NORTHWEST ACCORDION NEWS
Italo American Mazurka Gary Blair in Castelfi dardo 62nd Trophee Mondiale 2012 To teach is to touch a life forever Launching of New Accordion Teaching Method VOL. 22 NO. 4 Northwest Accordion Society Winter Quarter 2012 CONGRATULATIONS SAM THOMAS
ST 1 PLACE WINNER Senior Variety Sam Thomas plays petosa exclusively. . .
Northwest Accordion News
NWAS News Deadlines NORTHWEST ACCORDION SOCIETY February 1, May 1, August 1, November 1 The Northwest Accordion News is a quarterly newsletter published by the Northwest Accordion Inquiries, questions, suggestions, etc. Society for and by its members. The purpose of Contact Doris Osgood, 3224 B St., the NWAS News is to unite the membership by Forest Grove, OR 97116. (503) 357-0417. providing news of its members, and articles that E-mail: [email protected] instruct, encourage, and promote the playing of the accordion.
NWAS PUBLICATION PRIORITIES ♦ Advertising Mail letters & articles to: ♦ Original Compositions Northwest Accordion Society ♦ News from Our Members 5102 NE 121st Ave. #12, ♦ Instructive/Technical Articles Vancouver, WA 98682 ♦ Summaries from Regional Socials and Or e-mail to: [email protected] Events ♦ Coming Events ADVERTISING Articles will be printed if received prior to Full page $110.00 the publishing deadline. Should space be an Half page $55.00 issue, articles will be printed in the order in which Quarter $30.00 they are submitted. All decisions regarding Business card $10.00 publication will be made by the editors of the Prices are PER ISSUE. US Funds NWAS News. To submit articles for publication, mail Photo-ready Advertising (with accompanying check) them to the Vancouver, WA address listed. It is for this publication may be sent to: preferred that articles be submitted via e-mail as Northwest Accordion Society attached WORD documents or on a disc. Typed, 6453 SE Nathan Ct., Hillsboro, OR 97123 paper copy needs to be dark and clear to allow or e-mail [email protected] scanning and to minimize errors. Photographs sent for publication will be returned if they are accompanied with a SASE of Northwest Accordion News Staff correct size and adequate postage. Photographs Doris Osgood...... (503) 357-0417 may be sent electronically or on disc. To reprint articles or photographs from [email protected] Judith Ames ...... (360) 254-5245 magazines and newspapers, written permission [email protected] from the publisher is required. Please submit Colleen Halverson (Advertising) .....(503) 484-5064 the necessary “permission to print” with material [email protected] sent. Views in the articles and information printed NW Accordion Society Offi cers Bonnie Birch, President/Treasurer ...... (206) 622-4786 are those of the contributors and not necessarily Doris Osgood, Vice President/Communications ...... (503) 357-0417 those of the Northwest Accordion Society or its Judith Ames, Secretary/Technology ...... (360) 254-5245 advertisers. Advisory Board Rick Hatley, ...... (253) 288-0442 Dick Myking ...... (253) 537-0136 Is your membership renewal due? Birgit Ages ...... (206) 368-9720 Check your mailing label. A membership Cooksie (Kaserzon) Kramer ...... (425) 828-9104 application/renewal form is included on the Membership: last page. Send your renewals or change of Doris Osgood...... (503) 357-0417 address to: [email protected] Judith Ames ...... (360) 254-5245 Northwest Accordion Society [email protected] 5102 NE 121st Ave. #12 Vancouver, WA 98682
Winter Quarter 2012 1 Northwest Accordion News Table of Contents Quarterly Update 2 Letter from the Editors 2 Quarterly Update Dear Members, 3 Letters to the Editor My life has been a bit unusual since July and I 3 Congratulations, Patricia Bartell feel like I missed the summer entirely. Autumn here in 4 Italo American Mazurka Forest Grove has been glorious. That made up for lost 7 Music review: Trophée Mondial opens time. in Spokane with fl air 9 62nd Trophee Mondial 2012 I wish to thank you all for your prayers, cards, 10 Can the Simply Music Piano program revitalize emails, and phone calls these last months. My breast the world of accordion? cancer treatment has moved along on schedule. I’ve 12 ‘The Classical Tradition’, had surgeries and have fi nished radiation. Now I’m 13 The 65th Coupe Mondiale on to the next leg of the treatment, oral medication. It 14 The 2012 Trophée Mondial has meant a lot to me to have the support from all of 19 Gary Blair in Castelfi dardo you during this experience. It’s a stressful, emotional 20 By the Way journey, but I’m moving forward. Thanks. 22 To teach is to touch a life forever. We all congratulate Patricia Bartell and her team 23 Remembering Robert Troxel in Spokane for a successful international accordion 24 Keeping up with Cory Pesaturo 25 Improvising Chords (Part 2 of 4) competition. Patricia shared that the fund-raising goal 26 Thomas stars at accordion competition was met and that she was able to pay the bills! Those 26 Bartell is the force behind this week’s of us involved with the Leavenworth celebration know international accordion fest that kind of relief. The international community praised 29 A View From the Wings all aspects of the Trophee Mondial in Spokane. 31 Forest Grove’s Autumn Social Patricia gave it some “American” charm and attention 33 Seattle Accordion Social to detail that the contestants and jurors had not 35 Tacoma Accordion Social experienced at previous competitions. We are proud 36 LIAC 2013 of her accomplishment. Our pride goes even further. 36 Will arrive before you know it! Sam Thomas, the only American competitor to place, 36 June 20 - 23, 2013 36 By Bonnie Birch placed fi rst in the senior variety division. Sam also 38 NWAS Socials in Seattle hails from the Inland Empire. Kudos all around. 38 Accordionist receives an award from outgoing By the time you receive this publication, the Day Juneau Alaska Mayor of the Accordion will be only two months away. Note 38 Welcome New Members that DOTA will be at the Crossroads Mall in Bellevue 40 Accordion Events Calendar again. As you may know, the Seattle Center is under 42 Entertainers in the Northwest renovation and the Center House is not available to us this year. It is possible that DOTA will return there Letter from the Editors in 2014. Details are not fi rm about the performers and schedule as I write. Check the NWAS web site by February 1 for that information. As we noted last Greetings! year, the Crossroads Mall brought an entirely different Have you ever thought about the amount of audience than the Center. After last year’s experience, work and volunteer hours that are put into an event? the venue can be used more effectively. DOTA is Everything from the local socials to a production like always a good time. Trophee Mondiale requires dedication and effort from a The Northwest Accordion Society will put LOT of people. We truly appreciate the volunteers who on the Leavenworth International Accordion help out with these events. More are coming up - now is Celebration again in Leavenworth, Washington June your opportunity to be a part of these rewarding activities 20 – 23, 2013. Bonnie Birch is working with potential (Day of the Accordion, Leavenworth, etc.) Read the performers. The “short list” has great entertainers. The articles and contact the organizers. It is very worthwhile! issue is their schedules and our budget! Scheduling Make this your New Year’s resolution - to be a part is the larger issue. As mentioned in this publication, of the TEAMS! (You can help with donations, too.) begin checking the offi cial LIAC web site after January Have a Merry Christmas and Happy New Year! 1 for updates and information. That will be posted as Judith Ames confi rmation is made. www.accordioncelebration.org ([email protected]) Another international competition is scheduled for the region in the summer, 2013. The 66th Coupe 2 Winter Quarter 2012 Northwest Accordion News Mondiale will be held in Victoria, British Columbia. Having TWO international competitions on the Letters to the Editor continent within only a few months is incredible. 2013 looks to be a great year for the accordion. Dear NWAS, In this issue we are pleased to provide an original Thank you so much for the wonderful magazine! composition by the late Frank Marocco. Frank had It is full of information and I keep reading it over and been very generous with his music over the years over again. and had provided a number of compositions for Paula Wallenius, Woodinville, WA the Northwest Accordion News. Though Frank had authorized the use of some remaining pieces, we are Dear NWAS, especially thankful that his wife, Ann, has also given Thank you for all your hard work in keeping this her permission for our publishing the music. publication going. The Mesa Accordion Event is coming soon. Cheryl McGinley, Tonasket, WA No longer referred to as the Frank Marocco Event, Dan Grauman is organizing this as a special tribute/ Dear NWAS Editors, memorial to Frank. The “campers” will determine the You are truly amazing! How can you top the qual- destiny of the desert accordion camp during their stay. ity of this publication time after time is beyond belief! Frank had arranged long ago for Stas Venglevski Thanks so much. Doris, you and Judith form a team to assume the teaching and musical leadership of that just can’t be beat! the camp in the event of his inability to fulfi ll his role. I am enclosing a check for my renewal. As one of Frank trusted only Stas with that responsibility. With the few that still needs a “hard” copy. I have to mention the publishing of Frank’s mazurka, we also honor that I save every issue. Frank too. Randall A. Tron, Sumner, WA For those in the Seattle area, note the schedule (Editors note: We truly appreciate your comments and and planned entertainment for the monthly socials. support. People can receive the hard copy, PDF or The sites will bounce from the West Seattle Senior both.) Center to the Swedish Cultural Club. The specifi cs are in this publication; join the group when you can. As this year ends, we thank our regular contributors and our faithful advertisers. Colleen Halverson has worked diligently for us to ensure that we have the advertising support that keeps this publication in the black. Our computer expert, Judith Ames spends long hours managing our membership roster and formatting the publication each quarter – after her “day job”. Ron Ostromecki provides beautifully engraved music; we are so grateful that he 5 Valley Accordion Club with Guest Performer Walter shares his skill with us. The Northwest Accordion Grob from Auburn, CA playing at the County Fair in News is published by a small volunteer staff; the Hamilton, MT. August 2012 hours that the three of us log are considerable. We are gratifi ed that this magazine style newsletter is highly regarded for its quality. We thank you all for Congratulations, Patricia Bartell your encouragement and support. I didn’t mean to drone on and on. George Will All of us in the Northwest Accordion Society con- once wrote that he was sorry for writing a long letter; gratulate you and your team for putting on a “world he didn’t have time to write a short one! There’s my class” international accordion competition. The fund excuse. I wish you all a joyful holiday season, lots raising efforts, master planning, and unique details of LIVE accordion music, and good health in 2013. ensured the success that was apparent to all who The coming year is fi lled with great events. Mark could attend. Many described the experience as your calendars today. Let’s keep the accordion in the “one in a lifetime”. The international community of public’s view and enjoy the experience as we do – for accordionists and jurors also noted the quality and the love of the accordion. the uniqueness of the competition. Congratulations; Doris Osgood well done. [email protected]
Winter Quarter 2012 3 Northwest Accordion News Italo American Mazurka
Frank Marocco
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Winter Quarter 2012 5 Northwest Accordion News
Italo American Mazurka pg 3
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^¥ V V V V ^ V ^¥ V V V V ^ V V V V V ^¥ b m M 7 7 ! V V V V V V V V c V V V V V V V Î V V V V V V V ^ V Î V V b V V V V ^ 7V V V V V D.C.VE al Fine 7 m V V M ! V V V V V c V V V E V V V V 6 Winter Quarter 2012 Northwest Accordion News Music review: Trophée Mondial opens of the Trophée Mondial, New Zealand accordionist Grayson Masefi eld performed Picasso’s Guernica by in Spokane with fl air Gorka Hermosa. The piece effectively represents the By Larry Lapidus, Spokane Washington violence and terror of that famous painting, and amply October 25, 2012 demonstrates the communicative power of the instru- For the past sixty-one years, students and teachers ment in the hands of a master. Masefi eld is not only a of the accordion have come together for the Trophée most impressive artist, but also a generous and sup- Mondial (“World Cup”) de l’Accordeon, a competition portive one, since he has traveled from New Zealand extending over several days in which contestants are to serve as a judge at the competition. judged for their excellence in various categories of The audience spent the remainder of the evening performance: classical, variety, and now digital. These swaying to the music of Tango Volcado, a tango salon meetings have taken place all over the world, but never orchestra comprised of Patricia Bartell, accordion, until this year in the United States. Thanks largely to Tana Bland, violin, Kendall Feeney, piano, and Eugene the inspirational leadership of Patricia Bartell, head of Jablonsky, string bass and guitar. All the members are Able to Play Studio, and a brilliant performer in her own seasoned professionals with followings here and abroad, right, representatives from Chile, Kazakhstan, Canada, who play marvelously together, without sacrifi cing the Russia, China, Mexico, Brazil, New Zealand, Europe individual sonorities and energies that make each a real and The United States have converged on Spokane artist. The group performed eight celebrated tangos by Washington for the sixty-second competition for the the likes of Carlos Gardel and Astor Piazzolla, each of Trophée Mondial. which raised the listeners’ pitch of enthusiasm another A gala concert celebrating the opening of the com- notch. It must be said, however, that, without any appar- petition was offered Monday night at the Martin Woldson ent effort to become so, Bartell emerged as primus inter Theater at the Fox. As befi t the occasion, the musical pares, by virtue of her hypnotically beautiful tone, and portion of the program was preceded by greetings to the endless variety of voicing and phrasing she was able the international attendants by Mayor David Condon to achieve on an instrument that is famous for neither. and Hannah White, constituent relations liaison of Rep. The Trophée Mondial runs through Saturday morn- Cathy McMorris Rogers, and by a gracious welcome ing at The Bing Theater. Passes for an entire day are from the President of the Confédération Mondiale de available through TicketMaster for only $7.00. Young l’Accordéon, Frédéric Deschamps. people who are able to attend may fi nd their lives Following a trooping of the colors by the US Ma- changed as a result. rine Corps color guard and the singing of the National Reprinted with permission from the Spokane Anthem, soprano Marsha Schlangen led the audience Spokesman-Review in our unoffi cial anthem, Irving Berlin’s God Bless Amer- ica. Then, accompanied by the Spokane Symphony, conducted by Music Director Eckart Preu, Spokane’s Kinderchor (dir. Sharon Smith) performed a song entitled Here in This Land written especially for the occasion by Kasia Haroldsen and very sensitively arranged by Wil- liam Berry. Kinderchor sang with beautiful tone, splendid diction and great energy, providing an inspiring transition to the musical performances that followed. The entire house was lit up by the brilliance of Pietro Adragno, a former winner of the Trophee Mondiale. In the hands (and arms) of a mediocre café accordionist, the pieces he programmed, Oczy Czarne (“Dark Eyes”) and Tico Tico would be tired war horses. Ignited by his barely believable virtuosity and dynamic stage presence, they transmitted an electric current through the audi- ence, bringing us to our feet shouting, and reminding us of what the competition is all about: the cultivation and promotion of great talent, so that it can provide joy Emil Haroldson and Grayson Masefi eld at the Trophee Mondial to audiences all over the world. Accompanied by the strings of the Spokane Sym- phony, again under Preu’s direction, the current holder
Winter Quarter 2012 7 Northwest Accordion News Mesa Accordion Event (MAE)
The Mesa Accordion Event (formerly Frank Marocco Accordion Event) brings together 50-60 accordionists of all levels from the US, Canada and beyond for 4 days of making beautiful music. Activities at this gathering, which is housed at the beautiful Arizona Golf Resort, include daily rehearsals of the orchestra, conducted by world renowned bayanist, composer, arranger and conductor, Stas Venglevski, culminating in a concert. There are also workshops and planned evening activities, plus individual and group playing, jamming and more. The MAE is open only to registered participants, but the final concert is open to the public.
2013 Mesa Accordion Event
DATE: February 14-18, 2013 (registration required)
LOCATION: Arizona Golf Resort, Mesa, AZ
MUSIC DIRECTOR / CONDUCTOR: Stas Venglevski
His artistry, sensitivity, creativity and dazzling technical command, have brought Stas Venglevski, who stems from the Republic of Moldova, great acclaim as a virtuoso of the bayan. His repertoire includes original compositions and a broad range of classical, ethnic, and contemporary music. He has performed throughout the US and many countries as a soloist, with duet partners, small groups and symphony orchestras. Stas has composed and arranged music for, and has conducted accordion orchestras. He has produced numerous recordings and has published several books of original compositions. Most recently, Stas was guest artist and conductor at the American Accordionists’ Association 2012 Festival, which was held in Baltimore, Maryland in July.
MAE Orchestra Concert Sunday, February 17, 2013 at 7 pm Arizona Golf Resort, West Ballroom 425 S. Power Rd., Mesa, AZ Admission - $10
CONTACT: Dan & Joan Grauman, [email protected], 301-662-0203.
AZ Golf Resort Pool 2012 Mesa Accordion Event Orchestra The golf course
8 Winter Quarter 2012 Northwest Accordion News
62nd Trophee Mondial 2012 – Spokane, Washington, USA Competition Results Trophée Mondial Junior Variété category: st Trophée Mondial Senior Classique category: 1 Matteo Petronio (Italy) nd 1st Iosif Purits (Russia) 2 José Dias (Portugal) rd 2nd Alexander Veretennikov (Russia) 3 Jean-Baptiste Baudin (France) 3rd Laimonas Salijus (Lithuania Trophée Mondial Senior Variété Diatonic cat- Trophée Mondial National Trophée category: egory: st 1st Aleksandr Kolomiitcev (Russia) 1 Marco Leonetti (Italy) nd 2nd Mo Li (China) 2 Marina Costanzo (Italy) rd 3rd Predrag Radisavljevic (Serbia) 3 Marco Pomanti (Italy)
Trophée Mondial Junior Classique category: Trophée Mondial Digital Diatonic category: st 1st Jiahe Zhang (China) 1 Marco Leonetti (Italy) nd 2nd Daniel Viktor Eliasson (Sweden) 2 Marco Pomanti (Italy) rd 3rd Zoé Schade Cahen (France) 3 Stefano De Dominicis (Italy)
Trophée Mondial Senior Variété category: Trophée Mondial Junior Variété Diatonic cat- 1st Sam Thomas (USA) egory: st 2nd Aleksandar Kolovski (Macedonia) 1 Maryanne Francescon (Brazil) 3rd Liu Zhao (China) Winter Quarter 2012 9 Northwest Accordion News Can the Simply Music Piano program training teachers for years, presenting a program that revitalize the world of accordion? was based on an alternative approach to reading music. One day I received a phone call and was By Neil Moore asked if I would be willing to teach an eight-year-old Executive Director and Creator of Simply Music boy who was blind. I had absolutely no doubt that I could teach him; although at that point in time, I wasn’t sure exactly how. Certainly, however, reading would be out of the question. As a child, my own background in music began at age seven, and continued with eight years of formal piano instruction. I was blessed with a deep affi nity for music that, according to my mother, was evident even during infancy. With an already-developed ear for music, I began piano lessons merely watching and listening to my teacher as he played the pieces I was to learn. I had the ability to aurally remember the songs in detail and then ‘fi gure them out’ during the week. I also had an idiosyncrasy whereby, whenever I listened to music, I visualized two- and In October 2012 a historical event occurred. three-dimensional ‘shapes.’ In short, I heard music, For the fi rst time ever, the prestigious World but saw sentences, sequences and patterns. Even Accordion Championships, Trophée Mondial, was though describing this may sound obscure, at the time held in the USA -- in Spokane, Washington. It was it came easily and perfectly naturally to me. a remarkable event, with outstanding performances At my Saturday lessons, I sat at the piano to from competitors who traveled to the USA from all play, and pretended to read the music. Actually, I over the world. During the event a presentation took couldn’t read music at all, and my playing was based place announcing the launch of a new pedagogy for entirely on what I had aurally memorized and turned accordion. The program is Simply Music Accordion, into shapes and patterns, etc. Fortunately, both and is a translation and adaptation of Simply Music my teacher and my mother had the foresight and a Piano. faith in my natural affi nity with music to allow me to As the creator of that program, I launched Simply continue to progress as quickly as I was. By 15 years Music Piano in January 1998. Since that time, Simply of age I was playing a comprehensive repertoire, Music has become the world’s largest, playing-based, composing my own pieces and developing my own music-education institution, with Licensed Educators arrangements. Even then I couldn’t read music, and it at more than 700 locations throughout the USA, wasn’t until I was in my 30’s that I actually learned to Canada, New Zealand and Australia. do so. In 2010 I was approached by Hohner So when given the chance to teach Wade--the Corporation, the world’s largest manufacturer of young, blind boy--I remember making a clear choice- accordions, and asked if it were possible to translate -to recreate for him my own experience of learning, my piano method into a system of learning designed using my childhood model as a template. specifi cally for the accordion. I was excited by At fi rst, I began to compose pieces and ‘distill’ the opportunity, and honored to participate in the them into patterns that would translate directly into his development of a new pedagogy for the instrument. hands and onto the keyboard. When Wade attended Working in partnership with Hohner, and alongside lessons, I would simply teach him those patterns. world-class accordionist Patricia Bartell (who is also a Within a few months he was playing a range of blues, Certifi ed Simply Music Piano teacher), we began the popular and classical pieces. One day, I asked his development of Simply Music Accordion. We are now father if he were happy with his son’s progress. His ready to begin training educators to teach the method; father responded, “…not only are we happy with and those who successfully complete the training will his progress, but he’s started to teach his four-year- become Hohner Certifi ed Teachers. old sister to play, and she’s blind too!” This simple To get more of an understanding of what Simply statement became a turning point in my life. Music is, let me tell you about its genesis. I found myself compelled to explore what would The Simply Music story begins with an eight- happen if I were to introduce all young children to year-old blind boy. I had been teaching students and 10 Winter Quarter 2012 Northwest Accordion News a similar approach – no music reading, no theory to play. This, in itself, was a breakthrough! – just playing and learning by ‘doing.’ With this in The extraordinary nature of the program didn’t mind, I began to develop more material, creating stop there. In addition to its accomplishments with an approach from the ground up. I introduced the learning, it completely redefi ned who was capable of concepts to young children and found they were teaching music. Over time I discovered that students producing superior results compared to older, more- who began as total beginners with Simply Music advanced students. What struck me as remarkable Piano could themselves become successful teachers was, from the very beginning, these new students of the program. The more I thought about the were playing with both hands, simultaneously, easily ramifi cations of this, the more I became aware that and musically, and with so much confi dence. Parents the opportunities it represented were endless. began reporting that their children were playing all the time. And students themselves began sharing that practice didn’t feel like practice, that it was fun, and they looked forward to playing the piano. Fig. 2. Simply Music teaches beginning students to play Major, minor, Major 7th, Dominant 7th, minor 7th, Augmented, Suspended, Diminished, 6th, 9th, 11th and 13th chords, in every key, using just the three shapes shown above. Developing the teaching program became a priority, and over time I continued to expand the body of distinctions, processes and concepts. An integral part of this process was composing and Fig. 1. An example of the ‘pattern’ used to teach arranging a structured and progressive collection of students how to play Beethoven’s Ode to Joy great sounding blues, popular and classical pieces. I wanted the music of this program to sound rich and I became more and more engrossed with mature, and be a signifi cant “cut above” the music the process and subsequently assembled a pilot usually associated with entry-level, piano lessons. group of over 120 students of all ages and musical As time went on, it became appropriate to share backgrounds. I decided to push the method as far as aspects of the approach with other piano teachers, possible. My commitment was to gain a clear picture asking them to introduce the concepts and report of how successfully students could progress with this on the outcomes. They began achieving the same playing-based approach. The results were stunning consistent, rapid results with their students as I had and immediate, and consistently so. with mine. It was very exciting to see how simply and From their fi rst lessons, students were playing easily others could duplicate the successes of this great-sounding music, and within a few months had program. built a repertoire of contemporary, classical, blues and Naturally, this resulted in more and more stories accompaniment pieces. They found their experience surfacing about beginning students who were of the process of learning more refreshing, more teaching others. Children were coming to lessons inspiring and far more motivating. I came to believe I and returning home to teach their parents to play. was dealing with an approach far more powerful than Likewise, parents were having lessons and returning anything I had witnessed or heard of before. home to teach their children to play. Home-school Over time, the achievements of the program families would bring one of their children to lessons, became clearer to me. This approach was clearly and the child would, in turn, teach the other siblings accessible to the majority of people – children, to play. Parents started reporting how, in the past, teenagers, adults and seniors alike. It could be they had struggled with their children to get them to learned more quickly than anything else of which practice, but now were struggling to get them away I was aware. It was quickly and easily ‘digestible’ from the piano! Overall, students’ experiences of the for learners, and they could immediately have the learning process and their feelings about themselves experience of playing great-sounding music. Above were entirely different with this approach compared to all, every student who followed the program learned anything they experienced in the past.
Winter Quarter 2012 11 Northwest Accordion News
Fig. 3. Using a simple, fi ve- ‘The Classical Tradition’, Arranged point language that maps Gary Dahl, Published by Mel Bay - USA directly onto the hands, By Rob Howard keyboard and page, Simply Music students begin effortlessly reading notes four ledger-lines above the treble and below the bass clefs. And so it came to be. The experience of teaching an eight-year-old, blind boy gave me a completely new perspective of all the years of learning music in my own childhood. Ultimately, the culmination has evolved into tens of thousands of hours of program development, which gave birth to a new piano methodology – the compositions and arrangements, the curriculum itself, the training program and its associated components, the array of support materials and systems, and, most importantly, the context and philosophy behind each and every step. The last two years have been an amazing ‘ journey as we began the process of translating my “The Classical Tradition’, pub- piano method to an accordion method. This could lished by Mel Bay, is a new book never have been accomplished were it not for the by Gary Dahl of arrangements for brilliance, dedication and commitment of Patricia accordion of excerpts of well known Bartell. Even so, we have been wonderfully delighted classical music. The book is released to discover how naturally, seamlessly and perfectly on October 31st 2012. the translation has occurred. True to form, our Simply The 30 arrangements include: Music Accordion students are progressing in exactly ‘Finlandia’ – Sibelius, ‘Ride of the the same manner, and at exactly the same pace Valkyries’ – Wagner, ‘La Danza’ as what we have come to expect from our piano – Rossini, ‘Piano Concerto No 2’ students. Now with the opportunity to make this – Rachmaninoff, ‘Claire de Lune’ – available to both students and teachers of accordion, Debussy, ‘Hungarian Rhapsody No 2’ – Liszt, ‘Thus it is profoundly exciting for me to play a role in what Spoke Zarathustra’ – R. Strauss, ‘The Blue Danube’ – J. promises to be an entirely new era for accordion. Strauss, ‘La Traviata’ – Verdi, ‘Maple Leaf Rag’ – Joplin, Find out more about becoming a student or ‘Rag in D minor’ – Frosini, and ‘Pilgrims’ Chorus’ – Wag- teacher, visit: simplymusicaccordion.com ner, plus many more. Gary Dahl is well known as a virtuoso accordion- ist, composer, arranger, recording artist and teacher. He has produced hundreds of individual arrangements available on the MusicForAccordion website and more than a dozen books currently in publication by Mel Bay Publications. Price: US$24.99 For further information email: garydahlmusic@ msn.com
12 Winter Quarter 2012 Northwest Accordion News
The 65th Coupe Mondiale Junior Virtuoso Entertainment Music
1st. Matteo Petronio - Italy The 65th Coupe Mondiale World Accordion 2nd. José Dias - Portugal Championships was held in Spoleto, Italy from August 3rd. Jean-Baptiste Baudin - France 21-25, 2012. For the fi rst time China won the Coupe Mondiale Masters Coupe Mondiale category. Chinese contestants have previously won 1st. Dmitrii Kiselev - Russia most other Coupe Mondiale categories and winning 2nd. Dino Suljkovic - Serbia the top Coupe Mondiale title in 2012 is a major tri- 3rd. Klavdiya Tarabrina - Russia umph for China. Under the leadership of the China Ensemble Music Competition Accordion Association President Prof Li Cong , China 1st. Esse-Quintet - Russia has accelerated into the top echelon of international K. Evseev & K. Evseeva (Accordion), M. Krylov & D. accordion competitions culminating in this latest suc- Chernykh (Balalayka), D. Gogolev (Domra) cess. 2nd. Perfect Storm - China A count of Coupe Mondiale 1st places showed Xiaonan Xu (Accordion) and Zujian Shang (Erhu) China, Russia and Serbia all fi rst equal, with two 3rd. Concertino - Moldova Coupe Mondiale category wins each and Italy with E. Negruta, M. Grosu, C. Hioara & V. Leca (Accor- one. A count of 1st, 2nd and 3rd placings by nation is: dion/percussion) & A. Hohotov (Bass) Russia 8, China 4, Serbia 3, France 2, Italy 2, Portu- gal 1 and Moldavia 1. Digital Accordion Competition The beautiful medieval town of Spoleto, located 1st. Petar Maric - Serbia midway between Rome and Ancona complete with 2nd. Stanislav Malyshev - Russia Castles, extremely narrow and steep tiny winding 3rd. Guillaume Clerget - France cobble stone streets and pathways linking the various squares and alley ways combined with the stunning venue of the Teatro Nuovo “Giancarlo Menotti” and the 17 September Hall at the Spoleto Opera House complete a sloping raked stage, made for an abso- lutely stunning setting for the 2012 Coupe Mondiale. This year’s Coupe Mondiale was won by Chinese contestant Xiaonan Xu, with two Russian contestants and a Serbian narrowly taking 2nd, 3rd and 4th place. Amazingly, after three rounds of demanding Inter- national competition spread over a week, judged by a panel of nine International adjudicators, the fi nal results saw less than one mark between the top four winners, ranging from 23.06 for 4th Place to 23.45 for 1st place! The results from all categories are: 65th Coupe Mondiale 1st. Xiaonan Xu - China 2nd. Vitaly Kondratenko - Russia 3rd. Alexander Veretennikov - Russia Guerrini Norma Chromatic C Button Ac- Junior Coupe Mondiale 1st. Djordje Davidovic - Serbia cordion For Sale. 2nd. Tian Jianan - China $3,000 Cdn 3rd. VladimirStupnikov - Russia As new. Beautiful tone and great dynamic range. Will suit a serious musician or up-and-coming pro. Virtuoso Entertainment Music Price includes hard suitcase and soft-sided travel 1st. Zhao Liu - China bag. 2nd. Raffaele Crusco - Italy More pictures available. 3rd. Sergey Lobkov - Russia Contact: [email protected]
Winter Quarter 2012 13 Northwest Accordion News The 2012 Trophée Mondial – Spokane, rest of the team. It was a caring team, it felt like I had Washington known every one for a long time. The day I was chosen to be a door keeper I would say it was one of the challenging days because you From the Opening Ceremony & Concert to the had rules to follow as we were doing our jobs. One rule Dance & Celebration, the 2012 Trophée Mondial – World for the door keepers was that you don’t open the door Championships for Accordion, was a huge success in for some one to enter when a competitor was playing, Spokane Washington hosted by the Spokane local orga- now this was hard for me in the beginning when people nization, “World Trophy Accordion Corporation U.S.A.,” would come to my door and they wanted to enter while led by Patricia Bartell and her volunteers. a competitor was performing. I would want to let them Attracting 48 contestants, 19 Judges and Offi cials in out of sympathy but my captain was always around to from 25 countries, all converging to Spokane for this let me know that I was not to let anyone in. Of course I historic event. The 2012 organizer, Patricia Bartell, outgrew my sympathy and I think I became the toughest worked many long hours on this event wanting to give guy around; if you came through the door when I was the the international guests a true American experience one assigned to take the tickets you would agree to that. and give the best possible welcome and hosting on All in all I enjoyed every part of the event. I wish behalf of the United States. Many compliments about it was a month long event, I would volunteer for that the successful organization came from the Candidates, long. Thanks to the main organizer Patricia Bartell that the Jury Members but also the President of the C.M.A., invited me for this historical event. And for the volunteer Frédéric Deschamps, whose last words on Facebook team - I will cherish my orange T-shirt, it will always give as he left Spokane was, “and CONGRATULATIONS me memories of you and our time at Trophée Mondial. to PATRICIA BARTELL who made one of the BEST Written by: Ann Kienholz Jurcevich (volunteer) TROPHÉE MONDIAL!!!!!!!!!!!!!!!!” It was an honor and once-in-a-lifetime opportunity “There is no way I could have done it without my to serve on the planning and event committee, and to faithful volunteers who stood and stayed with me to the attend this world-class event! I proofed the program end. It was a big task especially for me, being a fi rst booklet, and prepared name badges for the staff, judges, time Event Organizer, but each volunteer that joined the offi cials and candidates (competitors). I also ushered, team caught the vision and worked very hard in every worked in the ticket offi ce, and became the “designated possible way to help. Their willingness, dedication and photographer” for candidate portraits and fi nal delibera- commitment to me, the event and representing our tions of the Confederation. country was enormous. Each one brought something The week long event showed me, like the adage, very special and unique that made the event a memo- that music truly is “the” international language. We wel- rable and rewarding experience. I want to thank each comed candidates, vendors, guests and judges from one again who worked so many hours with me to make all over the world, with a variety of English skills; yet, it such a successful event – even to the extent that all everyone understood the music and appreciated it the the bills are completely paid!” – Patricia Bartell same way. The culminating dance and celebration was Below you can read stories about the Trophée amazing in that everyone danced with each other and Mondial from some of the volunteers about what they together. The separation among the candidates, judges, enjoyed, their role in the event, some special memories, new and former world champions was no longer evident. etc. Everyone was happy. I didn’t want it to end! Technology was great—how amazing to be able to take pictures, Written by: Henry Musana (volunteer) share them with those from other countries who had I am Henry Musana from Uganda East Africa. I was equipment that has become global in its application one of the volunteers at the Trophée Mondial. It was (laptops, social networks, media)—I could share my fi les such a privilege to serve on the team of volunteers. At and USB from my country with those from France—no fi rst I did not know what I would be doing and also not problem! Our computers interacted seamlessly. And knowing the people that I would be working with. But the social networks even have language interpretation during the last planning meeting before the competitions features. The live web stream could be viewed all over which I was able to attend on the day I arrived, I liked the world as well. the people on the team welcomed me kindly. It was a great success. Our challenges were ad- I felt the team was set to work with different na- dressed behind the scenes (to the extent possible), and tionalities so we started off the week in our areas of the event came off with fl ying colors. We had an amazing assignment. As a team we worked in unity, I am from team, all with the common thread of music appreciation, Africa but there was no difference between me and the which brought us together in a very unique way. 14 Winter Quarter 2012 Northwest Accordion News that meeting, I made a schedule of what positions and Written by: Robynne Snow (volunteer) how many volunteers we would need on an event by This was a huge undertaking and frankly, we all at event basis. We were really blessed by an abundance one time or another thought this would be impossible. of people (52) willing to donate their time and talents It came to fruition only because of Patricia Bartell’s un- and the volunteer slots fi lled in easily. wavering enthusiasm for the project, her uncanny ability I think the most important part of the volunteer to fi nd the right person for the job and get them to do organization came when we assigned positions of it, her generous fi nancial support and, most of all, her “captains” to some of the essential volunteer-intensive welcoming spirit to all who participated and attended. areas such as “ticket sales”, “ushers”, “program sales I was a small part of a team of volunteers that and ticket takers”. This put very informed and capable worked hard to organize, raise money, spread the word people in charge of key areas and spread the work load and schedule the events. During the event we had spe- out while maintaining a consistent level of expertise. It cifi c jobs and worked long hours. We tried in every way also allowed any of the “captains” to slip away and at- to make sure that those who traveled from afar were tend some of the competitions, knowing things were in warmly welcomed and that no detail was left unattended, good hands. no problem unsolved. The Spokane community was My husband and I were also serving as a host fam- very supportive and the venue was just perfect - easy ily to two of the young musicians and an instructor from to get from the hotels to the restaurants to the theaters. Russia. Our mornings were always very hectic, as their Patricia’s younger students, many of whom you have big meal of the day was breakfast. My husband Lee seen at Northwest accordion events and who competed and I would prepare a hearty meal before I would leave and/or performed during the Trophée, made a special to be at the theater by 9:30 AM. Since we didn’t speak effort to be available to everyone. This was really heart- Russian and they didn’t speak English, we would each warming - they ran from place to place, they transported grab our computers and log on to “Google translate” people and equipment, they chatted with visitors, they every morning and converse that way. Lee shuttled set up stages. They were amazing. them back and forth between the Bing when they were We were all rewarded by our efforts in countless to compete and to take them shopping, an activity they ways. We got to know each other better. We watched were most interested in. the competitors prepare and play and we listened as We both loved every minute of our time we spend they talked about where they were from and what their on this event. dreams are. We shared meals with the judges, ambas- sadors for great music and for the accordion worldwide. Written by: Debra Thrash (volunteer) There were tensions and there were tears (this was a My story would be that of how hosting a candi- competition!) but the overwhelming feeling was that date from Lithuania made this event extra special. My people were excited to be together and to be part of husband and I had reservations concerning having a such a supportive community. There were many special stranger in our home, and hosting him while we were moments: the quiet in the hall during the competitions, trying to do a lot of other volunteer work for the event, the gathering around the ipad in the hall to watch the but by the time the week was over, not only did we have livestream (an enormous thank you Fred Deschamps a great time watching him compete and showing him for the Livestream - archived on deschampschannel. around town, we feel we truly gained a new “son” in our com) for those who were too late to enter the hall, the lives. We are looking forward to getting together with him full halls during the evening concerts AND the evening next August at the Coupe Mondiale and cheering him competitions, watching the Spokane students perform in on in that competition as well. And then who knows? the competitions, the presentation of the Senior Variety Lithuania, here we come! winner trophy to Sam Thomas by Joe Petosa. Written by: Beverly and Lee Smick (volunteer) Written by: Kasia Haroldsen (volunteer) I came to the table late, only about a month before My name is Kasia Haroldsen and my son Emil is the competition was to start. I knew I wanted to help but Patricia Bartell’s student. When Patricia approached me wasn’t sure of where I could be of the most assistance. in September 2010 about helping to put together a world At that meeting, I saw a need for someone to co- accordion competition event, I didn’t have any idea what ordinate all the volunteers that were needed to cover it would take to create such an event, but I was willing to the many areas required. Being retired, I was grateful help. In January 2011 we had our fi rst meeting discuss- to have the time to completely immerse myself in the ing our ideas and options. There were only few of us in project. My husband and I met with Patricia to get a very the beginning but by the end of the “journey” there was detailed view of what was going to happen and from a much bigger group. It was very interesting to see how Winter Quarter 2012 15 Northwest Accordion News it all came together. I really enjoyed the process as it he used to be a member of the Spokane Symphony. We was a very educational experience. I made new friends worked together on some of the parts to create the sound and learned more about world accordion competition. I wanted. He did a great job! It was a great experience One of my responsibilities was to fi nd host families for me to write this song and be involved in the entire for the contestants. There were many wonderful people organization of the competition. who were willing to help for which I am very thankful. I My favorite part of this event was to see how ev- hosted two contestants one from Poland and one from eryone involved was willing to work together. The other Finland. My personal opinion is that when we are willing part was to hear my song performed by the Spokane to serve others we feel happier. Symphony and Kinderchoir (children’s choir) for the My other task was to write a theme song for the fi rst time. opening ceremony. In one of the group meetings we discussed having a theme song that would be about Written by: Margaret Collyer (volunteer) America, since the event would be held for the fi rst time I am an older student of Patricia. It has been a joy in America. There were ideas of picking a song that was studying with her and having the opportunity to wear the already written. My suggestion was to create something orange volunteer’s shirt for the Trophée Mondial. Whew original that we wouldn’t worry about copyrights. Since what a job. I was present when what seemed so long I like to write songs and had composed in the past I ago, when it was announced, that this event was coming offered to write a song. The committee chose to allow to Spokane. I was excited but couldn’t imagine how it me to compose a song for the composition. I fi nished could happen. Patricia and the great team of volunteers composing in early spring. Submitted it to the commit- worked hours. Meeting after meeting, week after week, tee and it was accepted :-) The song titled “Here in This and month after month. One fundraiser involved a golf Land” is about my feelings as an immigrant from Poland tournament. Only about half of the golfers had actually about America. I made partial arrangements but it was ever golfed before. My job was to get clubs for them not ready for the Symphony. After contacting other musi- and teach then a little about how to play. To keep cost cians who would be interested in arranging this piece I down I went to second hand stores for clubs. Problem asked William Berry to arrange for the Symphony, since was I went on my motorcycle. It was amazing how many people took cellphone pictures of me driving home with clubs sticking up from my saddlebag. Thank you Patricia for this great experience. Written by: Corrie Sams (volunteer) The 2012 Trophée Mondial was amazing. I have never had the opportunity to go to an international ac- cordion competition of this level. Being able to listen to candidates from all over the world as they gave their very best to their music, seeing the international jury members, listening to high level music played with skill – it was all wonderful. In years to come, I think what I will remember about the Trophée Mondial may not be the amazing performances, the winners, or even the grand scale of the event – instead I will look back and remember the individual people I met and worked with. People like the jury member who was so excited to be attending. The members of the CMA who were happy to have For sale their needs for paper and ink met. The volunteers who 1950’s Titano Orchestra Accordion w/case worked by my side. The sound man at the Bing Crosby 19 1/4” keyboard Theater, who had never been exposed to such high level 9 treble switches + palm switch accordion music – and his enjoyment of it. 4 base switches I will also remember watching the three members Beautiful rich tone of The Portatos -- Yevgeniy Nosov, Naomi Harris, and Cleaned and services by Greg Meier in 2010 Gabe Soileau -- as they faced their fi rst major interna- Asking $1500 tional competition and represented their country with skill Call Steven for info 971-237-2913 and musicality. I am proud of them for it. I am proud of
16 Winter Quarter 2012 Northwest Accordion News all the individuals who contributed and worked to bring the Trophée Mondial to pass. Without each individual person, this amazing event might never have been. Written by: Deborah Johnston (volunteer) Working with the team of Trophée Mondial was a great experience. This group of volunteers was extraordinary. The camaraderie, the willingness to volunteer for jobs for which there was no prior experi- ence, attention to detail and excellence and the posi- tive attitude from each member made this event come together for which the compliments continue to roll in from jurists, administrators, candidates and attendees. An event of this magnitude is never accomplished Patricia Bartell and CMA General Secretary without many hours of planning, hard work, fl exibility, and cooperation. We are proud of the success of this international championship under the able leadership of Patricia Bartell and consider it an honor to have been a part of hosting 25 countries in our city.
Trophy Award to Trophee Mondial Classical Winner Josef Purits
Patricia Bartell with Volunteers Pietro Adragna, Champion from Italy
Senior Variety Award to Sam Thomas Dance and Celebration at the Davenport Hotel Winter Quarter 2012 17 Northwest Accordion News
Simply Music Launch
Bosnian Judge, Patricia Bartell and Frederic Deschamps
Alexander Bodell (UK) Ann Jurcevich & Pietro Adragna (Italy)
Holden Tubbs and Emil Haroldson performing Wednesday Concert
Yevgeniy Nosov Receives Competition Diploma
Sergio Poppa, Canada artist with Patricia Bartell
Patricia Bartell and Gilbert Reyes, Hohner Sponsor
18 Winter Quarter 2012 Northwest Accordion News
Gary Blair in Castelfi dardo
Gary visited this year’s International Accordion Competition in Castelfi dardo, Italy, “the home of the ac- cordion”, as Gary said. With two friends, he visited the Borsini factory where his friend, Seamus, had brought his accordion for a makeover. That included a “respray, tuning, and general tidy up”. As you would expect he had the opportunity to play a few Borsini accordions while he was there. Paolo Soprani invited the two to play in the town square on the “café” stage and also at another venue in the “quaint town”. Gary said that it was especially great to meet up with many friends from the Accordion world: Frederic Deschamps, Alexander Dmitriev, Giancarlo Caporilli, Cristiano Lui. ALL wonderful musicians, in Gary’s words. He says that the competitions were “quieter” this Giancarlo Borsini with Gary year than in the past but still to a great standard. There were many concerts by world renowned artists which were topped off by Gary regarded as an “amazing con- cert by Russian accordionist, Petr Dranga. Gary concluded his account saying that he hopes to visit Castelfi dardo again in the not too distant future.
Seamus O’Sullivan with Gary
Gary with Paolo Soprani Gary with Skyler Fell
Winter Quarter 2012 19 Northwest Accordion News will have participated annually since our fi rst camp By the Way – in 2007, but we realize that the economy, diffi culty From Doris Osgood of taking accordions on planes, the emergence of new accordion events all over the country, and other CONTRATULATIONS, Sam Thomas. Sam placed factors, make it more and more challenging to keep fi rst in the Senior an event of this type going. Variety division in the international Happy Birthday, Eileen Hagen of Portland, Oregon. th accordion Eileen celebrated her 80 year in November and also nd competition, her 62 year of teaching. Congratulations! Trophee Mondial. Just as this publication went to press, NWAS member The event was Louis Traverso called to say that he didn’t have the 62nd in the time to revise his ad. Lou has been selling his vast history of the collection of accordions. His wife said that he could competition and the only keep 4; Lou turned 88 in November! The reason fi rst time to have Lou couldn’t run his last ad was that he’d sold four been held in the accordions from the page! If you have a need for a United States. The used instrument, contact Lou at: 206-550-7806 competitors were elite, accomplished New book released of interest to accordionists young accordionists everywhere. Dr. Lynda Griffi th writes, “ I am pleased from around the to announce that my book Playing Well, Prevention world. Sam is and Biomechanics of Musician Injuries is fi nally a young man fi nished and available online. I hope you will have now and many interest in what I have presented. I launched the book in the northwest take pride in having followed his at Accordionists and Teachers Guild this past week musical journey since he was a young boy. His and it was very well received. Please take a look at it accomplishment was especially sweet since the by clicking on the link below and feel free to forward prestigious competition was held in Spokane, this to all your accordionist friends, teachers and Washington. Sam grew up in the area and had his medical practitioners who treat musician injuries.” family, friends, and teacher attending. Master teacher, Playing Well, Prevention and Biomechanics of Ilmar Kuljus was especially joyful in Sam’s winning Musician Injuries performances. He and his late wife, Dolly, invested a With a Focus on Accordionists, Concertinists and lot of themselves in his training. The young Sammy Bandoneonists Thomas endured diffi cult circumstances and had www.playingwellbook.org times of discouragement. Sam Thomas has risen like Toby Hanson writes, ”Winter is always a slow time the Phoenix and we are all thrilled to see that he has. for the polka band which is a very welcome change Well done, Sam. after Oktoberfest season. I played 28 jobs in seven Dan Grauman, coordinator of the Mesa Event weeks. Whew! During the winter lull I like to work on writes, “I am attaching the fl yer for the 2013 event, recordings. I’m hoping that over this winter I’ll be able which we had to rename “Mesa Accordion Event” for to fi nish the recording I started with my band back in administrative reasons. Stas was selected by Frank 2010 but never got to fi nish because life has a way of as Assistant Musical Director for his event, because, popping obstacles up in my way. in Frank’s own words, “If the time ever comes that I In other news, I just completed a recording with cannot continue to direct this event, Stas is the only one of my other groups, the Valse Café Orchestra. person I would trust to keep it going”. Obviously, It’s a recording of light classical and some jazz. It we did not expect that time to come so quickly and has seventeen tracks, one of which I wrote, the suddenly. We will have one very special evening rest I arranged. I played piano on most of it but I during our 2013 event, when we will celebrate Frank’s did manage to get the accordion on a couple of the life and contributions to the accordion world. This songs including a really great recording of the old evening is open to registered participants only. The tango “Jalousie.” I hope to have copies available for fi nal concert on Sunday, February 17 is open to the sale sometime in the future. Valse Café is coming public. We will poll our registered participants to see to Portland on February 2nd. I know I’ll have some whether they would like to continue this event. Many available for sale by then.” 20 Winter Quarter 2012 Northwest Accordion News Mark Greathouse and his wife travel regularly and often. While away from their Tigard, OR home they visit Helena’s Czech Republic home area and manage to include other sites. All the while they are away, they perform – just as they do when they are home. Mark recently wrote, “We are back in Prague having just returned from two great experiences (Kenya and Germany). Just yesterday we did a performance in a musical series at the Comeniuszentrum sponsored by the church of the Czech Brethern in the town of Ebersdorf, Germany. We did an hour-long program with great audience enthusiasm. I even played Magnante’s “Czardas” with Helena doing some choreographed dancing in the second half.” Dan Newton Home Concert The fi rst gathering of accordion enthusiasts in Idaho was successful. They have decided to meet regularly at a retirement complex in Nampa, ID. Check the listing in this publication for the Gem State Accordion Club. Dianne Lansing of Caldwell, ID is excited particularly since Jack Donahue moved close to Boise. Jack’s an experienced player and has provided inspiration and encouragement to the group. Dianne is still the contact person at [email protected] Recently Minnesota’s Dan Newton toured the Pacifi c Northwest. He performed at the FolkLife fest in Seattle and then played a series of “home concerts”. I’d never really heard of the idea. It’s an old one – having soirees in one’s home – and for all of those able to participate, the venue was perfect. At the Portland program, many local accordion enthusiasts and other music lovers enjoyed an intimate Nancy Kaye, Glenda McLean, Dan Newton, Connie Weimer, setting with a master musician. Immediately after and Jeanne Olson leaving Portland, Dan played on the “Prairie Home Companion” as part of the Guy’s All Star Shoe Band. Bonnie Birch has had a demanding autumn session, Robert cued the music as usual. However I performance schedule. Most of her schedule was heard an orchestra playing “Pomp and Circumstance”. for private functions and events where one would I started laughing… They weren’t fi nished with that. not ordinarily see the accordion’s use. She recently As I got to my feet the background music started. played in an international event as part of an The two of them broke in to a duet singing “Happy orchestra playing “Rhapsody in Blue.” Her part was Trails to You”. Roy and Dale never did it as well. The to represent the Netherlands, complete with authentic accordion had an important role in my 33 radiation costume. The music was fi lmed to go along with a treatments; it made an otherwise clinical experience video that was showing while the music was being personal. I appreciated it very much. played. Remember to submit your articles and other I shared with many friends the experience I had information to our magazine address: NWAS News for my last radiation treatment. The technicians, 5102 NE 121st Ave Unit 12, Vancouver, WA 98682 Robert and Kathy, whom I worked with daily were exceptionally considerate professionals. Robert cued Check the web site, www.nwasnews.com for current accordion music each day during my treatments. He events and updates. even downloaded “Spanish Dances” from Jorgen Sundeqvist’s latest CD; I heard that and accordion selections from every genre of music. At my last
Winter Quarter 2012 21 Northwest Accordion News To teach is to touch a life forever. steely gray afternoon…my mother was fretting about By Kathy Seufert being caught in a snow storm as we drove to town… the day my life changed so profoundly. How gentle and kind he was…. telling me I would play a song before the session was over. (“Really! That should impress my Dad,” thinks I. After all a music lesson cost the same as a case of beer… $2.50.. so I better learn something!!)) I recall not saying a word to him for weeks.. other than a “thank you” when I left (or else my mother would give me “what for”; as her theory was good manners never go out of style. Hmm!!). Little did he know I could hardly wait for my next lesson… excited to learn …so one day I could play as well as Uncle Frank. The main attrac- tion, however, was simply staring at his BIG accordion; complete with personalized initials on the grill and fancy “pearl” keys. This little girl was totally mesmerized by the music he made. At that young age I learned that music is what feelings sound like!!! Thomas George Peacock ; born March 22, 1939 to Florence and George, began studying the accordion as a young boy also under the tutelage of Crawford Clarke and later taught at this same studio for several years including “young beginners like moi..” It seems every While standing at the podium listening to Marc accordion player had a dance band and Tom was no Wald’s beautiful accordion music and gathering my exception. The call of radio broadcasting, however, was thoughts before I spoke, my eyes scanned the church, simply too strong and so Tom left the accordion “busi- looking for a familiar face. Ah, there was Evelyn Wilson. ness” and started another career. Being an announcer Her daughter, Alice Currie and I are “best buds”, long on CHUB in small town Nanaimo led to far bigger ven- time teaching colleagues and seasoned Earl Gray tea ues, including a “D J” stint in Santa Barbara, California drinkers!!!! But my eyes darted back… to the man sit- where son Greg was born. ting beside her. He “caught” me sizing him up. I had to His velvety, smooth voice brought him and his family contain my surprise; remain sedate as I recalled the back “up the coast” to Seattle and then Vancouver where connection. I KNEW who he was; although after forty he was affi liated with Radio Station C-FUN (greatest plus years; gone was his curly hair and perched on the rock ‘n’ roll on the West Coast).Son Brad was born and end of his nose were “grandpa“ glasses. But he didn’t brought the family additional joy. Tom later became a have a clue who I was…. until I started to speak; to honor main player/owner of “country/western” CKWX for the Crawford Clarke; my “advanced” accordion teacher duration of his career. Although Tom’s life led him down and founder of the music studio I attended and where exciting, uncharted paths… rubbing shoulders many I later taught during my high school days… the adept times with the rich and famous…he never forgot his man who took me from Good Night Irene to Gavotte. I roots and his love of accordion music. He liked nothing saw Evelyn nudge him and whisper “what ever” and it better than to play at a party or family get-together (after was an OMG moment. Tom’s face broke into his famous a couple of beers.) Jamming with Diana Krall’s mother, “dancing eyes” smile and afterwards he said excitedly, Adela, on piano, always made for great jazz sounds. “You’re all grown-up. What happened to your braids and That’s Why the Lady is a Tramp was Tom’s signature saddle oxfords?” “I hope you still play your accordion; song and absolutely no one could equal him!!!! He also remember what makes you come alive…….”. That was loved to compose jazz; often “ad-libbing” on that same our ONLY and LAST conversation since my childhood pearl-keyed accordion; just letting it all unfold. A true although the rest of the story is quite remarkable; includ- genius!!! ing the “full circle” journey of a beautiful accordion. Here And now I return to my “guided journey” or “silver we are back to that “silver web” theory… the one that web” theory. Penny Vicenti, in her book The Decision, links people and circumstances in such uncanny ways… page 644 states, “Coincidence is a powerful force. It runs I couldn’t help but remember my fi rst accordion its apparent untrammeled way, linking people across lesson…..3:30 Thursday, January 16, 1958 (smile) ; a continents, events across time. Everyone has a particu-
22 Winter Quarter 2012 Northwest Accordion News larly striking example of it: A close relative of coincidence is chance ….” which takes me back to the beginning of Remembering Robert Troxel this story regarding the silver web connecting me and my dear friend Alice. We met “in the trenches” in 1989; Long time accordionist and Newport, OR resi- both of us teaching in a “high needs” school. I was in dent, Robert E Troxel passed away May 12, 2012 Special Education; Alice a gifted classroom teacher. One after a lengthy illness. Bob rarely left the Oregon Monday morning I waltzed into her room to inquire about coast. He played and taught there for many years. some students and in the process asked her how she At his Celebration of Life his fi rst accordion, a 12 was. Well, she told me!!!! Her shocking reply blind-sided bass from 1934 – 35 was on display. Seven of his me momentarily but I gained an even deeper respect for students entertained the guests and young children this petite gal who I could see would take on “anyone”. belonging to Gina and Anna Capri danced. No one messed with Alice!!!!! Fast forward to about ten The NWAS extends sincere sympathy to Bob’s years later… same school…a professional development family and his beloved wife, Rose. They had been meeting… one of those team building events. The task married for 46 years. was to jot down something “unknown” about yourself and of course, staff members would try to ascertain who the mystery person was!!!!! My meager contribution was that I played accordion!!!! No one guessed and I fi nally whispered to Alice;“ ’Tis me. I am the accordion geek!!!!” humbleness. How lovely when husband dear plays and I still remember her look of disbelief. “How can this the beautiful music from Uncle Tom’s accordion fl oats be??? We’ve known each other for years and you never up the stairs!! My eyes mist over……….. and I think of told me.” My reply was, “You never asked.” She started some of his favorite things ( as written on the back of babbling that her Uncle Tom was a fabulous accordion- his memorial card)…… ist. Did I know him? OMG!!!!!!!!!!! Her uncle was my gin and tonic with cucumber aboard the Sea Jazz fi rst music teacher!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! The silver web beer and Clamato juice connecting folks near and far…….. week-ends and biking at Whistler Tom Peacock died April 15, 2006 from heart com- walks (saunters) with The Frog plications. Such a loss… such a young age. The family The Peacock Open was stunned. Although an elaborate Celebration of Life Danielle Peacock took place at the Hollyburn Country Club in Vancouver, getting the Gipper Report Tom wished to have his ashes scattered with those of his Seattle Seahawks late mother, at his (and everyone’s) favorite swimming Vancouver Canucks hole ; the Colliery Dam; a beautiful wooded park down Frank Sinatra the street from where he grew up in Harewood; now jazz known as the University District. I had very mixed emo- Palm Springs tions when Alice asked me to “squeeze” my accordion at The Grill the “event” . My Lord, this isn’t a dance, it’s not a party.. pasta Whatever would I play????? She fi nally agreed to strum gardening guitar with me and selected some favorite songs. It was making CD’s a rainy, grey We(s)t Coast day. Richard, Alice’s husband, shopping for clothes held an umbrella over my head as we concluded with Multi- talented beyond belief, my fi rst accordion The Beer Barrel Polka. Later, back at Wilson’s, Greg teacher, molded my “musical career;” laid the founda- stood up and said the family; including Tom’s long time tion for my future; made a gangly, shy kid believe she partner, Carole, had a meeting and decided to give their could do just about anything (now they call it building dad’s prized Titano accordion to ME!!!!!!! They wanted self -esteem). I realized only a few years ago that music it to be cared for, cherished and played!!!!! That beauti- really does wash away from the soul the dust of everyday ful accordion with the pearl keys and fancy initials now life. Thank you can never express my gratitude to the is in my music room at home. I have been inducted gift he bestowed upon me. He touched my life forever. into the Peacock/Wilson/Currie family; providing Uncle He made a difference. Tom’s accordion comes to every party!! Indeed it has… REST IN PEACE at Evelyn and Fred’s 60th anniversary and also at her 80th. Greg videoed “Glow Worm” and uploaded it on You Tube. Now I can say Uncle Tom’s accordion and I have “gone viral”. I play it with such reverence and Winter Quarter 2012 23 Northwest Accordion News Time is a New England based trio committed to put- Keeping up with Cory Pesaturo ting their unique spin on music from around the world. Recent performances in and around Boston have met Cory Pesaturo, award winning accordionist, with great praise, and the trio is happy to announce continues to dazzle all with his performances. Re- the release of their fi rst album in June 2011. Zulu cently he performed with Wynton Marsalis, at Tangle- Time performs a vast array of repertoire, including folk wood, the summer home of the Boston Symphony music from Europe, tangos, French musette, Klezmer, Orchestra. Wynton Marsalis is a trumpeter, composer, jazz standards, and classical works. teacher, music educator, and Artistic Director of Jazz The trio’s colorful arrangements and dazzling per- at Lincoln Center in New York City, United States. formances are sure to keep audiences on their toes. Marsalis has promoted the appreciation of classi- Members are: Gabriel Solomon, violin; Richey Tally, cal and jazz music often to young audiences. Marsalis bass; Cory Pesaturo, accordion. has been awarded nine Grammys in both genres, and Violinist Yasmine Azaiez and Cory will be tak- a jazz recording of his was the fi rst of its kind to win ing their Duo Improvisation and Pop Music project to the Pulitzer Prize for Music. France for a 9 day Festival, Grand Suffl et, in Rennes, Cory also performed for the French American France. They will also teach improvisation and ear Cultural Society in San Francisco on September 8th. training at a French School as part of the festival. As he did last year, Cory will perform on live TV, dur- Yasmine is of Tunisian origin and a violinist of inter- ing the Columbus Day Parade starting with Gracie national renown. Cory and Yasmine have mixed bow Mansion on Tuesday October 2nd, hosted by Mayor and bellows, jazz, tango and world music. Bloomberg. Cory will perform with American Idol As evidence, they saw the magic of the duo and Finalist, Elise Testone. On this years’ American Idol, the opportunity to create a new project. The Great Elise sang “Vienne” by Billy Joel accompanied by an Bellows has a chance to hear both sides of their talent accordionist. Cory will accompany Elise on this song including electro pop around the accordion, violin and on live TV. voice, electric capital formula and an acoustic version Cory performs with Zulu Time Trio at the New and world music. Bridge on the Charles on October 6th at 8 PM. Zulu
24 Winter Quarter 2012 Northwest Accordion News Improvising Chords (Part 2 of 4) By Gary Dahl
Winter Quarter 2012 25 Northwest Accordion News Bartell is the force behind this week’s in- Thomas stars at accordion competition Adrian Rogers The Spokesman-Review ternational accordion fest November 4, 2012 Adrian Rogers - The Spokesman-Review October 21, 2012 Sam Thomas has traveled far and wide to play his accordion in national and international competitions. To Patricia Bartell is a native Bolivian, adopted when make his mark on accordion history, the 23-year-old had she was nearly 5 by parents who took her home to to travel a mile and a half from the apartment he shares Charlo, Mont., seven miles northeast of the National with his mother near downtown Spokane to the Bing Bison Range. Her fi rst musical infl uence, when it came to Crosby Theater. Playing a diversity of music including the accordion, was one of her 17 siblings – a big brother Joe Spano’s “Chopin’s Nightmare,” Frank Marocco’s who got to play one. She was 8 when her parents gave jazz piece “Take Ten,” and “a smoke-pot-on -the-beach- in and let her take lessons, too. Her second infl uence drinking-a-margarita type song” called “Rumba Cubani,” was that fi rst teacher, a woman who was at least 80 Thomas became the fi rst American to place fi rst in the and lived in Missoula, an hour’s drive from Charlo. She Trophée Mondial in more than 25 years. The competition visited that woman every month or two until she died, was held in Spokane, its fi rst U.S. appearance. Thomas depending on how often her family could make the trip. won the “senior variety” category, squeaking past Mace- That fi rst teacher “didn’t know anything about tech- donian Aleksandar Kolovski to claim the $2,000 prize. nique, but she knew how to have fun,” Bartell said. “She Russia’s Josif Purits placed fi rst in the “senior clas- taught me how to have fun with my music, and that car- sical” category, taking the Trophée Mondial’s biggest ried me through many, many different things.” You never prize, $6,000. It was the fi rst time a U.S. accordionist know where you’ll fi nd your infl uence, said Bartell, 34, has won his or her category since 1986, competition an acclaimed accordionist and teacher in Spokane. You organizer Patricia Bartell said. It was a re-emergence on the major stage for Thomas, who last competed in a place in the top three, but he wasn’t sure where. He national or international competition when he was 18. credits the win to the variety in his repertoire, but also As a teen he competed in the American Accordionists’ his “American style.” “The European bloc kids, they get Association’s national competition four times, winning their variety of pieces, but they all kind of play them the twice. He also traveled overseas twice to compete in the same. They add in the same little riffs,” he said. “Then Coupe Mondiale, another international competition. He I get up there and I go from jazz to French tunes to on and his mother, Pamela Thomas, were used to the road. the beach, with my American style.” Thomas was 11 when he started taking lessons Bartell, the event organizer and a Spokane with Ilmar Kuljus, who ran the Accordia-Nova studio in accordion teacher, said Spokane and taught hundreds of students over 50-plus Thomas’ category is the years. But Kuljus retired soon after Thomas started, sell- competition’s most popu- Bell & Reed ing his studio and moving to Arizona. So Pamela Thomas lar. Each candidate plays ACCORDION drove her home schooled son south every spring. The two rounds of music of just WOODWIND Thomases lived with Kuljus for a month at a time, spend- nine minutes or less each. * * * ing hours a day in lessons. Pamela Thomas – who’d So they must demonstrate taken some accordion lessons on her own – listened their skill quickly. “I was REPAIR and learned along with her son, and she served as on the jury panel and al- TUNING teacher back in Spokane. Then, in 2006, Sam’s father though I can’t judge for died. He and his mother carried out plans to travel to my own country, I watched SALES Norway, for the Coupe Mondiale, but after that Thomas Sam take the stage, sit RENTALS slowed as a competitor. The family had to go to work down and perform like a INSTRUCTION and pool their resources, Pamela Thomas said. For his champion,” Bartell wrote in part, Sam Thomas works at a downtown Exxon station. an email. “We are all very * * * And, in his grief, Thomas just didn’t want to compete or proud of him. He did USA www.bellandreed.com perform anymore. When he played, it was begrudgingly. proud and performed like tel (206) 696-9054 “Not only were we out of money, but it just kind of left a true artist.” me done with that point of view,” he said. Copyright 2012. Re- 115 Prefontaine Pl S (401) When he learned the Trophée Mondial would take produced with permis- Seattle, WA 98104 place in Spokane, he decided to take the stage again. sion of The Spokesman- by appointment Before the fi nal results, Thomas said, he thought he’d Review
26 Winter Quarter 2012 Northwest Accordion News never know how one thing will lead to another. Take the can prevent repetitive-stress injuries among students. international accordion championships coming to Spo- Feeney taught an intriguing method she’d stumbled kane this week. Forty-eight musicians – each deemed across called the Taubman Approach. By focusing on among the best in their countries – will converge on the pianists’ tiny movements as they’re playing – alignment city to compete for a world title. They’ll be judged by an of fi ngers, rotations of forearms – the Taubman method international jury. That path here, Bartell said, started can reduce strain. As Bartell learned, it also can help with her relationship with another Spokane musician, musicians play more expressively. When Bartell decided a pianist who taught her a new way to make and hear to enter an accordion competition in Washington, D.C., music. “It’s an interesting thread, how it came to be,” she and Feeney left behind the piano and switched to Bartell said. “People infl uence things and sometimes Bartell’s main instrument. don’t even know it.” Feeney broke down the expression part – the musi- ‘Catch people with a pulse’ cianship – into the tiniest bites. A piece of music played Bartell’s infl uences vary, as do her students in technically perfectly – each note hit and held as written Spokane – those drawn to the accordion by the sounds on the page – but lacking good musicianship is like a they heard as they passed her studio door, those who’ve grammatically correct conversation held in monotone. learned that hitting the right keys or buttons at the right “We’re not feeling it, we’re not expressing it, we’re not time is just the start, those who’ve risen quickly under showing the energy behind it to emphasize certain her tutelage to compete internationally. things,” Bartell said. “It’s not hard to judge, you just know But as for this week’s meeting of musicians and it when you hear it.” judges from around the world, the thread starts with But it can be hard to do. Before studying with one teacher in particular, Kendall Feeney, a well-known Feeney, she said, she’d get it sometimes. But it was pianist at Eastern Washington University who, in all her almost accidental – she’d get there, but she wasn’t sure years in the music world, had not run into the accordion how. She remembered a piece she played in college, much. Bartell, who also teaches piano, sought out a W.A. Mozart composition she said she found boring. Feeney a few years ago to learn a way of playing that She played louder where the music said to play louder,
JULY 8th–13th 2013 40th anniversary Myron Floren tribute “Lets Squeeze Together”
Winter Quarter 2012 27 Northwest Accordion News or softer or slower. “It meant nothing to me,” she said. Yevgeniy Nosov, 24; Gabriel Soileau, 16; and Naomi “But that was before I even knew something could Harris, 12 – all Bartell’s students. They and others get mean something to you.” Until one day it did. She “got a instruction and practice in her studio at Music City on picture,” she said. The piece suddenly reminded her of North Monroe Street, crowding in between the piano something, and she was able to interpret it in a certain and the electric fi replace. way, express it as an individual. Still, she didn’t know As a teacher, Bartell advocates a teaching method how to duplicate that for another piece. Feeney gave her called Simply Music, a “playing-based” approach that tools, Bartell said, to take from piece to piece. “And it lets students learn to perform songs quickly, rather than was then I understood musicianship,” Bartell said. “She requiring them to learn to read music at the start. She just made everything come alive.” Bartell went to that is at the center of an effort to adapt it for beginning ac- competition Washington, D.C., where she placed third in cordionists. She also draws on techniques she learned the world, and where judges were “stunned,” she said, from both Feeney and Deschamps. Among them: a that anyone from the West Coast could play at that level focus on how students move as they’re playing, said “as a musician, not just technically.” She met Frédéric Soileau, a high school junior who also plays piano and Deschamps, a world-class accordionist and president of bass. More so than with other instruments, he said, the organization that runs Trophée Mondial, which led seemingly unrelated movements in an accordionist’s to her study with Deschamps in France. body affect its sound: “It’s strapped to you. It’s like part of In France, she asked Deschamps to critique a CD you.” Bartell might tell her students to move their heads she’d released. He was impressed enough to invite very fast when they’re playing fast notes, or to raise her to serve in the international pool of judges for the their eyebrows, which “makes the whole body lighten Trophée Mondial. She remains the only American on up,” Soileau said. the jury. She invited him to work with her students in Among Nosov’s competition pieces is one called Spokane, and during one of his visits, he told Bartell he “Revelation,” written by Sergey Voytenko as an apol- thought the next Trophée Mondial should take place ogy to his own teacher. It’s a plea, Nosov said: Please, in Spokane. She agreed to organize it. “He listened to take me back. “You have to, in a way, act the piece out,” (that CD),” Bartell said. “He says, ‘You know, you have said Nosov, who also teaches at Bartell’s studio. “It’s a an ear to hear the subtleties of music,’ and he said, ‘This challenge. You have to tap into places where you don’t is what we need on the jury.’ He said, ‘Not everybody normally go. If you’re portraying a bad guy, you have to can hear these subtleties.’ Well, I didn’t, until Kendall be the bad guy. If you’re this heartbroken student that’s opened up that world to me.” bawling your eyes out, you have to portray that.” A famous pianist, Artur Schnabel, was quoted in Harris, a seventh-grader, will be the youngest per- the Chicago Daily News in 1958 as saying, “The notes son ever to play in the competition. “(Bartell) wants you I handle no better than many pianists. But the pauses to do really well, so she pushes you really hard,” she between the notes – ah, that is where the art resides.” said. “But I like that, how she wants us to do so well that With Bartell, Feeney said, she worked on timing and she pushes us and pushes us. And the outcome is that rhythm, “how you catch people with a pulse.” “Somebody you do well in competitions.” “She’s a very energetic can do a brush stroke with the same brush and the same teacher, and very demanding, which would be expect- speed and all the same paint, and somebody’s will have ed,” Soileau said. “Encouraging, but also demanding.” nuance and will breathe and have life, and others just Stage presence won’t,” Feeney said. “It’s about how you time.” Hearing Bartell play is not just about hearing, Fee- ‘Encouraging, but also demanding’ ney said. “She’s all about giving what she has as a musi- Back in the day, Spokane was an accordion town. cian and a person through her instrument straight out to Ilmar Kuljus, an Estonian immigrant who taught Bartell the audience,” she said. “First of all, accordionists get at Whitworth College, was here to see it. “In 1952, we to face the audience, unlike pianists. People talk about came to Spokane which, back then, was the hottest this totally giving nature of her countenance, and this accordion town in the country. In those days, I always incredible presence she brings to the stage.” had 50 or 60 students,” he told The Spokesman-Review Bartell will take the stage again Tuesday, during the upon his retirement in 2006. Trophée Mondial’s opening ceremony. There, too, will be While Bartell believes the stigma that’s since grown Feeney – they play together in a quartet, Tango Volcado, up around the instrument is fading, especially among a scheduled to perform along with the Spokane Symphony younger generation of musicians, accordion players are and world champion accordionist Grayson Masefi eld. still relatively rare. Yet Spokane is sending three of the Speaking weeks before the event’s start date – but not United States’ fi ve delegates to the Trophée Mondial: so many that she didn’t know how many days, exactly,
28 Winter Quarter 2012 Northwest Accordion News A View From the Wings from Italy was on hand just to entertain both at By Ken Snider evening concerts and in the atrium at River Park Square every day. He is an entertainer, to say the Like many of Patricia Bartell’s friends and least, look him up on YouTube! students, I volunteered to help with the “Trophée I was lucky to be helping backstage, so I got Mondial.” I didn’t know quite what to expect. Being a to meet all of the candidates and be a small part of student of Patricia’s for the last few years, I know she the proceedings by ushering them on stage. They traveled to some far-off place every year to judge in all seemed so young, even those competing on the the event. She would tell us of her experiences, and senior division. They were polite, concentrated, and we thought we had a good idea of what they were. most of all terrifyingly good. But, like the Grand Canyon, until you’ve seen it with The classical competition kicked off the event, your own eyes, you have no idea how impressive it is. and the absolute perfection of almost every candidate Just the scale of the thing was amazing. There was incredible---jaw-dropping, at least in the fi gurative were candidates and judges from all over the world, sense. And, most of their programs were 15-20 including many Russians, Italians, and Chinese. minutes long. The variety portion of the competition The US fi elded fi ve, there was a Brazilian girl and followed, and over the next four days, the 48 or so a charismatic Mexican performer. If that weren’t accordionists appeared in nerve-wracking round after enough, Pietro Adragno, a recent world champion round. All kinds of accordions, all kinds of music, and good crowds really made this an experience that I’ll she had to pull it all together – Bartell looked forward to fondly remember. that moment, when she would step onto the stage and Thanks to good organization and much work by see her teacher there. It’ll be an honor, she said, to step all involved, and spear-headed by the inspiring and out with Feeney, whose infl uence she credits so heavily tireless Patricia Bartell, the fi rst “Trophée Mondial” to for her own success, and whose infl uence her own stu- be hosted in the United States was a great success. dents are feeling, too. “She doesn’t even realize, to this Contestants, judges, staff, audiences and all of the day, how much she plays a part in all this,” Bartell said. many volunteers attested to the quality of this world- Copyright 2012. Reproduced with permission of class event. The Spokesman-Review Castiglione Accordions We are one of the principle people in selling the new “Virtual Roland Reedless” Accordions Please visit our web site, www. castiglioneaccordions.com Click on Roland and then look and listen to the Audio-Visual demonstration of the instrument.
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Winter Quarter 2012 29 Northwest Accordion News
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30 Winter Quarter 2012 Northwest Accordion News
Forest Grove’s Autumn Social “Uncle By Doris Osgood Yascha”, aka Late summer and autumn hasn’t been a “normal” Gerson Rob- time for me. Changing the date for the social was boy, performed challenging too. Gary had to work and the community next. He played center had activities preventing early set up. How- “Yascha Yascha” ever, members of the Tualatin Valley Accordionists complete with swooped in and the set up happened in a fl ash. They hand puppet, and were miracle workers and I appreciated them more “I Found a Mil- than ever. lion Dollar Baby”. With the social meeting at a different time other Ed Makovsky things were also different about our autumn event. We traveled up from had fi rst time players, we had birthdays to celebrate, Pleasant Hill to and we had a guest performer. play “Twilight We began with our soloists. Jeanne Olson, fi rst Time” and “Champagne Polka”. He was followed by time soloist, started the afternoon with “La Sorella”. Hans Friedrichs Ann Thompson, also a fi rst time soloist, played who played “Carmel- “Ashokan Farwell” and an arrangement of “Night and la” and Lizette. Day” which she fi rst played in San Diego in 1944! My friend John She’d preserved the date on her music to be certain. Giuliani traveled Allison Wheel- from Renton to er from Roseburg, play too. He played now age 13, played “It Had to Be You” “Life in the Finnish and another piece Woods” and was that he titled TBA. joined by her grand- Glenda McLean father, Dick Carlson also traveled to of Tillamook for a play. She played lively schottische “Callers Waltz” and called “Hills of Kin- TBA. Friends, I ney”. Allison’s usual duet partner is her have to blame sister, Emily. Emily my memory on had a soccer game. radiation… I We’re happy to report that her team won! Next up thought I would was Kathy Grambsch. She played “Hejre Kate” and catch the titles, Eileen Hagen served as her turnist. Kathy also played but I didn’t! Galla-Rini’s arrangement of “Fascination”. As was Before evident in Kathy’s performance, the Maestro used breaking for complex and beautiful bass work. refreshments Forest Grove has a very large population of there were VIP’s Dutch descendents. Here, there are many “Duyck” to acknowledge. families. Jon Dyk was raised in the Netherlands. We celebrated Jon explained that the “Dyk” families were from the Vera Wendel’s north and “Duyck” families were from the south. Both 89th birthday. names are pronounced the same way. Jon played Then we cel- South African folk melodies. Diane Hagen followed ebrated Eileen with “The Ragamuffi n” and “Bel Viso Polka”. Hagen’s coming Next we had Leonard Kosatka playing “12th birthday. She will Street Rag” and TBA (I didn’t catch his title). I was be 80 November proud that Leonard had one named piece on the 17; additionally it will commemorate 62 years teaching sheet this time. Following was Paul Bria playing “Ja- accordion in Portland. net’s Waltz” and “Across the Plains”. After the refreshment break and the drawing for
Winter Quarter 2012 31 Northwest Accordion News
John Giuliani
cash and prizes, the Tualatin Valley Accordion- ists played. The ensemble played “Autumn Leaves”, “Beale St. Polka”, “The Nearness of You”, and “Mexi- cali Rose”. Participating members were: Jon Dyk, Glenda McLean, Mickey Eaton, Dick Carlson, Al- lison Wheeler, Rosalee Sherman, Colleen Halver- son, Nancy Kaye, Connie Weimer, Ann Thompson, Jeanne Olson, Jack Jones, Pamelajean Myers, Paul Bria, Wil Knoop, Vera Wendel, Geoff Levear, and Doris Osgood. Our next performer is a young woman whom many here have watched grow up. She started play- Alicia Baker ing accordion at age 6 when her family happened on the competitions in Kimberley one summer while camping. After that she started studying accordion with Eileen Hagen and added the instrument to her training on piano and voice. As a college senior now at Oregon State University, Alicia Baker is becom- ing a fi ne musician and is also a very lovely young woman. Since she represents the Roland Corp, Alicia played her Roland virtual accordion for her program here. She demonstrated her skill with programming and using the various special features along with her skill as an accordionist. For her program she started with Joe Morelli’s “Strip the Triplets”. She had played this in Kimberley as part of her award winning per- formance; Alicia is reigning “Happy Hans” champion 2012! She continued with an original composition en- titled “Musette Au Fromage Bleu” (aka Blue Cheese Waltz). She followed with “Cumana”, “La Vie En Rose” with her vocal accompaniment, “Tennessee Waltz:” with vocal and Geoff Levear providing the impromptu boom mic… A Dixieland style piece called “Struttin’ Geoff Levear provides “boom mic” with some BBQ”, a Frank Marocco tribute on “Into Somewhere- Out of Nowhere”, a classical styled piece based on Russian folk melodies entitled “Meadow- lands”, “Gitarereas”, “Rhapsody in Blue”, “O Camino Caro” and “O Sole Mio” with vocals, “La Bourasque”, The spring social in Forest Grove will resume the “Skinny’s Polka”, and Eileen Hagen’s arrangement 4th Sunday schedule, which is our norm. Plan to be of “Tico Tico”. For her encore she played “Tanzende in Forest Grove April 28, 2013. A guest will also be Finger Polka” (aka Bartender Polka). performing; that will be revealed later on. So, join us Our “different” afternoon turned out to a wonderful just for the fun of it. time. Knowing that Alicia was coming, all of our per- formers prepared and played well. It was FABULOUS. 32 Winter Quarter 2012 Northwest Accordion News Together they played lively Cajun music, with Mark Seattle Accordion Social playing a button box, both with obvious enthusiasm By Marjorie Rombauer and enjoyment. The music was infectious, with dynamic rhythms and tonal variety. It was all new (Socials were not held in July or August) to me and I didn’t get the titles. In the end, Mark switched to the accordion and played a fast and September 10, 2012 furious number, then a slower and more sentimental The social was held at the West Seattle Senior number, and fi nally, “Jambalaya.” Center this month, organized by John Giuliani. It featured an interesting variety of music, including Latin, Cajun, Old Time, and International.
Then came the Old Time music of Ted Lunka, playing a button box; Jack Morrison, the 88 year old drumming wonder, and John Giuliani on string bass. They began with a lively polka and then played “The Happy Wanderer” and “Just Because,” with most of us singing along with them. They played two more numbers, including a lovely Slovenian waltz. Lenny Luzi followed with his Prima Basso Band, playing an extended International program with great David Locke began the program in his usual verve and enthusiasm. Playing with him were two of relaxed style, playing six numbers that included “It’s his students, Clinton Patterson on acoustic guitar Magic,” “Girl From Ipanema” and a musette that was and Stan Johansson on string bass. They began a work out with lovely harmonies. with Italian music, followed by French, Greek, more
A new duo followed – Mark Myking and a violinist named Lucy Reuter.
Winter Quarter 2012 33 Northwest Accordion News
Italian and more French. Then some numbers I am lyrics, “Roll Out familiar with: Chanson d’amour, an Edith Piaf number, the Pancakes” and “Evening in Roma,” “Amore,” and “I Ain’t Got Nobody.” “In Heaven There They concluded with Italian music. Are No Pancakes.” In all, a lively and entertaining evening. He concluded with Lokkeren Vals (Callers Waltz). The Bonnie Birch trio followed, with Bonnie playing the accordion, Nick playing his guitar and Paul playing the tuba. They continued the Oktoberfest and international music
October 8, 2012 Again at the West Seattle Senior Center, we heard lots of good music, beginning with music
with Nick singing “Beer Here, Beer Here,” seguing into “In Heaven There Is No Beer,” Kufstein waltz (Nick singing in German and yodelling in harmony with Paul), “Merry Widow Waltz,” Strauss’s Radetzky march, Tequilla (shades of the UW Huskies!), an Italian Tarantella, Muss I Denn (with Nick singing in German and then Paul singing in English the “Wooden Heart” lyrics that Elvis Presley sang to that from the acrobatic fi ngers of Einar Tapio. He began melody), and “Drink, Drink, Drink.” with lovely adaptations of Fritz Kreisler violin music, Birgit and Phil Ages concluded the evening, Liebesfreud and Schön Rosmarin. Then it was a with Paul again playing the tuba. Beginning with Phil Russian number, “Festival,” Sprätt-Olson shottis, playing a concertina with a clear, bright tone, they Sakkijärven (a traditional Finnish Polka) , El Relicario played In Munchen Steht Ein Hofbrauhaus and “Roll (a paso doble), Yvette Horner’s “Caprice” (a waltz Out the Barrel,” Phil singing the German words for with delicate runs), “The Cuckoo-bird Polka” (like that melody. Then they played a Swiss number, with Superman, faster than a speeding bullet), and a Phil yodelling, and “Happy Wanderer.” Phil switched waltz, “Dearest Amanda.” Dick Svenson followed on to the mandolin and they played a number with the his chromatic accordion, beginning with Oktoberfest audience joining Birgit in singing. In the concluding music, the Alte Peter waltz and Capri Fischer. He number, Phil picked the melody on his mandolin. then played and sang his “pancake” songs with new
34 Winter Quarter 2012 Northwest Accordion News
Tacoma Accordion Social Rick Hatley and Michael Barbarossa did a duet. By Eloise Adair Their fi rst piece was “Blue Skirt Waltz” then “Just Because” followed by “(Hey)The Wiggin Polka”. We 13 September 2012 had a good attendance - 45. We had a very nice sunny day for the 40 people that attended our social. Edith Barrett, Jim 8 November 2012 Leonhard, Rick Hatley and Dick Myking played Our accordion social tis month only had fi ve a few pieces together while we were getting our accordionists and one drummer and one volcalist. program together. Our fi rst performer was Jerry Mark Myking and Dobrila Marinkovich were the Olson playing “Shine on Harvest Moon”, “Over the fi rst to perform. They played “Blues de Bosco”, “I’m Waves” and “Moonglow”. Then we had a duet with Commin’ Home” and “Tule ton son ton.” Then Mark’s Jim Leonhard and Edith Barrett playing “You Are My father Dick Myking played “Kristiania Vals”, “Olanda Sunshine”, “Tinker Polka”, “Return To Me” and “Blue Toser” and “Frank’s Polka.” Bob Westland was Spanish Eyes” Then Annie Liedtke played her small up next playing “Bonnevitle Waltz”, “Sweet Phyllis” button box. She did a great job on “Le Tambourim” by and “Patrona Bavaria.” Eloise Adair was up next Rameau, “Passepied” by Bach and “Menuet” by Bach. beginning with “Lordagsvalsen”, “Johan Pa Snippen” Next was Eloise Adair playing “Balen I Karlstad”, and “Livet I Finnskogarna.” “Rookies on Parade” and a polka by Pietro Frosini - Diane Crews was our vocalist singing “Midnight “Coquette”. Blue.” Then David Emter played his little button box After our break Dick Svensson played an beginning with a waltz “Prune Song”, “Barber Polka” American Medley but I didn’t get the names, the and “Peek A Boo Waltz.” We ran out of performers so “Marina” and “Lokkeren”. David Emter was up next Mark and Dobrila played again, “Cartpenter Waltz” playing “Kufstein”, “Until We Meet” and ‘’’’Top of the and “Hey! Mama.” Since we ran out of performers Hill”. Our last performer was Jon Persson. We had Rick Hatley said we should have a jam session. He some extra time so he borrowed my accordion and handed out books. He, Dick Myking, Mark Myking, played a French medley - “Pigale, La Seine and Dobila Markinkovich, Bob Westlund, David Emter All The Things You Are”. And then he played “Kala and Eloise Adair joined the group. We played “Life in Shaven’s Waltz” from Sweden. Then he put down the Finish Woods”, “Eldelweiss”, “Snow Waltz”, “Bela the Petosa accordion and picked up his new Roland Mia”, “Happy Wanderer” and “God Bless America.” and he played “Tango La Cumparsita”, “Air on the G String” by Bach and “Phantom of the Opera” a medley.
11 October 2012 We had a good Oktoberfest meeting this month. The Jammers! Which were Rick Hatley, Dick Myking and Michael Barbarossa played “Basaglerr Polka”, “Bella Mia”. “Beer Barrel Polka”, Edelweiss”, “Fre at Eul Des Leiders” and “Give Me My Heart Back”. Our fi rst performer was Michael Barbarossa playing “Happy Trails”, “By the Light of the Silvery Moon”, “Busy Time Polka”, “Chicken Polka” and “Pennsylvania Polka”. Next Eloise Adair played “Domowina Waltz” and “Liechtensteiner Polka” and Borsini Accordion “Engelberer Landler”. Excellent condition. Our next accordionist was Dick Myking Treble 4 sets of handmade reeds wearing his lederhosen . He played “Silk Umbrella”, 11 registers and master “Lauterbach” and “Heidewitzka, Herr Kapitan”. Bass 5 sets of handmade reeds - 7 registers. Then Rick Hatley played “Bergvabuden Sind Vie”, 25 lbs. Keyboard 18 ¾”. Dry tuned. “Schotzenliesl Polka” and “Mehr Wie ein KuB (More Air tight bellows with stereo pickups. than a Kiss). Dennis Perry was next playing “Village Comes with soft case. Tavern Polka”, “Auf Widersehn”, “In Heaven There is $ 2100.00 No Beer” and “Sailor”. Next Diane Crews sang for Call 503-484-5064 us - “Walkin’ After Midnight” We ran out of players so Winter Quarter 2012 35 Northwest Accordion News
LIAC 2013 Will arrive before you know it! We look forward to hearing from you and seeing June 20 - 23, 2013 you at LIAC. By Bonnie Birch Most Sincerely, Dear Friends of the Accordion, Bonnie Birch LIAC Chairman – bonniebirch@msn. I don’t know about you but from my perspective, com 2012 absolutely fl ew by. Summer is over, Octoberfest Steve Berg LIAC Vice Chairman - berg_sa@yahoo. season is over, the holidays are upon us, and now it com is time for those of us who work on the Leavenworth Doris Osgood LIAC Communication - dorisosgood@ International Accordion Celebration (LIAC) to begin frontier.com planning the program, workshops, and taking care of Frank Bruchner LIAC Volunteer Chairman - sqzbox@ hundreds of details. dishmail.net I would like to thank all our hardworking Rod Miller LIAC Competition Chairman - volunteers. Without your participation, we could never [email protected] make the event run as smoothly as it has. Of course, there is always fi ne-tuning required and we try to say, “Well next year, we will work on that problem.” To see Sam Thomas’ round 1 performance The important thing to realize is that without go to: your participation by coming to LIAC, there is really http://www.livestream. no incentive to have this festival. Sure, it is nice com/deschampschannel/ to entertain the people who are in the lovely town video?clipId=pla_3c602d75-42e7-460c-b916- of Leavenworth. However, that is mainly the job a4212aaf8e41 of the Chamber and other organizations based in Leavenworth. The reason the committee works hard to keep LIAC alive is to nurture the love of the accordion and create a vibrant accordion community. This is no small task considering everybody has their own lives and priorities. This is why it is important for you to realize that seeing you at LIAC is very valuable to this event and is your contribution to elevating the status of the accordion in this country. Those are my thoughts for today. You won’t be disappointed: We have high-quality workshops, concerts from renowned international artists, a competition, and opportunities for all to perform. For the listener, we have music throughout the day in the Festhalle, Gazebo, and Grange. Prices are very reasonable (plus there are FREE events) and you have the beautiful destination town of Leavenworth to enjoy. Just park your car and walk through town seeing the sights with accordion music and events interspersed For Sale throughout. After hours, join the party in one of the 1969 Philharmonic Accordion w/case restaurants hosting our famous jam sessions. 7 treble switches+master+mute We would like to hear from you. You may email 4 base switches your comments to the committee and we will strive to 3/5 sets of hand fi nished reeds use this information to enhance LIAC. This is an event produced by accordion players for fellow accordion Purchased from Michael Arralde in 2008 for $2250 players and accordion friends. Your support is so Sounds and plays beautifully important as an attendee, volunteer, or a donation . Asking $1900 Call Steven for more info 971-237-2913
36 Winter Quarter 2012 Northwest Accordion News
The planning for Leavenworth 2013 is progress- ing of how you can help fund those things. Any and all ing. Coordinating and confi rming schedules takes a gifts are welcome and needed. The accordion com- while. For certain, Gary Blair of Glasgow, Scotland munity has been very generous in the past and we will be with us. Besides being a great entertainer and hope to count on that again in 2013. master accordionist, Gary has been a fi ne adjudica- After the fi rst of the year, begin checking the of- tor. Several other accordionists are working with us fi cial LIAC web site for information and updates. The but the details are not yet fi nal. Hopefully those will be organization for the gazebo performances will remain resolved soon. The “short list” of potential entertainers with at the NWAS web site. The gazebo schedule is one to look forward to. will not be set up until May 1. Remember those ad- Fund-raising must remain part of the celebra- dresses: www.accordioncelebration.org and www. tion in Leavenworth. While the Northwest Accordion nwasnews.com Society has enough in the bank from the past years Workshops, free public performances, accordion of successful management to secure the basic pieces parade, jamming in the restaurants, competitions, of the celebration, the competition piece of the cel- and concerts will continue as the focus for our family ebration remains one that does not generate income; friendly accordion celebration. Start saving your gas it depletes the bank account. Keeping the bursary money and set your vacation plans to be with us in program plus offering prize money and medals is very Leavenworth, Washington June 20 – 23, 2013, for costly. However, supporting our young players is an the love of the accordion. investment in the future of the accordion. Begin think-
Winter Quarter 2012 37 Northwest Accordion News
NWAS Socials in Seattle Accordionist receives an award from
Socials resumed in September after the usual sum- outgoing Juneau Alaska Mayor mer break in July and August. The socials will be held at two different venues during the coming year: the Swed- From an article on October 9, 2012, in the Juneau ish Cultural Center and the West Seattle Senior Center. Empire of the assembly meeting: “Also at the meeting nd All of the socials are held on the 2 Monday monthly (mayor) Botelho read out a proclamation declaring the 7:30 – 9:30 PM. Different people will host each month week to be ‘Dale Wygant Appreciation Week’ a tribute and special things are planned. Below is a partial listing to the accordionist and longtime fi xture of the Juneau of the events planned for the year. community. November - Scandinavian Music- Hosted by Br enda “This is my last proclamation as mayor” Botelho and Ione Bard (mother and daughter) remarked, “It gives me great pleasure to read the proc- December -Featuring Lyle Schafer, Jim Tobler and lamation in honor of Dale Wygant. Murl Allen Sanders. Please bring your accordions for a After being serenaded by a group of kaazoo-playing Christmas large-group jam session, led by Bonnie Birch friends, Wygant received a copy of the proclmation from January 2013-Featuring Jamie Maschler performing Botelho who joked, “I’m disappointed Dale didn’t bring Latin Music, including a clinic (bring your accordions). his accordion, because the proclamation was for the Also featuring Laura Gardner. accordion as well. February .2013-Featuring and hosted by Birgit and Phil Ages. Also featuring Kory Tideman, Bonnie Birch Trio and John Giuliani.
December 9 – SCC January 11 – SCC February 11 – WSSC March 11 – SCC April 8 – WSSC May 13 – SCC June 10 – WSSC July – August – summer break September 9 - SCC October 14 - WSSC
West Seattle Sr. Center-(WSSC) Address- 4217 SW Oregon St. Seattle, WA 98116 Swedish Cultural Center-(SCC) (top fl oor w/elevator- 3Crowns Room) Address-1920 Dexter Ave. N. Seattle, WA 98109
Coming Special Events: The Day of the Accordion- Saturday, February 23, 2013 at Crossroads Shopping Center(Mall) 15600 NE Welcome New Members 8th St. Bellevue, WA 98008 Mia Bush, Hillsboro, OR Leavenworth International Accordion Celebration- Dave Chelini, Sacramento, CA June 20 - 23, 2013 in Leavenworth, Washington Jonathan E Dyk, Tillamook, OR Paul Garavaglia, Seattle, WA Information will be forthcoming about the details for the Betty Hamilton, Carmichael, CA special events. Ted Lunka, Federal Way, WA Seattle Accordion Social Contacts: Birgit Ages (206- Richard Peterson, Port Orchard, WA 947-8393) or John Giuliani (425-255-2121) Ron Sauro, Elma, WA LaVerne Spilter, Visalia, CA Change of Address? Please contact NWAS when you have a change of address Remember, you are welcome to give gift member- - email [email protected] or send a note to ships! The membership form is on the last page of NWAS, 5102 NE 121st Ave. Unit 12, Vancouver, WA 98682 this publication.
38 Winter Quarter 2012 Northwest Accordion News
MURL ALLEN SANDERS is pleased to announce his new CD: “Stories of Lucile” Murl plays accordion and piano with his band featuring saxophonist extraordinaire, Warren Rand. Eleven songs in jazz/pop style including originals and Murl’s unique cover of “Fields of Gold”.
Makes a great gift! Buy your copy today! By check only $18.00 by mail (includes shipping and handling) P.O. Box 30553, Seattle, WA 98113 CREDIT CARD PURCHASES available online at CDBaby.com DIGITAL DOWNLOADS Available at CDBaby and iTtunes
Don’t forget to purchase “Murl’s Holiday Favorites”, other CD’s and Accordion Songbook!
Email [email protected] Snail mail P.O. Box 30553 Seattle, WA 98113 Phone 206-781-8196 Website www.murlallensanders.com
A World of New Possibilities CombiningCombinini g thethe familiarffamiiliar soundssoundds andand playingpllayiing feelffeell ofof a traditional acoustic accordion with the advantages of a modern digital musical instrument, a Roland® V-Accordion® takes your music to places you’ve never imagined. With a wide selection of standard and diatonic models to choose from and multiple color options, there’s a V-Accordion to fit any style, budget, and playing level. The FR-1x, the newest member of the family, packs the latest V-Accordion technology in a light and compact design with built- in speakers, making it perfect for everyone from pro players in need of a flexible mobile instrument to young students just starting out.
Discover the V-Accordion and explore a world of new creative possibilities at www.RolandUS.com.
Winter Quarter 2012 39 Northwest Accordion News Accordion Events Calendar AIMS P.O. Box 4511 Santa Barbara, CA 93140 By Doris Osgood Info: Heinz Trick 805-685-2260 [email protected] www.santabarbaraaccordions.com BROOKINGS ACCORDION CLUB NORTHWEST ACCORDION SOCIETY SOCIALS BROOKINGS, OR SEATTLE, WA 4th Sat. monthly 2-4 PM, Evergreen Federal S&L, 850 nd 2 Monday monthly: Nov. 12 Swedish CC, Dec. Chetco Ave. Brookings, OR, Pres. Cami Meccia 541- 10 WSSC, Jan. 11, Feb. 11 WSSC, March 11 SCC 469-807 Contact: John Giuliani 425-255-2121 or Birgit Ages 206-368-9720 Back up contact: Bonnie Birch 206-622-4786. EASTSIDE JAZZ Music 7:30 PM – 9:30 PM. *Note changes of venue in Bellevue, WA rd this issue. 3 Tuesday monthly, Courtyard Marriott Hotel, 7:30 PM beginning January 2012. Contact: Cooksie NORTHWEST ACCORDION SOCIETY SOCIALS Kramer 425-828-9104 TACOMA, WA 2nd Thursday monthly: Dec. 13, Jan. 10, Feb. 14, EMERALD VALLEY ACCORDION CLUB March 14 Lutheran Church 121st & Park Ave. across EUGENE, OR st from PLU Library 1 Monday monthly: 7:00 – 9:30 PM Veterans’ 7:00 – 9:30 PM contact: Dick Myking 253-537-0136 Memorial Bldg. 1626 Willamette St. Secretary Linda Gunn 541-726-6330 [email protected] V.P. Lou NORTHWEST ACCORDION SOCIETY SOCIALS Marzano Social time 6 PM, business 6:45 PM FOREST GROVE, OR 4th Sundays April and October. Forest Grove FAIRBANKS ACCORDION CLUB Community Center, 2037 Douglas St. Forest Grove, FAIRBANKS, AK OR. 1:30 PM – 5:00 PM. Contact: Doris Osgood Mondays weekly 6 – 8 PM Pioneers Home, open to all 503-357-0417. free reed instruments. Contact: Christine Upton 907- April 28 and October 27, 2013 457-3392 FIVE VALLEY ACCORDION ASSOCIATION ACCORDION CLUB OF CENTRAL OREGON MONTANA BEND, OR 5VAA Jams are 1- 5 Pm 2ND Saturday Monthly, noon – 2 PM Aspen Ridge Nov. 11 Jokers Wild, Missoula Retirement Home 1010 NW Purcell Blvd, Bend Dec. 9 Rustic Hut, Florence Members provide entertainment one Sunday Jan 13 Eagles, Hamilton monthly also. Contacts: Lillian Jones, 541-536-1531 Jan. 27 Rustic Hut, Florence [email protected] or Karl Kment, 541-548-0495 Feb. 10 Jokers Wild, Missoula [email protected] Pres. Helen Brady 370-8452 ACCORDION JAM IN SANDY [email protected] SANDY, OR Montana – NW Accordion Association On hiatus until further notice. Nov. 18 Eagles, Kalispell Dec. 2 Elks, Poulson ACCORDION CLUB OF ROSEBURG Dec. 16 Eagles, Poulson ROSEBURG, OR Contact Roger Wagner 406- 862-2436 rd 3 Monday monthly 6:30, 553 Little Valley Rd. all NWAA Jams 2 – 6 PM Roseburg Montana – Great Falls Accordion Players Pres. Karen Cordell 553 Little Valley Rd. Roseburg, Nov. 11 Eagles OR 97471 541-784-1911 [email protected] Dec. 16 Elks ACCORDION CLUB OF VANCOUVER Jan. 20 Moose VANCOUVER, B.C. Jams are 1 PM – 5 PM www.meetup.com/Accordion-Club-of-Vancouver Contact Pat Sharp for info: 406-452-4546 contact: Haike Kingma, [email protected] GEM STATE ACCORDION CLUB ACCORDION INTERNATIONAL MUSIC SOCIETY IDAHO SANTA BARBARA, CA Sunny Ridge Retirement Center Nampa, ID 3rd 2nd Sunday monthly 1 – 3 PM Vale Verde Retirement Saturday monthly 2 – 4 PM Theatre 900 Calle de los Amigos, Santa Barbara, CA 40 Winter Quarter 2012 Northwest Accordion News for information contact: Dianne Lansing SPOKANE ACCORDION ENSEMBLE [email protected] SPOKANE, WA weekly rehearsals 6- 9 PM Eileen Webber, Pres. 509- HUGO’S ACCORDION BAND 290-6858 [email protected] MT. VERNON, WA 2nd and 4th Monday monthly 2:00 - 4:00 PM SPOKANE AND INLAND NORTHWEST ACC. CLUB President, Duane Stowe 16580 Peterson Rd SPOKANE, WA Burlington, WA 98233 360-757-4826 dstowe@ 4th Monday monthly, 1520 W. 3rd and Maple in clearwire.net Spokane, at the Global Credit Union Bldg. Exit #280 off I-90. HOUSTON BAY AREA ACCORDION CLUB 6 – 9 PM, $3. at the door HOUSTON, TX 2ND Wednesday monthly 5 – 9 PM Joe Brikha, Pres TUALATIN VALLEY ACCORDIONISTS [email protected] www.bayareaaccordionclub. FOREST GROVE, OR com 1st Sat. monthly 10 AM – 1 PM Forest Grove Library MEDFORD ACCORDION CLUB Pacifi c Ave. Contact: Paul and Judy Bria 503-591- MEDFORD, OR 0504 [email protected] 4th Monday monthly 7 - 9 PM: Central Point Senior YUMA ACCORDION CLUB Center 123 N. 2nd St, Central Point, OR Jeannette Yuma, AZ Dewey, Pres. 1029 SE Rogue Dr. Grants Pass, OR Every Tuesday, November - March at the Yuma Food 97526 541-471-7455 Bank at 2404 E 24th Street, Yuma, AZ OKANAGAN ACCORDION CLUB President, Coreen Bergholm @ [email protected] or KELOWNA, BC Ginger Purdy @ [email protected] Tuesdays weekly Sept. – May, Senior Center on VICTORIA ACCORDION CLUB Richter VICTORIA, B.C. CANADA Info contact: Rod Miller 250-317-9088, Lela Bourne 1st Sunday Monthly 2:30 PM, Victoria Edelweiss Club [email protected] 108 Niagra St., James Bay District Victoria, BC ROGUE RIVER ACCORDION CLUB Contact: John 250-386-7282 or 250-477-3098 ROGUE RIVER, OR BUTTON BOX CAMPS JULY AND SEPT 1st Wednesday monthly. 7 PM Council Chambers for information contact: Joseph Smiell Jr. 812 Bantry Way Rogue River City Hall, 133 Broadway St. Rogue Benica, CA 94510 River, OR. Pres. Margot Turrell 206 Creekside Grants INTERNATIONAL ACCORDION CONVENTION Pass, OR 97526 541-479-9409 yodelady@rascals. Las Vegas, NV, Sept. 24 - 27 2012 Mardi Gras Style at the org Gold Coast Hotel, Las Vegas ROSE CITY ACCORDION CLUB USA: 1-800-472-1695 outside USA: 1-801-486-1695 PORTLAND, OR [email protected] 3rd Saturday monthly. 1 – 5 PM Milwaukie Public DAY OF THE ACCORDION Safety Bldg, SE 32nd & Harrison, Milwaukie, OR. February 23, 2013 Crossroads Mall Bellevue, WA * meeting in September 4th Sat.(Sept. 24) Pres. Steve Knapke 503-612-8381 email: RCAC ACCORDION CAMP- SILVER FALLS [email protected] CONFERENCE CENTER June 9 - 14, 2013 near www.rosecityaccordionclub.org Sublimity, OR. Camp treasurer: Marlene Meissner 503- 463-9909 [email protected] SEQUIM ACCORDION SOCIAL SEQUIM, WA LEAVENWORTH INTERNATIONAL ACCORDION 2nd Sunday, Odd numbered months, 1:00 – 4:00 CELEBRATION June 20- 23, 2013 Leavenworth, PM Sequim Senior Center 921 E. Hammond St; WA. www.accordioncelebration.org www.nwasnews. next meeting January 13 contact: Jeannie Berg- com [email protected] 360-683-5620 KIMBERLEY OLD TIME ACCORDION SIERRA NEVADA ACCORDIONS COMPETITION KIMBERLEY, BC RENO, NV July 8 - 13, 2013, www.kiotac.ca 1-888-4KIOTAC or John Covarelli, Pres. 775-848-3777, sqeezebox2@ 250-427-7318 gmail.com Winter Quarter 2012 41 Northwest Accordion News VICTORIA ACCORDION FESTIVAL Victoria, British Columbia July , 2013 Entertainers in the Northwest www.bcaccordion.ca 1-778-433-8700 Submit your public performance schedules to Doris Osgood 3224 B St Forest Grove, OR 97116 [email protected] FAIRBANKS SUMMER ARTS FESTIVAL July , 2013 on the campus of U. of Alaska Fairbanks. Alpiners USA www.fsaf.org contact 907-474-8869 www.alpinerusa.com with Joe Domitrowich Juan Barco – Band ACCORDION CELEBRATION – Historic Wallace Contact: 23091 23rd Ave. W. Brier, WA 98036 Wallace, ID August , 2013 www.wallaceIdahoChamber. 425-775-8150; cell 206-356-1878 com Corky Bennett COTATI ACCORDION FESTIVAL Wednesdays at Polo Lounge, Fridays w/ 9th St. Band Cotati, CA August , 2013 www.cotatifest.com Reno Senior Center, Saturdays at Bavarian World 66TH COUPE MONDIALE website: www.corkybennett.com August 19 – 26, 2013 Victoria, B.C. Canada email: [email protected] 1st time ever in Canada 775-287-2050 ALPENFEST Bonnie Birch Alpenfest Sept. 26 – 29, 2013 Wallowa County, OR, website: bonniebirch.com Oregon’s Little Switzerland Enterprise, P.O. Box 301 For scheduling information: write 1107 1st Ave. Joseph, OR 97846 Details: oregonalpenfest.com or 541- #1003 Seattle, WA 98101. 432-0209. Cell 541-398-1096 206-622-4786, email: [email protected] Chuck Berger ACCORDION EXTRAVAGANZA Accordion Repair and Public Performance EDMONTON, ALBERTA September, 2013 For information call: 503-254-0996 www.edmontonaccordion.com [email protected] Charlie Brown Contact: [email protected] hm 253-857- 6557 cell 253-376-5487 Frank Calapristi Winter schedule at King Ludwig’s, Wed, Thurs. Sun. nights; tour groups as needed For scheduling information write PO Box 1057 Leavenworth, WA 98826 509-548-0155 [email protected] Gary Dahl For scheduling information write 509 Valley Ave. NE #5 Puyallup, WA 98372 Phone/fax 253-770-9492 [email protected]; www.accordions.com/ garydahl; www.beltuna.com Tom Demski (Mr. Flash) For scheduling information write: 518 9th St. SW Puyallup, WA 98371 253-840-9277 [email protected] Folk Voice Band For scheduling: Birgit Ages 206-368-9720 folkvoice@ folkvoiceband.com; http://folkvoiceband.com Happy Hans’ Music Hans Rainer, Jr. Dec. 1 Berliner Pub 6 – 10 PM Renton, WA Dec. 16 Berliner Pub 3 – 7 PM Renton, WA Dec. 31 German House 8PM – 12:30 AM Seattle, WA For scheduling information write Hans Rainer, JR
42 Winter Quarter 2012 Northwest Accordion News
24613 231st Ave. SE Maple Valley, WA 98038 [email protected] 425-413-6562 [email protected] WWW. http://smilinscandivanians.com HAPPYHANSMUSIC.COM Dennis Schadduck HALDEMAN’S OOM-PAH BOYS China Jade Restaurant 87th & Greenwood Ave. N Der Rheinlander Restaurant Portland, OR Seattle Sunday nights. Wed, Thurs, Sat, Sun. 5 PM – 9 PM Joe Szabo Contact: Lynn Haldeman 1200 NE 199th Ave. Portland, Fri – Sat. 6:30 – 9:30 PM Nonna Emilia’s Ristorante OR 97230 503-328-6099 [email protected] Aloha, OR Little Bohemian Band For scheduling information: 13484 SW Devonshire Dr. Check web site for details. Beaverton, OR 97005 503-641-2313 For scheduling contact: Gene Sadowsky Syl’s Ya Sure Ya Betcha Band (WA) 541-990-3109 Syl’s Arizona Dance Band and Polka Band email:[email protected] www. Dec. 15 Sons of Norway 8 – 11:30 PM Bothel, WA littlebohemianband.com 802 NW Quarry Rd. Albany, Full schedule in Mesa and Apache Junction, AZ OR 97321 November - April Greg Meier (Jan.- April, Nov. Arizona Schedule, 480-357-2585) For scheduling information write: 38572 Park Ave. For scheduling: Sylvia Jorgensen, WA contact: 253- Sandy, OR 97055 503-668-7002. Fax 503-668-1058 845-9321, cell 253-678-7682 [email protected] [email protected], www.fjordsong.com Andy Mirkovich SVEA Trio Nov. 11 Sequim Accordion Club w/ John Giuliani Svea Trio- Richard Svensson and Bjarne Jacobsen Full schedule private engagements 206-523-3245, [email protected] www. Master Classes by appointment: 425-451-1256 winwins.com/sveatrio/ Murl Allen Sanders NW Accordionaires Dec. 1 Boxley’s w/Janette West 7 – 10 PM North Contact: Cooksie Kramer 425-828-9104 Bend, WA Dec. 22 Lakeside Bistro 7:30 – 10:30 PM Seattle, WA Most of our professional players keep their current and www.LakesideBistroSeattle.com updated performance schedules on their web sites. Dec. 24 Pacifi c Place Shopping Center 12 – 2 PM Advance scheduling is diffi cult and often fl uid. Consult Downtown Seattle, WA the contact information and web addresses for up to date Full schedule private engagements, regular information. Support them when you can. performances in synagogue and church, composing, and teaching. www.murlallensanders.com For scheduling information write: murlsanders@ cs.com PO Box 30553 Seattle, WA 98113, 206-781- 8196 Lyle Schaefer The Chester Pietka Scholarships are For scheduling information write: 10523-63rd St. Ct. E. #61, Puyallup, WA 98372, schaeferband@ available for young accordionists. Young people yahoo.com, 253-848-0778. ages 18 and under, taking lessons from a recognized teacher, or wishing to do so, may Sam’s Variety Gems submit a written request for scholarship funds Sam Pecorilla: home 541-847-2282, cell 541-321- for the purpose of taking lessons. Requests are 9088 to be submitted to Doris Osgood, 3224 B St., Smilin’ Scandinavians Forest Grove, OR 97116 or e-mail dorisosgood@ Feb. 3 Swedish Cultural Center pancake breakfast frontier.com. 11:45 AM – 1 PM Seattle, WA In addition to giving personal information, Feb. 16 Sons of Norway 8 – 11:30 PM Bothel, WA students are to share their interest and their goals May 5 Swedish Cultural Center pancake breakfast 11:45 AM – 1 PM Seattle, WA for playing the accordion. These scholarships Toby also has regular gigs also with Jangles, a are open to the young people within the Pacifi c Western Swing band, Cowgirl’s Dream, an Americana Northwest, not just the greater Portland area. band, and 1928, a classic jazz band. For scheduling information contact: Toby Hanson 11123 216th St. E Graham, WA 98338 253-875-8580 Winter Quarter 2012 43 Northwest Accordion News
Northwest Accordion Society
5102 NE 121st Ave. Unit 12 Vancouver, WA 98682
www.nwasnews.com
Membership Application All funds in U.S. Currency
Membership Type: New Membership Renewal
Regular Membership Student Membership Patron Membership North America Age 18 and Under $35/year U.S. funds U.S. - $20.00 U.S. $15/year Canada - $25 (U.S. Funds) Canada $20/year (US funds) Outside North America $35 (U.S. Funds)
Gift Membership from:
Name: (Please Print) Street Address: City: State: Zip: Country: Telephone: ( ) E-mail Address: (This will be used for INTERNAL to NWAS only and will not be sold or distributed elsewhere) I would like to receive the _____Electronic version (PDF) _____Hard copy ____Both types Please mail to: Northwest Accordion Society, 5102 NE 121st Ave. Unit 12, Vancouver, WA 98682. Include SASE (Self Addressed STAMPED Envelope) for membership card All funds in U.S. Currency
44 Winter Quarter 2012
Northwest Accordion Society 5102 NE 121st Ave., Unit 12 PRESORTED Vancouver, WA 98682-6164 STANDARD U.S. POSTAGE PAID BRB
CHANGE SERVICE REQUESTED
Current Members Your membership renewal date is specifi ed on the mailing label. Please assist our volunteer staff by sending in your renewal form before that date. Change of Address To avoid delay and extra cost, send address changes to the above address, or email as soon as possible. There is a $5 charge to resend undeliverable issues. New Members We encourage all individuals interested in supporting, playing, and/or promoting the accordion to become members. Membership forms are inside the back cover.
NORTHWEST ACCORDION SOCIETY Membership 5102 NE 121st Ave., Unit 12, Vancouver, WA 98682-6164 www.nwasnews.com