National Register of Historic Places Inventory — Nomination Form Date Entered 1. Name 2. Location 3. Classification 4. Owner O
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Entablature Refers to the System of Moldings and Bands Which Lie Horizontally Above Columns, Resting on Their Capitals
An entablature refers to the system of moldings and bands which lie horizontally above columns, resting on their capitals. Considered to be major elements of classical architecture, entablatures are commonly divided into three parts: the architrave, frieze, and cornice. E ntablature by stromberg ARCHITRAVE The architrave is the supporting element, and the lowest of the three main parts of an entablature: the undecorated lintel resting on the columns. FRIEZE The frieze is the plain or decorated horizontal unmolded strip located between the cornice and the architrave. Clay Academy, Dallas, TX Stromberg offers you the freedom to choose. Whether your project requires authentic classical entablature, or a modern look, we will design your entablature to perfectly match your building’s unique style . We have extensive knowledge of all the major classical orders, including Ionic, Doric, and Corinthian, and we can craft columns and entablatures that comply with each order’s specifications. DORIC a continuous sculpted frieze and a The oldest and simplest of these three cornice. CORNICE orders of classical Greek architecture, Its delicate beauty and rich ornamentation typified by heavy, fluted columns with contrast with the stark unembellished The cornice is the upper plain capitals and no base. features of the Doric order. part of an entablature; a decorative molded IONIC CORINTHIAN projection at the top of a This order, considered to be a feminine The most ornate of the three classical wall or window. style, is distinguished by tall slim orders, characterized by a slender fluted columns with flutes resting on molded column having an ornate, bell-shaped bases and crowned by capitals in the capital decorated with acanthus leaves. -
The Five Orders of Architecture
BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna. -
Cairo Supper Club Building 4015-4017 N
Exhibit A LANDMARK DESIGNATION REPORT Cairo Supper Club Building 4015-4017 N. Sheridan Rd. Final Landmark Recommendation adopted by the Commission on Chicago Landmarks, August 7, 2014 CITY OF CHICAGO Rahm Emanuel, Mayor Department of Planning and Development Andrew J. Mooney, Commissioner The Commission on Chicago Landmarks, whose nine members are appointed by the Mayor and City Council, was established in 1968 by city ordinance. The Commission is re- sponsible for recommending to the City Council which individual buildings, sites, objects, or districts should be designated as Chicago Landmarks, which protects them by law. The landmark designation process begins with a staff study and a preliminary summary of information related to the potential designation criteria. The next step is a preliminary vote by the landmarks commission as to whether the proposed landmark is worthy of consideration. This vote not only initiates the formal designation process, but it places the review of city per- mits for the property under the jurisdiction of the Commission until a final landmark recom- mendation is acted on by the City Council. This Landmark Designation Report is subject to possible revision and amendment dur- ing the designation process. Only language contained within a designation ordinance adopted by the City Council should be regarded as final. 2 CAIRO SUPPER CLUB BUILDING (ORIGINALLY WINSTON BUILDING) 4015-4017 N. SHERIDAN RD. BUILT: 1920 ARCHITECT: PAUL GERHARDT, SR. Located in the Uptown community area, the Cairo Supper Club Building is an unusual building de- signed in the Egyptian Revival architectural style, rarely used for Chicago buildings. This one-story commercial building is clad with multi-colored terra cotta, created by the Northwestern Terra Cotta Company and ornamented with a variety of ancient Egyptian motifs, including lotus-decorated col- umns and a concave “cavetto” cornice with a winged-scarab medallion. -
Restoration of a Vintage Limestone Portico with Architectural Precast Concrete
PROJECT CASE STUDY Restoration of a Vintage Limestone Portico with Architectural Precast Concrete Presents a case study on the use of architectural precast concrete as a cost-effective approach to restore an historic park facility in Chicago, Illinois. The main entrance portico of the facility was originally constructed with an elaborate limestone beam or entablature, carried by massive limestone columns. The carved limestone architrave (soffit), frieze, and cornice (upper projection) pieces of the entablature were attached to backup brickwork and concealed steel lintel beams with metal anchors. After significant stone damage and movements occurred due to long-term corrosion of embedded steel components, several David B. Tigue, P.E., S.E. limestone soffit pieces were removed from the building for safety. Associate, Senior Project Engineer The restoration design utilized architectural precast concrete with a Raths, Raths & Johnson, Inc. Willowbrook, Illinois formed soffit having the identical proportions, texture and color as the damaged architrave stone pieces, and had structural capacity to replace the existing steel lintel beams. The design provided a unique, cost-effective approach for replacing deteriorated and damaged components, while retaining the original, intricate limestone carvings. he Douglas Park Field House stone pillars supporting an elaborate is one of many vintage facili- limestone beam, or entablature, and a Tties managed by the Chicago roof structure over the entry portico Park District in Chicago, Illinois. Con- (see Fig. 1). The limestone entablature structed in the early 1900s, it is cur- construction consisted of traditional rently listed in the National Registry carved limestone architrave (soffit), Kurt R. Hoigard, P.E. of Historic Buildings. -
National Register of Historic Places Continuation Sheet Section Number 7 Page 1
NFS Form 10-900 OMB No. 10024-0018 (Oct. 1990) United States Department of the Interior 3 0 National Park Service National Register of Historic Places Registration Form TER Of HISTORIC PLACES IONAL PARK SFRVICF This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NFS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Dubuque Young Men's Christian Association Building other names/site number Iowa Inn 2. Location street & number 125 West Ninth Street n/a PI not for publication citv or town Dubuque n/afl vicinity state Iowa code IA county Dubuque code 061 zip code 52001 As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this Jf nomination _ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property V meets _ does not meet the National Register criteria. -
The Art of Architecture
LEARNING TO LOOK AT ARCHITECTURE LOOK: Allow yourself to take the time to slow down and look carefully. OBSERVE: Observation is an active process, requiring both time and attention. It is here that the viewer begins to build up a mental catalogue of the building’s You spend time in buildings every day. But how often visual elements. do you really look at or think about their design, their details, and the spaces they create? What did the SEE: Looking is a physical act; seeing is a mental process of perception. Seeing involves recognizing or connecting the information the eyes take in architect want you to feel or think once inside the with your previous knowledge and experiences in order to create meaning. structure? Following the steps in TMA’s Art of Seeing Art™* process can help you explore architecture on DESCRIBE: Describing can help you to identify and organize your thoughts about what you have seen. It may be helpful to think of describing as taking a deeper level through close looking. a careful inventory. ANALYZE: Analysis uses the details you identified in your descriptions and LOOK INTERPRET applies reason to make meaning. Once details have been absorbed, you’re ready to analyze what you’re seeing through these four lenses: OBSERVE ANALYZE FORM SYMBOLS IDEAS MEANING SEE DESCRIBE INTERPRET: Interpretation, the final step in the Art of Seeing Art™ process, combines our descriptions and analysis with our previous knowledge and any information we have about the artist and the work—or in this case, * For more information on the Art of Seeing Art and visual literacy, the architect and the building. -
Milebymile.Com Personal Road Trip Guide Iowa United States Highway #52
MileByMile.com Personal Road Trip Guide Iowa United States Highway #52 Miles ITEM SUMMARY 0.0 The Savanna-Sabula Bridge The Savanna-Sabula Bridge, a truss bridge and causeway crossing the Mississippi River and connecting the city of Savanna, Illinois with the island city of Sabula, Iowa. The bridge carries United States Highway #52 over the river. This is where the Iowa part of the United States Highway #52 starts its run to terminate at the Iowa/Minnesota Stateline, just south of Prosper, Minnesota. The Savanna-Sabula Bridge is a registered National Historic Place. Altitude: 584 feet 2.7 Sabula, IA Sabula, Iowa, a city in Jackson County, Iowa, It is the Iowa's only island city with a beach and campground. Sabula Public Library, South Sabula Lakes Park, Altitude: 594 feet 