Konserttikausi 2011-12 2011/12 Season
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20Th-Century Repertory
Mikrokosmos List 655. - 2 - March 2020 ....20TH-CENTURY REPERTORY 1 Absil, Jean: Threne pour le Vendredi Saint/R.Bernier: Ode a unce Madone CULTURA 50679 A 10 (orch)/Feldbusch, Eric: 3 Poems of G.Lorca (narr, orch) - cond.de Haene, Ghyros , (Records International jacket) S 2 Alvarez Del Toro, Federico: Sinfonia "El Espiritu de la Tierra" (marimba & orch); ANGEL SAM 35080 A 25 Oratorio en la Cueva de la Marimba - cond.comp (gatefold) (p.1985) S 3 Alvarez del Toro, Federico: Gneiss (orch, 4 soli, tape); Ozomatli (voices, metal orch, DISCOS PUE DP. 1060 A 40 percussion & tape) - cond.comp S 4 Andriessen, Hendrik: Kuhnau Variations, Ricercare/L.Orthel: Sym 2 - Hague PO, PHILIPS A 2047 A 10 cond.Otterloo 5 Andriessen, Hendrik: Omaggio/Flothuis: Round/Straesser: Herfst/ Henkemans: DONEMUS DAVS 6903 A 10 Villonnerie/Kox: Cyclophony V - cond.Fournet, Nobel, Hupperts, Voorberg all live with scores S 6 Andriessen, Henrik: Sym 1/ Paap: Garlands of Music/ Horst: Reflexions Sonores - DONEMUS DAVS 6804 A 10 cond.Hupperts, Otterloo, Haitink all live with scores S 7 Andriessen, Jurriaan: Movimenti/ Delden: Piccolo Con/ Kox: Cyclofonie 1/ DONEMUS DAVS 6602 A 10 Badings: Sym 9 - cond.Rieu, Hupperts, Zinman all live with scores S 8 Andriessen, Jurriaan: Sym 4 (Aves)/Prokofiev: Lieutenant Kije Suite/Roussel: Rap PHILIPS D 88037 A 8 Flamande - cond.Hermans, Moonen (gatefold) 9 Andriessen, Louis: Nocturnen/Flothuis, Marius: Canti e Giuochi/Orthel, Leon: DONEMUS DAVS 6504 A 8 Scherzo II - E.Lugt sop, cond.Haitink, Jordans (complete score) 1965 10" 10 Badings: -
20Th-Century Repertory
Mikrokosmos List 650. - 2 - October 2019 ....20TH-CENTURY REPERTORY 1 Absil: Clarinet Quartet/Pelemans, Willem: Clar Quartet/Cabus, Peter: Clar ZEPHYR Z 18 A 10 Quartet/Moscheles: Prelude et fugue - Belgian Clarinet Quartet (p.1982) S 2 Albrecht, Georg von: 2 Piano Sonatas; Prelude & Fugue; 3 Hymns; 5 Ostliche DA CAMERA SM 93141 A 8 Volkslieder - K.Lautner pno 1975 S 3 Alpaerts, Flor: James Ensor Suite/Mortelmans: In Memoriam/E.van der Eycken: DECCA 173019 A 8 Poeme, Refereynen - cond.Weemaels, Gras, Eycken S 4 Amelsvoort: 2 Elegies/Reger: Serenade/Krommer-Kramar: Partita EUROSOUND ES 46442 A 15 Op.71/Triebensee: Haydn Vars - Brabant Wind Ensemble 1979 S 5 Antoine, Georges: Pno Quartet Op.6; Vln Sonata Op.3 - French String Trio, MUSIQUE EN MW 19 A 8 Pludermacher pno (p.1975) S 6 Badings: Capriccio for Vln & 2 Sound Tracks; Genese; Evolutions/ Raaijmakers: EPIC LC. 3759 A 15 Contrasts (all electronic music) (gold label, US) 7 Baervoets: Vla Con/P.-B.Michel: Oscillonance (2 vlns, pno)/C.Schmit: Preludes for EMI A063 23989 A 8 Orch - Patigny vla, Pingen, Quatacker vln, cond.Defossez (p.1980) S 8 Baily, Jean: 3 Movements (hn, tpt, pf, string orch)/F.M.Fontaine: Concertino, DGG 100131 A 8 Fantasie symphonique (orch) - cond.Baily S 9 Balanchivadze: Pno Con 4 - Tcherkasov, USSR RTVSO, cond.Provatorov , (plain MELODIYA C10. 9671 A 25 Melodiya jacket) S 10 Banks, Don: Vln Con (Dommett, cond.P.Thomas)/ M.Williamson: The Display WORLD RECO S 5264 A 8 (cond.Hopkins) S 11 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: -
20Th-Century Repertory
Mikrokosmos List 627. - 2 - November 2017 ....20TH-CENTURY REPERTORY 1 Absil: Sax Quartet/J.Rivier: Grave et presto/Francais: Serenade comique - Mule Sax DECCA LX 3142 A 25 EY2 Quartet (p.1955) 10" 2 Alfen: Midsummer's Virgil, The Mountain King - Royal Swedish Orch, cond.comp. TELEFUNKEN LA 33100 A 8 (black label) 1954 10" 3 Alfven, Hugo: Uppsalarapsodi/O.Lindberg: 3 Reiseerinnerungen/Udden: Lustspiel CUPOL CLPN 344 A 8 Ov/Wieslander: Unter/Atterberg: Ov/N.Eriksson: Serenade - Berlin Studio Orch, cond.S.Rybrant 1966, 1968 S 4 Antheil: Sonata (1951)/Absil: Contes/Honegger: Intrada/Genzmer: Konzertantes LAUREL LR 132 A 12 Duo - Gartner tr, Reid pno (p.1985) S 5 Avram, Ana Maria: Songs with bassoons; 3 Pno Pcs (comp.pno)/Irina Hasnas: SQ ELECTRECOR ST-ECE 3584 A 12 (Evolutio III); Melisme for pno S 6 Bacewicz: Vla Con; Con for 2 Pnos; In una parte - Kamas vla, Maksymuk, Witkowski MUZA SX 875 A 8 pno, cond.Wislocki S 7 Bargielski: 4 Duos - Bok basscl, Mair vibraphone, Kozlik accordeon, Riedhammer PRO VIVA ISPV 121 A 8 perc, Siwy Vln Duo, Pfeifer-Baranyi pno duo (p.1984) S 8 Bergman, Erik: SQ Op.98/K.Aho: SQ 3 - Sibelius SQ 1984 S FINLANDIA FAD 348 A 8 9 Boboc, Nicolae: Tara Halmagiului (Suite Sym); Tryptic; Divertimento - cond.comp. S ELECTRECOR ST-ECE 2590 A 10 10 Boerman, Jan: Composition (1972), Alchemie (1961), De Zee (all electronic) COMPOSERS' CV 7701 A 15 (booklet) (gatefold) S 11 Bogoslovsky: Vasiliy Terkin sym tale - Moscow RSO, cond.comp 10" MELODIYA D 15701 A 18 12 Britten: Our Hunting Fathers, Folksongs - Soderstrom, cond. -
Ferienkurse Für Internationale Neue Musik, 25.8.-29.9. 1946
Ferienkurse für internationale neue Musik, 25.8.-29.9. 1946 Seminare der Fachgruppen: Dirigieren Carl Mathieu Lange Komposition Wolfgang Fortner (Hauptkurs) Hermann Heiß (Zusatzkurs) Kammermusik Fritz Straub (Hauptkurs) Kurt Redel (Zusatzkurs) Klavier Georg Kuhlmann (auch Zusatzkurs Kammermusik) Gesang Elisabeth Delseit Henny Wolff (Zusatzkurs) Violine Günter Kehr Opernregie Bruno Heyn Walter Jockisch Musikkritik Fred Hamel Gemeinsame Veranstaltungen und Vorträge: Den zweiten Teil dieser Übersicht bilden die Veranstaltungen der „Internationalen zeitgenössischen Musiktage“ (22.9.-29.9.), die zum Abschluß der Ferienkurse von der Stadt Darmstadt in Verbindung mit dem Landestheater Darmstadt, der „Neuen Darmstädter Sezession“ und dem Süddeutschen Rundfunk, Radio Frankfurt, durchgeführt wurden. Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit So., 25.8. Erste Schloßhof-Serenade Kst., 11.00 Ansprache: Bürgermeister Julius Reiber Conrad Beck Serenade für Flöte, Klarinette und Streichorchester des Landes- Streichorchester (1935) theaters Darmstadt, Ltg.: Carl Wolfgang Fortner Konzert für Streichorchester Mathieu Lange (1933) Solisten: Kurt Redel (Fl.), Michael Mayer (Klar.) Kst., 16.00 Erstes Schloß-Konzert mit neuer Kammermusik Ansprachen: Kultusminister F. Schramm, Oberbürger- meister Ludwig Metzger Lehrkräfte der Ferienkurse: Paul Hindemith Sonate für Klavier vierhändig Heinz Schröter, Georg Kuhl- (1938) mann (Kl.) Datum Veranstaltungstitel und Programm Interpreten Ort u. Zeit Hermann Heiß Sonate für Flöte und Klavier Kurt Redel (Fl.), Hermann Heiß (1944-45) (Kl.) Heinz Schröter Altdeutsches Liederspiel , II. Teil, Elisabeth Delseit (Sopr.), Heinz op. 4 Nr. 4-6 (1936-37) Schröter (Kl.) Wolfgang Fortner Sonatina für Klavier (1934) Georg Kuhlmann (Kl.) Igor Strawinsky Duo concertant für Violine und Günter Kehr (Vl.), Heinz Schrö- Klavier (1931-32) ter (Kl.) Mo., 26.8. Komponisten-Selbstporträts I: Helmut Degen Kst., 16.00 Kst., 19.00 Einführung zum Klavierabend Georg Kuhlmann Di., 27.8. -
MELOS-ETHOS'97 INTERNATIONAL FESTIVAL of CONTEMPORARY MUSIC November 7-16,1997 Bratislava
MELOS-ETHOS'97 INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC November 7-16,1997 Bratislava Member of the European Conference of Promoters of New Music 4tfl INTERNATIONAL FESTIVAL OF CONTEMPORARY MUSIC Member of the European Conference of Promoters of New Music 7-16 November 1997 Bratislava . ,"'".* tgf*' ^''fe lt 1 ff it;€*« The festival is supported by the Slovak Ministry of Culture and by KALEIDOSCOPE programme of the Commission of the European Communities The organizers express their warmest gratitude towards all institutions and companies !cr their support and assistance 'VnB ^ MAIN ORGANIZER National Music Centre - Slovkoncert Art Agency CO-ORGANIZERS Slovak Music Union Association of Slovak Composers Slovak Philharmonic Slovak Radio Music Fund WITH THE ASSISTANCE OF Institut Francais, Bratislava Association Francais d'Action Artistique (AFAA) Austrian Embassy, Bratislava Goethe-lnstitut, Bratislava United States Information Service, Bratislava The Czech Centre, Bratislava ISCM — Slovak Section The Polish institute, Bratislava Bulgarian Cultural and Information Centre, Bratislava Municipality of the Capital of the Slovak Republic Bratislava Istropolis, art and congress centre The Soros Center for Contemporary Arts Bratislava Open Society Fund Bratislava FESTIVAL COMMITTEE Vladimir Bokes (chairman) Juraj Benes Nada Hrckova Ivan Marton Peter Zagar Slavka Ferencova (festival secretary) FESTIVAL OFFICE & PRESS AND INFORMATION CENTRE National Music Centre Michalska 10 815 36 Bratislava 2nd floor No. 216 Tel/Fax +421 7 5331373 MobUe phone 0603 430336 iiJfS 4 "Am 1 •-"CERT CALEMDAR Friday • 7 November * 7.30 p.m p. 9 MoyzesHall SLOVAK SLNFONLETTA ZlLLNA JANUSZ POWOLNY conductor MAMMA WIESLER flute ZYGMUNT KRAUZE piano Salva, Knittel, Krauze, Mellnds, Adams Saturday • 8 November • 5.00 p.m. -
Hans Werner Henze 1
21ST CENTURY MUSIC DECEMBER 2012 INFORMATION FOR SUBSCRIBERS 21ST-CENTURY MUSIC is published monthly by 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. ISSN 1534-3219. Subscription rates in the U.S. are $96.00 per year; subscribers elsewhere should add $48.00 for postage. Single copies of the current volume and back issues are $12.00. Large back orders must be ordered by volume and be pre-paid. Please allow one month for receipt of first issue. Domestic claims for non-receipt of issues should be made within 90 days of the month of publication, overseas claims within 180 days. Thereafter, the regular back issue rate will be charged for replacement. Overseas delivery is not guaranteed. Send orders to 21ST-CENTURY MUSIC, P.O. Box 2842, San Anselmo, CA 94960. email: [email protected]. Typeset in Times New Roman. Copyright 2012 by 21ST-CENTURY MUSIC. This journal is printed on recycled paper. Copyright notice: Authorization to photocopy items for internal or personal use is granted by 21ST-CENTURY MUSIC. INFORMATION FOR CONTRIBUTORS 21ST-CENTURY MUSIC invites pertinent contributions in analysis, composition, criticism, interdisciplinary studies, musicology, and performance practice; and welcomes