THE UNIVERSITY OF CHICAGO
ON LOVE: TRYPTICH BASED ON WILLIAM SHAKEPEARE’S ROMEO AND JULIET
(FOR TWO ACTORS, SOPRANO, AND ENSEMBLE)
A DISSERTATION SUBMITTED TO
THE FACULTY OF THE DIVISION OF THE HUMANITIES
IN CANDIDACY FOR THE DEGREE OF
DOCTOR OF PHILOSOPHY
DEPARTMENT OF MUSIC
BY
TOMÁS I. GUEGLIO SACCONE
CHICAGO, ILLINOIS
DECEMBER 2016
Copyright 2016 by Tomás I. Gueglio Saccone. All rights reserved. On Love - A triptych based on William Shakespeare’s Romeo and Juliet ! ! !!!Tomás I. Gueglio-Saccone !
I. PRELUDE II. “I WILL CONFESS TO YOU” – III. “THOU LOVE ME?” The second and third movements are to be performed without any pause in between (attaca)
Instruments Flute (doubling piccolo) (Suggested distribution of the ensemble) Bb Clarinet (doubling bass clarinet) Soprano Percussion - 1 player (vibraphone, marimba, crotales, bongos (2), woodblocks (2), bass drum, triangle, large tam-tam, sizzle cymbal) Harp Piano Actor I Actor II String quartet
Performance notes:
The work is based on a melody labeled Cantus Firmus. This melody hoquets between the different instruments. The instrument carrying the melody is always required to play espressivo. This melody is to sound as connected (legato) as possible.
The two streams of music and text are independent from each other. When they sound together, the suggested alignment points are approximate. The two exceptions are 1) the downbeat of m. 145 is to be aligned with the word “laughs” 2) In m.171 the violist is asked to wait for the actors to be through with their speech.
A note on dynamics: the normal speaking voice of the actors should be considered as mp (mezzo-piano). The dynamics in the music are to be adjusted accordingly depending of the conditions of the performance space.
Flute: -Air sounds are notated as an empty rhomboidal notehead. - ! air – ! sound is notated as a filled rhomboidal notehead. Soprano: - Air sounds are written as an empty rhomboidal notehead. An arrow from a regular notehead to an empty rhomboidal notehead means “progressively turning into air”. An arrow from a regular notehead to an empty rhomboidal notehead at a different pitch stands for “turning into air while glissando.” -The text is notated in IPA (when in doubt about some of the sounds visit http://www.internationalphoneticalphabet.org/ipa-sounds/ipa-chart-with-sounds/) An arrow between vowels stands for “progressively turn X-vowel-sound into Y-vowel-sound. - p(a), k(a) etc…: percussive sound. When the notehead is x-shaped, the vowel is breathy and almost silent. - o(nm): nasal consonants trill. Sing the vowel and then very rapidly switch between an “m” and an “n” sound.
Percussion: - No specific mallets are indicated. Mallet choices are left to the discretion of the performer. Harp: - To perform the caressing glissando use the skin of the finger. The desired sound is an almost seamless sigh. - When a xilo is notated next to a two note interval “mute” only the note with an x-shaped notehead. Piano: - 3 special types of noteheads are employed 1. Filled rhomboidal notehead = pluck string inside the piano. The desired effect is a naily and nasal sound. 2. Empty rhomboidal notehead = mute string(s). The desired effect is a muffled sound with a sharp attack and a rich lingering resonance (in mm. 40 and 131 the frame of the piano might get in the way of the muting, in that case mute the strings on their farthest end) 3. Empty square notehead = glissando inside the piano (mid-range). Use preferably the skin of the finger. The desired sound is an almost seamless sigh (the specific pitches and length of the glissando can be adapted to the specific frame of each piano). Strings: - Harmonic pressure is indicated by an “H” (plus the usual empty rhomboidal notehead). An arrow pointing to an H means: “progressively diminish left hand pressure until reaching harmonic pressure”. The desired effect is all air noise or, depending which string the harmonic is performed on, a natural harmonic. - ov.pr. = over-pressure - + = hammer on - 3 contact points (sut tasto (ST), ordinario (ORD), sul ponticello (SP). Except for “pizz” and “arco”, ALL INDICATIONS REMAIN VALID ONLY UNTIL THE END OF THE MOTIVE THEY ARE APPLIED TO. After the motive is done, performing technique defaults to ORDINARIO for point of contact, NORMAL bow pressure and REGULAR left hand finger pressure.
SCORE IN C
TOTAL DURATION: ca. 17’
! """! TEXT - I Will Confess To You
(Notes: the three different types of fonts are a trace of the compositional process and do not imply any specific performance indication. The thick bars indicate suggested phrasing. Ultimately, phrasing is to be determined by the actors) ! ! A you that I love him that you love me ! B I will confess to you that you love And therefore have I little talk’d of love ! ! ! A sure that you that you love me I cannot love I will confess to you that I love him am sure B do not deny to him that you love love me? am sure that ! ! A I cannot love I am some grief shows much of my love B that I am sure my lord my ! ! A You love me I sure that you love me ! B friend I cannot love love give me strength! ! ! ! A Do not deny to him that you sure that you love me Sure that you love me B Do not deny to him that you love me Get thee to thy love, thy dear love sworn me, I ! ! A kill that love which thou hast vow’d to cherish that ornament to shape and love am sure that you B kill that love me? love me. I you love me ! ! A and therefore have I little talk’d of love am sure that you love me Thou pout’st upon thy fortune B love me, I me, I am sure that and thy love
A I will confess am sure that you love me my lord my friend I am sure B I will confess to you that I love him that you love my love you love me sure that ! ! A am sure that thy love shows much of love But thankful even for hate that is meant B thy shape thy wit grief, shows much of you love me, I am
A love I am sure that you love me O, I have bought the mansion B you love me I am sure that all the world will be in love with night, and pay no worship to the garish sun
A of a love and not posses’d it of a love, I have not yet enjoy’d You love me, I B that you love me, I am sure that you love sure that you love me, I ! ! A have bought the mansion of a love I am sure that you love me have bought the mansion B that you love me I have bought the
A A love, I have bought Love performing night, with thy black mantle till strange love B sure that you love me have bought the mansion of a love love performing ! ! A All the world will be in love with night I have bought the mansion of a love B night with thy black mantle, till strange love grown bold a love, I have bought
A the reason I have to love thee B love thee better than thou canst device
! "#! A The reason I have bought the mansion of a love love, I have bought the mansion love devouring B to love thee love performing night the mansion of a love
! A Till thou shalt know the reason of my love B love devouring death, with thy black mantle till love moderately, long love doth so
A But my true love has grown to such excess, for this driveling love is like a great natural. B Think true love acted modestly But my true love has grown to such excess
A love devouring death have bought the mansion of B nimble-pinion’d doves draw love whom I love now ! ! A a love whom thou didst love so dear My heart’s dear love is set bought the mansion of a love B this driveling love is like love I have bought love moderately
A I have bought whom I love now of a long what says my love? B this bud of love I have bought the mansion love
A Is it not better now than groaning for love B Remembering how I love thy company love goes toward love ! ! A But love from love, to turn your household’s rancour what says my love? love goes toward B to pure love Bought the mansion of a love
A love If my heart’s dear love have bought whom thou didst love so dear B love is grown to such excess, and bads’t me bury love have bought the mansion of
A Lest that thy love prove likewise variable Remembering how I B Dear love, isn’t it better now than groaning for love? My heart’s dear love is set ! ! A love love performing night, if thou dost love ! B bought the mansion of a love me pronounce it faithfully and not impute this yielding to light love ! ! ! A What says my love? All the world will be in love with B If thou dost love me pronounce it faithfully Thou know’st the mask of night is on my face ! ! A Dost thou love me? Dost but thou love thou prodigious birth of love it is to me. Me? ! B Else would a maiden blush bepaint my cheek, For that which thou hast heard me speak to-night Fain would I dwell on form, fain, fain deny ! ! ! A Dost thou love me? If love be blind, by love, dost thou love cannot hit the fair for which love groan’d B Dost thou love me? I know thou wilt say ‘Ay’ And I will take thy word; yet, if thou swear’st, Thou mayst prove false;
A B at lover’s perjuries, They say, Jove laughs !!! ! ! ! END CUE 1 – in around 45’’ attaca “Thou Love Me”
! "! TEXT - Thou Love Me ! ! A thou love me? Did my heart love till now? Pronounce but love and Thou love me? B me? thee better than the fair for love groan’d and would die
A wanting of thy love Dost be but sworn my love, for stony limits cannot hold myself B thou love me? Did my heart love till now? thee better than
A that I must love a loathed enemy love B I love I love their course of My only love sprung from my only
A prodigious birth of love And they dream of me? B better than myself I pronounce but love and dove love thee better than
A It is my love and what love can do that dares love attempt for stony limits cannot B Is love a tender thing? Love thee such as ! ! A If love be blind call me but love Dost thou dream that I must love a loathed enemy B I love what love can do that dares love me?
A me? Dost love me? B thou love me? Dost thou
A prick love for pricking be rough with love, for stony limits be rough with this B myself, I love that heaven finds means to kill your joys with love ! ! A sir-reverence prodigious birth of, who is that you love? B Love is a smoke raised with the fumes of the fair, for which love groan’d and would die of
A love thee better than myself that feel no love in this B love Thee better pronounce but love and dove of this
A precious book of love whose views are muffled still precious book of B smoke raised with the fumes of sighs
A and they pronounce but love B their course of love and dove
A Dream of love such as I love and they beat love down, so gentle B This love that thou hast shown better than myself
A Myself, I feel no love in this love, whose views are muffled still B I prick love for pricking better than one that you love love is a smoke raised with the dream of love
A they dream of love such as I love Death , that hath suck’d the honey of thy breath B love so gentle in his view and dream of Is love a tender thing?
A Hath had no power yet upon thy beauty B love, How sweet is love! myself I love stony ! ! !
! "#! A Thou art not conquer’d beauty’s ensign yet, is crimson in thy lips and in thy cheeks B limits My only love sprung from the honey of
A And death’s pale flag is not advanced there B thy breath This love that thou hast shown hath had no power yet upon thy beauty
A better than myself B thou art not conquer’d beauty’s ensign yet
A dream of and they dream of I love better than B myself I thee death’s pale flag for stony limits cannot hold love out
A where I am in love Why art thou yet so rough with love B The Fair for which love groan’d and would die is not advanced there Fair? ! ! A unsubstantial death is amorous keeps thee here in dark to be his paramour? ! B Shall I believe this love that thou hast shown and that the lean abhorred monster forsworn to love ! ! ! A for fear of that stay with thee palace of dim night love, depart again B And they I still will dream of love and never from this fearful passage of their death mark’d
A Here’s much to do with love with worms that are thy chamber- maids death mark’d love B Here Here will I remain O here will I set up my everlasting rest
A They dream of love this sir-reverence love B and shake the yoke of only hate
A inauspicious stars From this world-wearied flesh Eyes, look your last! B And they dream of love, and they dream of Arms, take your last embrace!
