DOSEN PEMBIMBING Dr. NURBANI, M.Si UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL ILMU POLITIK DEPARTEMEN ILMU KOMUNIKASI MEDAN

Total Page:16

File Type:pdf, Size:1020Kb

DOSEN PEMBIMBING Dr. NURBANI, M.Si UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL ILMU POLITIK DEPARTEMEN ILMU KOMUNIKASI MEDAN STUDI DESKRIPTIF KUALITATIF KONSEP DIRI ANGGOTA KOMUNITAS K- POP CHIJEULINE MEDAN Disusun oleh : FARISA AMANDA HARAHAP 150904120 Advertising DOSEN PEMBIMBING Dr. NURBANI, M.Si UNIVERSITAS SUMATERA UTARA FAKULTAS ILMU SOSIAL ILMU POLITIK DEPARTEMEN ILMU KOMUNIKASI MEDAN 2019 Universitas Sumatera Utara i Universitas Sumatera Utara Universitas Sumatera Utara ii Universitas Sumatera Utara Universitas Sumatera Utara iii Universitas Sumatera Utara Universitas Sumatera Utara KATA PENGANTAR Pertama-tama peneliti panjatkan puji dan syukur peneliti kepada Allah SWT atas segala berkat dan kuasaNya peneliti dapat menyelesaikan skripsi ini yang berjudul Studi Deskriptif Kualitatif Konsep Diri Anggota Komunitas K-Pop Chijeuline Medan. Penulisan skripsi ini bertujuan untuk memenuhi salah satu persyaratan yang harus dilengkapi dalam memperoleh gelar Sarjana Ilmu Komunikasi pada Fakultas Ilmu Sosial dan Ilmu Politik Universitas Sumatera Utara. Selama penyusunan skripsi ini, peneliti banyak mendapatkan saran, bimbingan, arahan, dan motivasi baik dari segi moril maupun materi serta dorongan semangat dari berbagai pihak yang sangat berpengaruh baik bagi peneliti maupun penelitian yang dilakukan. Peneliti menyadari bahwa tanpa bantuan dan bimbingan dari berbagai pihak, peneliti tidak dapat menyelesaikan penyusunan skripsi ini. Secara khusus peneliti mengucapkan terimakasih sedalam- dalamnya kepada keluarga peneliti yaitu Sahnan Harahap, T. Rina Emelia, M. Fauzan Hanif Harahap dan M. Reiner Athar Harahap yang telah begitu banyak memberikan dorongan semangat dan tiada henti-hentinya memberikan kasih sayang dan menjadi tempat bersandar selama ini. Tidak lupa juga peneliti menyampaikan ucapak terimakasih yang sebesar- besarnya kepada: 1. Ibu Dra. Dewi Kurniawati M.Si., Ph.D selaku Ketua Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Sumatera Utara. 2. Ibu Emilia Ramadhani M.A, selaku Sekretaris Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Sumatera Utara. 3. Ibu Dr. Nurbani, M.Si selaku Dosen Pembimbing peneliti yang senantiasa sabar mengajari dan membimbing peneliti dari awal hingga akhir penelitian ini. Bu Bani selalu memberikan masukan tentang penelitian yang peneliti lakukan ini. 4. Para dosen Ilmu Komunikasi FISIP USU yang telah banyak membagikan ilmu dan pengalaman yang sangat berarti bagi peneliti untuk siap pakai di dunia kerja nanti. iv Universitas Sumatera UTara Universitas Sumatera Utara 5. Para informan-informan dalam penelitian ini Loven, Zaka, Vina, Rahma yang telah banyak membantu penelitian yang peneliti lakukan. 6. Teman saya Kostariana Surbakti yang dari awal masa perkuliahan sabar, setia mendampingi dikala susah dan senangnya peneliti, yang selalu siap sedia membantu, dan tidak pernah menyerah dalam pertemanan ini. Juga Angel, Anin, Irma yang selalu mendengarkan, membantu, menghibur, menemani serta menghiasi kehidupan dalam masa perkuliahan. 7. Intan, Fioni, Kevin, Aldo, Inge yang merupakan teman-teman peneliti selama masa perkuliahan yang banyak menghiasi kehidupan peneliti. 8. Teman SMA saya Lamria, Loventia, dan Rizky yang sampai sekarang setia menemani, sabar, peduli dan memotivasi serta memberikan dukungan- dukungan yang sangat berarti dalam hidup peneliti. 9. Teman-Teman di komunitas K-Pop Chijeuline yang telah koperatif dan menginspirasi peneliti dalam berkarya dan memberikan pelajaran-pelajaran baru dalam hidup ini. 10. Kepada diri saya sendiri yang sudah berusaha sebaik mungkin dan drama- drama, film Korea serta musik K-Pop yang juga menemani hidup peneliti. 11. Seluruh mahasiswa Ilmu Komunikasi FISIP USU dan teman-teman yang tidak dapat peneliti sebutkan satu persatu-satu. Peneliti menyadari kekurangan dalam penulisan skripsi ini. Oleh karena itu, peneliti menerima segala bentuk kritik dan saran yang dapat membangun. Akhir kata, terima kasih peneliti ucapkan sebesar-besarnya kepada semua pihak yang membantu dan mendukung hingga selesainya skripsi ini. Besar harapan peneliti semoga skripsi ini bermanfaat dalam menambah pengetahuan kita semua. Medan, 18 Maret 2018 Peneliti, (Farisa Amanda Harahap) v Universitas Sumatera UTara Universitas Sumatera Utara DAFTAR ISI LEMBAR PERSETUJUAN ............................................................................... iv HALAMAN PERNYATAAN ORISINALITAS .............................................. iv HALAMAN PERSETUJUAN PUBLIKASI TUGAS AKHIR ....................... iv KATA PENGANTAR ......................................................................................... iv ABSTRAK ...........................................................................................................v ABSTRACK .......................................................................................................... ix DAFTAR ISI ........................................................................................................ vi DAFTAR TABEL……………………………………………………………vii DAFTAR LAMPIRAN ……………………………………………………...vii BAB I PENDAHULUAN 1.1 Konteks Masalah ...........................................................................................1 1.2 Fokus Masalah ..............................................................................................7 1.3 Tujuan Masalah .............................................................................................8 1.4 Manfaat Penelitian ........................................................................................8 BAB II KAJIAN PUSTAKA 2.1 Komunikasi ............................................................................................9 2.1.1 Definisi Komunikasi .....................................................................9 2.1.2 Unsur-Unsur Komunikasi .............................................................10 2.1.3 Prinsip Komunikasi .......................................................................11 2.1.4 Fungsi Komunikasi .......................................................................12 2.1.5 Tujuan Komunikasi .......................................................................13 2.2 Komunikasi Organisasi..........................................................................14 2.2.1 Definisi Komunikasi Organisasi ...................................................14 2.2.2 Definisi Organisasi .......................................................................16 2.2.3 Elemen Organisasi ........................................................................17 2.2.4 Karakteristik Organisasi ................................................................18 2.2.5 Fungsi Organisasi ..........................................................................19 2.2.6 Definisi Kelompok ........................................................................20 2.2.7 Ciri-Ciri Umum Kelompok ............................................................21 2.2.8 Macam-Macam Kelompok ............................................................22 vi Universitas Sumatera UTara Universitas Sumatera Utara 2.2.9 Norma Kelompok ...........................................................................23 2.3 Komunikasi Antar Pribadi .....................................................................22 2.3.1 Definisi Komunikasi Antar Pribadi ..............................................22 2.3.2 Ciri-Ciri Komunikasi Antar Pribadi .............................................25 2.3.3 Tujuan Komunikasi Antar Pribadi ................................................25 2.4 Konsep Diri ............................................................................................27 2.4.1 Definisi Konsep Diri .....................................................................27 2.4.2 Aspek-Aspek Konsep Diri ............................................................28 2.4.3 Pembentukan Konsep Diri ............................................................28 2.4.4 Faktor Yang Mempengaruhi Konsep Diri ....................................30 2.4.5 Jenis Konsep Diri..........................................................................31 2.5 Teori Interaksi Simbolik .................................................................32 2.6 Korean Pop .............................................................................................33 2.7 Chijeuline ...............................................................................................35 BAB III METODOLOGI PENELITIAN 3.1 Metode Kualitatif ..........................................................................................37 3.2 Subjek Penelitian ...........................................................................................39 3.3 Objek Penelitian ............................................................................................39 3.4 Unit Analisis .................................................................................................39 3.5 Teknik Pengumpulan data .............................................................................39 3.5.1 Keabsahan Data ..................................................................................41 3.6 Teknik Analisis Data .....................................................................................42 3.7 Kerangka Pemikiran ......................................................................................44 BAB IV HASIL DAN PEMBAHASAN 4.1 Hasil Penelitian .............................................................................................45 4.1.1 Proses Penelitian .................................................................................45 4.1.2 Hasil Wawancara ................................................................................47
Recommended publications
  • Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public.