reviews of books, concerts, music, recordings, and videos. The journal also seeks items of interest for its calendar, chronicle, comment, communications, opportunities, publications, recordings, and videos sections. Copy should be double-spaced on 8 1/2 x 11 -inch paper, with ample margins. Authors are encouraged to submit via e-mail. Prospective contributors should consult The Chicago Manual of Style, 15th ed. (Chicago: University of Chicago Press, 2003), in addition to back issues of this journal. -
Klassisk Musik / Konstmusik Kulturbibliotekets Vinylsamling
Kulturbibliotekets vinylsamling: Klassisk musik / Konstmusik ABEL, Karl Friedrich (1723-1787) K 4612 Konsert för flöjt och orkester nr 1 C-dur (Wiesner - Knape) K 4612 Konsert för flöjt och orkester nr 2 e-moll (Wiesner - Knape) K 5606 Kvartett för oboe, violin, viola och violoncell A-dur (Feit - Trio à cordes M. de Paris) K 5606 Kvartett för oboe, violin, viola och violoncell G-dur (Feit - Trio à cordes M. de Paris) K 4612 Sinfonia nr 07 D-dur op.4:1 (Knape) K 4612 Sinfonia nr 17 C-dur op.7:5 (Knape) K 4612 Sinfonia nr 19 E-dur op.10:1 (Knape) ABRAHAM, Paul (1892-1960) K 4327 Blomman från Hawaii, operett - tvärsnitt (Schöner, Staal m.fl - dirigent okänd) K 3337 Viktorias husar, operett - tvärsnitt (Dellert, Funck, Wikström - Waldimir) K 4327 Viktorias husar, operett - tvärsnitt (Schöner, Staal m.fl - dirigent okänd) ABRAHAMSEN, Hans (f. 1952) K 6814 Walden för blåsare (Danska blåsarkvintetten) ACHATZ, Dag, piano K 4189 Ackompanjerar Birgit Finnilä, alt. Schumann, Vivaldi, Rangström mm. K 6571 Stravinsky: Våroffer i eget pianoarrangemang ADAM, Adolphe (1803-1856) K 3165 Giralda, uvertyr (Bonynge) K 1981 Giselle, balettmusik. Förkortad version (Karajan) K 1394 Giselle, balettmusik. Förkortad version (Martinon) K 2100 Giselle, balettmusik. Komplett (Bonynge) K 5307 Julsång "O holy night" (B. Nilsson, sopran) K 4804 Julsång "O holy night" (Döse, sopran) K 5696 Julsång "O holy night" (E. Hagegård, tenor) K 4803 Julsång "O holy night" (H. Hagegård, baryton) K 2698 Julsång "O holy night" (J. Björling, tenor) K 5795 Julsång "O holy night" (Mellnäs, sopran) K 2095 Julsång "O holy night" (Price, sopran) K 4809 Julsång "O holy night" (St. -
Parola Scenica: Towards Realism in Italian Opera Etdhendrik Johannes Paulus Du Plessis
Parola Scenica: Towards Realism in Italian Opera ETDHendrik Johannes Paulus du Plessis A thesis submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of PhD by Thesis Abstract This thesis attempts to describe the emergence of a realistic writing style in nine- teenth-century Italian opera of which Giuseppe Verdi was the primary architect. Frequently reinforced by a realistic musico-linguistic device that Verdi would call parola scenica, the object of this realism is a musical syntax in which nei- ther the dramatic intent of the text nor the purely musical intent overwhelms the other. For Verdi the dramatically effective depiction of a ‘slice of a particular life’—a realist theatrical notion—is more important than the mere mimetic description of the words in musical terms—a romantic theatrical notion in line with opera seria. Besides studying the device of parola scenica in Verdi’s work, I also attempt to cast light on its impact on the output of his peers and successors. Likewise, this study investigates how the device, by