20Th-Century Repertory
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20Th-Century Repertory
Mikrokosmos List 655. - 2 - March 2020 ....20TH-CENTURY REPERTORY 1 Absil, Jean: Threne pour le Vendredi Saint/R.Bernier: Ode a unce Madone CULTURA 50679 A 10 (orch)/Feldbusch, Eric: 3 Poems of G.Lorca (narr, orch) - cond.de Haene, Ghyros , (Records International jacket) S 2 Alvarez Del Toro, Federico: Sinfonia "El Espiritu de la Tierra" (marimba & orch); ANGEL SAM 35080 A 25 Oratorio en la Cueva de la Marimba - cond.comp (gatefold) (p.1985) S 3 Alvarez del Toro, Federico: Gneiss (orch, 4 soli, tape); Ozomatli (voices, metal orch, DISCOS PUE DP. 1060 A 40 percussion & tape) - cond.comp S 4 Andriessen, Hendrik: Kuhnau Variations, Ricercare/L.Orthel: Sym 2 - Hague PO, PHILIPS A 2047 A 10 cond.Otterloo 5 Andriessen, Hendrik: Omaggio/Flothuis: Round/Straesser: Herfst/ Henkemans: DONEMUS DAVS 6903 A 10 Villonnerie/Kox: Cyclophony V - cond.Fournet, Nobel, Hupperts, Voorberg all live with scores S 6 Andriessen, Henrik: Sym 1/ Paap: Garlands of Music/ Horst: Reflexions Sonores - DONEMUS DAVS 6804 A 10 cond.Hupperts, Otterloo, Haitink all live with scores S 7 Andriessen, Jurriaan: Movimenti/ Delden: Piccolo Con/ Kox: Cyclofonie 1/ DONEMUS DAVS 6602 A 10 Badings: Sym 9 - cond.Rieu, Hupperts, Zinman all live with scores S 8 Andriessen, Jurriaan: Sym 4 (Aves)/Prokofiev: Lieutenant Kije Suite/Roussel: Rap PHILIPS D 88037 A 8 Flamande - cond.Hermans, Moonen (gatefold) 9 Andriessen, Louis: Nocturnen/Flothuis, Marius: Canti e Giuochi/Orthel, Leon: DONEMUS DAVS 6504 A 8 Scherzo II - E.Lugt sop, cond.Haitink, Jordans (complete score) 1965 10" 10 Badings: -
Season 2014-2015
23 Season 2014-2015 Wednesday, January 28, at 8:00 The Philadelphia Orchestra Friday, January 30, at 2:00 Saturday, January 31, Yannick Nézet-Séguin Conductor at 8:00 Kirill Gerstein Piano Beethoven Symphony No. 5 in C minor, Op. 67 I. Allegro con brio II. Andante con moto III. Allegro— IV. Allegro Intermission Shostakovich Piano Concerto No. 2 in F major, Op. 102 I. Allegro II. Andante III. Allegro Shostakovich/from Suite from The Gadfly, Op. 97a: arr. Atovmyan I. Overture: Moderato con moto III. People’s Holiday: [Allegro vivace] VII. Prelude: Andantino XI. Scene: Moderato This program runs approximately 1 hour, 40 minutes. The January 28 concert is sponsored by MEDCOMP. designates a work that is part of the 40/40 Project, which features pieces not performed on subscription concerts in at least 40 years. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit www.wrti.org to listen live or for more details. 24 Please join us immediately following the January 30 concert for a Chamber Postlude, featuring members of The Philadelphia Orchestra. Brahms Piano Quartet No. 3 in C minor, Op. 60 I. Allegro non troppo II. Scherzo: Allegro III. Andante IV. Finale: Allegro lomodo Mark Livshits Piano Kimberly Fisher Violin Kirsten Johnson Viola John Koen Cello 3 Story Title 25 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of audiences, and admired for a legacy of imagination and innovation on and off the concert stage. -
A Register of Music Performed in Concert, Nazareth, Pennsylvania from 1796 to 1845: an Annotated Edition of an American Moravian Document
A register of music performed in concert, Nazareth, Pennsylvania from 1796 to 1845: an annotated edition of an American Moravian document Item Type text; Thesis-Reproduction (electronic) Authors Strauss, Barbara Jo, 1947- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 10/10/2021 23:14:00 Link to Item http://hdl.handle.net/10150/347995 A REGISTER OF MUSIC PERFORMED IN CONCERT, NAZARETH., PENNSYLVANIA FROM 1796 TO 181+52 AN ANNOTATED EDITION OF AN AMERICAN.MORAVIAN DOCUMENT by Barbara Jo Strauss A Thesis Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC WITH A MAJOR IN MUSIC HISTORY In the Graduate College THE UNIVERSITY OF ARIZONA 1 9 7 6 Copyright 1976 Barbara Jo Strauss STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill ment of requirements for an advanced degree at The Univer sity of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate ac knowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu script in whole or in part may -
H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: Lawrence H
P O L Y P H O N Y Post Office Box #515 Highland Park, Illinois 60035 FAX #847-831-5577 E-Mail: [email protected] Website: http://www.polyphonyrecordings.com Lawrence H. Jones, Proprietor Auction Catalog #148 [Closing: Noon, Central Daylight Time; Tuesday, July 18th, 2017] Dear Fellow Record Collectors - WELCOME TO THE ONLINE VERSION OF POLYPHONY’S AUCTION CATALOG #148! All items are offered at auction; the minimum acceptable bid for each is shown at the end of its listing. The deadline for receipt of bids is Noon, Central Dayight Time; Tuesday, July 18th, 2017. SPECIAL INSTRUCTIONS FOR ONLINE: The internet version is essentially the same as the print version which is sent worldwide except that no bidsheet is provided, since all you really need to do is send me an e-mail with careful notation of your bids and the lot numbers of the items in which you are interested. A brief description of the item helps in case of mis-readings of lot numbers. If you are a new bidder and I do not have your physical address, obviously I will need it. And if you wish to authorize me to charge your winnings to a Visa, Mastercard or American Express card which I do not already have on file, I do not suggest that you send this information via e-mail since it is not very secure. You are welcome to quote an account number for me via the phone/FAX number or via the physical address shown above – or you may wait for me to send you a copy of your invoice and quote the account number by return mail. -
20Th-Century Repertory
Mikrokosmos List 627. - 2 - November 2017 ....20TH-CENTURY REPERTORY 1 Absil: Sax Quartet/J.Rivier: Grave et presto/Francais: Serenade comique - Mule Sax DECCA LX 3142 A 25 EY2 Quartet (p.1955) 10" 2 Alfen: Midsummer's Virgil, The Mountain King - Royal Swedish Orch, cond.comp. TELEFUNKEN LA 33100 A 8 (black label) 1954 10" 3 Alfven, Hugo: Uppsalarapsodi/O.Lindberg: 3 Reiseerinnerungen/Udden: Lustspiel CUPOL CLPN 344 A 8 Ov/Wieslander: Unter/Atterberg: Ov/N.Eriksson: Serenade - Berlin Studio Orch, cond.S.Rybrant 1966, 1968 S 4 Antheil: Sonata (1951)/Absil: Contes/Honegger: Intrada/Genzmer: Konzertantes LAUREL LR 132 A 12 Duo - Gartner tr, Reid pno (p.1985) S 5 Avram, Ana Maria: Songs with bassoons; 3 Pno Pcs (comp.pno)/Irina Hasnas: SQ ELECTRECOR ST-ECE 3584 A 12 (Evolutio III); Melisme for pno S 6 Bacewicz: Vla Con; Con for 2 Pnos; In una parte - Kamas vla, Maksymuk, Witkowski MUZA SX 875 A 8 pno, cond.Wislocki S 7 Bargielski: 4 Duos - Bok basscl, Mair vibraphone, Kozlik accordeon, Riedhammer PRO VIVA ISPV 121 A 8 perc, Siwy Vln Duo, Pfeifer-Baranyi pno duo (p.1984) S 8 Bergman, Erik: SQ Op.98/K.Aho: SQ 3 - Sibelius SQ 1984 S FINLANDIA FAD 348 A 8 9 Boboc, Nicolae: Tara Halmagiului (Suite Sym); Tryptic; Divertimento - cond.comp. S ELECTRECOR ST-ECE 2590 A 10 10 Boerman, Jan: Composition (1972), Alchemie (1961), De Zee (all electronic) COMPOSERS' CV 7701 A 15 (booklet) (gatefold) S 11 Bogoslovsky: Vasiliy Terkin sym tale - Moscow RSO, cond.comp 10" MELODIYA D 15701 A 18 12 Britten: Our Hunting Fathers, Folksongs - Soderstrom, cond. -
Shostakovich (1906-1975)
RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No. -
![Elizabeth Sprague Coolidge Foundation Collection [Finding Aid]](https://docslib.b-cdn.net/cover/2461/elizabeth-sprague-coolidge-foundation-collection-finding-aid-292461.webp)
Elizabeth Sprague Coolidge Foundation Collection [Finding Aid]
Elizabeth Sprague Coolidge Foundation Collection Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 1980 Revised 2014 Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu012012 LC Online Catalog record: http://lccn.loc.gov/2012562124 Processed by the Music Division of the Library of Congress Collection Summary Title: Elizabeth Sprague Coolidge Foundation Collection Span Dates: 1894-1953 Bulk Dates: (bulk 1920-1953) Call No.: ML29 Creator: Coolidge, Elizabeth Sprague, 1864-1953 Extent: 56,680 items ; 109 containers ; 48.50 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Elizabeth Sprague Coolidge was a composer, pianist, and patron of music. In 1925, she created the Elizabeth Sprague Coolidge Foundation at the Library of Congress in support of chamber music. The collection contains Coolidge's correspondence to and from many of the prominent musical artists of the first half of the twentieth century. Extensive correspondence between Coolidge and Library of Congress librarians and administrators is also included. The remaining materials in the collection, including photographs, scrapbooks, business papers, programs, publicity materials, iconography, realia, and clippings, are available for research and will be incorporated into the finding aid at a later date. Music manuscripts of works commissioned by Elizabeth Sprague Coolidge or the Elizabeth Sprague Coolidge Foundation in the Library of Congress comprise a substantial portion of the collection and are cataloged individually. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. -
Finnish Dance in Focus 2016-2017
P 2 FINNISH DANCE IN FOCUS 2016–2017 EDITORIAL CONTENTS FINNISH DANCE IN FOCUS 2016–2017 P 3 Kristiina Männikkö FINNISH DANCE IN FOCUS 2016–2017 VOLUME SEVENTEEN DANCE IS SPREADING 20–26 Publisher: Dance Info Finland Tallberginkatu 1 C/93, 00180 Helsinki FAR AND WIDE A dance artist who Tel. +358 (0)9 6121 812 \ became a filmmaker [email protected] By the Pool – Thomas Freundlich. www.danceinfo.fi events gather Thomas Editor-in-chief: Sanna Rekola Finnish dance field first began to find its feet and grow properly around 30 years ago, \ artists, politicians, [email protected] and those efforts are now bearing fruit. Many of those who were in the fledgeling stages Freundlich Editor: Sanna Kangasluoma of their careers and who were only just beginning to form their own groups then, are activists, and audi- [email protected] still active and celebrating major anniversaries as artists now. And there’s certainly ence in the pool. 28–32 Editorial board: Hannele Jyrkkä, plenty to celebrate, now that the realisation of a major goal is in sight: the decision Sanna Kangasluoma, Pirjetta Mulari, to build the Dance House in Helsinki has been made, with doors set to open in 2020. \ Inka Reijonen, Sanna Rekola Choreographer Reetta-Kaisa Iles ponders over whether you could even say that dance feels like too narrow a definition for what those trained as dance artists do Writers: Niko Hallikainen, Hannele Jyrkkä, nowadays (see p. 34). Dance often also involves making music, song, theatre, perfor- Mikko Sanna Kangasluoma, Eeva Kauppila, Katarina mance art or installation art. -
THE COUNTRY DANCER Is Published Twice a Year
The magazine of Calendar of Events THE COUNTRY DANCE SOCIETY OF AMERICA EDITOR March 25, 1961 SQUARE DANCE - DICK FORSCHER & CLIFF BULLARD THE May Gadd (in cooperation with the McBurney YMCA), New York C.D.S. ASSISTANT EDITORS April or May C.D.S. THEATER BENEFIT, New York. Details counTRY A.C. King Diana Lockard Maxwell Reiskind to be announced. DAnCER CONTRIBUTING EDITORS April 6 - 8 26th ANNUAL MOUNTAIN FOLK FESTIVAL, Berea, Penn Elizabeth Schrader Evelyn K. Wells Ky. The Festival is affiliated with the J. Donnell Tilghman Roberta Yerkes Country Dance Society o! America. April 14 - 16 C.D.S. SPRING HOUSE PARTY WEEKEND, Hudson ART EDITOR Guild Farm, Andover, New Jersey. Genevieve Shimer April 29 tentative C.D.S. SPRING FrnTIVAL in New York THE COUNTRY DANCER is published twice a year. Subscription is June 2.3 - 26 DANCE WEEKEND at PII{E)iOODS, Boston C.D.S. by membership in the Country Dance Society of America (annual Centre. dues $5, educational institutions and libraries $3.) Inquiries and subscriptions should be sent to the Secretary, Country Dance August 6 - 20 PllmUOODS CAMP: 'lWO DANCE WEEKS, National Society of America, 55 Christopher Street, New York 14, N.Y. C.D.S., Buzzards Bay, Mass. Tel: ALgonquin 5-8895. August 20 - 27 PIN»>OODS CAMP: FOLK MUSIC AND ~ORDER WEEK, Copyright 1961 by the Country Dance Society Inc. National C.D.S., Buzzards Bay, Mass. , Table of Contents lll@llll§lll§lll§lll§lll§lll§lll§ lll§lll§lll§lll§lll§lll§ Page PICTURE CREDITS By Gloria Berchielli, New York: Jack-in-the Calendar of Events •••••••••••••••••••••••••••• 3 Green, p.8. -
LITTLE MAN FIX Danish Folk Dance for 2 Couples Record MH 1054 The
LITTLE MAN IN A FIX Danish Folk Dance for 2 couples Record MH 1054 The Danish name for this dance is "Bitte Mand i Knibe". This has been a favorite with folk dancers everywhere. FffiMA.TION: Couples standing side by side, scattered all over the floor and facing another couple. If there is an extra couple, that couple is the "Little man in a fix". It is not necessary to have an extra couple to do the dance, however. PARTl: Couple run forward towards each other and the men hook left elbows. The men have their right hand around their partners1 waists••lady has left hand on manls shoulder. In this position both couples turn in a place with light running steps counterclockwise for 16 steps. (DO Nor lEE A GOOSEKJCK SfEP CR STAMP ~ just run lightly). PART 2: The two men release hooked elbows and join left hands only at the same time take arm from around ladyls waist and just hold her hand. The two ladies now run under the arch formed by the men, both moving counterclockwise until they get through the arch, then turning to own partner face center of their awn set and both girls join right hands across the set. In this position, the whole set now runs lightly around counterclockwise. The, whole figure take 16 steps to do. PARr 3: Partners join inside hands (manls right - left of lady) and beginning with the outside foot (mans left, 1adyl s right), do 4 open waltz steps anywhere around the room. In'doing this they turn slightly face to face and back to back, but very slightly and mO\Te around the room at will. -
PROVINCIAL Ties – April 2021
PROVINCIAL TIES April 2021 — LATEST NEWS & EVENTS — Reminder:Archives Sunday is April 25! ARCHIVES SUNDAY PACKETS. In 2020, the Provincial Elders Conference approved designating the last Sunday in April “Moravian Archives Sunday” to offer prayers for the Southern Province Archives and to request support for our ongoing mission as record keeper. The Archives Commission appreciates your including us in your April 25th service this year. Materials about our programs and needs will be sent to you BEFORE EASTER to help you do that. To provide an overview of the information regarding April 25, included here is information from the “bulletin insert,” suitable for including in your bulletin that day and/or in announcements then or ahead of time. This insert will be a part of the materials to be sent to you before Easter. As the Archives Commission restructures to ensure long-term sustainability, we are very grateful for your support as we work to preserve our past and continue to gather stories of the present for future generations. continued on page 2 1 Archives Sunday 2021 is April 25 and the Archives Needs Your Help! Since 1753, documenting our churches, our families, our communities, the Moravian Archives has been the official repository for records of the Moravian Church in America, Southern Province. The first records in our collection began with the establishment of the first southern Moravian settlement in 1753 at Bethabara, then Bethania in 1759, and Salem in 1766, and continue uninterrupted to the present. The primary mission of the Archives is to serve the Southern Province Moravian churches by collecting, cataloging and safekeeping these records. -
The Man Who Found the Nose'
SPECIAL INTERVIEW The Man who found The Nose’ An Interview with Gennady Nikolayevich Rozhdestvensky By Alan Mercer Born in Moscow on 4 May 1931, (1974-1977 and 1992-1995), and Rozhdestvensky grew up with his the Vienna Symphony (1980-1982). spritely 85 years of age at conductor father Nikolai Anosov Also in the 1970s, Rozhdestvensky the time of our encounter at (1900-1962) and his singer mother worked as music director and con the Paris-based Shostakovich Natalia Rozhdestvenskaya (1900- ductor of the Moscow Chamber ACentre, Gennady Rozhdestvensky’s1997). After graduating from the Music Theatre, where together with demeanour has barely changed from Central Music School at the Mos director Boris Pokrovsky he revived that of the 1960s, when Western con- cow Conservatory as a pianist in Shostakovich’s 1920s opera The Nose. cert-goers were first treated to his the class of L.N. Oborin, he began Rozhdestvensky has focused individualistic podium style, not to studying what was to become his much of his career on music of mention his highly affable manner career vocation under the guidance the twentieth century, including with audiences and orchestras alike. of his father. In 1951, he trained at premieres of works by Shchedrin, As one of the few remaining artists the Bolshoi Theatre, and went on to Slonimsky, Eshpai, Tishchenko, to have worked closely with the 20th work at the famous venue at vari Kancheli, Schnittke, Gubaidulina, century’s music elite—Shostakovich ous periods between 1951 and 2001, and Denisov. included—the conductor’s career is when he became the establishment’s Prior to our conversation, the imbibed with both the traditions General Artistic Director.