Reason, Republic, Regicide: the Logic of Testimony In
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English Identity in the Writings of John Milton
The University of Southern Mississippi The Aquila Digital Community Honors Theses Honors College Fall 12-2012 English Identity in the Writings of John Milton Hannah E. Ryan University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/honors_theses Part of the Arts and Humanities Commons Recommended Citation Ryan, Hannah E., "English Identity in the Writings of John Milton" (2012). Honors Theses. 102. https://aquila.usm.edu/honors_theses/102 This Honors College Thesis is brought to you for free and open access by the Honors College at The Aquila Digital Community. It has been accepted for inclusion in Honors Theses by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi English Identity in the Writings of John Milton by Hannah Elizabeth Ryan A Thesis Submitted to the Honors College of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in the Department of English November 2012 ii Approved by _____________________________ Jameela Lares Professor of English _____________________________ Eric Tribunella, Chair Department of English ________________________________ David R. Davies, Dean Honors College iii Abstract: John Milton is an essential writer to the English canon. Understanding his life and thought is necessary to understanding his corpus. This thesis will examine Milton’s nationalism in several major and minor poems as well as in some of Milton’s prose. It will argue that Milton’s nationalism is difficult to trace chronologically, but that education is always essential to Milton’s national vision of England. -
Introduction to the 1645 Volume: Poems of Mr. John Milton
C01.qxd 8/18/08 14:44 Page 1 Introduction to the 1645 Volume: Poems of Mr. John Milton In 1645, Milton published most but not all of the poems he had composed by that date. The publisher Humphrey Moseley had been bringing out volumes of lyric poetry by royalist poets such as Edmund Waller, and it was likely, as he claims in the intro- duction to the volume, that he approached Milton and encouraged him to publish his verse. Moseley also arranged for the engraved portrait of Milton by William Marshall (see Figure 1), beneath which Milton, who considered the engraving unflattering, placed a witty Greek epigram ridiculing it in a language neither Marshall nor Moseley under- stood. Unlike most contemporary poets, Milton neither wrote a preface, solicited commendatory poems, nor acknowledged a patron. He organized his volume more or less chronologically, thus displaying his poetic development, but also carefully grouped together poems of similar themes and genres. With the Latin tag from Virgil’s Eclogues on the title page (“Baccare frontem / Cingite, ne vati noceat mala lingua futuro” – “Bind my forehead with foxglove, lest evil tongues harm the future Bard”), he promises future poems on even greater themes. In the Latin ode sent with a replacement copy of the volume to John Rouse, librar- ian of the Bodleian Library at Oxford, Milton describes the 1645 volume as a “twin book, rejoicing in a single cover, but with a double title page.” The first section of the volume presents his vernacular poems (mostly in English, but also including a mini-sonnet sequence in Italian), and concludes with A MASK Presented At LUDLOW- Castle. -
L'allegro, Il Penseroso, Comus, and Lycidas
L'Allegro, Il Penseroso, Comus, and Lycidas John Milton Project Gutenberg Etext of L'Allegro, Il Penseroso, Comus, and Lycidas, by John Milton Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. L'Allegro, Il Penseroso, Comus, and Lycidas by John Milton January 1995 [Etext #397] *****Project Gutenberg Etext of Four Poems by John Milton***** *****This file should be named miltp10.txt or miltp10.zip***** Corrected EDITIONS of our etexts get a new NUMBER, miltp11.txt VERSIONS based on separate sources get new LETTER, miltp10a.txt Scanned by Edward A. Malone We are now trying to release all our books one month in advance of the official release dates, for time for better editing. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. To be sure you have an up to date first edition [xxxxx10x.xxx] please check file sizes in the first week of the next month. -
An Evaluation of the Autobiographical Interpretation of Samson Agonistes Edward P
University of Richmond UR Scholarship Repository Master's Theses Student Research Summer 1966 An evaluation of the autobiographical interpretation of Samson Agonistes Edward P. Crockett Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Crockett, Edward P., "An evaluation of the autobiographical interpretation of Samson Agonistes" (1966). Master's Theses. Paper 242. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. An Evaluation of the J.utobiogrnphioal Interpretation ot Samson /;Sonistes By FA:lward, P. Crockett A Thesis ·Presented to· the Faculty. of the Department-of Engtish of' the University or Hlehtnond 'in Partial Ful.fillme.nt of the Requirements for the Master or Arts Degi;ee Richmond, Virginia August l, 1968 .·-,, .. .,. - .... • J • ·~ I .... ~ .Approved for the Gradua~.• School and the Department of English by . 1 Dean of .the Graduat$ School ~~ · ~ a?:ase -< Chairman of the English Department . I conceived my self. to be nQw .not as .m,ine . own person, but as a member incorporate into tha:t truth whereof I was .persuaded, and whereof I h8.d declare-d .o·penly t'o be a partaker. (Milton, :ll!!. Apology: fo~ Smectymnuus) T.. 4.BLE OF CON1'1t~NTS Preface • Chapter It Fos.sible Sources tor Samso11 Agort1.stes. Page l Chapter II: A Summary of Representative Scholar ship Concerning the.Autobiographical Inter~ pretationof the Drama ·and Its Date of Com position. -
Edward Jones
Edward Jones Events in John Milton’s life Events in Milton’s time JM is born in Bread Street (Dec 9) 1608 Shakespeare’s Pericles debuts to and baptized in the church of All great acclaim. Hallows, London (Dec 20). Champlain founds a colony at Quebec. 1609 Shakespeare’s Cymbeline is performed late in the year or in the first months of 1610, most likely indoors at the Blackfriars Theatre. The British establish a colony in Bermuda. Moriscos (Christianized Muslims) are expelled from Spain. Galileo constructs his first telescope. The Dutch East India Company ships the first tea to Europe. A tax assessment (E179/146/470) 1610 Galileo discovers the four largest confirms the Miltons residing in moons of Jupiter (Jan 7). the parish of All Hallows, London Ellen Jeffrey, JM’s maternal 1611 Shakespeare’s The Winter’s Tale is grandmother, is buried in All performed at the Globe Theatre Hallows, London (Feb 26). (May). The Authorized Version (King James Bible) is published. Shakespeare’s The Tempest is performed at court (Nov 1). The Dutch begin trading with Japan. The First Presbyterian Congregation is established at Jamestown. JM’s sister Sara is baptized (Jul 15) 1612 Henry, Prince of Wales, dies. and buried in All Hallows, London Charles I becomes heir to the (Aug 6). throne. 1613 A fire breaks out during a performance of Shakespeare’s Henry VIII and destroys the Globe Theatre (Jun 29). 218 Select Chronology Events in John Milton’s life Events in Milton’s time JM’s sister Tabitha is baptized in 1614 Shakespeare’s Two Noble Kinsmen All Hallows, London (Jan 30). -
Comus (A Mask Presented at Ludlow Castle) John Milton (1634) the Persons the Attendant Spirit Afterwards in the Habit of Thyrsis
Comus (A Mask Presented at Ludlow Castle) John Milton (1634) The Persons The attendant Spirit afterwards in the habit of Thyrsis Comus with his crew The Lady 1. Brother 2. Brother Sabrina, the Nymph _______________________________________ The cheif persons which presented, were The Lord Bracly, Mr. Thomas Egerton, his Brother, The Lady Alice Egerton. _______________________________________ The first Scene discovers a wilde Wood. The attendant Spirit descends or enters. BEfore the starry threshold of Joves Court My mansion is, where those immortal shapes Of bright aëreal Spirits live insphear'd In Regions milde of calm and serene Ayr, Above the smoak and stirr of this dim spot, [ 5 ] Which men call Earth, and with low-thoughted care Confin'd, and pester'd in this pin-fold here, Strive to keep up a frail, and Feaverish being Unmindfull of the crown that Vertue gives After this mortal change, to her true Servants [ 10 ] Amongst the enthron'd gods on Sainted seats. Yet som there be that by due steps aspire To lay their just hands on that Golden Key That ope's the Palace of Eternity: To such my errand is, and but for such, [ 15 ] I would not soil these pure Ambrosial weeds, With the rank vapours of this Sin-worn mould. But to my task. Neptune besides the sway Of every salt Flood, and each ebbing Stream, Took in by lot 'twixt high, and neather Jove, [ 20 ] Imperial rule of all the Sea-girt Iles Source URL: http://www.dartmouth.edu/~milton/reading_room/comus/index.shtml Saylor URL: http://www.saylor.org/courses/engl402/ Attributed to: [Thomas H. -
Richard Hooker
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com 2,or. - Qºbe (5teat Qbutchmen 56tíč3 EDITED by VERNON STALEY RICHARD HOOKER ** - - - ---- -- ---- - -- ---- ---_ RICHARD HOOKER. Picture from National Portrait Gallery, by perm 13.5 to ºr 0. 