John Milton: Classical Learning and the Progress of Virtue © Classical Academic Press, 2015 Version 1.0
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English Identity in the Writings of John Milton
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Fall 12-2012 English Identity in the Writings of John Milton Hannah E. Ryan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Arts and Humanities Commons Recommended Citation Ryan, Hannah E., "English Identity in the Writings of John Milton" (2012). Honors Theses. 102. https://aquila.usm.edu/honors_theses/102 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi English Identity in the Writings of John Milton by Hannah Elizabeth Ryan A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of English November 2012 ii Approved by _____________________________ Jameela Lares Professor of English _____________________________ Eric Tribunella, Chair Department of English ________________________________ David R. Davies, Dean Honors College iii Abstract: John Milton is an essential writer to the English canon. Understanding his life and thought is necessary to understanding his corpus. This thesis will examine Milton’s nationalism in several major and minor poems as well as in some of Milton’s prose. It will argue that Milton’s nationalism is difficult to trace chronologically, but that education is always essential to Milton’s national vision of England. -
" Touched with Hallowed Fire"--Milton's Early Poetry: The
DOCUMENT RESUME ED 352 653 CS 213 601 AUTHOR Langford, Thomas A. TITLE "Touched with Hallowed Fire"--Milton's Early Poetry: The Confirmation of a Teacher. PUB DATE Mar 92 NOTE 14p.; Paper presented at the Annual Meeting of the College English Association (23rd, Pittsburgh, PA, March 27-29, 1992). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS *Didacticism; English Literature; *Figurative Language; Higher Education; Literary Criticism; *Poetry; *Poets; *Religious Factors; *Teacher Role IDENTIFIERS *Milton (John) ABSTRACT It is genergl knowledge that John Milton, when he came to Cambridge, chose not to proceed into the official ministry of the church, but to dedicate his life instead to the calling of literature. If, indeed, Milton rejected the official ministry of the church, after completing the education leading to it, choosing to teach through poetry rather than through sermon, it should be possible to find in his work not only exquisite verse, but elements of his doctrine as well. His readers are his church, and whether or not his teaching is accepted, his "pupils" are entranced by the music of his poetry. Milton's poetry as well as his prose all contribute to his underlying purpose to be a "herald of heavenly truth from God to man," and readers are affected by both the message and the song. Analysis of three poems from Milton's early period, the "Ode on Christ's Nativity," "Comus," and "Lycidas," demonstrate Milton's teacherly vocation, developing first in his intent to take priestly orders, through his revulsion from that goal, to his final decision that he could best employ his talent for teaching through poetry rather than pulpit. -
Censorship As a Typographical Chimera
Preliminary Communication UDC 070.13:808.5Milton, J. Received December 29th, 2009 Béla Mester Hungarian Academy of Sciences, Institute for Philosophical Research, Etele út 59-61, HU–1119 Budapest [email protected] Censorship as a Typographical Chimera John Milton and John Locke on Gestures1 Abstract The aim of my paper is to show some elements in Milton’s and Locke’s political writin gs, depending on their attitudes to different media. Milton in his argumentation against censorship must demonstrate that all the ancient instances for censorship, usually cited in his century, can be interpreted as examples of another phenomenon. However, Milton, analysing loci of Plato’s Republic and some Scriptural topics, recognises the scope and significance of nonconceptual, nonprinted, nonverbal forms of communication; he des cribes them as signs of childish, female or uneducated behaviours, as valueless phenomena from the point of view of political liberty incarnated in the freedom of press. John Locke’s attitude is the same. I will show a chain of ideas, similar to Milton’s one, in his Two Tracts on Government and in his Epistola de tolerantia, focusing the analyses on the concept of adiaphora (indifferent things). Key words censorship, orality, typographical age, Plato on censorship, adiaphora, John Milton’s Areo pagitica, John Locke’s Epistola de tolerantia The main topic of my presentation is John Milton’s argumentation and art of rhetoric in his Areopagitica. However, Milton was not a researcher of the media, and his aim in his booklet was not an analysis of homo typographicus’ thought on the freedom of thought itself, depended on the medium of the printed book; his thinking inevitably met the links between our ideals on the freedom of thought and different media by which we express them. -
Manuscript: “Sanctifying Rites in Milton's a Masque Presented at Ludlow Castle, 1634”
Manuscript: “Sanctifying rites in Milton’s A Masque Presented at Ludlow Castle, 1634”1 Published in Christianity & Literature 2019, Vol. 68(2) 193–212 Reading Stanley Fish’s chapters on Comus in How Milton Works is a hermeneutical challenge not unlike reading Milton himself. Fish’s picture of the Lady is the crux of his approach, and it is a picture whose edges seem to shift depending on the reader’s stance. This may be intentional, a portrayal of the “double perspective” which for Fish is the poem’s basic narrative technique: “The form of these questions is ‘either-or,’ but the answer in every case is ‘both-and’: the earth is both a pinfold and a gem, depending on whether you are tied to it by ‘low-thoughted care’ or live, at least in sprit, in ‘Regions mild of calm and serene Air’ (6, 4).”2 As such, misreading Fish may be identical to misreading Milton.3 So that the reader may judge, I want to begin by briefly developing what I understand to be Fish’s argument. Picking up at the point where Comus has immobilized the Lady and left her with nothing by way of outside support, Fish writes: “Yet, as it turns out, she is left with everything— everything that matters. This is what is meant when she says to Comus, ‘Thou canst not touch the freedom of my mind’ (663), or, in other words, ‘All of this—my weakness, your strength, the entire situation as it seems to be—is beside the point. I may be imprisoned in every sense you can conceive, but in truth I am free.’”4 What primarily matters is how one inhabits Nature and the natural self; “Temperance, then, is a positive and liberating action” and Nature’s value “is a function of your relationship to it—a prison if you allow yourself to be confined within its 1 I am grateful to David Aers, Matthew Smith, and the anonymous readers and editorial staff of Christianity and Literature for their helpful input on earlier drafts of this essay. -
The Influence of Indian Epics on John Milton
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by International Institute for Science, Technology and Education (IISTE): E-Journals Journal of Education and Practice www.iiste.org ISSN 2222-1735 (Paper) ISSN 2222-288X (Online) Vol 2, No 7, 2011 The Influence of Indian Epics on John Milton H.L.Narayanrao, Bharatiya Vidya Bhavan’s college, ( University of Mumbai) Munshi Nagar, Andheri (w), Mumbai- 400058. India., [email protected] Received: October 7th , 2011 Accepted: October 18th , 2011 Published: October 30 th , 2011 Abstract The study of Indian culture and traditions reveals that certainly there were people around the world who have inspired by the writings and ancient scripts of India. The epic is traditionally ascribed to Vyasa , who is also a major character in the epic. The first section of the Mahabharata states that it was Ganesha who, at the request of Vyasa, wrote down the text to Vyasa's dictation. Ganesha is said to have agreed to write it only on condition that Vyasa never pause in his recitation. Vyasa agreed, provided Ganesha took the time to understand what was said before writing it down as an Epic. The Mahabharata (Sanskrit Mah ābh ārata, is one of the two major Sanskrit epics of ancient India , the other being the Ramayana . The epic is part of itihasa (history). Besides its epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandavas , the Mahabharata contains much philosophical and devotional material, such as a discussion of the four "goals of life" or purusharthas (12.161). -
Unit–1 Milton's: Lycidas
UNIT–1 MILTON’S: LYCIDAS Structure 1.0 Objectives 1.1 Introduction 1.2 His Works 1.3 The poem : Lycidas 1.4 Glossary 1.5 Notes 1.6 Critical Essays 1.6.1 ‘Lycidas’ as a Pastoral Elgy 1.6.2 Nature of Grief in ‘Lycidas’-Edward King as the Nominal Subject 1.6.3 The Autobiographical Element 1.6.4 Lycidas as a Work of Art-Diction and Versification 1.7 Let us Sum up 1.8 Review Questions 1.9 Bibliography 1.0 Objectives In this unit you are going to : Study one of the prominent poets of the puritan age : Milton. Understand the poem ‘Lycidas’ and its various features through a copious glossary and notes, 1.1 Introduction John Milton was born in London in 1608 (seven and a half years before the death of Shakespeare). His grandfather was a Roman Catholic who had disowned Milton’s father when the latter turned Protestant. The boy was sent to St Paul’s school, perhaps when twelve, perhaps earlier. From the beginning, Milton was an eager student (he tells us that from the time he was twelve, he seldom stopped reading before midnight), and he learned Latin, Greek, and Hebrew, and began to try to write verse. In 1625 he enrolled at Christ’s College, Cambridge, clashed with his tutor the following year and was suspended, returned and was given another tutor, and graduated on schedule. The University in those days still undertook to teach largely by rote memorization, and Milton thought his training was of little value. -
John Milton's Theory of Religious Toleration Roger Shade Wilson
University of Richmond UR Scholarship Repository Master's Theses Student Research 1963 John Milton's theory of religious toleration Roger Shade Wilson Follow this and additional works at: https://scholarship.richmond.edu/masters-theses Part of the Religion Commons Recommended Citation Wilson, Roger Shade, "John Milton's theory of religious toleration" (1963). Master's Theses. 1328. https://scholarship.richmond.edu/masters-theses/1328 This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. JOHN MILTON'S THEORY OF RELIGIOUS TOLERATION A Thesis Presented to the Faculty of the Department of English University of Richmond In Partial Fulfillment of the Requirements for the Degree Master of Arts by Roger Shade Wilson August 1963 Approved for the Department of English and the Graduate School by Chairman of the English Department Dean of the Graduate School TABLE OF CONTENTS· CHAPTER PAGE PREFACE••••••••••••••••••••••••••• •••••••••••••••••••••••••••••••• iii I. INTRODUCTORY BACKGROUND••••••••••••••••••••••••••••••••••••••••• 1 II. CHRISTIAN LIBERTY•••••••••••••••••••••••••••••••••••••••••••••••9 III. MILTON'S EARLY THOUGHT: 1641-1643•••••••••••••••••••••.•..•••• 22 IV. THE RELIGIOUS TOLERATION CONTROVERSY••••••••••••••••••••••••••• 34 V. MILTON'S ROLE IN THE RELIGIOUS CONTROVERSY••••••••••••••••••••• 48 VI. -
Download M51 Redux.Pdf
I MILTON (ANDREW FLETCHER, Lord). See FLiT'CHER (ANDREW) Lord Milton. MILTON (CHARLES WILLIAM Wi TWOR'TH FITZWILLIAM, Viscount). See FITZWILLIAM (CHARLES WILLIAM WENTWORTH FITZWILLIAM, 5th Earl). MILTON (GEORGE FORT). - -- Abraham Lincoln and the Fifth Column. [Collier Bks. AS 204.1 New York, 1962. .9(73785-86) Lin. Mil. - -- The eve of conflict; Stephen A. Douglas and the needless war. Boston, 1934 .9(736) Dou. Mil. - -- The use of presidential power, 1789 -1943. Repr. Boston, 1945 .35303 Mil. MILTON (HENRY). - -- Letters on the fine arts, written from Paris, in ... 1815. Lond., 1816. Bound in V.17.42. Al)l)17'lUNS MILTON (CATHERINE HIGGS). - -- joint- author. Police use of deadly force. See POLICE USE OF DEADLY FORCE. - -- joint- author. Women in policing; a manual. See WOMEN IN POLICING; ... -- See SHERMAN (LAWRENCE W.), M. (C.H.) and KELLY (THOMAS V.). MILTON (DEREK). --- The rainfall from tropical cyclones in Western Australia. See GEOWEST. No. 13. MILTON (J.R.L.). --- Statutory offences ... See SOUTH AFRICAN CRIMINAL LAW AND PROCEDURE. Vol. 3. MILTON (JOHN). ARRANGEMENT Collections 1. General 2. Poetry 3. Prose Correspondence Accidence L'allegro and Il penseroso Animadversions upon the remonstrant's defence Arcades Areopagitica Artis logicae plenior institutio Brief history of Moscovia Brief notes on a late sermon titl'd The fear of God and the King Commonplace book Cornus De doctrina Christiana Doctrine and discipline of divorce Eikonoklastes Epitaph on Shakespeare. See On Shakespeare Epitaphium Damons History of Britain Lycidas Of education Of reformation touching church discipline On Shakespeare [Continued overleaf.] MILTON (JOHN) [continued]. ARRANGEMENT [continued] Paradise lost Paradise regained Il penseroso. -
The Italian Verse of Milton May 2018
University of Nevada, Reno The Italian Verse of Milton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Francisco Nahoe Dr James Mardock/Dissertation Advisor May 2018 © 2018 Order of Friars Minor Conventual Saint Joseph of Cupertino Province All Rights Reserved UNIVERSITY OF NEVADA, RENO THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Francisco Nahoe entitled The Italian Verse of Milton be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY James Mardock PhD, Adviser Eric Rasmussen PhD, Committee Member Lynda Walsh PhD, Committee Member Donald Hardy PhD (emeritus), Committee Member Francesco Manca PhD (emeritus), Committee Member Jaime Leaños PhD, Graduate School Representative David Zeh PhD, Dean, Graduate School May 2018 i Abstract The Italian verse of Milton consists of but six poems: five sonnets and the single stanza of a canzone. Though later in life the poet will celebrate conjugal love in Book IV of Paradise Lost (1667) and in Sonnet XXIII Methought I saw my late espousèd saint (1673), in 1645 Milton proffers his lyric of erotic desire in the Italian language alone. His choice is both unusual and entirely fitting. How did Milton, born in Cheapside, acquire Italian at such an elevated level of proficiency? When did he write these poems and where? Is the woman about whom he speaks an historical person or is she merely the poetic trope demanded by the genre? Though relatively few critics have addressed the style of Milton’s Italian verse, an astonishing range of views has nonetheless emerged from their assessments. -
Education and Government in Milton's Prose Tracts and Paradise Lost
ABSTRACT “Wisdom, Which Alone Is Truly Fair”: Education and Government in Milton’s Prose Tracts and Paradise Lost Erika D. Smith Director: Phillip J. Donnelly, Ph.D. While the character of Milton’s republicanism has been the subject of long debate, this study focuses on Milton’s privileging of wisdom as the characteristic which makes rulers fittest to govern and subjects most deserving of liberty. In The Readie and Easie Way, Milton draws on distinctions between tutelage, which is designed for overseeing young children, and teaching, which is designed to prepare youths for adulthood, to describe the importance of education in the nation under monarchies and republican commonwealths respectively. Through the lens of this same focus on maturation and wisdom, Of Education and Areopagitica demonstrate Milton’s sustained interest in cultivating wisdom in the people by teaching decorum through poetry and temperance through the government’s restraint from instituting pre-publication censorship. Finally, Milton’s Paradise Lost explores the importance of wisdom in Adam and Eve’s relationship and by extension educates the reader in cultivating temperance through reading and through activity at home and in politics. APPROVED BY DIRECTOR OF HONORS THESIS: __________________________________________ Dr. Phillip J. Donnelly, Department of Great Texts APPROVED BY THE HONORS PROGRAM: ___________________________________________ Dr. Andrew Wisely, Director DATE:_____________________ “WISDOM, WHICH ALONE IS TRULY FAIR” EDUCATION AND GOVERNMENT IN MILTON’S -
THE EDUCATION of EVE: Milton
THE EDUCATION OF EVE: Milton Milton considers a "compleat and gener• ous Education" to be "that which fits a man to perform justly, skillfully and magnanimously all his offices." Apply• ing this dictum to Eve's case, let us first examine what constitutes Eve's offices and then attempt to assess whether the education she receives fits , . i l. her to perform them. by Jo-Anne Isaak K We are told in Book Seven that man was created ... to adore And worship God Supreme, who made him chief Of all his works.(2) In his temptation scenes (The Lady in This applies to woman as well, but the Comus, Eve in Paradise Lost, Christ in raison d'etre for Eve is delineated Paradise Regained and Samson in Samson more fully in Book Eight when Adam Agonistes) Mllton focuses upon a problem "presumed" upon God in asking for a that had become a Christian preoccupa• companion. The ensuing debate takes tion—the relationship between knowledge up almost one hundred lines, forcing and virtue. In each case the equation us to ask the point of this highly is clear: those who are knowledgeable improbable exchange between man and are able to resist temptation, while God. We are told, at the close of the those who are not, succumb. In Paradise debate, that God "knew it not good for Lost Milton takes pains to show that God man to be alone" (VIII, 445) , and the is not remiss in equipping Adam with the debate ends when God answers: valuable moral stay of an education. -
John Milton, Areopagitica (Jebb Ed.) (1644)
THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2006 http://oll.libertyfund.org/ JOHN MILTON, AREOPAGITICA (JEBB ED.) (1644) The Online Library of Liberty is a project of Liberty Fund, Inc., a non-profit educational foundation based in Indianapolis, Indiana, USA. Liberty Fund, was established to foster thought and encourage discourse on the nature of individual liberty, limited and constitutional government, and the free market. About the Author Milton ranks among the greatest poets of the English language. He is best known for the epic poem Paradise Lost (1667), but he also wrote prose works on history, religion, and contemporary politics. Although his academic talents marked him for a career in the Anglican church, Milton turned away from the Church of England at an early age and was a consistent supporter of the Puritan cause. He spent most of his life in academia or as a civil servant working for the Puritan Commonwealth. About the Book An edition based upon Sir Richard Jebb’s lectures at Cambridge in 1872, with extensive notes and commentaries on this famous work. Milton’s famous defence of freedom of speech. It was a protest against Parliament’s ordinance to further restrict the freedom of print. Milton issued his oration in an unlicensed form and courageously put his own name, but not that of his printer, on the cover. The Edition Used Areopagitica, with a Commentary by Sir Richard C. Jebb and with Supplementary Material (Cambridge at the University Press, 1918). Copyright Information The text of this edition is in the public domain. Fair Use Statement This material is put online to further the educational goals of Liberty Fund, Inc.