3.7 Junction Junction United States Highway #67/State Highway #64, 608th Avenue, Sabula Lake Park, Miles, Iowa, a city in Jackson County, Iowa, Miles Roadside Park, United States Highway #67 passes through Almont, Iowa, Clinton, Iowa, Altitude: 633 feet 6.3 607th Avenue/602nd 607th Avenue, 602nd Avenue, Joe Day Lake, Big Sieber Lake, Altitude: Avenue 686 feet 10.2 Green Island Road Green Island Road, 540th Avenue, Densmore Lake, Upper Mississippi River Wildlife and Fish Refuge, Little Sawmill Lake, Sawmill Lake, located off United State Highway #52, along the Mississippi River in Iowa. Altitude: 823 feet 12.1 500th Avenue: Reeceville, 500th Avenue, County Road Z40, Community of Green Island, Iowa, IA Altitude: 837 feet 14.2 Green Island Road Green Island Road, Community of Green Island, Iowa, Upper Mississippi River Wildlife and Fish Refuge, Altitude: 610 feet 18.7 County Highway 234 County Highway 234, 435th Avenue, Bonnie Lake, Western Pond, located alongside United States Highway #52, part of Upper Mississippi River Wildlife and Fish Refuge. -
Columns - Cornices - Porticos Columns
Columns - Cornices - Porticos Columns For over thirty years Mexboro Concrete has been at the forefront of manufacturing high quality architectural cast stone. The company is now able to offer a wide range of classical components incorporating the basic elements of Greek and Roman architecture which will enliven building facades and landscapes. These classical designs have been faithfully reproduced by skilled craftsmen and then hanf finished to produce a product virtually identical to quarried stone in 765 appearance and texture, but at a fraction of the cost. 500 765 390 500 615 390 430 615 430 297 297 525 464 340 280 297 525 297 464 280 340 5400 297 297 5400 4600 6590 4600 6090 5747 5197 3000 3000 3000 4115 3000 4115 3515 3515 300 218 300 218 500 550 600 600 300 300 218 218 600 600 500 500 400 400 400 400 800 800 710 710 600 600 600 600 850 760 650 Ref:600/500 Ref:600/500 Ref:500/430 Ref:500/430 Ref:400/340 Ref:400/340 Ref:400/280 Ref:400/280 (no pedestal) (no pedestal) (no pedestal) (no pedestal) Columns 450 270 360 260 450 220 270 230 260 250 360 150 220 1235 295 185 150 250 1000 230 150 190 295 1235 185 150 715 190 3540 1000 820 715 2940 3040 1235 1000 820 2450 2420 2300 715 2165 2000 715 820 1235 190 1000 210 820 715 156 430 600 620 300 210 190 156 155 155 310 310 260 260 218 218 210 210 434 434 360 360 294 294 310 310 494 400 Ref:310/270 Ref:310/270 Ref:260/220 Ref:260/220 Ref:218/185 Ref:218/185 Ref:210/150 Ref:210/150 (no pedestal) (no pedestal) (no pedestal) (1860 shaft) Cornice These standard units allow great design flexibility. -
Architectural Terminology
Architectural Terminology Compiled by By Trail End State Historic Site Superintendent Cynde Georgen; for The Western Alliance of Historic Structures & Properties, 1998 So what is a quoin anyway … other than a great word to have in your head when playing Scrabble®? Or how about a rincleau? A belvedere? A radiating voussoir? If these questions leave you scratching your head in wonder and confusion, you’re not alone! Few people outside the confines of an architect’s office have a working knowledge of architectural terminology. For you, however, that’s about to change! After studying the following glossary, you’ll be able to amaze your friends as you walk through the streets of your town pointing out lancets, porticos, corbels and campaniles. NOTE: The definitions of some terms use words which themselves require definition. Such words are italicized in the definition. Photograph, balustrade, undated (By the Author) Acanthus Leaf - Motif in classical architecture found on Corinthian columns Aedicule - A pedimented entablature with columns used to frame a window or niche Arcade - Series of round arches supported by columns or posts Architrave - The lowest part of a classical entablature running from column to column Ashlar - Squared building stone laid in parallel courses Astragal - Molding with a semicircular profile Astylar - Facade without columns or pilasters Balconet - False balcony outside a window Baluster - The post supporting a handrail Balustrade - Railing at a stairway, porch or roof Architectural Terminology - 1 - www.trailend.org -
Community Facilities
