Awgie Award Winners 1968 – 2019
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ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian
CHRISTINA 'BINA' PALLOT Production Manager / Production Coordinator M: +61 414 312 478 E: [email protected] DOB: 4 September 1987 Citizenship: Australian October 2020 - July 2021 PIECES OF HER Made Up Stories / Netflix Production Coordinator Drama Series produced in Sydney, Australia Executive Producers: Charlotte Stoudt, Minkie Shot on Location in Sydney, Australia Spiro, Janice Williams, Bruna Papandrea, Steve Hutensky, Casey Haver, Lesli Linka Glatter Line Producer: Louisa Kors Unit Production Manager: Angelique Badenoch January 2020 - May 2020 FIRST WARS Blackfella Films / SBS Production Manager Documentary Series produced in Sydney, Australia Producer: Darren Dale To be shot on Location all over Australia (Pre-Production only) Series Producer: Jacob Hickey Director: Rachel Perkins November 2019 - December 2019 PETER RABBIT 2 ADDITIONAL PHOTOGRAPHY Sony Pictures Production Manager Feature Film produced in Sydney, Australia Producers: Zareh Nalbandian & Will Gluck Shot on Location in Sydney, Australia Executive Producers: Jodi Hildebrand, Jonathan Hludzinski & Doug Belgrad Executive Producer / Line Producer: Tatts Bishop May 2019 - November 2019 HALIFAX: RETRIBUTION Beyond / Channel 9 Production Coordinator Drama TV Series produced in Melbourne, Australia Executive Producers: Roger Simpson, Shot in a converted warehouse (to a studio) in Melbourne and Mikael Borglund & Rebecca Gibney on Location around Victoria, Australia Producer / Line Producer: Louisa Kors Production Manager: Ben Grogan November 2018 - April 2019 PETER RABBIT 2 Sony -
AC Issue49 March2011.Pdf
ac_issue#49.indd 1 22/03/11 2:14 PM Complete 35mm Package You thought you couldn’t afford film anymore... ...think again. Complete 35mm is the 35mm film and processing package from FUJIFILM / Awesome Support and Deluxe. Designed to offer the flexibility and logistical benefits of the film origination at a preferential price. The package includes: • 35mm FUJIFILM motion picture film stock • 35mm negative developing at Deluxe 400’ roll* 1000’ roll* $424 ex gst $1060 ex gst *This special package runs from 1st December 2010 to 31st January 2011 and it is open to TVC production companies for TVC / Rock clips / Web idents etc. Package applies to the complete range of FUJIFILM 35mm film in all speeds. No minimum or maximum order. Brought together by AUSTRALIA Contact: Ali Peck at Awesome Support 0411 871 521 [email protected] Jan Thornton at Deluxe Sydney (02) 9429 6500 [email protected] or Ebony Greaves at Deluxe Melbourne (03) 9528 6188 [email protected] ac_issue#49.indd 2 22/03/11 2:15 PM Not your average day at the supermarket. It’s Bait in 3D. Honestly, it would have been very difficult to make this movie without Panavision. Their investment and commitment to 3D technologies is a huge advantage to filmmakers. Without a company the size and stature of Panavision behind these projects they would be very difficult to achieve. Ross Emery ACS Shooting in 3D is a complex and challenging undertaking. It’s amazing how many people talk about being able to do it, but Panavision actually knows how to make it happen. -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Is the Government Listening? Now That the Uproar and Shouting About Alleged Bias Has Died Down, There Is Only One Issue Paramount for the ABC - Funding
Friends of the ABC (NSW) Inc. qu a rt e r ly news l e t t e r Se ptember 2005 Vol 15, No. 3 in c o rp o rat i n g ba ck g round briefing na tional magaz i n e up d a t e friends of the abc Is the Government listening? Now that the uproar and shouting about alleged bias has died down, there is only one issue paramount for the ABC - funding. The corporation has not been backward putting its case forward - notably the collapse of drama production to just 20 hours per annum. In the Melbourne Age, Director of ABC TV Sandra Levy referred to circumstances as "critical and tragic." around, low-cost end - we've pretty "We have all those important well done everything we can." obligations to indigenous programs, religious programs, science, arts, Costs up children’s programs ... things that the dramatically commercial networks don't, and yet Once the launch pad for great we probably battle along with about Australian drama, revelations that the a quarter of what they spend in a ABC's drama output has dwindled year - the disproportion is massive." from 100 hours four years ago to just Ms Levy's concerns have been 14 hours this year have received a lot echoed by managing director Russell of media attention. Balding and chairman Donald Ms Levy estimates that an hour McDonald, who have spent the past could cost anywhere from $500,000 few weeks publicly lamenting the to $2 million, 10 to 50 times more gravity of the funding crisis. -
Annual Report 2013 Annual Report 2013
Annual Report 2013 Annual Report 2013 4 Objectives and Mission Statement 50 Open Door 6 Key Achievements 9 Board of Management 52 Literary 10 Chairman’s report Literary Director’s Report 12 Artistic Director’s report MTC is a department of the University of Melbourne 14 Executive Director’s report 54 Education 16 Government Support Education Manager’s Report and Sponsors 56 Education production – Beached 18 Patrons 58 Education Workshops and Participatory Events 20 2013 Mainstage Season MTC Headquarters 60 Neon: Festival of 252 Sturt St 22 The Other Place Independent Theatre Southbank VIC 3006 24 Constellations 03 8688 0900 26 Other Desert Cities 61 Daniel Schlusser Ensemble 28 True Minds 62 Fraught Outfit Southbank Theatre 30 One Man, Two Guvnors 63 The Hayloft Project 140 Southbank Blvd 32 Solomon and Marion 64 THE RABBLE Southbank VIC 3006 34 The Crucible 65 Sisters Grimm Box Office 03 8688 0800 36 The Cherry Orchard 66 NEON EXTRA 38 Rupert mtc.com.au 40 The Beast 68 Employment Venues 42 The Mountaintop Actors and Artists 2013 Throughout 2013 MTC performed its Melbourne season of plays at the 70 MTC Staff 2013 Southbank Theatre, The Sumner and The Lawler, 44 Add-on production and the Fairfax Studio and Playhouse at The Book of Everything 72 Financial Report Arts Centre Melbourne. 74 Key performance indicators 46 MTC on Tour: 76 Audit certificate Managing Editor Virginia Lovett Red 78 Financial Statement Graphic Designer Emma Wagstaff Cover Image Jeff Busby 48 Awards and nominations Production Photographers Jeff Busby, Heidrun Löhr Cover -
A STUDY GUIDE by Katy Marriner
© ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter. -
Summer 2015 Easternscript.Com
The Eastern Script Shameless self-promotion since 2011 in this issue presidential address Presidential address 1 Here are a pile of random observations from a mind “Comical drawings” revisited 2 that has obviously relaxed enough into summer mode that it thinks “structure” is just getting things onto a Changing the character name: page and stirring… Time travelling 3 Fictional phone numbers 3 Confession: I hardly ever watch television… But in my defense, my workdays in front of a small back-lit screen Another way to pay 4 can be intense and on many nights that continued posture Alternatives… Ours or yours? 4 into the evening is the last thing I want at unwinding time. Fun bookmarks 5 Confession counterbalance: I am an avid movie watcher and hardly a week goes Talking about bench depth by when I haven't gone to see a movie at a cinema. (since it's baseball season) 5 secret to share: Many years ago I had the idea that I'd like to be a movie critic. Recent work 6 Then I figured out that my opinion had no more value than anyone else's who'd gone Big screen 6 to see the damned movie. Small screen 6 observation: This isn't much of a presidential address, is it? I'm rambling, just like this newsletter in which we ping pong from cartoons to phone numbers to Hawaiian shirts to time travel to fictional phone numbers. It's all Get in touch good stuff, there's just not a great unifying thread here except for, perhaps, the arrival Canadian offiCe of summer. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
I Never Took Myself Seriously As a Writer Until I Studied at Macquarie.” LIANE MORIARTY MACQUARIE GRADUATE and BEST-SELLING AUTHOR
2 swf.org.au RESEARCH & ENGAGEMENT 1817 - 2017 luxury property sales and rentals THE UN OF ITE L D A S R T E A T N E E S G O E F T A A M L E U R S I N C O A ●C ● SYDNEY THE LIFTED BROW Welcome 3 SWF 2017 swf.org.au A Message from the Artistic Director Contents eading can be a mixed blessing. For In a special event, writer and photographer 4-15 anyone who has had the misfortune Bill Hayes talks to Slate’s Stephen Metcalf about City & Walsh Bay to glance at the headlines recently, Insomniac City: New York, Oliver, and Me, an the last few months have felt like a intimate love letter to New York and his late Guest Curators 4 long fever dream, for reasons that partner, beloved writer and neurologist extend far beyond the outcome of the Oliver Sacks. R Bernadette Brennan has delved into 7 US Presidential election or Brexit. Nights at Walsh Bay More than 20 million refugees are on the move the career of one of Australia’s most adept and another 40 million people are displaced in and admired authors, Helen Garner, with Thinking Globally 11 their own countries, in the largest worldwide A Writing Life. An all-star cast of Garner humanitarian crisis since 1945. admirers – Annabel Crabb, Benjamin Law Scientists announced that the Earth reached and Fiona McFarlane – will join Bernadette City & Walsh Bay its highest temperatures in 2016 – for the third in conversation with Rebecca Giggs about year in a row. -
Top Names of Australian Film and Television Announced to Present at Star-Studded AACTA Awards
Media Release – Strictly embargoed until Sunday 4 January 2015 Top Names of Australian Film and Television Announced to Present at Star-studded AACTA Awards The countdown to the Australian Academy of Cinema and Television Arts (AACTA) Awards is on, with top names of Australian film and television today announced to present at the star-studded Ceremony, held in Sydney and broadcast on Network Ten. Australia’s biggest celebration of screen, the 4th AACTA Awards will see AACTA President Geoffrey Rush present along with AACTA Award winners Lachy Hulme and Adam Zwar. A number of leading women of Australian television are also confirmed to present, including Kat Stewart, Marta Dusseldorp and Danielle Cormack, with all three nominated for Best Lead Actress in a Television Drama, adding anticipation to who will win on the night. Australian film and television favourite, and AFI Award winner, Stephen Curry will participate in the show, along with Dan Wyllie, who is nominated for Best Guest or Supporting Actor in a Television Drama for RAKE SERIES 3. Turkish actor/writer/director, Yilmaz Erdogan, will make his debut as a presenter and nominee at the 4th AACTA Awards. Erdogan is nominated for Best Supporting Actor for his performance in THE WATER DIVINER, competing alongside Patrick Brammall (THE LITTLE DEATH), Robert Pattinson (THE ROVER) and TJ Power (THE LITTLE DEATH). AACTA will announce the host of the 4th AACTA Awards next week, with the Ceremony broadcast nationally on Network Ten at 8:30pm Thursday 29 January, and encored on FOXTEL’s ARENA channel on Saturday 31 January. Further presenter and entertainment announcements will be made in the lead up to the 4th AACTA Awards, and tickets are on sale now for the public and industry: www.aacta.org The AACTA Awards are proudly supported by the NSW Government through its tourism and major events agency, Destination NSW. -
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture.