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Anchorage Museum Portable Instruments Grades K-6
ANCHORAGE MUSEUM PORTABLE INSTRUMENTS GRADES K-6 BILHORN BROTHERS PORTABLE ORGAN, c. 1900 Wood, fabric, metal 1981.012.001 Education Department • 625 C St. Anchorage, AK 99501 • anchoragemuseum.org ACTIVITY AT A GLANCE Learn about portable instruments. Look closely at a portable reed organ from the late 1800s/early 1900s. Learn more about the organ and its owner. Listen to a video of a similar organ being played and learn more about how the instrument works. Brainstorm and sketch a portable instrument. Investigate other portable instruments in the Anchorage Museum collection. Create an instrument from recycled materials. PORTABLE ORGAN Begin by looking closely at the portable organ made by the Bilhorn Brothers company. If investigating the portable organ with another person, use the questions below to guide your discussions. If working alone, consider recording thoughts on paper: CLOSE-LOOKING Look closely, quietly at the organ for a few minutes. OBSERVE Share your observations about the organ or record your initial thoughts ASK • What do I notice about the organ? • What colors and materials does the artist use? • What sounds might the organ create? • What does it remind you of? • What more do you see? • What more can you find? DISCUSS USE 20 Questions Deck for more group discussion questions about the organ. LEARN MORE ABOUT THE MANUFACTURER Peter Philip Bilhorn was a well-known evangelist singer and composer who invented a portable reed organ to support his musical endeavors. With the support of his brother, George Bilhorn, he founded Bilhorn Brothers Organ Company of Chicago in 1885. Bilhorn Brothers manufactured portable reed organs, including the World-Famous Folding Organ in the Anchorage Museum collection. -
Dallas Fine Art Auction 2235 Monitor Street Dallas, TX 75207
Dallas Fine Art Auction 2235 Monitor Street Dallas, TX 75207 Phone: 214-653-3900 Fax: 214-653-3912 January 28, 2012 1/28/2012 LOT # LOT # 1 Alexandre Hogue (1898-1994), "Rattler" lithograph. 5 Edward Dawson-Watson (1893-1978), "Buckin' Steer" Sight: 6.25"H x 11.25"W; Frame: 14''H x tempera on paper board. Image: 5"H x 8.25"W; 18.25''W. Signed and dated lower right, Frame: 11.75"H x 15"W. Signed lower right in "Alexandre Hogue - 1938"; titled and numbered pencil on mat: "Edward Dawson Watson"; titled 13/50 lower left. The theme of man versus lower left in pencil on mat. nature is found in Hogue's paintings during the 800.00 - 1,200.00 1930s. This lithograph of "Rattler" is an excellent example of that. The horseshoe, symbolizing man's presence, and of course the snake being nature. 6 Reveau Bassett (1897-1981), "Ducks" (1) pencil 1,500.00 - 3,000.00 drawing and (1) corresponding etching. Sight: 10"H x 13"W; Frame: 15.25"H x 18.75"W. Signed lower right in pencil, "Reveau Bassett". 1,500.00 - 2,500.00 2 Frank Reaugh (1860-1945), "Untitled" (Creek Scene ) 1896 pastel on paper. Paper: 9.25"H x 4.75"W. Unsigned. A letter of authenticity from Mr. Michael Grauer, Associate 7 Donna Howell-Sickles (b. 1949), "Cowgirls" mixed Director for Curatorial Affairs/Curator for Art, media on canvas. Canvas: 48"H x 48"W; Frame: Panhandle-Plains Historical Museum, Canyon, 49''H x 49''W. -
The Artist and the American Land
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Sheldon Museum of Art Catalogues and Publications Sheldon Museum of Art 1975 A Sense of Place: The Artist and the American Land Norman A. Geske Director at Sheldon Memorial Art Gallery, University of Nebraska- Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/sheldonpubs Geske, Norman A., "A Sense of Place: The Artist and the American Land" (1975). Sheldon Museum of Art Catalogues and Publications. 112. https://digitalcommons.unl.edu/sheldonpubs/112 This Article is brought to you for free and open access by the Sheldon Museum of Art at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Sheldon Museum of Art Catalogues and Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME I is the book on which this exhibition is based: A Sense at Place The Artist and The American Land By Alan Gussow Library of Congress Catalog Card Number 79-154250 COVER: GUSSOW (DETAIL) "LOOSESTRIFE AND WINEBERRIES", 1965 Courtesy Washburn Galleries, Inc. New York a s~ns~ 0 ac~ THE ARTIST AND THE AMERICAN LAND VOLUME II [1 Lenders - Joslyn Art Museum ALLEN MEMORIAL ART MUSEUM, OBERLIN COLLEGE, Oberlin, Ohio MUNSON-WILLIAMS-PROCTOR INSTITUTE, Utica, New York AMERICAN REPUBLIC INSURANCE COMPANY, Des Moines, Iowa MUSEUM OF ART, THE PENNSYLVANIA STATE UNIVERSITY, University Park AMON CARTER MUSEUM, Fort Worth MUSEUM OF FINE ARTS, BOSTON MR. TOM BARTEK, Omaha NATIONAL GALLERY OF ART, Washington, D.C. MR. THOMAS HART BENTON, Kansas City, Missouri NEBRASKA ART ASSOCIATION, Lincoln MR. AND MRS. EDMUND c. -
Iditarod National Historic Trail I Historic Overview — Robert King
Iditarod National Historic Trail i Historic Overview — Robert King Introduction: Today’s Iditarod Trail, a symbol of frontier travel and once an important artery of Alaska’s winter commerce, served a string of mining camps, trading posts, and other settlements founded between 1880 and 1920, during Alaska’s Gold Rush Era. Alaska’s gold rushes were an extension of the American mining frontier that dates from colonial America and moved west to California with the gold discovery there in 1848. In each new territory, gold strikes had caused a surge in population, the establishment of a territorial government, and the development of a transportation system linking the goldfields with the rest of the nation. Alaska, too, followed through these same general stages. With the increase in gold production particularly in the later 1890s and early 1900s, the non-Native population boomed from 430 people in 1880 to some 36,400 in 1910. In 1912, President Taft signed the act creating the Territory of Alaska. At that time, the region’s 1 Iditarod National Historic Trail: Historic Overview transportation systems included a mixture of steamship and steamboat lines, railroads, wagon roads, and various cross-country trail including ones designed principally for winter time dogsled travel. Of the latter, the longest ran from Seward to Nome, and came to be called the Iditarod Trail. The Iditarod Trail today: The Iditarod trail, first commonly referred to as the Seward to Nome trail, was developed starting in 1908 in response to gold rush era needs. While marked off by an official government survey, in many places it followed preexisting Native trails of the Tanaina and Ingalik Indians in the Interior of Alaska. -
Chapter Four
Chapter Four South Denali Visitor Center Complex: Interpretive Master Plan Site Resources Tangible Natural Site Features 1. Granite outcroppings and erratic Resources are at the core of an boulders (glacial striations) interpretive experience. Tangible resources, those things that can be seen 2. Panoramic views of surrounding or touched, are important for connecting landscape visitors physically to a unique site. • Peaks of the Alaska Range Intangible resources, such as concepts, (include Denali/Mt. McKinley, values, and events, facilitate emotional Mt. Foraker, Mt. Hunter, Mt. and meaningful experiences for visitors. Huntington, Mt. Dickey, Moose’s Effective interpretation occurs when Erratic boulders on Curry Ridge. September, 2007 Tooth, Broken Tooth, Tokosha tangible resources are connected with Mountains) intangible meanings. • Peters Hills • Talkeetna Mountains The visitor center site on Curry Ridge maximizes access to resources that serve • Braided Chulitna River and valley as tangible connections to the natural and • Ruth Glacier cultural history of the region. • Curry Ridge The stunning views from the visitor center site reveal a plethora of tangible Mt. McKinley/Denali features that can be interpreted. This Mt. Foraker Mt. Hunter Moose’s Tooth shot from Google Earth shows some of the major ones. Tokosha Ruth Glacier Mountains Chulitna River Parks Highway Page 22 3. Diversity of habitats and uniquely 5. Unfettered views of the open sky adapted vegetation • Aurora Borealis/Northern Lights • Lake 1787 (alpine lake) • Storms, clouds, and other weather • Alpine Tundra (specially adapted patterns plants, stunted trees) • Sun halos and sun dogs • High Brush (scrub/shrub) • Spruce Forests • Numerous beaver ponds and streams Tangible Cultural Site Features • Sedge meadows and muskegs 1. -
THE KEY VOL 94 NO 2 SUMMER 1977.Pdf
President's Message By Jean Hess Well tl Y -Georgia Fraternity Preside There is a song popular in many of our Kappa chapters our responsibility for campus and community leaders that goes something like this . "And when we tell both on the undergraduate and alumnae level. You h you . how wonderful you are. you'll never be the knowledge, the talent and the ability. Your colle lieve it . that girls so fine could ever be . united and universities need you to step forward and assume t in fraternity . and they all wear the little golden key." leadership. YOU are the "U" in your University! It's a particular song used for many special occasions YOU-the alumnae. As we proceed beyond our coli whenever we want to express some particular senti days, our interests widen. There are careers that lie ah ment-whether it be our way of saying how much we for all of us. Whether these careers are in business, a p want a certain rushee or a very special thank-you to some fession, a family or in a volunteer field, we can ap one very special. In its way, this song expresses in words those same principles of organization we learn in colle and music .. "The Significance of You." YOU-the And most often we combine all of these careers into o collegians. You represent the leadership in your chap- lives at one time. YOU are the "U" in your communiti ters-both present and the future leaders of your alumnae organizations, the future advisers to our chapters, the Our alumnae organizations serve a real purpose in o future province officers and the future officers of the Fra communities. -
Steve Mccutcheon Collection, B1990.014
REFERENCE CODE: AkAMH REPOSITORY NAME: Anchorage Museum at Rasmuson Center Bob and Evangeline Atwood Alaska Resource Center 625 C Street Anchorage, AK 99501 Phone: 907-929-9235 Fax: 907-929-9233 Email: [email protected] Guide prepared by: Sara Piasecki, Archivist TITLE: Steve McCutcheon Collection COLLECTION NUMBER: B1990.014 OVERVIEW OF THE COLLECTION Dates: circa 1890-1990 Extent: approximately 180 linear feet Language and Scripts: The collection is in English. Name of creator(s): Steve McCutcheon, P.S. Hunt, Sydney Laurence, Lomen Brothers, Don C. Knudsen, Dolores Roguszka, Phyllis Mithassel, Alyeska Pipeline Services Co., Frank Flavin, Jim Cacia, Randy Smith, Don Horter Administrative/Biographical History: Stephen Douglas McCutcheon was born in the small town of Cordova, AK, in 1911, just three years after the first city lots were sold at auction. In 1915, the family relocated to Anchorage, which was then just a tent city thrown up to house workers on the Alaska Railroad. McCutcheon began taking photographs as a young boy, but it wasn’t until he found himself in the small town of Curry, AK, working as a night roundhouse foreman for the railroad that he set out to teach himself the art and science of photography. As a Deputy U.S. Marshall in Valdez in 1940-1941, McCutcheon honed his skills as an evidential photographer; as assistant commissioner in the state’s new Dept. of Labor, McCutcheon documented the cannery industry in Unalaska. From 1942 to 1944, he worked as district manager for the federal Office of Price Administration in Fairbanks, taking photographs of trading stations, communities and residents of northern Alaska; he sent an album of these photos to Washington, D.C., “to show them,” he said, “that things that applied in the South 48 didn’t necessarily apply to Alaska.” 1 1 Emanuel, Richard P. -
Golden Circle Scenic 7 Days from Whitehorse