    [Show full text]
  • Fqp3p3qewe4o9fnuzuazjw8qv
    JTBC the most loved and trusted network by Koreans everywhere is now celebrating its 7th anniversary After growing in leaps and bounds over the past seven years, JTBC is again undertaking a ‘challenge’ Coloring your World, JTBC 3 JTBC had been working tirelessly over the past 7 years to provide differentiated contents in the changing global media industry. ‘Newsroom’ has become one of the nation’s most popular programs, attracting the largest audience in Korean history, providing coverage of landmark events, such as the Inter-Korean Summit. Starting with the drama ‘Rain or Shine’ JTBC has continued to expand its lineup with the addition of a Monday-Tuesday drama slot, increasing its depth and diversity. Also by producing hit dramas like ‘SKY Castle’ ‘Misty’ ‘Something in the Rain’ and ‘The Beauty Inside’, JTBC received rave reviews in the aspects of both quality and entertainment. The consecutive successes of JTBC’s season-based, non-scripted programs including ‘Sugar Man’ ‘Hyori’s Bed and Breakfast’ and ‘Hidden Singer’ have proven that JTBC is a broadcaster trusted and watched by many. ‘Wassup Man’ reached new heights in cross-media application by accumulating over 1.6 million subscribers on its YouTube channel. This marked the first time a digital non-scripted program produced by a domestic broadcasting company gained that many subscribers on YouTube. The JTBC media family—which includes JTBC2, JTBC3 FOX Sports, JTBC4 and JTBC Golf —have played a pivotal role in all areas of society from entertainment to lifestyle and sports. Going forward, JTBC will stop at nothing to provide viewers with even better content.
    [Show full text]
  • From the Caves and Jungles of Hindustan
    FROM THE CAVES AND JUNGLES OF HINDOSTAN. TRANSLATED FROM··THE RUSSIAN OF HELENA PETROVNA BLAVATSKY. THE THEOSOPHICAL PUBLISHING SOCIETY, 161, NEW BOND STREET, LONDON, W. [REPRINTED 1908.] Th.1a One 1111 II BUru- ,,..-, TRANSLATOR'S PREFACE. "You must remember," said Mme. Blavatsky, ccthat I never meant this for a scientific work. My letters to the Russian Alessmgcr, under the general title: 'From the Caves and Jungles of Hindostan,' were written in leisure moments, more for amusement than with any serious design. .. Broadly speaking, the facts and incidents are true; but I have freely availed myself of an author's privi­ lege to group, colour, and dramatize them, whenever this seemed necessary to the full artistic effect; though, as I say, much of the book is exactly true, I would rather claim kindly judgment for it, as a romance of travel, than incur the critical risks that llaunt an avowedly serious \Vork." To this caution of the author's, the translator must add another; these letters, as Mme. Blavatsky saYs, were written in leisure moments, during 1879 and 188o, for the pages of the Russkt" Vyestnik, then edited by l\1. Katkoff. Mme. Blavatsky's manuscript was often incorrect; often obscure. The Russian com­ positors, though they did their best to render faith­ fully the Indian names and places, often producecj, through their ignorance of Oriental tongues, fornis which are st:range. and sometimes unrecognizable. iv TRANSI.ATO:R'S PMPACB. The proof-sheets were never corrected by the author, who was then in India; and, in consequence, it has been impossible to restore all the local and personal names to their proper form.
