. Committee Call for Papers 1 Theme: “Humour in all its forms: on screen, on the page, Guidelines for Presenters 2 on stage, on air, online …” A word or three from the new Chair of the Message from the Conference Organising AHSN Review Panel 3 Committee: Caption Competition 3 We encourage you to submit your abstracts to come and join us Colloquium on the work of John M. Clarke next year in Melbourne! With a wide brief of 'humour across its Sydney University, 25 May 2018. 4 forms', we are keen to create a dynamic, diverse and fun-packed Doctoral Scholarship for Indigenous Student to schedule that mirrors the city that will be hosting you. Research ¾ Humour and Well-Being in Indigenous Communities 8 Celebrating the year of the 25th AHSN Conference, we are already planning keynotes, industry panels and 'special events' (!), Members’ New Humour Studies so don't delay - come and play! Publications 9 Comedy and Critical Thought: Laughter as Dr Kerry Mullan, Resistance? 9 School of Global, Urban and Social Studies, RMIT University Call for Papers - MEMSA Conference 2018 - Assoc. Prof. Craig Batty, Humour and Obscenity 10 School of Media and Communication, RMIT University Dr Sharon Andrews, School of Global, Urban and Social Studies, RMIT University Ms Justine Sless, La Trobe University The 25th AHSN Conference – The Call for Papers Is Open The 25th Conference of the Australasian Humour Studies Network will take place from 6-8 February 2019 at RMIT University, Melbourne, Australia, on the theme of “Humour in all its forms: on screen, on the page, on stage, on air, online …” Submitting a Proposal To submit a proposal for a paper, please send an abstract to [email protected] 1 Abstracts will be reviewed by at least two reviewers. -
1998-1999 Annual Report
annualannualannual reportreportreport 19981998–1998–9999–99 annual Australian Broadcasting orporation report 1998–99 Annual Report 1998 – 99 Australian Broadcasting Corporation Contents Corporate Profile This Annual Report 17 • Mission statement 1 Many views — one ABC 18 • Significant events 1998–99 2 Connecting with our audiences 42 • Programs and services 4 The ABC — an integral part • Organisation 9 of the industry 48 • Financial summary 10 Delivering a creative and efficient • Board of Directors 12 organisation 51 • Executive 15 Symphony Australia Network 58 • ABC History inside front cover Corporate Plan summary 64 • ABC Charter inside back cover Financial statements 68 Program performance statement 95 Appendices 96 History 1932 The Australian Broadcasting Commission 1975 2JJ (later to become Triple J) commences is established; broadcasting in Sydney first ABC broadcast on 12 radio stations 1975 ABC Television begins broadcasting in 1946 National radio network system begins colour 1946 Restructured Sydney Symphony 1976 ABC–FM (now ABC Classic FM) Orchestra is formed, followed by commences broadcasting from Adelaide Queensland Symphony Orchestra 1983 The Commission becomes a Corporation (1947), Tasmanian Symphony Orchestra (1948) Victorian and South 1985 Important changes to program formats Australian Symphony Orchestras (1949) — Radio 1 emerges as the metropolitan and West Australian Symphony network and Radio 2 is renamed Radio Orchestra (1950) National 1947 The ABC’s independent news service 1994 The ABC commences NewsRadio service -
Submissions During the Bush Fires Earlier This Year It Was the ABC Who I Turned to When Bushfires Started Not Far from My Home at East Hills
submissions During the bush fires earlier this year it was the ABC who I turned to when bushfires started not far from my home at East Hills. It is the ABC I turn to in the event of flood forecasts (my home is in a flood zone) and it is the ABC I turn to for news (unbiased and factual - unlike some of the commercial sources e.g. the Murdoch press). As such it is the ABC that keeps me sane, safe and informed. Funding for this vital service must never be cut, but increased in times of emergency. John B VIC 2213 There are so many reasons why I need the ABC and why I believe we, Australians, need the ABC. Here are some of these: 1. Our ABC gives us Australians access to real - and uniquely Australian - voices and stories. 2. Our ABC tells those real - and uniquely Australian - stories in uniquely Australian ways. 3. Our ABC produces quality Australian radio, podcasts, television, film and video. 4. Our ABC showcases Australian talent in a huge variety of creative, academic, scientific, technical, medical, and many more disciplines to the entire world. 5. Our ABC is paid for by our taxes, and this gives us ownership and pride in its offerings. 6. Our ABC gives us local and global news, current affairs and varied and diverse perspectives on these. 7. Our ABC allows us to be well-informed about the world, but it also educates, stimulates, inspires and elevates us. 8. Our ABC unites us, gives us s sense of community, and comforts us during troubling times. -
Greig Pickhaver AM
Greig Pickhaver AM Actor, comedian and writer and director Greig Pickhaver AM (also known as H.G. Nelson) is an actor, comedian and writer and director. He is most famous as one half of the Australian sports comedy duo Roy and HG. The award winning duo originally teamed up in 1986 for the Triple J radio comedy program This Sporting Life, which was broadcast nationwide for 22 years and led to several successful TV spinoffs. With John Doyle as Roy Slaven, they have appeared on television shows such as The Dream with Roy and HG, This Sporting Life, Club Buggery, The Channel Nine Show, Planet Norwich, Win Roy and HG’s Money, The Monday Dump, The Nation Dumps, The Dream in Athens and The Memphis Trousers Half Hour. Greig Pickhaver was born in Nuriootpa, South Australia and is a graduate of Flinders University. After a stint as a roadie for Australian rocker Billy Thorpe in the early 1970s, he moved into acting and comedy. Greig first developed the HG Nelson character while performing in the Melbourne radio sports comedy show Punter To Punter in the early 1980s. He met John Doyle in 1985 while both were playing minor characters in an SBS TV show and they teamed up as Roy and HG in 1986. A highly intelligent, down to earth and hilarious comedian, Greig Pickhaver is a superb choice as an MC, host, facilitator or keynote speaker for public and corporate events. Greig has published the following works: 1989: Pants off, this sporting life, by Roy Slaven and H.G. -
Australian Screen Comedy
Australian Screen Comedy Class code FMTV-UT 9113-001 Instructor Dr Megan Carrigy Details [email protected] Consultations by appointment. Please allow at least 24 hours for your instructor to respond to your emails. Class Details Spring 2018 Australian Screen Comedy January 29 to April 19 Monday 9:00am-12.30pm (Weeks 1-6) and Thursday 2:00-6:00pm (Weeks 4-12) Room 302 (Mon), Auditorium (Thu) NYU Sydney Academic Centre Science House: 157-161 Gloucester Street, The Rocks 2000 Prerequisites None Class Australian film and television comedies offer potent insights into ongoing debates about Description colonisation, race, class, gender and politics in contemporary Australian society. In this course we explore a diverse range of historical and contemporary examples with a focus on the strong tradition of satire, situation comedy and variety entertainment in Australia. We devote particular attention to Australian comedies that utilise, critique and parody other media genres and formats including reality television, current affairs, news reporting, chat shows and sports commentary. We consider the capacity for comedy to offend, criticise and provoke outrage but also to promote self-reflection, empathy and identification. We examine how Australian comedies interrogate images of Australians, including stereotypes and national types such as ‘the ocker’ and ‘the larrikin’, and conjure affectionate and hostile portraits of suburban life, the outback and Australians abroad. We attend to the production and reception of comedy in the Australian context but also consider Australian comedy as a transnational phenomenon that travels internationally, inspires remakes in other countries and initiates cross-cultural dialogue. Desired After successfully completing this course students will be able to: Outcomes Page 1 of 15 Australian Screen Comedy ● Critically analyse the ways that Australian screen comedy is shaped by its historical, political and cultural contexts.