'f Macmillan & Co. [Frontispiece. ICHARD as at HOOKER at By VERNON STALEY PROVOST OF THE CATHEDRAL CHURCH of ST. ANDREW, INVERNESS ... • * * * LONDON: MASTERS & CO., LTD. 1907 78, NEW BOND STREET, w. \\ \ \ EDITOR'S PREFACE It has been recently said by one accustomed to weigh his words, “I do not think it can be doubted that in the early years of Queen Elizabeth a large part, numerically the larger part, of the clergy and laity who made up the Church of England was really Catholic at heart, though the Reformers made up for deficiency of numbers by energy and force of conviction.” And again, “When Elizabeth came to the throne, the nation was divided between a majority of more or less lukewarm Catholics no longer to be called Roman, and a minority of ardent Protestants, who were rapidly gaining—though they had not quite gained—the upper hand. The Protestantism generally was of a type current in South West Germany and Switzerland, but the influence of Calvin was increasing every day.” Dr. Sanday here uses the term “Catholics,” in the * Dr. Sanday, Minutes of Evidence taken before The Royal Com †: on Ecclesiastical Discipline, 1906. Vol. III. p. 20, §§ 16350, V b 340844 vi EDITOR'S PREFACE sense of those who were attached to the old faith and worship minus certain exaggerations, but who disliked the Roman interference in England. -
Pierce, Helen. "Text and Image: William Marshall's Frontispiece to the Eikon Basilike (1649)." Censorship Moments: R
Pierce, Helen. "Text and Image: William Marshall’s Frontispiece to the Eikon Basilike (1649)." Censorship Moments: Reading Texts in the History of Censorship and Freedom of Expression. Ed. Geoff Kemp. London: Bloomsbury Academic, 2015. 79–86. Textual Moments in the History of Political Thought. Bloomsbury Collections. Web. 6 May 2019. <http:// dx.doi.org/10.5040/9781472593078.ch-011>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 6 May 2019, 11:54 UTC. Copyright © Geoff Kemp and contributors 2015. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. 10 Text and Image: William Marshall’s Frontispiece to the Eikon Basilike (1649) Helen Pierce © The Trustees of the British Museum On the morning of 30 January 1649, King Charles I of England stepped out of the Banqueting House on London’s Whitehall and onto a hastily assembled scaffold dominated by the executioner’s block. One onlooker reported that as the king’s head was separated from his body, ‘there was such a grone by the thousands then present as I never heard before and desire I may never hear 80 Censorship Moments again’; subsequent images of the scene produced in print and paint show members of the crowd weeping and fainting, as others reach forwards to salvage drops of the king’s blood as precious relics.1 The shaping of Charles’s posthumous reputation as royal martyr may appear to have originated with the relic-hunters at the scaffold, but both its catalyst and its fuel was the publication of a book. -
Paradise Lost BOOK 8 John Milton (1667) the ARGUMENT Adam
Paradise Lost BOOK 8 John Milton (1667) THE ARGUMENT Adam inquires concerning celestial Motions, is doubtfully answer'd, and exhorted to search rather things more worthy of knowledg: Adam assents, and still desirous to detainRaphael, relates to him what he remember'd since his own Creation, his placing in Paradise, his talk with God concerning solitude and fit society, his first meeting and Nuptials withEve, his discourse with the Angel thereupon; who after admonitions repeated departs. THE Angel ended, and in Adams Eare So Charming left his voice, that he a while Thought him still speaking, still stood fixt to hear; Then as new wak't thus gratefully repli'd. What thanks sufficient, or what recompence [ 5 ] Equal have I to render thee, Divine Hystorian, who thus largely hast allayd The thirst I had of knowledge, and voutsaf't This friendly condescention to relate Things else by me unsearchable, now heard [ 10 ] With wonder, but delight, and, as is due, With glorie attributed to the high Creator; something yet of doubt remaines, Which onely thy solution can resolve. When I behold this goodly Frame, this World [ 15 ] Of Heav'n and Earth consisting, and compute, Thir magnitudes, this Earth a spot, a graine, An Atom, with the Firmament compar'd And all her numberd Starrs, that seem to rowle Spaces incomprehensible (for such [ 20 ] Thir distance argues and thir swift return Diurnal) meerly to officiate light Round this opacous Earth, this punctual spot, One day and night; in all thir vast survey Useless besides, reasoning I oft admire, [ 25 ] How Nature wise and frugal could commit Such disproportions, with superfluous hand So many nobler Bodies to create, Greater so manifold to this one use, For aught appeers, and on thir Orbs impose [ 30 ] Such restless revolution day by day Repeated, while the sedentarie Earth, That better might with farr less compass move, Serv'd by more noble then her self, attaines Source URL: http://www.dartmouth.edu/~milton/reading_room/pl/book_8/index.shtml Saylor URL: http://www.saylor.org/courses/engl402/ Attributed to: [Thomas H. -
Remembering King Charles I: History, Art and Polemics from the Restoration to the Reform Act T