DUBUQUE COUNTY SMART PLAN Community Facilities Introduction When choosing a community to live in, the community facilities that serve residents’ basic needs are an important factor. Education, safety, and health care are factors that potential residents and employers look at when choosing where to live or locate a business. In many cases, the needs for community facilities cross municipal boundaries, and as a result, regional intergovernmental coordination and coordination between the public and private sector are fundamental to providing the best quality community facilities. Improved coordination allows communities to combine resources to eliminate duplication of services and achieve economies of scale. Intergovernmental coordination is already occurring across the region. Local governments within the region have mutual aid agreements for fire and police services and both public school districts serve multiple communities. Coordination between the public and private sector facility providers is also imperative. Private entities in Dubuque County provide education, emergency medical services, hospital services, and childcare facilities. Local governments need to work with private facilities providers to provide the highest level of service to their residents. The goal of this chapter is to provide high quality community facilities to all residents of Dubuque County by maintaining the existing intergovernmental and public-private facilities relationships, and looking for areas to establish new relationships. This chapter will provide an inventory of the Dubuque County’s community facilities, as they exist today, and will then provide a list of goals and objectives that will help the region provide the best quality community facilities to its residents. The region’s primary community facilities are included in Maps 1.1 through 1.7. -
Art Concepts
ANCIENT ART - Greece Acropolis Greek, “high city.” In ancient Greece, usually the site of the city’s most important temple(s). Amphora A two-handled jar used for general storage purposes, usually to hold wine or oil. Archaic Smile In Archaic Greek sculpture, the smile sculptors represented on faces as a way of indicating that the person portrayed is alive. Atlant (Atlas) A male figure that functions as a supporting column. Black-Figure In early Greek pottery, the silhouetting of dark Painting figures against a light background of natural, reddish clay, with linear details incised through the silhouettes. Capital The uppermost member of a column, serving as a transition from the shaft to the lintel. In classical architecture, the form of the capital varies with the order. Caryatid A female figure that functions as a supporting column. Cella The chamber at the center of an ancient temple; in a classical temple, the room (Greek, naos) in which the cult statue usually stood. ANCIENT ART - Greece Centaur In ancient Greek mythology, a fantastical creature, with the front or top half of a human and the back or bottom half of a horse. Contrapposto The disposition of the human figure in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counterpositioning of the body about its central axis. Sometimes called “weight shift” because the weight of the body tends to be thrown to one foot, creating tension on one side and relaxation on the other. Corinthian Corinthian columns are the latest of the three Greek styles and show the influence of Egyptian columns in their capitals, which are shaped like inverted bells. -
Section D Architectural Styles
SECTION D ARCHITECTURAL STYLES SECTION D ARCHITECTURAL STYLES OVERVIEW The Architectural Styles section illustrates key elements and design strategies employed in Yonkers’ most enduring neighborhoods and presents guidelines for homeowner application and implementation. The information presented in this section is to be used as a design tool for creating new infi ll construc- tion and transforming existing buildings, so that they refl ect and perpetuate distinctive regional character and quality of place. The goal is the restoration of neighborhoods composed of a variety of architectural styles in a manner Victorian that ensures consistent quality of character and detail. The four dominant styles in Yonkers Downtown neighborhoods are Victorian, Shingle, Tudor, and Colonial Revival. This section of the Pattern Book details each style by presenting the following six essential components: ESSENTIAL ELEMENTS is a general overview of the style’s history, cul- ture, components, and character within Yonkers; Shingle MASSING AND COMPOSITION identifi es key massing types and typical facade compositions; EAVES AND CORNICES illustrates common profi les of eaves and cor- nices; WINDOWS, DOORS, AND BAYS gives examples of various openings appropriate for the particular style; Tudor PORCHES presents possible porch massing and details; MATERIALS AND GALLERY illustrates permissible material palettes for the various components of the house and provides a gallery of photo examples. Colonial Revival 68 Evolution of Architectural Styles 1800 1825 1850 1875 1900