    [Show full text]
  • Apr 29, 2019 Issue 4
    MONDAY, APRIL 29, 2019 / VOLUME 146, ISSUE 10 Campus Times SERVING THE UNIVERSITY OF ROCHESTER COMMUNITY SINCE 1873 / campustimes.org Remembering Joshua Luo Neon Trees Wows After Wait By SHWETA KOUL PUBLISHER “#notyourtypicalasianvio- linst. Aspiring hyperpoly- glot. Triple-sword swash- buckler.” These words introduce Josh Luo’s Facebook pro- file, a personal mission statement. In his picture, he stands with a bright smile in front of a foggy Golden Gate bridge. That smile, friends re- called, was something Luo always brought. “He doesn’t really stop smiling,” sophomore Ilene Kang, the cellist in his quintet, said. “In awkward or tense situations, he also smiles.” “I’ve looked through all of our group messages, past group emails, and he was always so enthusiastic and positive,” she added. Whether it was Luo prac- ticing his violin for hours, learning languages common and endangered, or fencing ELISSA MOY / UR PHOTO foil, friends and family re- Lead singer Tyler Glenn of the Neon Trees (shown above) performed with the rest of his band on UR’s annual Dandelion Day. member his usual positive demeanor. By WIL AIKEN “He was very quiet,” MANAGING EDITOR sophomore Yeahyun Son said. “He kept to himself, They braved the cold, the but he made a show of col- of the evening, harmoniz- from Spotify,” he said, be- but you could tell there was rain, the mud, and a two- lapsing during some of his ing with Glenn several fore flipping them and the a fire within him.” hour delay. By the time numbers. At one point, he times throughout, includ- rest of the crowd off as he Luo, a UR sophomore, things finally got going, conducted the audience ing a cover of the Human sang “Animals.” died on March 28, 2019.
    [Show full text]
  • Morales Lezica, Nacha Macarena
    BTS EN ARGENTINA Estrategia de Branding y Comunicación Morales Lezica, Nacha Macarena 79592 Lic. En Publicidad. Proyecto Profesional Medios y Estrategia de Comunicación 22/02/2019 1 Agradecimientos. El proceso de creación de este Proyecto de Grado se ha ido gestionando desde el descubrimiento del mundo del pop coreano, así que quisiera incluir, en esta página, a todos los que han formado parte de estos años: Quisiera agradecer, en primer lugar, a mis padres por acompañarme en mis pasiones, apoyarme económicamente en el desarrollo de mi carrera y mi desarrollo autodidacta como fotógrafa. Mamá, gracias por darme tanto amor y criarme con dulzura. A mi profesor de Maximiliano Crespi, por guiarme y exigirme durante la escritura de este Proyecto de Grado. A los profesores que, durante los estudios de mi carrera de publicidad, y cursos de fotografía, me han mostrado nuevas perspectivas creativas y herramientas para desarrollarlas. A mi profesor de coreano, por acompañarme en el aprendizaje del idioma y hacer que el proceso sea aún más divertido. Aunque nunca lo leerán, quisiera agradecer a Kai de EXO, por ser la causa de mi amor por el K-Pop, su idioma y cultura. Por otro lado, a Jackson Wang de GOT7 por inspirarme a estudiar chino mandarín, desafiarme a mi misma y mantener mi esencia dulce y creativa. A mi amiga Caterina, por acompañarme en toda esta locura del K-Pop e ir conmigo al primer recital de GOT7 (el más divertido) e inspirarme a dar lo mejor de mi. También quisiera agradecer a Lollipop media y Korean Make Up in Buenos Aires por aportar en mi investigación acerca del consumo del K-Pop en Argentina.
    [Show full text]
  • From the Caves and Jungles of Hindostan
    From the Caves and Jungles of Hindostan Helena Pretrovna Blavatsky The Project Gutenberg EBook of From the Caves and Jungles of Hindostan by Helena Pretrovna Blavatsky Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: From the Caves and Jungles of Hindostan Author: Helena Pretrovna Blavatsky Release Date: October, 2004 [EBook #6687] [Yes, we are more than one year ahead of schedule] [This file was first posted on January 12, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, FROM THE CAVES AND JUNGLES OF HINDOSTAN *** [[Transcribed by M.R.J.]] FROM THE CAVES AND JUNGLES OF HINDOSTAN Translated From The Russian Of HELENA PETROVNA BLAVATSKY Translator's Preface "You must remember," said Mme. Blavatsky, "that I never meant this for a scientific work.
    [Show full text]
  • Go Joo Won Taste of Dating
    Jun 04, · Actor Go Joo Won was spotted on a date with his 'The Taste of Love 2' partner Kim Bo Mi. Go Joo Won and Kim Bo Mi are currently featured as . Sep 20, · Oh Chang Suk – Lee Chae Eun And Go Joo Won – Kim Bo Mi Couples Say Goodbye To “Taste Of Dating” And Hello To Dating In The Real World TV/Film Sep 20, Go Joo-won (born Go Young-chul on October 16, ) is a South Korean actor. He made his acting debut in the boxing series Punch, followed by a supporting role in the revenge- themed Resurrection (). In , Go became a household name after appearing in the popular family dramas Bizarre Bunch and Famous Chil Princesses. He then played historical figures in two period dramas—King. Kim Bo Mi is a South Korean actress. She was born in Suwon, South Korea on May 15, , and began training as a ballerina at age 11, later going on to study dance at Seoul’s Sejong University. After appearing on a TV audition show, she caught the eye of drama producers and made her drama debut in “Painter of the Wind” (). She has gone on to feature in a number of drama series Height: 5'3" ( m). On March 22, Kim Go Eun revealed that she had broken up with her boyfriend of 8 months. Rumors began to immediately emerge that the reason for her breakup was a relationship with her Goblin co-star, Gong Yoo. The initial dating rumors began in February when Kim Go Eun deleted all photos from her Instagram and then uploaded a singular photo of her and Gong Yoo in wedding clothes.
    [Show full text]
  • Top 1000 Searches in Youtube Malaysia
    Top 1000 Searches in YouTube Malaysia https://www.iconicfreelancer.com/top-1000-youtube-malaysia/ # Keyword Volume 1 bts 443000 2 blackpink 374000 3 senorita 320000 4 upin ipin 262000 5 pewdiepie 254000 6 alan walker 238000 7 upin ipin terbaru 2019 215000 8 didi and friends 200000 9 on my way 194000 10 lagu raya 191000 11 alieff irfan 190000 12 twice 177000 13 k clique 176000 14 baby shark 174000 15 billie eilish 159000 16 lily 157000 17 doraemon malay 154000 18 miawaug 150000 19 cinta luar biasa 150000 20 boboiboy the movie 2 145000 21 lagu baru 2019 139000 22 syahmi sazli 136000 23 5 minute crafts 134000 24 boboiboy galaxy 125000 25 sumpah naim daniel 124000 26 mimpi k clique 122000 27 sepahtu reunion 2019 121000 28 kill this love 118000 29 running man 113000 30 kemarin seventeen 112000 31 dance monkey 112000 32 kill this love blackpink 111000 33 hutang floor 88 110000 34 minecraft 109000 35 zikir penenang hati 107000 36 taylor swift 107000 37 shin chan malay 106000 38 boboiboy 106000 39 exo 106000 40 oohami 105000 41 seventeen 104000 42 upin ipin keris siamang tunggal full movie 102000 43 mr bean 101000 44 蜡笔小新 100000 45 someone you loved 100000 46 omar dan hana 99000 47 old town road 98000 48 wwe 96000 49 movie 94000 50 yoga challenge 93000 51 bts boy with luv 92000 52 memories maroon 5 91000 53 ariana grande 91000 54 blackpink kill this love 88000 55 siti nurhaliza 86000 56 cocomelon 85000 57 gacha life 85000 58 beyblade burst turbo 82000 59 sex 82000 60 lagu 82000 61 laowu 82000 62 sweet but psycho 80000 63 hanya rindu andmesh 80000
    [Show full text]
  • Kpop-Textbook.Pdf
    Chapter 1: What is Kpop? K-pop (an abbreviation of Korean pop or Korean popular music) is a musical genre consisting of electronic, hip hop, pop, rock, and R&B music originating in South Korea. In addition to music, K-pop has grown into a popular subculture among teenagers and young adults throughout Asia, resulting in widespread interest in the fashion and style of Korean idol groups and singers. Kpop is . Culture One of the more problematic cultural aspects of Kpop is perfection. It’s like taking a mold and using it to shape young men and women into what they’re “supposed to look like.” Plastic surgery is acceptable and in most cases, preferable. It’s not an idea exclusive to the music industry; it’s a lesson taught starting in the home. Image is everything. The rich working class lifestyle is a goal that needs to be achieved. The pressures of achieving perfection – working hard, studying endlessly, and deconstruction of the face and body – are an everyday thing But Kpop also highlights everything that is amazing about Korean culture. There’s a term called the Hallyu Wave, which represents all of Korean pop culture: the music, the dramas, the beauty/skincare, the food, the traditional clothing, the importance of family and respect, and the history behind this beautiful country. For fans like me, there is no better feeling in the world than to see these artists live out their lives as happily as they can. I love to feel the music lift me up from the day’s chaos and give me the strength to set one foot in front of the other.
    [Show full text]