definition texted, impacts on the orchestra as a means of realist narrative. My work is directed at explaining how these changes in mood of thought were instrumental in effecting the gradual replacement of the bel canto singing style typical of the opera seria of Rossini, Donizetti, and Bellini, by the school of thought of verismo, as exemplified by Verdi’s experiments. Besides the work of Verdi and the early nineteenth-cen- tury Italian operatic Romanticists, I touch also briefly on the œuvres of Puccini, ETDGiordano and the other veristi. -
Library Orders - Music Composition/Electronic Music
LIBRARY ORDERS - MUSIC COMPOSITION/ELECTRONIC MUSIC COMPOSER PRIORITY TITLE FORMAT PUBLISHER PRICE In Collection? Babbitt, Milton A Three Compositions for Piano score Boelke-Bomart 9.50 Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 1, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 2, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 3, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 4, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 5, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Mikrokosmos; progressive piano pieces. Vol. 6, NEW DEFINITIVE ED score Boosey & Hawkes Inc. 0.00 YES Bartok, Bela A Music for strings, percussion, and celesta score Boosey & Hawkes Inc. 0.00 YES Berbarian, Cathy A Stripsody : for solo voice score C.F. Peters Corp. 18.70 Berg, Alban A Violin Concerto score Warner Brothers Music Pub. 0.00 YES Berio, Luciano A Sequenza V, for trombone score Warner Brothers Music Pub. 19.95 Berio, Luciano A Sequenza VII; per oboe solo score Warner Brothers Music Pub. 15.95 Berio, Luciano A Sequenza XII : per bassoon solo score Warner Brothers Music Pub. 35.00 Berio, Luciano A Sinfonia, for eight voices and orchestra score Warner Brothers Music Pub. 125.00 Boulez, Pierre A Marteau sans maître : pour voix d'alto et 6 instruments score Warner Brothers Music Pub. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Opera after Stunde Null Permalink https://escholarship.org/uc/item/8qq8z2m7 Author Pollock, Emily Richmond Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Opera after Stunde Null by Emily Richmond Pollock A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Mary Ann Smart, Chair Professor Richard Taruskin Professor Martin Jay Fall 2012 © 2012 Emily Richmond Pollock All Rights Reserved 1 Abstract Opera after Stunde Null by Emily Richmond Pollock Doctor of Philosophy in Music University of California, Berkeley Professor Mary Ann Smart, Chair This dissertation discusses the musical, dramatic, and political implications of postwar German opera through the examination of four case studies: Boris Blacher’s Abstrakte Oper Nr. 1 (1953), Hans Werner Henze’s König Hirsch (1956), Carl Orff’s Oedipus der Tyrann (1959), and Bernd Alois Zimmermann’s Die Soldaten (1965). Both the composers’ musical decisions and the finished works’ critical and musicological reception demonstrate just how urgently the genre of opera was thought to be in crisis. Enabled by the myth of the “Stunde Null” or Zero Hour, many avant-garde composers shunned opera as artistically bankrupt and conservative, preferring instead genres that were less closely tied to the musical past. Opera’s coherence as a genre depended upon the maintenance and renewal of dramatic and musical conventions from eras both immediate and distant – a dependence that became politicized as the boundaries of “new music” were policed. -
The Eulenburg Audio+Score Series
90148 Schott Catalog 3-19:Project1 3/31/08 8:51 AM Page 186 186 SCORES The Eulenburg Audio+Score Series 50 Volumes of the Greatest Classical Orchestral Works The Eulenburg Audio+Score Series covers more than 200 years of the world’s favorite classical music. Each of the 50 volumes consists of a clearly-presented and authoritative musical score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length. Eulenburg Audio+Score is the new way to hear, read, and understand music for everyone from the casual music lover to the expert enthusiast. Each volume is a study score with CD: • A study score of the music, with an informative article • A CD with a complete recording of the featured piece • Each Study Score/CD is U.S. $12.95 Georges Bizet: L'Arlèsienne Suites 1 and 2 978-3-79576-505-7 HL49044004 • 176 pages Johannes Brahms: Piano Concerto No. 2 in B-flat Major 978-3-79576-531-6 HL49044030 • 136 pages Symphony No. 3 in F Major 978-3-79576-519-4 HL49044018 • 106 pages Symphony No. 4 in E Minor 978-3-79576-535-4 HL49044033 • 86 pages Violin Concerto in D Major 978-3-79576-526-2 HL49044025 • 128 pages Johann Sebastian Bach: Ludwig van Beethoven: Symphony No. 6 in F Major Max Bruch: Brandenburg Concertos 1-3 Piano Concerto No. 5 in E-flat (“Pastorale Symphony”) Violin Concerto No. 1 in 978-3-79576-502-6 Major (“Emperor Concerto”) 978-3-79576-543-9 G minor HL49044001 • 128 pages 978-3-79576-520-0 HL49044042 • approximately 978-3-79576-518-7 HL49044019 • 208 pages 120 pages HL49044017 • 104 pages Brandenburg Concertos 4-6 978-3-79576-503-3 Piano Concerto No. -
Hans Werner Henze Sulle Scene Liriche
UNIVERSITÀ DEGLI STUDI DI PAVIA FACOLTÀ DI MUSICOLOGIA TESI DI LAUREA MAGISTRALE IN MUSICOLOGIA Hans Werner Henze sulle scene liriche: da Boulevard Solitude a Elegy for young lovers CANDIDATA: RELATORE: Federica Marsico prof. MICHELE GIRARDI N.° MATRICOLA 386623 CORRELATORE: prof.ssa ANGELA IDA DE BENEDICTIS ANNO ACCADEMICO 2010/2011 Ai miei genitori INDICE Introduzione p. VII Elenco delle fonti e sigle impiegate nel testo abbreviazioni p. IX Abbreviazioni dei nomi degli strumenti p. XIII I. Il successo di un outsider 1. La ricerca di sé: dalla guerra al distacco da Darmstadt p. 1 2. Aneliti libertari per una musica ‘impura’: uno sguardo p. 14 sull’impegno politico 3. Il teatro musicale europeo degli anni Cinquanta: tra p. 23 spinte innovatrici e tradizione II. Le opere liriche dal 1952 al 1961 1. Isolamento dell’individuo e impotenza delle passioni: Boulevard Solitude 1.1 Un soggetto di successo per un’opera a numeri p. 35 1.2 Tra opera e balletto p. 38 1.3 Una nuova ‘Manon’ dalle forme del passato p. 42 2. Potere liberale per un’utopica sconfitta del male: König Hirsch 2.1 Al Sud, lontano da Darmstadt p. 63 2.2 Eclettismo senza riserve sulle tracce del passato p. 66 3. Trionfo del libero arbitrio: Der Prinz von Homburg 3.1 L’etica della libertà p. 89 3.2 Literaturoper tra melodramma italiano e dramma p. 92 morale 3.3 Dialogo interiore come focalizzazione della crescita p. 99 V 4. Egoismo del singolo e illusioni della collettività: Introduzione Elegy for young lovers Heulendes hat die Musik, das ist eine Aufgabe, und Besänftigendes.1 4.1 Un’opera da camera metateatrale p.