REMEMBERING KING CHARLES I: HISTORY, ART AND POLEMICS FROM THE RESTORATION TO THE REFORM ACT T. J. Allen Abstract: The term Restoration can be used simply to refer to the restored monarchy under Charles II, following the Commonwealth period. But it can also be applied to a broader programme of restoring the crown’s traditional prerogatives and rehabilitating the reign of the king’s father, Charles I. Examples of this can be seen in the placement of an equestrian statue of Charles I at Charing Cross and a related poem by Edmund Waller. But these works form elements in a process that continued for 200 years in which the memory of Charles I fused with contemporary constitutional debates. The equestrian statue of Charles I at Charing Cross, produced by the French sculptor Hubert Le Sueur c1633 and erected in 1675. Photograph: T. J. Allen At the southern end of Trafalgar Square, looking towards Whitehall, stands an equestrian statue of Charles I. This is set on a pedestal whose design has been attributed to Sir Christopher Wren and was carved by Joshua Marshall, Master Mason to Charles II. The bronze figure was originally commissioned by Richard Weston (First Earl of Portland, the king’s Lord High Treasurer) and was produced by the French sculptor Hubert Le Sueur in the early 1630s. It originally stood in 46 VIDES 2014 the grounds of Weston’s house in Surrey, but as a consequence of the Civil War was later confiscated and then hidden. The statue’s existence again came to official attention following the Restoration, when it was acquired by the crown, and in 1675 placed in its current location. -
The Provenance of John Milton's Christian Doctrine
SEL 34 (1994) ISSN 0039-3657 Forum II: Milton's Christian Doctrine The Provenance ofJohn Milton's Christian Doctrine: A Reply to William B. Hunter MAURICE KELLEY As scholars have determined it during the past century and a half, the provenance of the Christian Doctrine should invite no suspicion of Milton's authorship. Instead it confirms it. The treatise originated in Milton's youthful collection of proof texts and his perusal of certain shorter systems of theology.' By the 1640s, Edward Phillips reports, his uncle was dictating to him and his fellow students portions of a "Tractate which he thought fit to collect from the ablest of Divines, who had written of that subject: Arnesius, Wollebius. &c. viz. A perfect System of Divinity, of which more hereafter."2 Phillips, however, failed to keep his promise of more information about "A perfect System," but the Anonymous Biographer (Cyriack Skinner) reports that about 1655 Milton began "the framing a Body of Divinity out of the Bible . which . hee finished after the Restoration."3 Our manuscript of the Christian Doctrine confirms Cyriack's rough dating, for the primary hand in it is that ofJeremie Picard, who served as witness or scribe in Milton documents dating from January 1658 to May 1660;4 and Cyriack's mention of Milton's heterodoxies5 indicates Maurice Kelley is Emeritus Professor of English, Princeton University. 154 REPLY TO HUNT E R that he is writing of the Christian Doctrine that we have today. Parallels between the treatise and Paradise Lost as well as between it and Milton's Art of Logic, not published until 1672,6 confirm Milton's authorship of the systematic theology. -
" Touched with Hallowed Fire"--Milton's Early Poetry: The
DOCUMENT RESUME ED 352 653 CS 213 601 AUTHOR Langford, Thomas A. TITLE "Touched with Hallowed Fire"--Milton's Early Poetry: The Confirmation of a Teacher. PUB DATE Mar 92 NOTE 14p.; Paper presented at the Annual Meeting of the College English Association (23rd, Pittsburgh, PA, March 27-29, 1992). PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Speeches/Conference Papers (150) EDRS PRICE MFO1 /PCO1 Plus Postage. DESCRIPTORS *Didacticism; English Literature; *Figurative Language; Higher Education; Literary Criticism; *Poetry; *Poets; *Religious Factors; *Teacher Role IDENTIFIERS *Milton (John) ABSTRACT It is genergl knowledge that John Milton, when he came to Cambridge, chose not to proceed into the official ministry of the church, but to dedicate his life instead to the calling of literature. If, indeed, Milton rejected the official ministry of the church, after completing the education leading to it, choosing to teach through poetry rather than through sermon, it should be possible to find in his work not only exquisite verse, but elements of his doctrine as well. His readers are his church, and whether or not his teaching is accepted, his "pupils" are entranced by the music of his poetry. Milton's poetry as well as his prose all contribute to his underlying purpose to be a "herald of heavenly truth from God to man," and readers are affected by both the message and the song. Analysis of three poems from Milton's early period, the "Ode on Christ's Nativity," "Comus," and "Lycidas," demonstrate Milton's teacherly vocation, developing first in his intent to take priestly orders, through his revulsion from that goal, to his final decision that he could best employ his talent for teaching through poetry rather than pulpit.