Golden Circle Scenic 7 days from Whitehorse Itinerary at a glance: Day 0: Arrival in Whitehorse Day 1: The Yukon - Miles Canyon, Emerald Lake, World's Smallest Desert, Carcross, Bennett Lake, Yukon Suspension Bridge, and International Falls Day 2: Skagway - White Pass Railroad and Taiya River Scenic float Day 3: Juneau - Whale Watching, Mendenhall Glacier, and Salmon Hatchery Day 4: Haines - Kroeschel Wildlife Refuge, Klukwan Native Village, and Float through Bald Eagle Preserve Day 5: Haines - Canoe on Chilkoot Lake, Raptor Center, and Distillery Tasting Day 6: The Yukon - Chilkat Mountains, Kathleen Lake, Million Dollar Falls, Tatshenshini River, Kluane National Park Visitor Center, Yukon River, and Whitehorse Day 7: Departure from Whitehorse Day 0: Arrival Day Upon your arrival into Whitehorse, your guide will be waiting to transfer you to your hotel. After you are settled, you will meet with your guide and travelling companions to discuss the itinerary. Time will be confirmed. On this arrival day, you will have free time to enjoy the Capitol of the Yukon. Your guide will let you know at what time to meet the next day to start your adventure through Alaska and the Yukon. Meals on your own. Day 1: The Yukon - Exploring Yukon, British Columbia, and Alaska en route to Skagway After breakfast, we will stroll along the Yukon River Boardwalk and through downtown Whitehorse. Along the way, we will learn about the Athabaskan culture and this supply post's important role during the Gold Rush. Grab a latte or a smoothie and watch the might waters of the Yukon River rush past. -
Native American Art Los Angeles I December 11, 2018
Native American Art Los Angeles I December 11, 2018 Native American Art Los Angeles | Tuesday December 11, 2018 at 11am BONHAMS BIDS INQUIRIES REGISTRATION 7601 W. Sunset Boulevard +1 323 850 7500 Ingmars Lindbergs, Director IMPORTANT NOTICE Los Angeles, CA 90046 +1 323 850 6090 (fax) [email protected] Please note that all customers, bonhams.com [email protected] +1 (415) 503 3393 irrespective of any previous activity with Bonhams, are required to PREVIEW To bid via the internet please visit Kim Jarand, Specialist complete the Bidder Registration Friday December 7, www.bonhams.com/24850 [email protected] Form in advance of the sale. The 12pm to 5pm +1 (323) 436 5430 form can be found at the back Saturday December 8, Please note that telephone bids of every catalogue and on our 12pm to 5pm must be submitted no later than ILLUSTRATIONS website at www.bonhams.com Sunday December 9, 4pm on the day prior to the Front cover: Lot 394 and should be returned by email or 12pm to 5pm auction. New bidders must also Session page: Lot 362 post to the specialist department Monday December 10, provide proof of identity and or to the bids department at 9am to 11am address when submitting bids. [email protected] Tuesday December 11, Please contact client services 9am to 11am with any bidding inquiries. To bid live online and / or leave internet bids please go to www.bonhams.com/auctions/24850 SALE NUMBER: 24850 LIVE ONLINE BIDDING IS AVAILABLE FOR THIS SALE and click on the Register to bid link Lots 300 - 606 Please email: at the top left of the page. -
Sydney Laurence, Painter of the North (Anchorage Museum of History and Art) Ebooks Free from Foreword - Every Region Has Its Favorite Artist
Sydney Laurence, Painter Of The North (Anchorage Museum Of History And Art) Ebooks Free From Foreword - Every region has its favorite artist. For many Alaskans, that artist is Sydney Laurence. This catalogue of his paintings commemorate the fiftieth anniversary of the artists death. The purpose is to bring public attention to his achievement as a painter and explore his role in the development of American art during the first half of the twentieth century. (Description by http-mart) Series: Anchorage Museum of History and Art Paperback: 140 pages Publisher: University of Washington Press; 1st Edition edition (July 1990) Language: English ISBN-10: 0295969539 ISBN-13: 978-0295969534 Product Dimensions: 11 x 8.5 x 0.4 inches Shipping Weight: 1.4 pounds Average Customer Review: 4.7 out of 5 stars 5 customer reviews Best Sellers Rank: #1,853,146 in Books (See Top 100 in Books) #22 in Books > Travel > United States > Alaska > Anchorage #52 in Books > Travel > Australia & South Pacific > Australia > Sydney #4669 in Books > Arts & Photography > Collections, Catalogs & Exhibitions From Foreword - Every region has its favorite artist. For many Alaskans, that artist is Sydney Laurence. This catalogue of his paintings commemorate the fiftieth anniversary of the artists death. The purpose is to bring public attention to his achievement as a painter and explore his role in the development of American art during the first half of the twentieth century. (Description by http-mart) This was a surprisingly good book with good reproductions of the work. It is well worth the price and any admirer of Laurence will be pleased to own it. -
Highlights for Fiscal Year 2013: Denali National Park
Highlights for FY 2013 Denali National Park and Preserve (* indicates action items for A Call to Action or the park’s strategic plan) This year was one of changes and challenges, including from the weather. The changes started at the top, with the arrival of new Superintendent Don Striker in January 2013. He drove across the country to Alaska from New River Gorge National River in West Virginia, where he had been the superintendent for five years. He also served as superintendent of Mount Rushmore National Memorial (South Dakota) and Fort Clatsop National Memorial (Oregon) and as special assistant to the Comptroller of the National Park Service. Some of the challenges that will be on his plate – implementing the Vehicle Management Plan, re-bidding the main concession contract, and continuing to work on a variety of wildlife issues with the State of Alaska. Don meets Skeeter, one of the park’s sled dogs The park and its partners celebrated a significant milestone, the centennial of the first summit of Mt. McKinley, with several activities and events. On June 7, 1913, four men stood on the top of Mt. McKinley, or Denali as it was called by the native Koyukon Athabaskans, for the first time. By achieving the summit of the highest peak in North America, Walter Harper, Harry Karstens, Hudson Stuck, and Robert Tatum made history. Karstens would continue to have an association with the mountain and the land around it by becoming the first Superintendent of the fledgling Mt. McKinley National Park in 1921. *A speaker series featuring presentations by five Alaskan mountaineers and historians on significant Denali mountaineering expeditions, premiered on June 7thwith an illustrated talk on the 1913 Ascent of Mt. -
The Pacific Historian, Volume 30, Number 1 (1986)
University of the Pacific Scholarly Commons The aP cific iH storian Western Americana 1986 The aP cific iH storian, Volume 30, Number 1 (1986) Follow this and additional works at: https://scholarlycommons.pacific.edu/pac-historian Recommended Citation "The aP cific iH storian, Volume 30, Number 1 (1986)" (1986). The Pacific isH torian. 116. https://scholarlycommons.pacific.edu/pac-historian/116 This Book is brought to you for free and open access by the Western Americana at Scholarly Commons. It has been accepted for inclusion in The aP cific Historian by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. Native Missionaries of the North Pacific Coast Philip McKay and Others E. Palmer Patterson Indian: A History Since 1500 (1972) and Mis sion on the Nass: The Evangelization of the Nishga (1860-1890) (1982). His current re E. Palmer Patterson is Associate Professor search is on the history of the Nishga Indi of History at the University of Waterloo, ans of British Columbia in contact with Ontario, Canada. Among his works on Europeans during the second half of the Canadian native peoples are The Canadian nineteenth century. White missionaries and their native converts. N WRITING THE HISTORY of nineteenth sion is seen as an example of European or Euro century Christian missions the tendency has American/Euro-Canadian cultural expansion and Ibeen to deal primarily with the European and its techniques of dissemination. However, native Euro-American or Euro-Canadian missionarie·s cultures have not always been destroyed, though and their exploits- as adventure, devotion , sac they have often been drastically altered .