Once Upon a Timpani…Youth Concert
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GENEVA CONCERTS presents Friday, November 9, 2012 • 7:30 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2012-2013 SEASON Saturday, 13 October 2012, 7:30 p.m. Ballet Jörgen Swan Lake Friday, 9 November 2012, 7:30 p.m. Rochester Philharmonic Orchestra Jeff Tyzik, conductor Kenneth Grant, clarinet Michael Daugherty: Route 66 Jeff Tyzik: IMAGES: Musical Impressions of an Art Gallery Aaron Copland: Clarinet Concerto Leonard Bernstein: On the Waterfront Suite Friday, 25 January 2013, 7:30 p.m. Rochester Philharmonic Orchestra Arild Remmereit, conductor Mark Kellogg, trombone Jennifer Higdon: Machine Ludwig van Beethoven: Symphony No. 1 Lars-Erik Larsson: Concertino for Trombone W.A. Mozart: Symphony No. 40 Friday, 1 March 2013, 7:30 p.m. Swingle Singers Friday, 19 April 2013, 7:30 p.m. Rochester Philharmonic Orchestra Arild Remmereit, conductor Sergej Krylov, violin Margaret Brouwer: Remembrances Henryk Wieniawski: Violin Concerto No. 2 Ludwig van Beethoven: Symphony No. 3, “Eroica” Programs subject to change. Performed at the Smith Opera House 82 Seneca Street, Geneva, New York These concerts are made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, and a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Friday, November 9, 2012 at 7:30 p.m. Rochester Philharmonic Orchestra Jeff Tyzik, conductor Kenneth Grant, clarinet MICHAEL DAUGHERTY Route 66 JEFF TYZIK Images: Musical Impressions of an Art Museum 1. Convergence (Albert Paley: Convergence,1987) 2. Spirits of Tuol Sleng (Binh Dahn: Found Portraits Collection: from the Cambodian Killing Fields at Tuol Sleng, 2003) 3. -
B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Afanasy Afanasyevich Fet - Poems
Classic Poetry Series Afanasy Afanasyevich Fet - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Afanasy Afanasyevich Fet(5 December 1820 - 3 December 1892) Afanasy Afanasyevich Fet, later changed his name to Shenshin was a Russian poet regarded as one of the finest lyricists in Russian literature. <b>Biography</b> <b>Origins</b> The circumstances of Afanasy Fet's birth have been the subject of controversy, and some uncertainties still remain. Even the exact date is unknown and has been cited as either October 29 (old style), or November 23 or 29, 1820. Brief biographies usually maintain that Fet was the son of the Russian landlord Shenshin and a German woman named Charlotta Becker, an that at the age of 14 he had to change his surname from his father's to that of Fet, because the marriage of Shenshin and Becker, registered in Germany, was deemed legally void in Russia. Detailed studies reveal a complicated and controversial story. It began in September 1820 when a respectable 44-year old landlord from Mtsensk, Afanasy Neofitovich Shenshin, (described as a follower of Jean-Jacques Rousseau's ideas) returned to his Novosyolky estate from the German spa resorts where he had spent a year on a recreational trip. There he had rented rooms in the house of Karl Becker and fell for his daughter Charlotta Elizabeth, a married woman with a one-year-old daughter named Carolina, and pregnant with another child. As to what happened next, opinions vary. According to some sources. Charlotta hastily divorced her husband Johann Foeth, a Darmstadt court official, others maintain that Shenshin approached Karl Becker with the idea that the latter should help his daughter divorce Johann, and when the old man refused to cooperate, kidnapped his beloved (with her total consent). -
Folia Orient. Bibliotheca I.Indd
FOLIA ORIENTALIA — BIBLIOTHECA VOL. I — 2018 DOI 10.24425/for.2019.126132 Yousef Sh’hadeh Jagiellonian University [email protected] The Koran in the Poetry of Alexander Pushkin and Ivan Bunin: Inspiration, Citation and Intertextuality Abstract The Koran became an inspiration to the Russian poet Alexander Pushkin (1799–1837), made obvious in many of his works, such as Imitations of the Koran, The Prophet, and In a Secret Cave. Pushkin studied the translation of the Koran carefully and used many verses of its Surahs in his texts. Many of his contemporary poets and followers were influenced by his poetry, like Ivan Bunin (1870–1953), who continued the traditions of Pushkin. Bunin repeated many thoughts from Koranic discourse and placed them in his poems that were full of faith and spirituality. He wrote many of them at the beginning of the 20th century1, before his emigration to France in 1918, for example: Mohammed in Exile, Guiding Signs and For Treason. It has been noted that Bunin was quoting verses from the Koran to create an intertextual relationships between some Surahs and his poems, showing a great enthusiasm to mystical dimension of Islam. We find this aspect in many works, such as The Night of al-Qadr, Tamjid, Black Stone of the Kaaba, Kawthar, The Day of Reckoning and Secret. It can also be said that a spiritual inspiration and rhetoric of Koran were not only attractive to Pushkin and Bunin, but also to a large group of Russian poets and writers, including Gavrila Derzhavin, Mikhail Lermontov, Fyodor Tyutchev, Yakov Polonsky, Lukyan Yakubovich, Konstantin Balmont, and others. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Ken Peplowski Discography
Discography – Ken Peplowski 1987 Double Exposure Concord Jazz 1989 Sonny Side Concord Jazz 1990 Mr. Gentle and Mr. Cool Concord Jazz 1990 Illuminations Concord 1991 Groovin' High Concord Jazz 1992 Concord Duo Series, Vol. 3 Concord Jazz 1992 The Natural Touch Concord Jazz / Concord 1993 Steppin' with Peps Concord Jazz 1994 Encore! Live at Centre Concord Concord Jazz / Concord 1994 Live at Ambassador Auditorium Concord Jazz / Concord 1995 The International All-Stars Play Benny Goodman, Vol. 2 Nagel Heyer Records 1995 The International Allstars Play Benny Goodman, Vol. 1 Nagel Heyer Records 1995 It's a Lonesome Old Town Concord Jazz / Concord 1996 The Other Portrait Concord / Concord Jazz 1997 A Good Reed Concord Jazz / Concord 1998 Grenadilla Concord Jazz 1999 Last Swing of the Century Concord Vista / Concord Jazz 2000 All This...Live in the UK, Vol. 1 Koch / Koch Jazz 2001 Tribute to Benny Goodman with the BBC Big Band Chandos 2002 Just Friends Nagel Heyer Records 2002 And Heaven Too: Live in the U.K. Vol. 2 Koch 2002 Remembering Louis Jump Records 2002 Ellingtonian Tales Mainstream 2002 Lost in the Stars Nagel Heyer Records 2004 Easy to Remember Nagel Heyer Records 2007 Memories of You Tokuma Records 2008 Gypsy Lamento Venus / Venus Jazz Japan 2008 When You Wish Upon a Star Tokuma Records 2011 In Search Of Capri 2013 Maybe September Capri 2013 ...Live at the Kitano Victoria Company 2018 Sunrise Arbors 2018 Duologue Arbors Credits 2018 Duologue Adrian Cunningham / Ken Peplowski Primary Artist 2018 Sunrise Ken Peplowski / Ken Peplowski -
Download Booklet
559165 bk Daugherty US 27/07/2004 02:42pm Page 5 Colorado Symphony Orchestra AMERICAN CLASSICS As the region’s premier performing arts organization, the Colorado Symphony Orchestra (CSO) embraces a tradition of musical excellence by presenting a wide variety of symphonic performances, from classical repertoire to innovative new forms, in Boettcher Concert Hall, the first surround-sound concert hall in the United States. Established in 1989 as the successor to the Denver Symphony, the CSO is Colorado’s only resident orchestra composed of professional musicians employed to play symphonic music on a full-time basis. Musicians actively MICHAEL DAUGHERTY participate in the management of the organization through significant participation on the Association’s Board of Trustees, as well as all governing committees. Under Music Director Laureate Marin Alsop’s leadership over a number of years, the CSO has gained recognition on both the regional and national levels as one of the finest Philadelphia Stories • UFO performing orchestras in the country. Many of the orchestra’s performances are broadcast on Colorado Public Radio to a state-wide audience. Reaching an even more expansive audience, a number of the CSO’s programmes are broadcast nationally on National Public Radio’s Performance Today. Recordings with Marin Alsop have Evelyn Glennie, Percussion included a number of releases devoted to the work of contemporary American composers. In April 2004 the CSO appointed Jeffrey Kahane, music director of the Los Angeles Chamber Orchestra and the Santa Rosa Symphony, as the ninth music director in the 81-year history of the Denver and Colorado Symphony Orchestras. -
Golden Age of Russian Literature New York - Washington 03-15 October 2015
Golden Age of Russian Literature New York - Washington 03-15 October 2015 ARTISTTV EXPO EXHIBITION in USA 3 2 Representatives of the Shaliapin music school with school director Irina Strykava Opera singer Irina Velichko Tenor Aleksaandr Lesin Memorable photo for memory participants of the concert «Cover girl» Superior room in the main building of the Russian Foreign Ministry on Smolenksoy Square opened its doors to the exhibition «Golden Age» of Russian literature» in Moscow from 16-24 september 2015 At the opening were well-known artists Irina Velichko and Alexander Lesin that sangs opera Speech by the deputy Department for songs. Culture of the Russian Foreign Ministry Ivanov Aleksey Vladimirovich Teachers and the best students of the director and organizer ARTISTTV Shalapin music school Moscow played and Yurchenko Andrey Anatolyevich sang for visitors. Curator Julia Jurchenko and Olga Mironovna Zinovieva - the wife of Alexander painter Svetlana Malahova Zinoviev, companion, guardian of the creative and intellectual heritage of Alexander Alexandrovich Zinoviev, the world-famous Russian thinker, On cover philosopher, logic, sociologist, writer and citizen. picture Andrei Podgorny «Sprout» Dear friends ! This booklet is catalogue , but has been designed to study. It get not For over a year, the project «Golden Age» of Russian literature» only the contemporary art culture of Russia, but also to learn the walking on the world. We make exhibition in different countries cultural origins of the Russian culture of the 19th century. and cities, and everywhere we were met with great success. Poems, sayings , citation of great writers - are selected in such a Of course this is due to the large interest in the theme of way that the reader knew what most deeply influence to Russian exhibition. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
6 Unique Nights & Collaborations
SYMPHONY CENTER PRESENTS JUNE 10-12 & 16-18 a journey through musical roots New York City FRIDAY, JUNE 10, 8:00 BILL CHARLAP piano Th is portrait of New York’s rich and varied musical Kurt Elling vocals history focuses on two distinct and important eras. Ken Peplowski clarinet First, Bill Charlap directs an all-star ensemble, Jeremy Pelt trumpet including Chicago native and jazz vocalist Kurt Jimmy Greene tenor saxophone Elling, on a journey through the music of the Roaring Peter Washington bass Twenties, Broadway, Ellington, Bernstein, Sinatra and Kenny Washington drums be-bop. In the second half, accomplished singer-songwriter Suzanne Vega and guests Richard Julian and legendary folk singer SUZANNE VEGA guitar and vocals and Chicago native Tom Paxton celebrate the New York folk music Tom Paxton guitar and vocals scene of the 1950s, ‘60s and beyond. Richard Julian guitar and vocals Gerry Leonard guitar Mike Visceglia bass Route 66 SATURDAY, JUNE 11, 8:00 ARLO GUTHRIE guitar and vocals Inspired by America’s “Mother Road,” this performance CHICAGO SYMPHONY ORCHESTRA Vance Gilbert guitar and vocals is directed by legendary folk singer Arlo Guthrie, and SYMPHONY CENTER PRESENTS Eliza Gilkyson guitar and vocals showcases the nostalgic songs and music of an era when 220 South Michigan Avenue Chris Smither guitar and vocals this famous highway was the path of choice through the Chicago, IL 60604-2559 American west, uniting people on their journey from Chicago to Los Angeles. With its starting point adjacent to Symphony Center at the corner of Michigan and Adams, Route 66 celebrates its 85th anniversary in 2011. -
National Symphony Orchestra of Ukraine
NATIONAL SYMPHONY ORCHESTRA OF UKRAINE VOLODYMYR SIRENKO, ARTISTIC DIRECTOR AND CONDUCTOR ALEXEI GRYNYUK, PIANO Saturday, March 4, 2017, at 7:30pm Foellinger Great Hall PROGRAM NATIONAL SYMPHONY ORCHESTRA OF UKRAINE Volodymyr Sirenko, artistic director and conductor Theodore Kuchar, conductor laureate Yevhen Stankovych Suite from the ballet The Night Before Christmas (b. 1942) Introduction Oksan and Koval Kozachok Robert Schumann Piano Concerto in A Minor, Op. 54 (1819-1896) Allegro affettuoso; Andante grazioso; Allegro Intermezzo: Andante grazioso Allegro vivace Alexei Grynyuk, piano 20-minute intermission Antonín Dvorák Symphony No. 9 in E Minor, Op. 95, “From the New World” (1841-1904) Adagio Largo Scherzo: Molto vivace Allegro con fuoco The National Symphony Orchestra of Ukraine appears by arrangement with: Columbia Artists Management LLC 5 Columbus Circle @ 1790 Broadway New York, NY 10019 www.cami.com 2 THE ACT OF GIVING OF ACT THE THANK YOU TO THE SPONSORS OF THIS PERFORMANCE Krannert Center honors the spirited generosity of these committed sponsors whose support of this performance continues to strengthen the impact of the arts in our community. CLAIR MAE & G. WILLIAM ARENDS Krannert Center honors the memory of Endowed Underwriters Clair Mae & G. William Arends. Their lasting investment in the performing arts will ensure that future generations can enjoy world-class performances such as this one. We appreciate their dedication to our community. CAROLE & JERRY RINGER Through their previous sponsorships and this year’s support, Endowed Sponsors Carole & Jerry Ringer continue to share their passion for the beauty and emotion of classical music with our community. Krannert Center is grateful for their ongoing support and dedication to the performing arts. -
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite.