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Vovinam the Way of the Vietnamese Martial Art
OKINAWAN SHORIN-RYU KARATE-DO Vovinam The Way of the Vietnamese Martial Art Shodan Thesis Submitted by Cynthia Nguyễn Đặng Ik-Kyu Okinawan Shorin-Ryu Karate-Do Orlando, Florida January 16, 2013 TABLE OF CONTENTS HISTORY OF VOVINAM .................................................................................................................................. 2 THE RANGE OF TECHNIQUES OF VOVINAM .................................................................................................. 8 CONCEPT OF THE UNIVERSE AND THE LIFE ................................................................................................ 12 PHILOSOPHY OF VOVINAM ......................................................................................................................... 15 REFERENCES ................................................................................................................................................ 17 APPENDIX A: VOCABULARY OF THE CLASSES .............................................................................................. 18 1 HISTORY OF VOVINAM Grand Master Nguyễn Lộc (1912 – 1960) Vovinam was founded by Grand Master Nguyễn Lộc in Hanoi, Vietnam, in 1938 (Wikipedia, 2012). Vovinam was a synthesis of Grand Master Nguyễn Lộc’s family style and several traditional martial arts styles that he studied (including traditional wrestling, or Vat). The Vietnamese martial arts schools have evolved as a result of the wars and the civilizations that prevailed in the country throughout its 4,000 years of history -
Chris Barker's Biological and Cultural
International Relations and Diplomacy, August 2019, Vol. 7, No. 08, 370-376 D doi: 10.17265/2328-2134/2019.08.004 DAVID PUBLISHING Chris Barker’s Biological and Cultural Research in Development Theories of Physical Culture at Vietnam (In the Case of Nam Huynh Dao School) Huynh Quoc Thang Vietnam National University, Ho Chi Minh City, Vietnam In relation to human issues, the relationship between biology and culture has long been an important part of general social science research, cultural studies in particular. In which Chris Barker’s theory of biology and culture in relation to related theories can be considered as one of the noteworthy remarks about the method and methodology to pass on the actual field Nam Huynh Dao school, the article focuses on clarifying the basic content of the problem with orientation to contribute to research and development of physical culture in Vietnam at present. This article was selected to read and print in the conference proceedings of scientific conference entitled “Theory of Western Culture and Applied to Vietnamese Culture Research” organized by the University of Social Sciences and Humanities, Vietnam National University-HCM City (USSH, VNU-HCM, Vietnam) (29 November 2018). Keywords: biology and culture, physical culture, research to develop physical culture, school of Nam Huynh Dao Introduction Chris Barker is a researcher who has taught many universities in England and Australia, currently a professor in the Department of Arts, University of Wollongong, Australia. He has written many books on culture and media, especially related to issues of modern cultural life. In particular, the theory of biology and culture by Chris Barker is presented focusing on the topic “Biology and culture of the issues of treatise theory” (Biology, the body and culture, the problem of reductionism). -
A New Look at Vietnamese Female Immigrant's Social
International Journal of Academic Research and Reflection Vol. 4, No. 7, 2016 ISSN 2309-0405 A NEW LOOK AT VIETNAMESE FEMALE IMMIGRANT’S SOCIAL ADAPTATION: INTEGRATED VIETNAM CULTURE AND ART WITHIN SCHOOLS Chou, Mei-Ju Assistant Professor, Early Childhood Education Department, National Pingtung University, TAIWAN, R. O. C. ABSTRACT With advent of internationalization, among the new immigrant groups, new immigrant females in Taiwan show a new pattern called “innovative adapters” by this research. This research aims to discuss the issues relative to a new Vietnamese immigrant female in order to further understand the new immigrant females who leave their hometown due to marriage relationship, and who experience the cultural adaptation following another life career in the immigrant country. This research adopted case study method, and started with representing the case’s life story through narrative method to focus on the issue for understanding her inner conflict in the process of cultural identity and social adaptation. Then, with guidance project supported by spiritual support from family members, activity design scaffold discussed by school teachers together, and resource assistance from juridical persons, the new immigrant female was encouraged to walk into the campus and classroom of her two children. She was also encouraged to share Vietnamese culture, art, music, and drama with children. In order to understand the activity process, problem solution strategy’s drawing up and retrospection, this research tackled with the original data, applied to videos and recordings, collected each detailed record and unstructured interview carefully with participant observation. Data gathered in the study is qualitative, and the tools were used systematically and properly to collect data, including surveys, interviews, documentation review, observation, and the collection of children’s art work. -
Acculturation and Essentialism in the Practice of Aikido
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Revistas Universidad de León (ule) Revista de Artes Marciales Asiáticas Volumen 9(2), 130151 ~ JulioDiciembre 2014 RAMA http://revpubli.unileon.es/ojs/index.php/artesmarciales I.S.S.N. 2174‐0747 Becoming an Aikidoka: Acculturation and Essentialism in the Practice of Aikido Kevin Siah‐Yeow TAN* SIM University (Singapore) Recepción: 10/07/2014; Aceptación: 08/12/2014; Publicación: 16/12/2014. ORIGINAL PAPER Abstract Based on an ethnographic study conducted from 2002‐2005 in Canada, this paper argues that the practice of Aikido within a specific community of practitioners does not simply exist as a medium for acquiring martial knowledge, but is also a viable conduit for acculturating or essentializing aspects of Japanese culture and identity. This is made possible in light of the highly embodied and corporeal dimension of Aikido practice, which requires one to develop the necessary dispositions and strategies for the construction of an Aikido habitus. Consequently, the path towards becoming an Aikidoka enables one to potentially embody, in similar but also unique ways, the cultural and moral worldviews that the art seeks to represent within intercultural and transnational spaces. Keywords: Aikido; Martial Arts; Culture; Body; Habitus; Bourdieu. Llegar a ser un aikidoka: aculturación y Tornarse um aikidoca: aculturação e esencialismo en la práctica del aikido essencialismo na prática do aikido Resumen Resumo Basado en un estudio etnográfico realizado -
Vittorio Cera
VITTORIO CERA Date of birth: June 2nd 1973 Place of birth: Milano, Italy Current level: Chuan Hong Dai – 4th dang Charge in Vovinam: • since October 2010 - General Secretary of EVVF • 2009 - International Referee by WVVF • 1998 – 2010 - General Secretary of Unione Vovinam VVD Italia • 1994 – 2010 – Vovinam teacher in Milan Date of exam from black belt to red belt: • Huyen Dai - Black Belt – august 1994, Borno (BS), Italy • Hoang Dai Nhat Cap – 1st dang – 1997, Milan, Italy • Hoang Dai Nhi Cap – 2nd dang – 1998, Milan, Italy • Hoang Dai Tam Cap – 3rd dang – July 25th, 1999, HCMC, Vietnam • Chuang Hong Dai – 4th dang – April 12th, 2004, Frankfurt AM, Germany The beginning was in the 1989, it wasn’t Vovinam, but it was the beginning of my martial arts way. Beginning to follow a master and believe in him, to have someone to follow as example, and thanks to him if in the 1992 I had the opportunity to know Vovinam. I didn’t know what Vovinam was. In Italy people knew only Viet Vo Dao, but was different, they were Viet Vo Dao – Vo Co Truyen group with master with Black vo phuc, nobody knew about a martial art Michele Garofalo in the 1991. The Vo Duong from Vietnam with the blue clothes. There was only Buccinasco. few students in Italy, but we begin to believe in this new way of our martial art life, we were searching for a real Vietnamese martial art, a tradition, an history, something that had a straight link to Vietnam, and we found it, Vovinam was what we were searching for. -
Download the Program for EWV #8
The 8th "Engaging with Vietnam - An Interdisciplinary Dialogue" Conference Engaging with Vietnam through Scholarship and the Arts | October 4-10, 2016 www.engagingwithvietnam.net & www.engagingwithvietnam.org Engaging With Vietnam Through Scholarship and the Arts 4th-10th October 2016, University of Hawaiʻi at Mānoa, Honolulu ---------------------------------------------------------------------------------------------------- Pre-Conference Activities: Tuesday, 4th October 6-8 pm: The 2016 College of Education Carl and Alice Daeufer Education Lecture “Pedagogic Possibilities of Cosmopolitanism” given by Professor Fazal Abbas Rizvi (University of Melbourne, Australia). Professor Fazal Abbas Rizvi is also delivering a keynote speech at the 8th Engaging with Vietnam Conference. See the rest of the program for details. Location: Architecture Auditorium, University of Hawaiʻi at Mānoa The lecture is free and open to all UH and EWC affiliates. 1 The 8th "Engaging with Vietnam - An Interdisciplinary Dialogue" Conference Engaging with Vietnam through Scholarship and the Arts | October 4-10, 2016 www.engagingwithvietnam.net & www.engagingwithvietnam.org Pre-Conference Activities: Wednesday, 5th October 2016 2- 4.30 pm: Queer Vietnamese Film Festival’s Film Screening and Q&A, co-sponsored by Engaging with Vietnam and Center for Southeast Asian Studies (CSEAS) Location: Moore 258, hosted by Paul RAUSCH, Associate Director, CSEAS The film screening is free and open to all UH and EWC affiliates. 2 The 8th "Engaging with Vietnam - An Interdisciplinary Dialogue" Conference Engaging with Vietnam through Scholarship and the Arts | October 4-10, 2016 www.engagingwithvietnam.net & www.engagingwithvietnam.org Main Conference Day 1: Thursday, 6th October 2016 The main conference days 1 and 2 are free and open to all UH and EWC affiliates. -
Institute of Hospitality Management in Prague
INSTITUTE OF HOSPITALITY MANAGEMENT IN PRAGUE Nadezhda Novichkova Phenomenоn of Vietnаmese Gastronomy in Prague Bachelor’s Thesis 2021 Bachelor’s Thesis Phenomenon of Vietnаmese Gastrоnomy in Prаgue Nadezhda Novichkova The Institute of Hospitаlity Manаgement in Prаgue 8, Ltd. Department of Hospitality Field of study: Economic sectors Bachelor’s degree programme: Hospitality Management Thesis Advisor: Ing. Jiří Zelený Prague 2021 Oath I swear that the bachelor’s thesis titled Phenomenоn of Vietnаmese Gastronomy in Prague. was written by me independently, and that all literаture and additional material used are cited in the bibliоgraphy and that this version is exаctly the same as the work submitted electrоnically. In accоrdance with §47b law no. 111/1998 coll. on highеr education institutions, I agree to my dissеrtation being published in its complete form in the publicly accessible electronic databаse of the Institute of Hospitality Management in Prague 8, Ltd. …………………………………… Nadezhda Novichkova In Prague on 22.4.2021 Abstract NOVICHKOVA, Nadezhda. Phenomenon of Vietnamese Gastronomy in Prague. [Bachelor’s thesis] Institute of Hospitality Management in Prague. Prague: 2021. Total number of pages: 47 The bachelor's thesis “Phenomenоn of Vietnаmese Gastrоnomy in Prague” deals with Vietnamese Gastronomy with the fоcus on Prаgue city. The main aim of this thesis is exploration of attitudes of visitors of Vietnаmese restaurants in Prаgue towards Vietnamese gastronomy and exploration of attitudеs of Vietnаmese gastronomic operators towards their own activities. Theoretical part of this pаper introduces Vietnamese gastronomy, the main characteristiсs of its cuisine, traditionаl Vietnamese ingredients, and traditional Vietnаmese dishes in diffеrent parts of the соuntry. Then, it describes the culture of Vietnаm, its characteristics, the image of Vietnam, public and private сulinary. -
Cultural Profile Resource: Vietnamese
Cultural Profile Resource: Vietnamese A resource for aged care professionals Birgit Heaney Dip. 19/06/2016 A resource for aged care professionals Table of Contents Introduction ....................................................................................................................................................................... 3 Location and Demographic ............................................................................................................................................... 4 Everyday Life ................................................................................................................................................................... 5 Family ............................................................................................................................................................................... 8 Personal Hygiene ............................................................................................................................................................ 10 Leisure and Recreation ................................................................................................................................................... 11 Religion ........................................................................................................................................................................... 12 Food and Diet ................................................................................................................................................................ -
Contemporary Women's Roles Through Hmong, Vietnamese, and American Eyes; Critical Essay, Long, Lisa A
1 Contemporary women's roles through Hmong, Vietnamese, and American Eyes; Critical essay, Long, Lisa A. , Frontiers -A Journal of Women's Studies, January 1, 2008, 2008 University of Nebraska Press, Pg. 1(36) Vol. 29 No. 1 ISSN: 0160-9009 For many Americans, Southeast Asia and its inhabitants--particularly the Vietnamese and transnational ethnic groups such as the Hmong--become visible only through the lens of the Vietnam War. At the same time, contemporary Vietnamese tend to see that war as only one of the many imperialist conflicts in which they have been engaged for the past millennium. (1) And the Hmong, with traditional roots in agriculture and no national ties to speak of, hold an even longer view, seeing this war and subsequent migrations as part of an ancient four-thousand-year- old history of conflict and flight through the highlands of modern China, Vietnam, Laos, Thailand--and now to the United States. Not surprisingly, gender roles in Southeast Asia and the United States have been profoundly shaped in both cultures by these traditions of invasion, resistance, and, often, flight. A complex, diasporic confluence of political history, militarism, immigration, and feminism emerged in the wake of the Vietnam War. To tease out these delicate global intersections, which continue to shape contemporary women's lives, in this paper I explore representations of Viet and Hmong women in Vietnamese publications and public spaces and compare them to representations of women in the writings of Vietnamese American and Hmong American women. To this end, I pair images of Viet women culled from two Vietnamese publications, Images of the Vietnamese Woman in the New Millennium (2002) and Female Labour Migration: Rural-Urban (2001), and from the Vietnamese Women's Museum housed in Hanoi with Lan Cao's negotiations of Vietnamese American womanhood in her novel, Monkey Bridge (1997). -
Download Issue
ISSUE 10 EDITORS Fall 2020 Paul Bowman ISSN 2057-5696 Benjamin N. Judkins MARTIAL ARTS STUDIES EDITORIAL PAUL BOWMAN & BENJAMIN N. JUDKINS Five Years and Twelve Months that Changed the Study of Martial Arts Forever ABOUT THE JOURNAL Martial Arts Studies is an open access journal, which means that all content is available without charge to the user or his/her institution. You are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from either the publisher or the author. The journal is licensed under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. Original copyright remains with the contributing author and a citation should be made when the article is quoted, used or referred to in another work. C b n d Martial Arts Studies is an imprint of Cardiff University Press, an innovative open-access publisher of academic research, where ‘open-access’ means free for both readers and writers. cardiffuniversitypress.org Journal DOI 10.18573/ISSN.2057-5696 Issue DOI 10.18573/mas.i10 Accepted for publication 30 October 2020 Martial Arts Studies Journal design by Hugh Griffiths MARTIAL issue 10 ARTS STUDIES FALL 2020 1 Editorial Five Years and Twelve Months that Changed the Study of Martial Arts Forever Paul Bowman and Benjamin N. Judkins ARTICLES 9 Tàolù – The Mastery of Space Daniel Mroz 23 Marx, Myth and Metaphysics China Debates the Essence of Taijiquan Douglas Wile 40 Rural Wandering Martial Arts Networks and Invulnerability Rituals in Modern China Yupeng Jiao 51 The Construction of Chinese Martial Arts in the Writings of John Dudgeon, Herbert Giles and Joseph Needham Tommaso Gianni 66 The Golden Square Dojo and its Place in British Jujutsu History David Brough 73 Wrestling, Warships and Nationalism in Japanese-American Relations Martin J. -
English Calligraphy Writing Pdf
English calligraphy writing pdf Continue Callile redirects here. For more information about novels, see The Booker. For more information, calligraphy Arabic chinese characters related to handwriting and script writing Georgian Indo-Islamic Japanese Korean Mongolian Vietnamese Vietnamese Western Western examples (from Greek: from the alpha alpha alpha) is a visual art related to writing. It is the design and execution of retarding with wide tip instruments, brushes, or other writing instruments. [1]17 Modern writing practices can be defined as techniques that give shape to billboards in a expressive, harmonious and skillful way. [1]18 Modern calligraphy ranges from functional inscriptions and designs to works of art where characters may or may not be readable. [1] [Need page] Classical calligraphy is different from typographic or non-classical handwriting, but calligraphers can practice both. [2] [3] [4] [5] Calligraphy continues to thrive in the form of wedding invitations and event invitations, font design and typography, original handwritten logo design, religious art, announcements, graphic design and consignment art, cut stone inscriptions and memorial documents. It is also used for movie and television props and videos, testimony, birth certificates, death certificates, maps, and other written works. [6] [7] Tools Calligraphy pens with calligraphy names, the main tools for callidists are pens and brushes. Calligraphy pens are written in nibs that may be flat, round, or sharp. [8] [9] For some decorative purposes, you can use a multi-nib pen (steel brush). However, some works are made of felt tips and ballpoint pens, but angled lines are not adopted. There are some calligraphy styles that require stub pens, such as Gothic scripts. -
Approximate Type © 2021 Dalat Specimen, Description Released: 2020 Designer: Kasper Pyndt Rasmussen Weights: 3 — Styles: 3 Av
Approximate Type © 2021 Dalat Specimen, description Dalat Light Dalat Regular Dalat Bold The starting point of the project was a trip metric construction of the letters, while to Vietnam and a subsequent curiosity about the typeface’s soft serifs are derived from their prolific use of Cooper Black for street Chinese/Vietnamese calligraphy (thu phap) signage—ironically an archetypical American whose terminals tend to thicken and pool. typeface. Foreign conflicts and colonisation The assemblage of these styles results in a are deeply entangled in the story of Viet- typeface that points East as well as West nam which results in a very multi- facetted and finds its home in both contexts. With its visual culture. The typeface Dalat is an un- decorative and playful characteristics, Dalat likely hybrid and synthesis of these varying is mainly suitable for large text-sizes while references; French Art Deco and Russian maintaining good legibility in smaller sizes Constructivism comes across in the geo- as well. Released: 2020 Weights: 3 — Styles: 3 Designer: Kasper Pyndt Rasmussen Availability: Desktop, Web, App Approximate Type © 2021 Dalat Specimen, headlines (Light) EXPLICIT! 100 pt Tra#c Jam 15 CONFLICTS 70 pt Voyager In!ux? DANH VO, ARTIST. 50 pt Immediate A"ermath 218 CALLIGRAPHIC REFERENCES 30 pt Craftsmanship & Self-governance FRANCIS FORD COPPOLA OR OLIVER STONE?! 20 pt Experts in disagreement over Vietnam-!icks Approximate Type © 2021 Dalat Specimen, headlines (Regular) EXPLICIT! 100 pt Tra#c Jam 15 CONFLICTS 70 pt Voyager In!ux? DANH