A And lips of breath and they dream of love B O you the doors of love seal with a righteous kiss a dateless bargain to engrossing death of love, and they
A Come, bitter conduct! love , and they now at once run on the dashing rocks B Come unsavory guide! Thou desperate pilot
A And they dream of love dream of love They dream of love in love B thy sea-sick weary bark in love such as I love and they dream of love ! !
! "##! On Love
(Triptych based on William Shakespeare's Romeo & Juliet) Tomás I. Gueglio - Saccone Moderato, Dream-like. Somewhat freely I. Prelude
q = 64 Flute 4 & 4
Clarinet in B b 4 & 4
Soprano 4 & 4
4 & 4 Percussion
ã 4
! #echoing #echoing # # caressing p.d.l.t p.d.l.t ! 3 bœ. nœ m œ œ œ œ œ œ œ n œ œ œ œ œ ? 4 œ " ? nœ Ó mœ " ? m œœ J R J 4 & " $ Œ ‰ Œ & ‰ Œ & ‰ ‰. ‰ R mœ J J Harp 3 p.d.l.t bœ. ! p.d.l.t n mœ nœbœ œ œ j n n m ? nœ œ b œ ? ? œ. nœ ? œ ? 4 œ œ & ‰ . & Œ $ j Ó j ‰ & ‰ $ J ‰ $ Œ & ‰. r Œ Œ ‰ 4 R J mœ . mœ J n j R mœ J o œ . o p P # # # F # p P F
4 & 4 Piano ? 4 4
Cantus Firmus œ œ n m m œ œ œ œ mœ. ˙ m˙ œ œ œ. œ . mœ ˙ œ œ (Tacet al fine) ? 4 œ œ œ 4 R #
A Actors (TACET UNTIL II. "I will confess to you") B Moderato, Dream-like. Somewhat freely
q = 64 Violin I & 4
Violin II & 4
Viola B 4
Cello ? 4
1 2 3 4
1 Fl. &
B Cl. b &
Sop. &
& Perc
ã
3 ! ! bœ p.d.l.t ! nœ œ p.d.l.t nœ œ. . ! bœ. bœ . j j œ n œ b œ œ œ mœ œ mœ œ ? j J ? œ J " mœ J ? j Œ mœ ‰ $ & ‰. r Œ ‰ Œ & Œ $ . $ ‰ ‰ $ nœ & J ‰ & J nœ J œ j J . ! œ p Pespressivo # P p # echo. # Hp. p.d.l.t # caressing 3 p.d.l.t nœ. œ mœ bœ œ œ œ œ œ œ " ? œ r J ? nœ ? J r ? j R ? ‰ ‰. nœ Œ & $ ‰ Œ & j ‰ $ ‰ Œ & Œ $ mœ ‰ Œ bœ! ‰ & ‰. ‰ ‰ j mœ j ! mœ caressing J œ # P # #echoing œ . F # #
& Pno ?
C.F. ˙ œ œ œ ˙ (tacet) ? . & m˙ œ œ œ œ œ œ œ œ b . œ. œ œ ˙ œ œ. œ
Vln. I &
Vln. II &
Vla B
Vlc. ?
5 6 7 8 9
2 A tempo - Poco più mosso
A tk q = 72 air pizz Fl. n b· Œ $ · ‰ Ó $ . Œ j ‰ Œ & R J mœ # ! . ƒ F Bass Clarinet
B Cl. b & Ó m˙ œ. œ œ ˙ p espressivo poco cresc. P
! # Sop. & Ó ‰. r œ œ ˙ · a o . i
Vibraphone rall. tremolo High WB
œ. & æ æ j ‰ Œ ã ‰ Œ m˙ ˙ œ J Perc ! # sust# ped
ã
! p.d.l.t p.d.l.t mœ. ! ! j œ bœ. ? r bœ j nœ ? j J ‰ Œ ‰. nœ Œ & $ ‰ Œ j ‰ Œ nœ ‰ Œ b ‰ Œ œ ‰ Œ & ‰ Œ ‰. R Œ & n j R œ (xilo)‹ œ n˙ # Hp. F P # p P caressing # œ œ . " ? j J ? bœ œ j nœ ‰ Œ & ‰. r Œ $ ‰ Œ ‰ Œ Œ ‰ j ‰ Œ nœ ‰ Œ & Ó ‰. R ". Œ Ó nœ !J J nœ œ! #caressing F # # #caressing
! (muted) œ. m & œ ‰ Œ Ó Ó Œ ‰. r J · Pno > # f ? j ‰ Œ Ó n sust ped œ. %
C.F. (tacet) ˙ & n œ œ ˙ ˙ b˙ ˙ mœ œ œ œ œ. ˙ m˙ œ. œ œ ˙ . œ
A tempo - Poco più mosso
A q = 72 ST Vln. I & Ó m˙ œ. œ œ ˙ ! echo # flaut. flaut. molto molto SP ST Vln. II · . · & j ‰ Œ Ó Œ $ œ. œ ‰ Œ bœ !J J > f P
pizz. arco flaut. ! jètè ST nœ. · Vla bœ b · r B Ó & J ‰ Œ B ‰ " b œ Œ ‰. œ J ! # #
arco pizz. œ mœ œ œ Vlc. ? . ? & Ó Ó bœ " . ! Pespressivo p F 10 11 12 13 14 15
3 1/2 sound bœ air [ ] œ. h Fl. j Ó J ‰ Œ ‰. b r j ‰ Ó Œ J ‰ & $ · . · Œ ‰. ær æ æj ‰ Œ & œ œ œ œ ! ‚ ‚ ‚ # # ƒ ! Fespressivo poco cresc. # P
sl.t. B Cl. nœ b ? r j œ. ? n·. œ & Œ ‰. bœ Ó Œ & ‰ œ " " ". bœ ‰ ‰ j Œ ‰ Œ ‰ J Ó Ó Œ & m˙ . ! J bœ J ! œ ! # P # sub. #echo # #
# ! Pespressivo F p #echo F bœ. # > Sop. ‹ R ‹. & Œ ‰. r j ‰ Ó Œ $ ‰ Ó Œ ‰. Ó ‰ Œ n œ ˙ œ ˙ œ · R a J œ œ. . œ n e p(a) k(o) u o i Wood Blocks Vibraphone D.S j œ ã Ó & Œ $b r‰ Ó Œ ã ‰. œ œ. R Perc S. Cymbal Bass Drum Triangle p Low Bongo # (on bell) Ó Œ œ ‰ ‰. œ Œ Ó Œ $ œ. Ó Ó Œ $ œ. ‰ ã J R J R # # # p rall. trill ! bœ. p.d.l.t Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j J & ‰. b œ m r j ‰ Ó Ó ‰ Œ Ó Œ j ‰ œ œ ˙ œ œ caressing mœœ ! # Hp. # p L.V. bœ ? bœ ? j ‰. Œ ‰ Œ & Ó . Ó Œ œ ‰ & R j bœ nœ ! P . # F # ! œ. ! bœ. œ. & Ó Œ ‰ J Œ $ ‰ Ó Pno (plucked) # ? j ? Ó Œ & ‰ n‚ ‰ j Œ Ó Œ j ‰ Ó & sust ped n mœ œ. . %# %
C.F. (tacet) & bœ ˙ œ nœ œ œ b n nœ ˙ ˙ œ œ œ. nœ. ˙ œ bœ ˙ œ œ. ˙ œ œ. . œ
flaut. molto pizz. arco >œ ST ST . bœ r Vln. I b Œ $ J J ‰ Œ ‰. œ Œ ‰. r j ‰ Ó Ó ‰ Ó & ! bœ bœ œ œ œ j bœ ˙ n˙ ! bœ œ œ œ . Íp p #echo ! #echo
flaut. jètè jètè jètè H H H ST SP ST Vln. II j n b· Œ ‰ b · Œ Œ ‰ j ‰ $ j · Œ Ó ‰ j ‰ Œ & œ nœ · nœ œ œ j bœ mœ " J ! œ ˙ œ . ! œ . ! # # p ! #echo #
SP ov.pr. ST
Vla mœ. œ œ œ b œ ˙ B · ‰ Ó œ ‰ B ‰ nœ ˙ œ bœ ˙ œ œ. ˙ Ó Œ ‰. J & J . R ! J poco cresc. P # fespressivo P p #echo
arco flaut. molto pizz. ov.pr. pizz. + b II b ˙ œ œ œ nœ n œ. · œ. Vlc. ? j " " " ·. R J Œ Ó $bœ ‰ Ó II $ $ ‰ Ó Œ & ‰ Ó . J ! poco cresc. ! # ƒ # F P 16 17 18 19 20 21
4 air [ ] pizz. h Fl. r j & Œ j ‰ Ó Ó ‰. bœ œ œ œ œ ˙ œ m Œ ‰ m· · · nœ . mœ œ ˙ ˙ œ ! espressivo P P ƒ fl f p P poco dim. f sl.t. m·. B Cl. ? j ? b ‰ Œ Œ Ó Œ nœ ‰ ‰. R Œ Ó j ‰ Œ Ó & æ æ æj ‰ & j ˙ nœ ˙ œ œ œ nœ œ ! . ! ! ! # # (poss.) # #echo
# Pespressivo F # nœ. F Sop. > Œ Ó & J ‰ Œ Ó ‰. n¿ Œ Ó m œ & o m˙ œ œ œ œ œ œ œ œ. œ R o (nm) . u i m k(a) rall. trill Marimba rall. trill Vibraphone D.S Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ n j r j j ã Ó &‰. œ mœ œ ˙ œ œ ‰ ‰ mœ Œ Ó ! . Perc # S. Cymbal # High WB (scraped) œ ‰ Œ Ó ‰ œ. Œ Ó ã J J # # ! nœ. bœ. p.d.l.t mœ nœ m œ Ó Œ J ‰ Ó $ R ‰ Œ J ‰ $ œ . Ó & J Hp. # P # œ. ? Ó Œ œ ‰ Ó $ r ‰ Œ Œ $ J Ó J m œ œ. # (plucked) ! !‚ nœ. J bœ œ ˙ & Œ ‰ Ó Œ ‰ Ó Ó ‰. R Ó Pno # L.V. # nœ ¬ · . ? œ . J ? & Œ Œ Œ ‰ J Ó Ó ‰ r Œ Ó & ‰ Œ #caressing p œ sust ped sust ped .
