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+91-8048372597 Hues Silk https://www.indiamart.com/huessilk/ About Us Our incorporation, “Hues Silk” is struggling in this industry for several years and these years of efforts come in an outstanding way that we are gratifying the huge clients’ base. Our association is a sole proprietorship based venture. We have settled our main head office at Patiala, Punjab. Since 2018, we are matching up with the never ending necessities of the customers; our company is engaged in manufacturing of Block Painted Suit, Ladies Suit, Kids Punjabi Suit, Hand Painted Suit Material, Phulkari Suit Material, Ladies Embroidered Suit, Kids Ghagra Choli. Furthermore, we manufacture all the products under the keen supervision of our ardent professional and follow the entire quality norms and offer the hygiene packaging standards. For more information, please visit https://www.indiamart.com/huessilk/profile.html HAND PAINTED SUIT MATERIAL B u s i n e s s S e g m e n t s Floral Hand Painted Suit Fancy Hand Painted Suit Material Material Designer Hand Painted Suit Casual Hand Painted Suit Material Material BLOCK PAINTED SUIT MATERIAL B u s i n e s s S e g m e n t s Casual Block Painted Suit Fancy Block Painted Suit Material Material Stylish Block Painted Suit Party Wear Block Painted Suit Material Material KIDS PUNJABI SUIT B u s i n e s s S e g m e n t s Fancy Kids Punjabi Suit Sleeve Less Kids Punjabi Suit Punjabi Embroider Silk Suit Kids Punjabi Suit Salwar With Koti KIDS GHAGRA CHOLI B u s i n e s s S e g m e n t s Kids Cotton Ghagra Choli Kids Designer Ghagra Choli Kids Sleeve Less Ghagra Kids Net Fabric Ghagra Choli Choli PALAZZO SUIT B u s i n e s s S e g m e n t s Black Palazzo Suit White Palazzo Suit Embroidered Plazo Suit Cotton Palazzo Suit BLOCK PAINTED SUIT B u s i n e s s S e g m e n t s Block Painted Long Suit Fancy Cotton Block Painted Suit Designer Block Painted Suit B u s i OTHER PRODUCTS: n e s s S e g m e n t s Cotton Hand Painted Suit Wedding Wear Block Painted Material Suit Material Cotton Kids Punjabi Suit Kids Trendy Ghagra Choli F a c t s h e e t Year of Establishment : 2018 Nature of Business : Manufacturer Total Number of Employees : Upto 10 People CONTACT US Hues Silk Contact Person: Haman Deep 123/30 C, Anand Nagar B Patiala - 147001, Punjab, India +91-8048372597 https://www.indiamart.com/huessilk/.

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Phulkari Baghs of the Punjab: Another Perspective
PHULKARI BAGHS OF THE PUNJAB: ANOTHER PERSPECTIVE Arjmand Aziz MAP OF UNDIVIDED PUNJAB. SOURCE: THE IMPERIAL GAZETTEER OF INDIA (1907-1909) HTTP://DSAL.UCHICAGO>EDU/ lthough the most recognised of South A Asian embroidery there is curiously little scholarship available about the deeper meanings of phulkari chadars or shawls. Phulkari, literally translated as ‘flower’ (phul) and ‘work’ (kari), is used to describe several different styles of cloths historically made in the region of Punjab that today comprise the states of Punjab, Haryana, Himachal Pradesh in northern India, and the Punjab province of Pakistan including parts of Swat and Hazara. Within the hierarchy of phulkaris, baghs (literally ‘gardens’) were the most prestigious and precious. Created over many years to become family heirlooms, baghs were embroidered in silk floss covering the entire base khaddar (cotton) material. They were created by women within their own families, for wearing and presenting on auspicious religious occasions and as markers of significant life events such as marriages and births. Made by Hindu, Sikh and Muslim women they were never intended to be made or sold for a market or gifted to outsiders. The holding aloft of a bagh above of the embroidered fabric. More specifically, narrow strips were sewn together to form a bride as she made her way to the marriage I propose baghs should be seen as conceptual one rectangular piece. Sometimes the strips mandap, or the draping of a bagh upon her maps of ancestral land, daily and seasonal were sewn together after embroidering or the as she entered her new home, marked and interaction with it and the social relationships embroidery only commenced once the strips commemorated significant events both which are renewed and sustained by this had been joined together.