C.F. (tacet) & bœ œ bœ œ œ œ œ ˙ œ m œ œ œ mœ œ œ œ œ œ n˙ œ œ . . mœ œ ˙ ˙ œ. .
pizz.
flaut. jètè H ! arco molto bœ ST Vln. I r · Œ ‰. bœ J ‰ Œ Œ J ‰ Ó ‰. r j ‰ Œ & œ œ III b· m m˙ œ œ œ œ n˙ ! œ œ ˙ . ! # # pespressivo P ƒ #echo arco flaut. flaut. pizz. flaut. molto molto molto ST ov.pr. H n pizz. ST œ. j œ. r Vln. II œ j œ R mœ r & Ó œ ‰ Œ Œ bœ œ ‰ Œ Ó Œ ‰ ‰. r Œ Œ $ ‰ ‰. nœ Œ Ó Œ ‰. · > J mœ œ · > IV f Fespressivo f # # ƒ # f f ov.pr. arco jètè . pizz. ST ST SP j · Vla b œ ˙ œ. · n œ B œ n˙ Œ Œ œ ‰ ‰. · Œ Ó Œ ‰ $ œ ‰ Ó ‰. œ . IV J J ! J R ! !J R ! #echo # # arco # # flaut. molto flaut. ST ST SP ST j Vlc. ? nœ j ? Ó ‰ Œ Ó & ‰ j œ œ œ œ ‰ Ó ‰. r Œ & b œ bœ œ œ . m · · > ! m œ . œ f #echo # 22 23 24 25 26 27
5 Poco meno q = 58 B ord air 1/2 sound [ ] [ ] [ ] h h h U Fl. b˙ · & Ó Ó Ó & Œ. $ j b‚ b‚ Ó & æ æ ‚ . ‚ ‚ ! J echo # P # sl.t.
B Cl. U n·. b ? j Ó ‰ J Œ Ó bœ œ ‰ Ó & b b˙ b n j ‰ ! ˙ ˙ ˙ œ œ F ƒ # espressivo p poco dim.
# ! # echo U # nœ. Sop. j ˙ œ œ Œ Ó b· ‰ Œ J ‰ Œ Ó & b˙ i n˙ (non dim) n o L Marimba D.S Vibraphone rall. tremolo bœ. U Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j Ó Ó $ ‰ Œ Ó Ó b œ b b˙æ ˙æ Ó & œ ˙ ˙ ! Perc High Bongo Bass Drum R sust# ped Low Bongo UÓ ‰ œ. ‰ œ. $ œ. Œ Ó ã J J J #
bœ. as fast as possible rall. tremolo U b‹ b & Ó ‰ j Œ Ó (xilo) ‰ Œ œ mœ Œ Œ œ J Hp. P # U ? j ? Ó ‰ œ Œ & œ mœ Œ Œ ! ! #
!œ. (muted) U nœ j j & Ó ‰ J Œ Ó b· ‰ Œ b· ‰ Œ Ó Pno # F p ? U j Ó ‰ œ Œ sust ped œ.
C.F. U j œ œ b (tacet) ˙ œ œ. œ . ˙ œ b˙ b b˙ b n & œ. œ ˙ ˙ ˙ ˙ œ œ mœ.
Poco meno H (normal q = 58 B ST ov.pr. pressure) flaut. Vln. I U j j Ó Ó ‰ œ œ œ œ. œ $b bœ ‰ Œ Ó Ó Œ $ j & · · · ˙ ! mœ . #echo F # #espressivo arco ov.pr. ST pizz. . Vln. II U b j Ó Ó ˙ Ó bœ ‰ Œ Ó Ó Œ $ j & mœ . ! J # echo P p
U b˙ œ Vla B Ó Ó Ó œ. œ ˙ ! Pespressivo p F
ov.pr.
U mœ. Vlc. œ œ nœ ? n ? Ó & ‰ œ. œ . Ó ‰ Œ Ó Œ $ œ ‰ b˙ J R ! p pespressivo F P F 28 29 30 31 32 33
6 tkt bœ . ord air bœ Fl. j Œ j ‰ $ R ‰ Œ Ó ‰ j œ œ œ œ ‰ Œ $ j æ Ó Œ J ‰ & & · œ œ œ . œæ œ · poco cresc. . # F # pespressivo P # P ƒ
sl.t. B Cl. ? r b & Œ $ j Œ Ó ‰ æj æ æ æ æj ‰ $nœ ‰ Œ Ó Ó & j ‰ Œ Ó ˙ mœ œ !œ œ ˙ œ œ! · . poss. . > ! # # #echo #echo f
! # ! #echo ! espressivo F p mœ. # P Sop. j ‹. J b˙ & œ Œ Ó ‰ œ œ œ ‰ Ó ‰ Œ Ó ˙ ˙ m Jp(a) p(i) i a n
Vibraphone
D.S b j & Ó œ. ‰ Œ S. Cymbal P Perc Tam-Tam Low WB Triangle (on bell) Ó Œ ‰. œ Œ $ œ. Ó w Ó œ ‰ Œ ã æ R J # even (senza dim.) J # # #
3 p.d.l.t !œ. bœ mœ œ nœ Ÿ~~~~~~~~~~ j r b œ & Ó Œ ‰. mœœ Ó Œ ‰ J Ó ‰ Œ Ó m˙ Hp. !œ œ " ? mœ ? Ó Œ ‰. Ó Œ & ‰ J mœ Ó Ó j ‰ Œ Ó ‰ Œ R . bœ J caressing . % ! bœ. (plucked) ! nœ b‚. J J & Œ ‰ Ó $ Œ Ó · Pno # ¬. œ ? Œ j ‰ Ó $ J Ó ‰ Œ Ó nœ J . #caressing F % sust ped sust ped #
C.F. (tacet) b b œ ˙ œ œ. œ œ œ œ œ œ ˙ ˙ ˙ & œ œ œ œ. œ œ œ œ. ˙ ˙
pizz. arco flaut. bœ. molto ST jètè > Vln. I · j œ œ ˙ œ ‰ Œ Œ ‰. R Ó Œ $ r‰ Ó Ó ˙ Œ ‰ & œ œ œ œ œ ˙ ! . # #echo J p P p R # f flaut. ST arco III Vln. II n· r j b j & " ‰ Ó Œ ‰. œ ˙ œ ‰ Œ Œ ‰ œ œ œ ˙ " " J ! œ ˙ ! # . echo Fespressivo p poco cresc. #
pizz. H arco jètè H pizz. ST SP œ. n n b· · Vla ˙ " ". · œ. œ B Œ . Ó Œ & ‰. R ‰ Œ Œ B $ . J ‰ ‰ Œ Ó & J III J ! J ! # p # F #
flaut. ST ST SP ST III 3 ORD œ ˙ Vlc. j j ? · · · · · bœ ˙ j ? œ Ó Œ Ó $ · · · · ‰ Œ & ‰ ˙ ˙ œ ‰ Œ Œ ! IV ! #echo ! # pecho Pespressivo p poco cresc. # 34 35 36 37 38 39
7 ord air bœ. tk 1/2 sound pizz. nœ Fl. n bw · J j œ. R n· m‚ ‚ & ‰ Œ Œ ‰ Œ $mœ ˙ Œ ‰ ‰ $ Œ Œ ‰ Ó Ó $ . !J . J J # pespressivo poco cresc. J echo # # # #
sl.t. B Cl. b˙ ? n b b˙ ˙ Ó Œ $ j j ‰ ‰ j Ó ·. ‰ Œ Œ & nœ ˙ œ ‰ Œ & mœ " " œ nœ ! . ! J J ! # echo Pespressivo f ppoco cresc. # #
! # P # #echo ! ! nœ. # F Sop. b˙ ˙ nœ j bœ nœ m· & Ó ‰ Œ Œ $ R ‰ Œ $mœ ˙ Œ $ . ‰ Œ Ó i (nm) aJ o L . J rall. trill i n e
Marimba rall. trill Bongoes
b j Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j œ w œ œ œ . & ‰ Ó Ó ã Œ œ ‰ # J ! J Perc # High WB b ã Ó Œ $ œ. œ. ‰ # rall. trill !b ~~~~~~~~~~~ œ. nœ. nœ. m‹ . & ˙ !Ó Œ $ J Ó (xilo)$ Œ Ó # J Hp. F !b ? œ. " ? bœ Œ & $ J ‰ !J #caressing
(muted) ! ! bœ œ b· nœ J & Ó J ‰ Œ J ‰ Œ ‰ Œ Pno 3 F 3 3 3 œ nœ n j ? j ‰ ? ‰ ‰ Œ b j ‰ ‰ ‰ Œ ‰ ‰ œ Œ & œ J J œ j & nœ sust ped œ Fdolce in foreground # sust ped
C.F. b˙ m œ (tacet) b˙ ˙ n˙ œ œ m mœ œ œ ˙ œ œ. ˙ & mœ. ˙ ˙ œ œ .
ov.pr. H flaut. molto ST ST SP ST > Vln. I · j Ó b˙ Ó ˙ . ‰ Ó nbœœ ‰ Œ m˙ œ œ mœ œ Œ & . ! ! #echo #echo # J f H jètè ST SP
Vln. II b· œ n m œ ˙ œ mœ ˙ ‰ Œ Ó . mœ Ó ˙ œ Œ m˙ œ œ œ. œ . Œ & J ! ! ! #echo #espressivo p f P poco cresc. arco flaut. ST pizz. arco molto œ n˙ œ œ · · Vla œ. œ b˙ Ó B j ‰ Œ J ‰ Ó & Ó & $ ‰ Ó Œ B & IV · J J ! espressivo poco dim. ! Fespressivo #echo p P ƒ
arco flaut. pizz. flaut. molto molto nœ ST b· j j Vlc. ? J ˙ ? j œ b · · ? ‰ Œ Ó & Ó Ó ‰ nœ Œ m · ‰ Œ Ó & $ œ . œ ‰ ˙ ! . ! > !J ! #echo f p ƒ
40 41 42 43 44 45
8 C Poco più mosso
[ ] [ ] ord airh nœ. 1/2 sound w q = 66 Fl. ‚ ‚ œ œ · J ‚ ‚ ‚ r Œ ‰. Œ ‰ Œ Œ ‰. Œ Ó Œ ‰. mœ ˙ œ n & still œ œ œ œ. œ ! R # R ! # P ƒ #echo P(doubling vln. II)
B Cl. r b . œ œ œ bœ œ œ. œ œ œ. œ œ œ ? j & ‰ . Œ Ó Ó $ œ . œ espressivo P p F p poco dim. (doubling cello)
! Flegato, espressivo. In foreground. # p Sop. m œ ˙ œ . bœ " " . nœ œ œ œ œ œ œ. & Ó ‰ " . m· Œ ‰ J ‰ Œ Ó LR o iR u o
Vibraphone (loco) Marimba D.S mœ. Ó ‰. œ. Œ Ó Œ ‰. ã & R bœ Perc F S. Cymbal R Bass Drum (on bell) %# ‰. œ Œ Ó Ó ‰. œ Œ ã R R # #
p.d.l.t rall. trill
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ !bœ b j r . œ mœ œ ˙ n J & ‰ ! Œ œ ‰ # Hp. # caressing 3 bœ œ ? b j bœ j ‰. R ‰ Œ œ Œ ‰ & ‰ œ ‰ Œ J ‰ bœ J Pdolce ...perdendosi...
!bœ. bœ r ‰. R Œ Ó ‰. n · Œ Ó & œ Pno # # ? r & ‰. bœ Œ Ó b sust ped œ. % #
C.F. w œ. b œ œ œ b œ œ œ mœ œ œ œ œ ˙ œ mœ œ œ (tacet) & œ œ œ. . œ œ œ. œ œ œ. . œ œ œ. œ œ œ . œ. œ
C Poco più mosso pizz. arco flaut. jètè H q = 66 bœ. molto poco SP b· Vln. I r r m ‰. R ‰. b Œ ‰. nœ J ‰ Œ Œ ‰. œ ˙ œ œ œ œ œ. œ & b œ· œ· # ! ! R ƒ F Fpoco vib ov.pr. H ORD SP ST poco SP bœ. Vln. II . bœ . bœ œ œ œ . · œ œ œ œ. & ‰ Œ ‰ $ Œ Ó Ó ‰ mœ ˙ œ nœ œ œ œ. œ R R ! J echo ! # # # F poco vib
ST poco SP w œ. bœ œ œ. œ œ œ œ œ œ Vla m B Œ ‰. R Œ Ó ‰ œ œ œ œ. œ still ! J p poco dim. #echo P F poco vib
pizz. arco poco SP nœ Vlc. r " r ? ? ‰. bœ J ‰ Œ & ‰ $ · Œ Ó Ó $ j + I œ . œ ! poco vib # # F 46 47 48 49 50 51 52
9 D
U Fl. nœ œ œ n bœ ˙ œ & œ mœ ˙ Œ Œ Ó Ó ‰ œ. œ œ œ Œ ! J F espressivo p P poco dim.
timbral tr. sl.t. ~~~3~~~~~~~~~ U j B Cl. n· b œ b ? & Œ Œ Ó Ó ‰ Œ Ó Œ ‰ œ œ bœ œ œ œ œ ˙ œ mœ ˙ J æ ! ! p # ƒ # ! f bœ. # p U m Sop. > œ. j Œ Œ Ó $ ‹ ‰ ‰. R ‰. Œ ‰ bœ · ‰ & a oR p(e)R mJ a
Marimba
!nœ. U & Œ Œ Ó Ó $ ‰ Œ œ Perc R High WB Low WB High Bongo % 3 # 3 U Œ Œ Ó Œ ‰ œ. ‰ ‰ ‰ œ. Œ Ó Œ ‰ œ. ã J J J p # #
bœ. Ó ‰. n‹ Œ & (xilo) Hp. R F ? &
! nœ U r nœ nœ J & Œ Œ Ó Ó Œ ‰. n œ Ó ‰ Œ Œ J ‰ Ó Pno 3 # 3 3 3 bœ 3 U j ? œ bœ ? Œ Œ Ó & ‰ bœ ‰ ‰ ‰ ‰ ‰ j Œ ‰ ‰ Œ ‰ j ‰ Œ J œ J bœ Pfloating, espressivo. In foreground % sust ped
C.F. U (tacet) œ m œ ˙ œ œ œ œ bœ ˙ œ & œ ˙ mœ œ œ œ œ. œ mœ œ œ. œ. œ œ œ . œ œ
D ST U ST Vln. I œ m bœ ˙ & œ ˙ œ œ m˙ œ œ œ. œ Œ Œ ‰ ! J echo # # echo
ORD ST U Vln. II nœ œ œ ˙ œ r & œ mœ ˙ œ œ œ œ . mœ œ œ. ‰ Œ Ó ‰. œ espressivo J p F poco cresc. #
ST œ ˙ œ Vla U mœ œ œ. B œ mœ ˙ Œ Œ Ó Ó Œ J ‰ Œ Ó ! ! # echo
ORD ST U Vlc. ? œ œ œ j r œ m Œ Œ Ó & ‰ œ. œ œ œ ‰ ‰. œ œ œ ˙ ! J ! espressivo #echo p
53 54 55 56 57 58
10 1/2 sound air bœ pizz. · · b> b‚ ‚ ‚ Fl. R œ & Ó J ‰ Ó $ ‰ Œ Œ ‰ J Ó Œ ‰ J ! # ! ƒ F #echo
b B Cl. r bœ œ œ bœ œ œ œ œ œ œ. n mœ. b & ‰. œ œ ˙ Œ ‰ ‰ Œ $ œ ‰ Œ $ ‰ ! J J J !J R #echo f espressivo P F # p
# #echo sub. # #espressivo p ! f bœ. # nœ b b· > . Sop. J b b· œ " mœ & ‰ Œ Œ ‰ œ ˙ œ " Ó Œ ‰ J ¿ Ó $ R ‰ Œ Ó ˙ œ œ . L(o) J a u (nm) n k(o) m a rall. trill
Vibraphone rall. trill Marimba nœ. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j b œ j œ Œ ‰ œ ˙ ˙ Ó Ó Œ ‰ & ! J Perc # F sust ped Bass Drum Triangle œ ‰ Œ Ó Ó Œ $ œ. ã J J # # rall. trill ! 3 !bœ bœ . j Ÿ~~~~~~~~~~~~~~~~~~~~~~~ bœ " b œ " bœ ˙ J & Ó Œ ‰ b j Œ ‰ ‰ J Œ ‰ Œ Ó œ ! ! ! Hp. #caressing # 3
œ 3 3 bœ bœ ? j ? Ó Œ ‰ Ó Œ J ‰ Œ & J ‰ j ‰ ‰ j Œ œ ‰ ‰ ‰ Ó J œ nœ j P # bœ P floating, espressivo. ...perdendosi... (plucked) In foreground !nœ. ' m‚. & Œ ‰ J Ó Œ $ J Ó Pno F # ¬. ? J Œ ‰ j Ó Œ $ Œ b ! œ. #caressing / like a sigh % sust ped
C.F. b bœ œ œ bœ œ œ b bœ œ œ bœ œ œ œ œ œ nœ œ œ nœ. ˙ mœ (tacet) & œ œ bœ œ œ œ œ œ ˙ œ œ .
ov.pr. arco H flaut. molto ST SP pizz. b· · · œ. j j bœ œ œ bœ œ œ œ. œ œ Vln. I bœ ˙ b· œ œ œ œ. ˙ . œ ‰ bœ Ó Œ ‰ ‰ Œ Œ ‰ J Œ $ J J ‰ & J J ! ! J ! f Fespressivo P poco dim. ƒ F p H jètè ov.pr. SP ST ORD ST bœ b Vln. II " b œ bœ b j bœ œ œ bœ œ œ œ œ œ. ˙ & · Œ ‰ œ œ œ Œ Œ ‰ J ‰ Œ Ó Œ ‰ Ó !J J ! #echo ! ! # p #echo arco ST flaut. pizz. molto ST b bœ œ œ bœ œ œ bœ œ œ ˙ Vla œ œ œ !œ. B Œ ‰ J J ‰ Œ ‰ J J ‰ Œ ‰ j Ó & ‰ Œ Ó B IV · · · J #echo ! Pespressivo F poco cresc. p ƒ # #echo flaut. flaut. molto [ ] molto H ST h pizz. SP ST SP + b Vlc. j ? m· b· m·> œ ˙ ? œ œ ‰ Ó " Œ ‰b œ Ó Œ ‰ Ó Œ & ‰ J Ó · · Œ & b II J III œ J ! ! poco cresc. ! f #echo p F F ƒ 59 60 61 62 63 64
11 Poco meno q = 52 ord air 1/2 sound air ord E timbral tr. bœ k [ ] 3 ~~~~~~~~~~~~~~~~~~~~~ h Fl. " œ œ œ œ œ ˙ œ b b n n·. · . œ œ œ œ œ œ · J . ‚ & Œ J ‰ Œ Ó Ó Œ J ‰ Œ ‰ ‰ R Œ Ó ! ! ! F espressivo f poco dim. # P # #echo
sl.t. B Cl. ? r b Œ ‰ j & ‰. n·. Œ Ó Œ ‰. œ & nœ ˙ w ˙ ˙ ! # ! R p
! # echo # #echo P poco cresc. ! # bœ. œ Sop. œ ˙ bœ ˙ ˙ . r & Œ J ‰ Œ Œ ‰ J ‰. ‹ Œ Œ ‰. œ L a (nm) L e u L(e) rall. trill Rk(e)
Marimba rall. tremolo
? ˙. ˙ & Œ æ ˙. æ ˙ ! ! Wood Blocks Perc # S. Cymbal
(scraped) Ÿj ~~~~~~~~~~~~~~~~~~~~~~~~ œ ã Œ œ ‰ Ó w J ! #
as fast as possible rall. tremolo
? nœ bœ nœ & Œ ‰ J Ó & Œ Hp. F bœ n ? j œ ? Œ ‰ nœ Ó & ! ! p
! ˘ ! œ nœ. œ b j bœ Œ ‰ Ó Ó Œ · ‰ ‰ Œ Ó & J bœ J Pno F # # ? Œ ‰ j Ó j ‰ Œ Ó œ sust ped mœ œ . fl %
C.F. œ ˙ œ nœ ˙ n n œ œ œ. œ œ œ œ . bœ œ ˙ bœ œ ˙ nœ œ. œ œ (tacet) & œ œ ˙ . œ ˙
Poco meno q = 52 E flaut. H ov.pr. molto SP ST j Vln. I nœ œ nœ œ nœ Œ ‰ œ œ ˙ · Ó Œ Œ Œ Œ Ó ‰ Œ Ó & IV b > ! ! œ. Íp #echo Pespressivo poco dim. p H jètè SP ov.pr. pizz. · n bœ Vln. II mbœ " j œ. ˙ bœ œ n˙ bœ œ ˙ œ & Œ Œ Œ ‰ œ Ó $ J Œ . Œ Ó ! œ ! # Fespressivo p poco cresc. F F pizz. arco pizz. jètè II · ! œ ˘œ œ œ ˙ œ œ. œ ˙ Vla J b · B J ‰ ‰ Ó Œ & ‰ J Ó B Œ n ·. b œ Ó ‰. R ! œ. f f ! Pespressivo F p #
arco flaut. H molto SP pizz. ST Vlc. " · ? œ œ ? ? Œ ‰ " & " ‰ & Œ j ‰ Ó Œ . nœ œ ˙ Ó œ œ œ I n· > " J Íp f #echo !
65 66 67 68 69 70 71
12 pizz. 1/2 sound ord air œ. Fl. > n· bœ ˙ œ bœ R r mœ . nœ œ œ œ. œ & ‰ Œ ‰. Œ Œ ‰. m‚ ‚ ‚ Œ ‰. Ó Œ ‰. R J # ! R ! f #echo # Fespressivo p P sl.t. sl.t. B Cl. ? n >· ? b bœ $ Œ ·. ‰ Œ ‰ Œ Œ ‰. nœ ˙ Ó Œ ‰. Œ & J n j & R # œ R ! mœ w w # #echo f # # poco cresc. Pespressivo F psub. F # ˘ Sop. œ ˙ & ˙ œ ". mœ œ œ. œ œ œ. mœ œ œ Œ ‰. ‹ ‰ . a e o Rp(a) o (nm) rall. trill
Vibraphone D.S œ. ? Œ ‰. mœ Ó & R ã Perc P Tam-Tam ~~~ œ ‰ Œ Ó Ó Œ œ ‰ ã J J # #
caressing !œ nœ. œ " Ó Œ ‰. b‹ Ó Œ ‰. œ Ó & (xilo) R R ! Hp. p # ? . r ? Ó Œ & ‰ œ L.V. p
(plucked) 3 3 3 mœ 3 mœ 3 œ mœ r œ mœ j Ó Œ ‰. m‚ Ó Œ ‰ ‰ ‰ ‰ J Œ ‰ ‰ ‰ œ ‰ ‰ ‰ œ Œ Ó Œ ‰ Œ J ‰ & L.V. J J J J Pno # p j ? ? & ‰ nœ ‰ j ‰ j ‰ j ‰ Œ Œ ‰ Œ ‰ &Œ j ‰ Œ j ‰ Ó mœ œ œ j j j mœ mœ sust ped œ mœ mœ P % # sust ped
C.F. œ œ œ b b mœ œ œ œ œ œ. œ œ œ. . œ ˙ œ œ œ œ œ. œ (tacet) & œ œ œ œ œ. mœ œ œ. œ œ œ. mœ œ œ. .
jètè H flaut. ST SP molto ST I b b œ· n· · " m· Vln. I r b r . m œ nœ ˙ & Ó Œ ‰. mœ " ". · Œ ‰. œ ‰ J J ‰ Ó ‰. R Œ ‰. Ó n ! R ! ! œ ƒ ! # > # #echo f pizz. ov.pr. arco H arco ov.pr. ! ST ST ORD ST œ. Vln. II b r nœ ˙ bœ ˙ œ ·. & Ó ‰ œ œ ˙ Œ ‰. bœ Ó ‰. R Œ Œ ‰. Œ ‰. Œ Ó J n œ R ! R ! # #echo # f #echo F pizz. ST SP ST II bœ bœ œ ˙ œ ˙ m mœ ˙ Vla œ œ œ œ. n B Œ ‰. · · Œ ‰. R Ó Œ ‰. œ Ó III ! R P poco dim. R #echo # f P
pizz. arco
Vlc. b· m œ œ œ nœ œ œ œ ˙ ? Ó . Ó Œ & ‰. r œ œ œ. . . Ó nœ +œ . ! p f # f Pespressivo F 72 73 74 75 76 77
13 Poco più mosso
1/2 sound ord air ord [ ] ord air q h = 60 Fl. œ r æ æ æ j j j & Œ Ó ‰. m‚ ‚ ‚ ‚ $mœæ œ œ œ $ œ œ $mœ . ˙ · ‰ Œ Ó Œ $ · · œæ ! ! ! ! ! ! ! . poco dim. # # # # ƒ #
B Cl. b ? j b Œ Ó & ‰ nœ œ œ œ œ. œ œ œ œ œ bœ. œ . ! p espressivo P # p
pespressivo Sop. & œ ˙ Œ poco dim.
High WB Low WB High Bongo Low Bongo 3 Bass Drum 3 j 3 3 3 3 3 3 3 œ œ. j j œ œ œ j œ œ œ j ã Ó Œ ‰ ‰ J ‰ ‰ œ ‰ ‰ æ æ ‰ ‰ ‰ œ Œ ‰ ‰ ‰ ‰ ‰ ‰ ‰ œ Œ Ó & J . J æJ æ Perc Pin foreground S. Cymbal S. Cymbal Tam-Tam (on bell) Triangle 3 3 3 3 Ó ‰ ‰ œ Œ ‰ ‰ œ Œ Œ ‰ ‰ œ Œ ‰ ‰ œ Ó ã J J J J #sempre 3 3 mœ ! 3 mœ J j j J & Ó Œ ‰ ‰ Œ mœ ‰ ‰ ‰ mœ Œ Ó Hp. P p #caressing ...perdendosi... 3 3 3 j ? Ó Œ ‰ ‰ j Œ Œ ‰ ‰ j Œ ? ‰ ‰ mœ Œ Œ ‰ ? & mœ mœ j & & œ #
!mœ mœ Œ J ‰ Ó n· & (muted). . Pno L.V.
? œ. & Œ $ J Ó
sustf ped
C.F. (tacet) œ œ œ. m œ œ œ œ bœ œ œ b & œ œ ˙ m˙ œ. nœ œ œ œ. ˙ œ œ œ œ œ . œ. œ œ œ.
Poco più mosso
H ov.pr. ST SP q = 60 Vln. I r j j j r & Œ Œ ‰. mœ œ ˙ m˙ œ œ œ œ œ ‰ Œ $ œ · · · ‰ Œ Ó Œ $bœ ‰ . IV . espressivo nœ p # Ppoco dim. # P ƒ . f
ST Vln. II j Ó Œ $ j œ œ œ œ ‰ Ó & œ . ˙ œ ! #echo
pizz. arco Vla œ œ œ œ. ˙ œ bœ B Ó Œ ‰ J J ‰ Œ Ó Ó Œ $nœ p espressivo #poco cresc. F flaut. H (normal pressure) ST SP
Vlc. j j ? & Ó Œ $b· . · bœ œ ‰ I ! p f
78 79 80 81 82 83
14 F
k
Fl. æ æj ‰ $ r ‰ Ó Œ $n j & ˙ œ · œ . w w ! > ! P #like a shadow f
B Cl. j j b & œ œ ‰ Ó Ó Œ $ œ . w ˙ œ poco dim. #espressivo
Sop. &
Vibraphone High WB rall. trill Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j œ j œ. Œ $ mœ ˙ ˙ Œ ã $ ‰ & & . ! # R Perc sust ped
Tam-Tam Ó Œ $ œ. ã J #
& Hp.
&
(muted) j & Ó Œ $ ·· . fl Pno F ? sust ped
C.F. (tacet) œ œ b bœ œ œ nœ œ œ bœ œ œ b bœ œ œ œ œ œ œ w w & œ. œ œ œ. œ œ . . . œ. œ œ œ. œ œ . . .
F H (normal ST SP pressure) III ST Vln. I j n j j Ó Œ $ œ œ ‰ Ó Œ $ · . · · ˙ & . IV poco vib. IV J J ! # # ov.pr. . Vln. II r Œ $b j j ‰ Ó Œ $ œ ‰ Ó & œ . œ œ œ. œ œ p espressivo # R F P
flaut. molto ST bœ œ b>œ Vla œ œ œ . B Œ $ . $ nœ ‰ Ó J ! #echo R f
Vlc. ? j Œ & $bœ œ œ nœ œ œ bœ œ œ b bœ œ œ œ ˙ . . . œ. œ œ œ. œ œ . . p poco dim. Fespressivo # P 84 85 86 87 88 89 90
15 (abrupt cut)
Fl. U bœ ˙ œ œ œ œ nœ œ œ œ œ œ. œ œ & ˙ œ Œ Œ bœ œ œ œ œ œ œ ˙ œ. Œ Œ Ó ‰ ! . J P(doubling viola) p(doubling vln.I) (abrupt cut)
B Cl. U r b bœ ? j j & ‰ Œ ‰ œ ˙ œ. bœ œ œ ‰ Œ Œ Œ Ó Ó Œ ‰. œ ˙ œ bœ œ & !J P(doubling cello) p
Pespressivo ! b œ œ œ œ œ œ Sop. r œ œ œ œ œ œ œ ˙ œ. U & Ó ‰. œ œ œ . Œ Ó a i o e u i
U & Œ Œ Ó Perc
ã
j œ bœ œ U bœ œ Ó Œ ‰. œ Œ ‰ œ Ó ‰. bœ Œ Ó Œ Œ Ó Ó Œ ‰. œ Ó ‰ Œ & R œ œ Hp. J R R œ b œ bœ r ? œ Ó Œ ‰. Œ ‰ œ Ó ‰. Œ Ó Ó Œ ‰. œ Ó ‰ b Œ & nœ bœ œ œ J R R J # arpeggiando # simile
r U & Ó ‰. · Œ Œ Œ Ó Pno œ p ? & sust ped
C.F. U bœ ˙ œ œ œ œ œ œ œ œ bœ ˙ œ (tacet) œ œ œ. œ œ œ . œ œ œ œ. œ œ & ˙ œ. œ œ œ Ó ‰ J
poco SP U Vln. I œ œ œ œ œ œ œ bœ ˙ œ œ œ ˙ œ Œ ‰. nœ œ Œ Œ Ó ‰ . & ! R J poco vib. simile F F (abrupt cut)
poco SP b œ œ œ œ œ œ Uœ Vln. II œ œ œ œ œ œ œ ˙ œ. r & Œ . Ó Ó Œ ‰. œ ˙ œ œ œ ! simile (abrupt cut) Fpoco vib. F (doubling soprano)
poco SP
Vla r bœ œ œ œ œ œ œ ˙ œ. œ œ œ bUœ ˙ œ œ œ œ œ. bœ ˙ œ B Ó B ‰. nœ œ œ . œ œ Œ œ œ Fpoco vib. # F (abrupt cut) (with soprano)
poco s.p. b œ œ œ. œ œ œ U œ œ œ œ. Vlc. ? j J & Œ œ ˙ œ. bœ œ œ ‰ Œ Œ Œ Ó ‰ œ ˙ œ bœ œ & Fpoco vib. F simile (abrupt cut)
91 92 93 94 95 96 97
16 A tempo q Poco liberamente= 60
(piccolo)
Fl. &
(B flat clarinet)
B Cl. b &
colla parte !
Sop. j & Ó Œ $ mœ . u (nm)
& Perc
ã
& Hp. ?
bœ n 3 b j œ bœ œ. b œ nœ. œ. . nœ j nœ . bœ œ œ . r j œ œ œ j . m j & Ó Œ ‰ Œ nœ. ‰ mœ œ J ‰ ‰ œ œ. Œ $ . Œ ‰ mœ œ $ œ . R p # Pno p # F # P # F # 3 3 3 œ mœ œ œ b ? j J J j ? & Œ ‰. œ œ œ ‰ Œ mœ ‰ ‰ ‰ Œ Ó & $ nœ . œ. Ó R œ bœ # (sust ped until m. 107) .
C.F. (tacet) bœ ˙ œ Ó Œ ‰. mœ ˙ œ œ ˙ œ œ. œ œ œ mœ œ œ mœ. & R œ œ.
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A tempo Poco liberamenteq = 60
Vln. I &
Vln. II &
Vla B
Vlc. &
98 99 100 101 102
17 Poco meno - A tempo
q = 48 Fl. &
B Cl. b &
! # Sop. ˙ œ œ mœ. · $ Ó & e i rall. trill Vibraphone
rall. tremolo Ÿj~~~~~~~~~~~~~~~~~~~~~~~ b œ Ó Œ ‰. nœ œ œ ˙ ˙ Ó & æ æ !R ! Perc colla parte # sust ped ã p.d.l.t
mœ. œ & Ó Œ ‰ J Hp. # œ ? Ó Œ ‰ J P
3 nœ nœ ! n n œ. œ œ !mœ nœ bœ . m . n bœ œ nœœ œœ œœ œ œ œ œ. Ó Œ $nœ. œ œ bœ. ‰ œ œ ‰ $ œ œ œ Œ ‰ ‰ Ó Œ ‰ & J R J # p # p # F # Pno F
3 3 3 nœ œ œ œ mœ œ ? j ? J ‰ J ‰ ‰ J ‰ Œ ‰ J Œ Œ $nœ. & Œ $bœ $ Œ ‰ Œ Ó Œ & ‰ nœ ˙ œ œ mœ ‰ Œ mœ ‰ nœ espressivo J J J P # espressivo #echoing (sust ped) P sust ped
C.F. b n œ mœ œ œ nœ ˙ œ œ œ œ. n œ œ œ œ œ œ (tacet) & œ œ œ. œ œ mœ. œ œ œ. œ œ mœ. œ . œ œ œ
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Poco meno - A tempo
q = 48 ST Vln. I œ " " & Œ ‰ J # H ST SP b b œ · Vln. II Ó Œ œ " " " Ó & ! ! # P # jètè
œ Vla B Ó Œ ‰ J P ov.pr.
Vlc. nœ. & Ó Œ ‰ J #
103 104 105 106 107 108
18 Fl. &
B flat Clarinet
B Cl. b mœ ˙ w œ nœ Œ ‰ æ æ æ Ó & !J æ æ æ (poss.) # !
# ! Sop. r · & ‰. œ " " " œ . Ó m o a
& Perc
ã
as fast as possible !œ " bœ Œ ‰ j " J ‰ Œ Ó ‰ œ & œ Hp. #caressing ! nœo bœ œ ? Œ ‰ J Ó & ! p ! œ œ mœ nœ. nœ. bœ ˙ ˙ œ œ m r nœ ˙ œ œ Ó Œ ‰ nœ ˙ ˙ Œ J ‰ ‰. œ œ œ œ Œ ‰ ‰. œ Œ Ó & J R # # # Pno F P
3 j ? mœœ ? nœ ? Œ mœ ‰ Ó Œ ‰ j Ó Œ & ‰ Ó ‰ ‰ n j ‰ Œ ‰ & Œ b j ‰ Ó & nœ J j œ J œ bœ # #. (sust ped until m. 117) P % #
C.F. bœ œ œ œ œ œ œ œ m œ œ œ œ ˙ œ bœ (tacet) & œ œ œ œ ˙ œ. œ œ œ œ œ œ œ. œ œ œ œ.
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
pizz. H arco pizz. ST !œ " b· œ . Vln. I œ bœ J ‰ Ó Ó Œ ‰ J J ‰ Œ Ó Œ ‰. R Ó Ó Œ ‰. & ! ! III R F F # flaut. molto jètè
II ˘· Vln. II · · Ó Œ ‰ · Œ ‰. œ ". œ Œ & III R J ! f p
[ ] flaut. ov.pr. h molto ST SP " bœ œ Vla B Œ Ó Œ ‰ j Œ Ó Œ ‰. œ Ó ! · · · R # P ƒ # flaut. molto
Vlc. œ ˙ œ œ ˘· Ó Œ ‰ J J ‰ Œ ?‰. Ó & II R #espressivo P # f
109 110 111 112 113 114
19 G piccolo (sounding) 1/2 sound [ ] bœ. w b b˙ œ b‚ ‚ Fl. bœ œ œ. œ œ œ. bœ œ. œ Œ ‰. œ œ J ‰ ‰ æ æ Œ Ó & R J ! P #still #anticipating melody / rall. trill always in the background timbral tr. j ~~~~~~~~~~~~~~~~~~~~~ b œ b B Cl. œ ˙ œ b Œ ‰. R Œ Ó & ! # in foreground #espressivo # p ! F b bœ œ. œ. Sop. . œ ˙ · > & Œ ‰. R ‰ Œ Œ J ‰ ‹ ‰ Œ Ó Œ $ J u m aJ p(i) i (nm) k(o)J
Marimba ! r bœ & Ó $ ‰ Œ Perc œ. Triangle Bass Drum Tam-Tam %# High WB Ó Œ ‰. œ Ó Œ ‰. œ $ œ. Œ Ó Ó Œ $ œ. ã R R J æJ # # # # rall. tremolo nœ ! mbœœ & ‰ J Œ Ó J ‰ Œ Ó Hp. # P !œ ? œ b & ‰ J Œ & œ ‰ Œ Ó ! caressing J # ! # #
bœ bœ œ œ nœ bœ œ œ œ. . . n œ œ. & Œ ‰ R nœ Ó ‰ J Œ Ó Pno # P F r œ j bœ ? Ó Œ ‰. $ œ . ‰ nœ ‰. R Œ œ œ . J P %F (sust ped) sust ped
b bœ C.F. b bœ œ œ b˙ œ. œ œ ˙ ˙ œ œ . œ œ. bœ œ œ. œ œ œ. . œ ˙ œ bœ œ œ œ. œ (tacet) &
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
G flaut. H H molto SP II ST bœ n· Vln. I œ · Ó Œ ‰. . b· Œ Ó Œ Ó Œ & R IV flaut. ! · · ! ƒ P ƒ p [ ] molto ST h SP # III r j b˙ œ. œ œ ˙ Vln. II Ó Œ ‰. · · · ‰ Œ Ó & IV n· · · #espressivo poco cresc. # P ƒ
ST SP j Vla j b · B Ó ‰ bb · " " " b œ ‰ Œ œ ! # arco flaut. pizz. molto b b· Vlc. œ. ? b œ ? Œ & ‰. R Œ Œ Ó Œ ! # ƒ
115 116 117 118 119 120
20 Poco più mosso
H [ ] w bœ q = 54 ‚ ‚ œ ˙ Fl. nœ ˙ œ œ œ œ œ. mœ œ œ. & ‰. æ æ æ æ Œ ‰. R Ó (non dim) R poco cresc. #simile
œ B Cl. nœ ˙ œ œ " ". b Œ Œ ‰ J Ó & ! ! # espressivo f
(non dim) ! F Pespressivo # ˙ ˙ œ nœ. mœ b n Sop. Œ Ó Œ ‰. R Œ ‰. . œ œ . · & m(a) R rall. trill e u Vibraphone rall. tremolo
b Ÿj ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ nœ ˙ ˙ Ó Œ ‰. R & ! Perc # Tam-Tam sust ped w œ Œ Ó Œ ‰. œ Ó ã æ æ (non dim) R # rall. trill ! ! j Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ nœ 3 b b œ n œ Œ ‰ Œ ‰. œ ˙ ˙ ˙ Ó Œ J ‰ Œ ‰ " ". Ó & j R bœ œ ! ! Hp. # 3 # # 3 n bœ 3 œ b bœ ? j R œ ? j & Œ nœ ‰ Œ ‰. & ‰ J ‰ Œ œ ‰ ‰ bœ ‰ ‰ ‰ j Œ Ó P J bœ P # ! nœ. (plucked) nœ ‚ j Œ J ‰ Ó Ó ‰ Œ Ó Œ ‰ · & J œ Pno # F # j ¬ ? Œ nœ ‰ Ó Ó ‰ J n ! sust ped œ. #caressing % sust ped #
C.F. w œ œ œ œ œ œ œ nœ œ œ. œ ˙ œ œ œ œ œ. . mœ œ œ. . mœ œ œ. bœ œ œ œ (tacet) &
A (continued text) Actors ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B H Poco più mosso jètè
pizz. SP bœ q = 54 œ œ œ œ nœ œ œ. m m Vln. I R œ ˙ œ . œ ˙ œ & Œ $ ‰ ‰. R Œ ‰. nœ · ·(non dim) # #espressivo p P p poco dim. R pizz. p arco arco jètè (normal pressure) ov.pr. flaut. ! molto nœ. bœ ST n r mœ> b Vln. II J . œ . n . R . œ ˙ & Œ ‰ Œ ‰ bœ Ó Œ ‰ œ Ó Œ ‰ Œ ‰ R # p R # # arco f flaut. pizz. ST SP molto 3 (ord.) pizz. I bœ. · · · · · œ ˙ > Vla >· · · · · · bœ B Œ œ ‰ Œ & ‰. R Œ B ‰. R & ‰. R Œ ‰. nœ Ó ! J P # #espressivo poco cresc. R f F flaut. jètè ST SP · œ Vlc. · · · œ mœ· " œ ? Œ ‰ ‰. Œ Ó Ó Œ & ‰ III J R J m˙+ ! ! #espressivo # f P p 121 122 123 124 125 126
21 t C flute n ord air œ n ·. œ · Fl. m mœ œ œ mœ. œ œ . ˙ . J æ æ æ & Ó ‰ ‰ $ J ! ‰ Ó #same as before
sl.t. timbral tr. j ~~~~~~3~~~~~~~~~~~~~~~ m· œ œ œ œ œ œ œ œ œ B Cl. m˙ œ œ mœ. œ œ œ. œ b & Ó Œ ‰ J Œ Œ $ ! P #espressivo #
p # ! ! f nœ. # Sop. œ " " " " ". · œ. œ ˙ > & Œ J ‰ ‰. R Ó $ Œ $ ‹ ‰ & & a L m o uJ (nm) rall. trill k(a)R
Marimba rall. trill
Ÿj ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ mœ. ˙ ˙ Ó Œ $ & J ! Perc # Triangle Bass Drum Ó Œ ‰ œ œ ‰ Œ Ó ã J J # # ! rall. trill nœ. Ÿj ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ bœ b œ m . Œ ‰. Ó ˙ ˙ Ó Œ $ b‹ ‰ & R (xilo) ! R Hp. # # !œ P mœ nœ ? ? Œ ‰. r Ó J ‰ Œ & Œ ‰ Ó b œ ! œ. p #caressing
! (muted) œ. m·. & Ó $ R ‰ Œ Ó Œ $ J Pno # P
? Ó $ r ‰ Œ & b sust ped œ. %#
C.F. œ œ œ mœ ˙ œ m œ. œ œ œ ˙ œ. œ œ œ œ. œ. œ m˙ œ œ mœ. œ œ œ. œ œ œ. œ œ . (tacet) &
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
arco flaut. molto pizz. flaut. arco molto ov.pr. SP III SP n>œ ! r œ. Vln. I r j œ R R & Œ ‰. m· · · ‰ Ó $ ‰ Œ Œ $ ‰ Ó $ ‰ Œ Œ $ j IV · · · R · flaut. ! f # ! . molto ƒ F H
SP ST SP m œ Vln. II · · œ ˙ œ œ. œ œ. " " " " & ‰ Ó Ó Œ ‰ J Œ $ ‰ Ó J J ! ƒ Pespressivo # # P
pizz. arco flaut. ! b bœ. œ mœ œ œ œ. œ œ œ Vla œ. nœ . . & $ R ‰ Œ Ó Ó $nœ. Ó Œ $ J # p J ! #espressivo P # jètè H n Vlc. ˙ œ. œ œ œ œ. œ œ œ œ. ? m· & J ‰ Œ $ J " Œ Œ ‰. r . Œ poco cresc. œ b+œ p ! ! # # 127 128 129 130 131 132
22 m ord air œ ord air œ. Fl. œ œ · b b · · j n b œ " . Œ ˙ œ . Œ ‰ mœ œ œ œ ˙ œ n˙ mœ œ ˙ œ & æ . p legato, espressivo. In foreground. # psub. # ~~~~~~~3~~~ sl.t. œ œ B Cl. j b nœ m nœ ˙ œ & ! Œ Ó Œ $ . Œ j ‰ Œ œ œ œ. Œ # n #espressivo ! .·
! pespressivo P # ! echo ! bœ. # ! # Sop. Œ $ œ. œ œ œ. œ œ œ œ Œ ‰ J Œ ˙ œ œ. œ . · Œ ‰. œ ˙ œ Œ & . J ˙ iJ e o a i (nm) u (nm) nR rall. trill
D.S Vibraphone rall. trill High WB Marimba bœ. 3 Ÿ~~~~~~~~~~~~~~~~~ . . n j & ã ‰ œ œ $Œ Ó Ó &Œ ‰. œ Œ œ ˙ œ R # Perc S. Cymbal P sust ped High Bongo (scraped) Ó Œ $ œ. ‰ œ. Œ Ó ã J J # # p.d.l.t as fast as possible rall. tremolo b j & Ó Œ œ œ Ó Œ œ ‰ # Hp.
b ? œ ? & œ œ Ó Œ J ‰ ! ! # F
3 3 3 ! ! œ bœ œ. bœ œ bœ b J j J & Œ ‰ ‰ œ ‰ J ‰ ‰ Œ bœ ‰ ‰ ‰ Œ Œ $ R ‰ Ó Pno J dolce / poco liberamente # # 3 3 j ? bœ & Ó Œ ‰ ‰ œ Œ ‰ ‰ ‰ j Œ Œ $ r ‰ Ó J bœ nœ sust ped % #
C.F. œ œ (tacet) n œ œ œ b œ œ œ & œ. œ œ . œ. œ œ ˙ œ . mœ œ œ. œ ˙ œ œ œ m˙ œ
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
flaut. SP molto
Vln. I œ œ œ Ó Ó Œ bœ ˙ œ . Œ Ó Ó Œ b·œ ·œ Œ Ó & · · IV ! p ƒ P ƒ #espressivo p poco dim. jètè jètè pizz. arco b ov.pr. œ b· . b œ· n Vln. II œ. j j œ Œ $ J ‰ Œ Ó Œ bœ ‰ Œ mœ ‰ Ó Œ ‰ Œ & J ! J J ! # œ # P #.
flaut. ST SP pizz. 5 3 œ œ nbœœ Vla r · · · · · · mœ J ‰ Ó Ó Œ B J ‰ Ó Œ ‰. · · · · · · Œ Œ n œ ‰ Ó & ! ƒ III J arco ! ! p F pizz. flaut. ST j Vlc. ? r ? · . b · Œ ‰. œ Œ $ œ. b œ ‰ Ó Œ & nœ œ m˙ œ œ J . ! #espressivo p # 133 134 135 136 137 138
23 Poco meno q = 44 [e= 88] X 3 1/2 sound air [ ] w Fl. œ œ ˙ . ‚ ‚ ·. . & ! ! ! # #
B Cl. b & . .
F > Sop. Ó Œ œ ‰ . . & J . . p(e) High WB Low WB High Bongo Low Bongo Bass Drum X 3 ~~~~~~~ œ. . j œ œ . j . & œ Œ Ó ã . Œ œ ‰ æ æ Ó ‰ œ Œ . ! Perc # S. Cymbal
. ‰. œ Œ Ó . ã R #
& . . Hp.
? . .
& . . Pno
? . .
C.F. ~ Actor's Solo ca. 45''- 1' (tacet) b˙ œ w ~~ œ . . ~~ & ~~ ~~ ~~ ~~ ~~ ~~ goes to...~ ~~ ~~ ~~ ~~ ~~ A ~~ (continued text) ~~ Actors ~~ B ~~~~~~~~~~~~~~~~~~~~~~~~~
Poco meno (to m. 145) q = 44 [e= 88] X 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Vln. I & . .
Vln. II Œ b˙ œ . w w . & . ten. . pespressivo
ST SP [ ] [ ] [ ] h h h Vla B . Œ . IV !· · · · # !
Vlc. & œ Œ Ó . .
139 140 141
24 I A tempo
Attaca Thou Love Me? q = 60 Fl. U j b˙ j bœ œ œ bœ nœ . œ. & Œ Œ $bœ œ ‰ ‰ ‰ ‰ bœ ‰ $ . $ Œ $ . . Œ ‰ œ . œ ". œ ! œ R J ! ! J ! ! ! P ! ! P f P P P P P # sub.
b˙ B Cl. U j bœ œ b . bœ. b Œ Œ $bœ œ ‰ ‰ œ ‰ ‰ bœ ‰ $ . $ Œ $ œ. . œ Œ ‰ & . bœ ". œ œ R J J œ ! ! ! ! ! ! J ! ! P P P P P P P f #sub.
! ! sub. ! ! ! ! ! # P P P P P P P ! f bœ. Sop. U r j bœ nœ bœ " œ · bœ œ . . ˙. & Œ Œ bœ $ j ‰ . · ‰ bœ ‰ ‰ ‰ $ . $ Œ $ J Œ J ‰ a uœ . œ e o n i m e a (nm) p(o)
High WB Crotales Low WB (Sounding) High Bongo Low Bongo Bass Drum œ Bass Drum rall. tremolo Ÿj~~~~~~~~~~~~~ U œ.. œ j œ œ j œ œ œ. œ J j ã Œ œ ‰ æ æ Ó ‰ œ Œ ‰ æ Ó Œ $ Œ & ‰ Œ Œ ã œ ‰ & J æ J ! p S. Cymbal ! # Perc # # # # (on bell) Tam-Tam Triangle ‰. œ Œ Ó Ó ‰. œ Œ Ó $ œ. Œ ã R R J p # 3 3 3 3 3 3 3 3 3 3 bœ bœ œ bœ bœ j Ó Œ Œ bœ ‰ ‰ œ ‰ mœ ‰ ‰ J ‰ ‰ ‰ ‰ ‰ J Œ ‰bœ ‰ Œ ‰ J ‰ Œ ‰ ‰ œ Œ Ó & œ ‰ bœ mœ J J 3 J Hp. 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 U bœ b b b b b ? bœ j bœ m j j œ mœ œ mœ œ mœ œ mœ œ mœ Œ ‰ bœ ‰ œ ‰ œ ‰ mœ ‰ ‰ ‰ œ ‰ œ ‰ Œ ‰ œ ‰ Œ Œ & ‰ ‰ ‰ ‰ b ‰ ‰ ‰ ‰ j ‰ ‰ ‰b j ‰ ‰ ‰ ‰ b ‰ ‰ ‰ bœ J J J œ ‰ mœ J œ mœ œ mœ J œ ‰ mœ J œ % #in the backround (muted)
U b· ·. b· · b·. · ? Œ b· ‰ ‰ $ J ‰. b· Œ ‰ Œ ‰ J Œ ‰. b· Œ Œ $ Ó J ‰ Œ Œ b· ‰ J J R J R J J Pno F ? sust ped
C.F. U (tacet) bœ ˙ w w w w w & Œ b œ ˙ w w w w w
A laughs Actors B A tempo Attaca Thou Love Me? I q = 60 ST ov.pr. nœ ˙ w w w w ˙ œ œ. œ. Vln. I U & Œ #poco vib. (#)
ST ov.pr. U Vln. II ˙. w w w w ˙ œ œ. œ & Œ b˙. w w w w ˙ œ œ. œ poco vib. . # (#)
ST ov.pr. b Vla U ˙. w w w w ˙ œ œ. œ. B Œ
#poco vib. (#)
ST ov.pr. Vlc. ? U Œ b ˙. w w w w ˙ œ œ. œ. # poco vib. (#) 145 146 147 148 149 150
25 III. Thou Love Me? Actor's Solo ca. 1'30'' - 2'
A Actors B
151
to m. 152 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
26 A tempo J
q = 44 [e= 88] Fl. &
B Cl. b &
Sop. &
& Perc
ã
& Hp. ?
& Pno ?
! C.F. b b bœ r ˙ œ œ œ. ˙ œ nœ œ œ b bœ œ œ bœ. œ œ œ. œ œ (tacet) & Œ ‰. œ œ œ œ. ˙ œ. œ œ .
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A tempo J
q = 44 [e= 88] Vln. I &
Vln. II &
! b b bœ Vla r ˙ œ œ œ. ˙ œ nœ œ œ b bœ œ œ bœ. œ œ œ. œ œ & Œ ‰. œ œ œ œ. ˙ œ. œ œ . pExpressive, accompanying the actors Shaping dynamics freely until m.171
Vlc. ?
152 153 154 155 156 157
27 Poco meno q e piccolo = 40 [ = 80] (sounding) !bœ. Fl. & Œ $ R ‰ Ó #
B Cl. b &
Sop. &
S. Cymbal (on bell)
ã Œ $ œ ‰ Ó & R Perc # Bass Drum Œ $ œ ‰ Ó ã R #
! mbœœ. J & Œ $ $ Ó Hp. F r ? bœ Œ $ b ‰ Ó œ. % (muted) r & Œ $ b· ‰ Ó Pno > f ? sust ped
! C.F. œ bœ œ ˙ b œ œ œ b . ˙ œ œ œ ˙ ˙ œ. œ œ œ œ œ. œ œ mœ œ œ ˙ (tacet) & . .
A (continued text) Actors B ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Poco meno q = 40 [e = 80] pizz.
!bœ. Vln. I & Œ $ R ‰ Ó Œ Œ Ó f flaut. molto r Vln. II bœ & Œ $ bœ ‰ Ó > F
! œ bœ œ ˙ b œ œ œ b n Vla . ˙ œ œ œ ˙ ˙ œ. œ œ œ œ œ. œ œ mœ œ œ ˙ & .
ov.pr. Vlc. ? Œ $ b r ‰ Ó œ. p 158 159 160 161 162 163
28 Fl. &
B Cl. b &
Sop. &
ã Perc
ã
& Hp.
?
& Pno ?
! C.F. b˙ b b˙ b˙ n bœ œ ˙ œ œ. œ œ œ œ œ œ bœ. ˙ b˙ ˙ ˙ œ. (tacet) &
A (continued text) Actors ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B
Vln. I &
Vln. II &
! b˙ b b˙ b˙ n bœ œ ˙ Vla œ œ. œ œ œ œ œ œ bœ. ˙ b˙ ˙ ˙ œ. &
Vlc. ?
164 165 166 167 168 169
29 K A tempo - Poco più mosso
q = 46 [e = 92] piccolo ! (sounding) œ. tkt Fl. U & & $ R ‰ Œ Ó Ó · ‰ Œ # J F
B Cl. U b j bœ. œ ˙ & & $ mœ . œ œ œ œ ˙ œ Ó Hold until the actors sempre ! are done with their speech legato# / like a shadow / barely perceptible # and then attaca "K" ! ! sub. # # psub. # P U Sop. j j bœ. œ. & & $ mœ . . · Œ ‰ œ œ œ $ ‰ Œ ˙ ‰ Œ i o (nm) aR o eJ u rall. trill sub.
Crotales (Sounding) Triangle nœ U J ã & Ó $ œ. Œ Ó & Œ ‰ J Wood Blocks Perc # Tam-Tam Bass Drum # Ÿj~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ Ó $ œ. Œ $ œ. Œ Ó Ó $ œ. œ ˙ Ó ã J J J # # # even
as! fast as possible rall. tremolo !mœ. U mœ bœ & & Ó $ R ‰ Œ $ Œ Hp. U m bœ mœ œ ? & Ó $ . Œ & Œ J ! ! # F (plucked) (muted) n‚ U j J & & $ n· . Œ Ó ‰ Œ Ó P Pno f r ? U nœ & Ó $ n ‰ Œ œ. sust ped sust ped %
! C.F. m nœ Uw ˙ œ n bœ œ ˙ œ œ. œ œ œ œ. œ œ mœ. œ œ œ œ ˙ œ . ˙ (tacet) &
Hold until the actors are done with their speech and then attaca "K"
A Actors B A tempo - Poco più mosso
K q e = 46 [ = 92] pizz. arco SP ! ! nœ œ œ œ. Vln. I U . · & & Ó $ J J ‰ $ R ‰ Ó Ó ˙ # pizz.# arcoƒ #espressivo ov.pr. pizz. ! ov.pr. nœ. œ. ! bœ Vln. II U · ·. & Ó $ R ‰ Œ $ R ‰ Œ Ó Ó $ R ‰ Œ ˙ œ ‰ Œ & J f ! p F p
! U mœ œ œ nœ w ˙ œ Vla œ œ. J ‰ Œ & (tacet al fine)
flaut. ST molto ORD U r bœ j Vlc. œ · bb· · ? & Ó $ ‰ Œ $ j J ‰ Œ & ‰ œ " " " œ ‰ Œ ˙ Ó œ +œ . ! ! > ! # F p ƒ 170 171 172 173 174 175
30 air ord ! (long) !b ord air œ · œ bœ œ. Fl. bœ. " b· · U Ó J ‰ Œ Ó J ‰ Œ Ó $ J $ R ‰ Œ Ó & ! ! ! # # # F # rall. trill (long)
Ÿj ~~~~~~~~~~~~~~~~~~~~~~~ b U B Cl. n n˙ œ b˙ œ " œ œ œ b œ ˙ œ b & œ ‰ Œ ‰ Œ . œ ˙ Ó Œ J ‰ Œ Ó J J ! ! ! ! # ! # # (long) ! P ! espressivo # Fsub. # # # n F p sub. # Psub. b œ. bœ œ œ b U nœ Sop. œ. ˙ b˙ · nœ. b . œ. mœ œ œ . & ˙ ‰ Œ $ ‰ J ‰ Œ ˙ J ‰ Ó $ . J ‰ n oJ m i (nm) uR a p(a) J p(e) rall. trill L o u (nm) rall. trill
Crotales Crotales (Sounding) (Sounding) ! S. Cymbal (long) œ ' J U œ & Ó ‰ Œ ã $ œ ‰ Œ & Œ J ‰ # R Perc S. Cymbal # Bass# Drum (scraped) U Ó Œ œ ‰ $ œ ‰ Œ Ó ã J R # # ! (long) bœ. bœ œ. U & Ó $ R ‰ Œ $ J Œ Ó # Hp. # nœ œ. & Ó $ R ‰ Œ $ ‰ Ó !œ P #caressing (plucked)
3 ' m !‚. (long) œ œ bœ J U & Ó ‰ Œ Ó ‰ ‰ Œ $ R ‰ Œ Ó J p Pno P (long) bœ n œ U ? Ó J ‰ œ ‰ $ j ‰ ? $ j ‰ ‰ $ r ‰ Œ Ó & J nœ . nœ J œ . œ Pin foreground . sust ped %#
! b˙ b bœ œ œ bœ ˙ œ nœ C.F. ˙ ˙ ˙ œ œ œ. œ bœ ˙ œ . mœ. œ œ (tacet) &
A Actors B arco pizz. jètè ! flaut. ! (long) b˙ !nœ · U œ Vln. I ˙ · Ó Ó Œ $ R ‰ Ó $ œ mœ· Œ Œ & ! #vibrando / expressiveƒ f F p ƒ pizz. ov.pr. SP ORD ! ! (long) bœ. œ œ œ. · · b˘· œ. œ bœ ˙ œ U Vln. II ˙ ˙ b œ & Ó ‰ Œ Œ $ J Œ Ó $ R ‰ Œ Ó ! J # P f sub. #vibrando / expressive # ƒ f
(long)
Vla U & Œ Œ Ó
pizz. SP (long) I · Vlc. · ? U & ˙ Ó $ R ‰ Œ Ó & ! ƒ P
176 177 178 179 180 181
31 Poco meno L
q = 38 [e = 76] Fl. &
rall. trill rall. trill timbral tr. Ÿj ~~~~~~~~~~~~~~~~~~~~~~~~~~~ n œ œ j ~~~~~~~~~~~~~~~ B Cl. n˙ m œ œ ˙ . œ œ œ ˙ œ m b & Œ œ œ Œ ‰ Ó ‰ J Œ ‰ Œ œ œ J ! ! J ! ! ! # ! # # # #
! p ! ! P # ! # # b # p bœ. œ. œ " Sop. · œ. ˙ œ œ " · mœ m· mœ & ‰. œ " " ‰. R Œ $ ‰ J ‰ ‰. R Ó $ . ‰ p(i) oJ (nm) J p(e) m e J J m nR a rall. trill u o
Crotales Bongoes (Sounding) !m j œ. œ ã Œ $ œ. ‰ Ó & $ J Œ Ó & R Perc S. Cymbal # Bass Drum Triangle p (on bell) Ó ‰. œ Œ Ó Œ ‰. œ Œ ‰ œ Ó ã R R J # # # !as fast as possible rall. tremolo bœ mœ & Ó Œ Hp. bœ mœ
& ! ! #
(plucked)
!‚ J & Ó ‰ Œ Pno F · " ? & Ó ‰ J ! #caressing
! œ n œ ˙ œ œ œ œ œ. œ œ œ m C.F. œ œ mœ œ. œ œ œ œ œ œ œ . œ ˙ œ mœ. œ œ œ (tacet) &
A Actors Poco meno B
q e = 38 [ = 76] L (!) H ov.pr. [ ] I h ·. · · · Vln. I . & J ‰ Ó Œ $ J Fsub. # ten. arco pizz. arco jètè ! ! œ œ ˙ nœ œ œ œ Vln. II œ· bb· & Œ œ ‰ Œ ‰. R J ‰ Œ Œ $ R ‰ Ó ‰ J J ! ! F ! F vibrando / expressiveƒ vibrando / expressivep ƒ
Vla &
arco ST SP · b· Vlc. œ· œ· œ . œ & Œ Œ ‰ J ! P ƒ #
182 183 184 185 186 187
32 Fl. U & Œ ‰. $ Ó
m œ bœ " " bUœ B Cl. m œ. . b " ˙ Œ Ó $ J J ‰ Œ Ó Ó Œ ‰. R Œ Œ & ! ! ! # # P F sub. # ! # ! # # ! ! P #still bœ. p b œ · bœ. bUœ œ œ. Sop. œ mœ œ mœ ˙ œ ˘ mœ. œ · $ . · · ‰ ‰ Œ ‰ ‹ $ J Œ ‰. R J ‰ Ó & J n i J ! i (nm) o a u a i p(o)J p(a) u o
Crotales Crotales (Sounding) (Sounding) ! !mœ mœ J U & Œ ‰ Ó Ó Œ ‰. R Œ ‰. $ Ó Perc # # Low WB U Ó $ œ. œ ˙ œ ‰ Œ Œ ‰. $ Ó ã æJ æ æ æJ #even
U & Œ ‰. $ Ó Hp. U & Œ ‰. $ Ó
m· U & Ó $mœ $ Œ Œ ‰. $ Ó Pno J F U Œ ‰. $ Ó & sust ped
! ' m˙ mœ ˙ œ C.F. œ bœ œ œ bU mœ. œ ˙ œ œ mœ. ˙ œ œ. . œ œ œ. œ œ (tacet) & Œ Ó
A Actors B
Vln. I U & Œ ‰. $ Ó
Vln. II U & Œ ‰. $ Ó
Vla U & Œ ‰. $ Ó
Vlc. U & Œ ‰. $ Ó
188 189 190 191 192 193
33