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Dr. Sunil Kr. Pandey Assistant Professor/Scientist Dept. of Plant Breeding & Genetics Jnkvv, Jabalpur, M.P., India Email: [email protected]
THE REPUBLIC OF INDIA A Country of Unity in Diversity DR. SUNIL KR. PANDEY ASSISTANT PROFESSOR/SCIENTIST DEPT. OF PLANT BREEDING & GENETICS JNKVV, JABALPUR, M.P., INDIA EMAIL: [email protected] JNKVV, Jabalpur, M.P. 11/11/2014 INTRODUCTION India is located in the Sothern part of the Asian continent. It has the second highest population in the world (17.5% of total world Madhya population and comprises Pradesh 2.8% of total world area. India is a federal union of states comprising 29 states and 07 Union territories covering all types of climate i.e. Tropical, Sub-tropical, Temperate and Alpine. 2 JNKVV, Jabalpur, M.P. 11/11/2014 . Nearly 70% of Indian population lives in rural areas. Share of agriculture to total GDP in India is 13.7% (2012-13). Industries comprise about 18% and services sector nearly 69% of total economy. The economy of India is tenth largest in the world by nominal GDP and third largest by Purchasing Power Parity (PPP). India is 19th largest exporter and 10th largest importer in the world. 3 JNKVV, Jabalpur, M.P. 11/11/2014 President: Mr. Pranab Mukherjee Prime Minister- Mr. Narendra Modi Currency: Rupee Capital- New Delhi 4 JNKVV, Jabalpur, M.P. 11/11/2014 National Flag : Tiranga National Anthem- Jana Gana Mana National Song- Vande Mataram National game- Hockey National Bird- Peacock National Flower- Lotus National Language- Hindi 5 FAMOUS FESTIVALSJNKVV, Jabalpur, M.P. 11/11/2014 Holi Diwali Dussehra Id’-Ul-Fitr Christmas JNKVV, Jabalpur, M.P. 11/11/2014 MAJOR RELIGIONS FOLLOWED Hinduism Islamic culture Christianity Sikhism Buddhism Parsi culture 7 JNKVV, Jabalpur, M.P.
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Traditional Handicrafts of Punjab Developed from Plant and Agro-Waste Materials
DOI: 10.15740/HAS/AJHS/12.2/583-587 esearch aper e ISSN-0976-8351 Visit us: www.researchjournal.co.in R P AsianAJHS Journal of Home Science Volume 12 | Issue 2 | December, 2017 | 583-587 Traditional handicrafts of Punjab developed from plant and agro-waste materials LALITA RANI AND KANWALJIT BRAR Received: 14.07.2017; Revised: 05.11.2017; Accepted: 19.11.2017 ABSTRACT : Punjab has a rich tradition of arts and crafts. The traditional handicrafts of different types made from plant waste materials available in their vacinity were used in every household during the pre-independence period. Doaba and Majha were faster to adapt to the modern life style, while Malwa region with low literacy level continued with the traditional ways of life as well as craft making. But over the last two decades practice of handicraft making had sharp decline even in Malwa region. Thus, to document the valuable basketry craft, a sample of 180 respondents of rural women comprising of 60 women from each of the three selected districts of Malwa region namely, Ludhiana, Patiala and Bathinda, who had developed traditional handicrafts in their life-time was selected purposively. Older women were found to have made fifty or more traditional handicrafts from plant and agro-waste materials in their lifetime. All women used to carry out different activities of practicing craft in their leisure time such as spinning yarn on Charkha, weaving basketry products like Bohey/Chhikkoo, Katnee(s), etc. and embroidering the Phulkaris or baghs. The largest percentage of respondents (28.89%) had made Bohey/Chhikkoo followed by 19.45 per cent respondents who had made Chhabi(an) from plant and waste materials.
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Wedding Ceremonies in Punjab
JPS: 11:2 Myrvold: Wedding Ceremonies in Punjab Wedding Ceremonies in Punjab Kristina Myrvold Lund University ______________________________________________________ While the religious specificities of different religious communities are underscored, the paper focuses on the shared cultural values and symbols that frame marriage ceremonies in the Punjab. The study concludes with how ritual theories help us analyse these ceremonies and assess the impact of modernity on their nature and function. ______________________________________________________ Traditional cultural practices in a society do not fade away or disappear in the face of modernization, but rather these practices transform and even become revitalized. This is illustrated in the case of religious and cultural rituals that Punjabis perform in relation to different stages of life. Rites of passage refer to a genre of rituals that people perform at major events in life--like birth, puberty, marriage and death. These types of rites characteristically mark a person’s transition from one stage of social life to another. The authoritative traditions of the world religions have sanctioned and institutionalized their own life-cycle rituals, which the followers share across different cultural and geographical contexts. Historically, religious authorities have often displayed a keen interest in defining these rituals to mark religious boundaries. Several studies that detail how Hindus, Jains, Muslim, Sikh, and Christians celebrate the birth of a child, perform weddings, and handle death in different parts of the world. Similarly, in the Punjab the core ceremonies related to these life events are distinct for every religious community, but yet they are performed within a shared Punjabi culture. This paper focuses on marriage (viah), the most celebrated life event in Punjabi society.
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Religious Studies
RELIGIOUS STUDIES 1. THE ENCYCLOPAEDIA OF SIKHISM—VOL. I Harbans Singh (ed.) ISBN 81-7380-100-2 800-00 2. THE ENCYCLOPAEDIA OF SIKHISM—VOL. II ISBN 81-7380-204-1 800-00 3. THE ENCYCLOPAEDIA OF SIKHISM—VOL. III ISBN 81-7380-349-8 800-00 4. THE ENCYCLOPAEDIA OF SIKHISM—VOL. IV ISBN 81-7380-530-X 500-00 5. DOCTRINAL ASPECTS OF SIKHISM AND OTHER ESSAYS J. S. Ahluwalia ISBN 81-7380-746-9 180-00 6. THE DOCTRINE AND DYNAMICS OF SIKHISM J. S. Ahluwalia ISBN 81-7380-571-7 180-00 7. KHALSA A THEMATIC PERSPECTIVE Gurnam Kaur ISBN 81-7380-703-5 200-00 8. THE KHALSA Prithipal Singh Kapur, Dharam Singh ISBN 81-7380-626-8 180-00 9. THE CREATION OF THE KHALSA S. K. Gupta (ed.) ISBN 81-7380-573-3 350-00 10. HISTORICAL PERSPECTIVES ON SIKH IDENTITY J. S. Grewal ISBN 81-7380-359-5 125-00 11. SIKH PERSPECTIVES ON HUMAN VALUES Gurnam Kaur (Ed.) ISBN 81-7380-448-6 140-00 12. DYNAMICS OF THE SOCIAL THOUGHT OF GURU GOBIND SINGH Dharam Singh ISBN 81-7380-468-0 180-00 13. MESSAGE OF GURU GOBIND SINGH AND OTHER ESSAYS Balbir Singh ISBN 81-7380-303-X 110-00 14. SIKH VALUE SYSTEM AND SOCIAL CHANGE Gurnam Kaur (ed.) ISBN 81-7380-134-7 90-00 15. IMPACT OF GURU GOBIND SINGH ON INDIAN SOCIETY G. S. Talib ISBN 81-7380-564-4 130-00 16. PHILOSOPHICAL PERSPECTIVES OF SIKHISM Avtar Singh ISBN 81-7380-467-2 200-00 17.
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Patterns of Phulkari:Then and Now
Bonfring International Journal of Industrial Engineering and Management Science, Vol. 4, No. 4, November 2014 179 Patterns of Phulkari:Then and now Anu H. Gupta and Shalina Mehta Abstract--- This study explores the patterns of usually outside in the courtyard and took care of domestic embroidered textile craft of Punjab. Being embroidered by animals. This was followed by baking chapattis (unleavened women in their leisure time, it is an important part of Punjabi flat bread), cooking meals and finally going to the fields to culture. Phulkari has been so densely interwoven in the lives give food to the men folk working there. After finishing the of women that these two seem inseparable. Learnt through the household chores, we sat for spinning; weaving or embroidery teachings and experience of the elders, a girl used to may be for an hour, two or more. Women were involved in embroider her own world, dreams and aspirations onto a many creative activities like making khes (cotton wrap or a canvas of khaddar. The designs and motifs were innumerable. sheet used while sleeping) and durries (flat woven rugs). With the change in this form of textile, women still embroider Embroidery was a quintessential flair for every Punjabi girl. It it for economic gains. Womenfolk paints the geometrical was used as a surface ornamentation on phulkaris, baghs, motifs of phulkari using a needle and thread with an unlimited bedspread, khes etc. Embroidered bed sheets, pillow covers, colour palette. This study reveals the patterns of the old table covers used to be a part of dahej (trousseau) and girls phulkari versus the new one.
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Arts-Integrated Learning
ARTS-INTEGRATED LEARNING THE FUTURE OF CREATIVE AND JOYFUL PEDAGOGY The NCF 2005 states, ”Aesthetic sensibility and experience being the prime sites of the growing child’s creativity, we must bring the arts squarely into the domain of the curricular, infusing them in all areas of learning while giving them an identity of their own at relevant stages. If we are to retain our unique cultural identity in all its diversity and richness, we need to integrate art education in the formal schooling of our students for helping them to apply art-based enquiry, investigation and exploration, critical thinking and creativity for a deeper understanding of the concepts/topics. This integration broadens the mind of the student and enables her / him to see the multi- disciplinary links between subjects/topics/real life. Art Education will continue to be an integral part of the curriculum, as a co-scholastic area and shall be mandatory for Classes I to X. Please find attached the rich cultural heritage of India and its cultural diversity in a tabular form for reading purpose. The young generation need to be aware of this aspect of our country which will enable them to participate in Heritage Quiz under the aegis of CBSE. TRADITIONAL TRADITIONAL DANCES FAIRS & FESTIVALS ART FORMS STATES & UTS DRESS FOOD (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) Kuchipudi, Burrakatha, Tirupati Veerannatyam, Brahmotsavam, Dhoti and kurta Kalamkari painting, Pootha Remus Andhra Butlabommalu, Lumbini Maha Saree, Langa Nirmal Paintings, Gongura Pradesh Dappu, Tappet Gullu, Shivratri, Makar Voni, petticoat, Cherial Pachadi Lambadi, Banalu, Sankranti, Pongal, Lambadies Dhimsa, Kolattam Ugadi Skullcap, which is decorated with Weaving, carpet War dances of laces and fringes.
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Manohar Lal Khattar/मनोहि लाल (BJP)  1St CM(पहले मुख्यमंत्री) B
ALL ABOUT STATE HARYANA BY:- RAVI SIR About HARYANA Haryana, state in north-central India. हरियाणा, उत्ति-मध्य भाित का िाज्य। It is bounded on the northwest by Punjab and the union territory of Chandigarh, on the north and northeast by Himachal Pradesh and Uttarakhand, on the east by Uttar Pradesh. and the union territory of Delhi, and on the south and southwest by the Rajasthan. यह उत्ति पश्चिम मᴂ पंजाब औि चंडीगढ़ के कᴂद्र शाश्चित प्रदेश, उत्ति प्रदेश औि उत्ति-पूर्व मᴂ श्चहमाचल प्रदेश औि उत्तिाखंड, पूर्व मᴂ उत्ति प्रदेश औि श्चदल्ली के कᴂद्र शाश्चित प्रदेश औि िाजथान के दश्चिण औि दश्चिण पश्चिम मᴂ स्थत है। . About HARYANA (Known as/for के 셂प मᴂ जाना जाता है) – Milk Pail of India/ भाित के दू ध का पात्र . – Kurukshetra (war place cited in Mahabharata) is in the state of Haryana. कु셁िेत्र (महाभाित मᴂ युद्ध थल) हरियाणा िाज्य मᴂ है। About HARYANA Capital (िाजधानी ) Chandigarh/चंडीगढ़ Largest city (िबिे बडा शहि) Faridabad/फिीदाबाद Formation (श्चनमावण) 1 November 1966 Governor(िाज्यपाल) Satyadev./ Narayan Arya/ ित्यदेर् नािायण Chief Minister(मुख्यमंत्री) Manohar Lal Khattar/मनोहि लाल (BJP) 1st CM(पहले मुख्यमंत्री) B. D. Sharma/बी डी शमाव Number of Districts (श्चिले) 22 About HARYANA Legislature Unicameral Assembly/श्चर्धानिभा (90 Seats) श्चर्धाश्चयका एकिदनात्मक Parliamentary constituencies िंिदीय िेत्र Rajya Sabha (5 seats) Lok Sabha (10 seats) .
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Traditional Clothes of the Country(Joint
Message froM PRESIDENT Dear Rotaractors, Warm Rotaract Greetings from Rotaract Club of Thane North (RID 3142- India) We are glad sharing an editorial space with you and find great pleasure introducing the Traditional attire of our country. As you know India is a diverse country and has 29 states and 7 union territories. Every state has their own diverse language and traditional attire. We even have diversity in religion maximum people following Hinduism and the rest being Islam, Christianity and Sikhism; leave aside the other tribes which have their own traditional attire. Living in such a diversified country it is difficult to write about the entire traditional clothing, but here I will just try giving you a glimpse of the same. For men, traditional clothes are the Achkan/Sherwani, Bandhgala, Lungi, Kurta, Angarkha, Jama and Dhoti or Pajama. Additionally, recently pants and shirts have been accepted as traditional Indian dress by the Government of India. In India, women's clothing varies widely and is closely associated with the local culture, religion and climate. Traditional Indian clothing for women in the north and east are saris worn with choli tops; a long skirt called a lehenga or pavada worn with choli and a dupatta scarf to create an ensemble called a gagra choli; or salwar kameez suits, while many south Indian women traditionally wear sari and children wear pattu langa. Saris made out of silk are considered the most elegant. Mumbai, formerly known as Bombay, is one of India's fashion capitals. In many rural parts of India, traditional clothes is worn.
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The Effect of Colonization and Globalization in the Shaping of Phulkari: a Case Study of the Textiles of Punjab, India" (2016)
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 The ffecE t of Colonization and Globalization in the shaping of Phulkari: A case study of the Textiles of Punjab, India Anu H. Gupta Panjab University, [email protected] Shalina Mehta Panjab University, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Gupta, Anu H. and Mehta, Shalina, "The Effect of Colonization and Globalization in the shaping of Phulkari: A case study of the Textiles of Punjab, India" (2016). Textile Society of America Symposium Proceedings. 990. http://digitalcommons.unl.edu/tsaconf/990 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 146 The Effect of Colonization and Globalization in the shaping of Phulkari: A case study of the Textiles of Punjab, India Anu H. Gupta and Shalina Mehta Panjab University, [email protected], [email protected] Hand woven fabrics and embroidery are known to be some of the most ancient form of handicraft nurtured in almost every corner of Indian subcontinent.
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D`F"K Fo'ofo|Ky;] Iwlk ¼Lelrhiqj½ Fcgkj & 848125 Lwpuk
Mk0 jktsUnz izlkn dsUnzh; d`f"k fo'ofo|ky;] iwlk ¼leLrhiqj½ fcgkj & 848125 lwpuk foKkiu la[;k 01@2016 fnukad 02-12-2016 ds vUrxZr foKkfir inksa QkeZ eSustj] izksxzke vflLVsaV ¼dEI;wVj½ ,oa izksxzke vflLVsaV ¼ySc VsDuhf'k;u½ ij fu;qfDr gsrq fyf[kr ijh{kk esa 'kkfey gksus ds fy, ;ksX; ,oa v;ksX; vosndksa dh lwph fuEufyf[kr gSA v;ksX; vkosndksa dks ;fn mudh vfHk;qfDr ij dksbZ 'kal; gks rks fo'ofo|ky; ds csolkbV ¼www.pusavarsity.org.in½ ij lwpuk fuxZr gksus dh frfFk ls ,d lIrkg ds Hkhrj viuk f'kdk;r Mkd }kjk ;k bZ&esy ¼[email protected]½ ls izHkkjh inkf/kdkjh fu;qfDr dks Hkst ldrs gSaA Advt. No. 01/2016 dt. 02.12.2016 1. Name of the post : Farm Manager CANDIDATES ELIGIBLE FOR WRITTEN EXAMINATION S.N./ Name Father's Name Roll No. Remarks 1 Aashish Kumar S/O Sri Ram Padarath Das OK S/O Sri Ram Padarath Das At.‐D.D. road, Barauni Dist.‐Begusarai‐851112 2 Abdul Moied S/O Sri Abdul Sattar OK S/O Sri Abdul Sattar Vill‐Harnadabar, PO‐Gaur Dist.‐Basti (UP)‐272163 3 Abhay Kumar Singh S/O Sri Narendra Singh OK S/O Sri Narendra Singh Division of Agricultural Extension, ICAR, Indian Agricultural Research Institute Pusa Campus New Delhi‐110012 4 Abhay Kumar S/O Anup Kumar OK S/O Anup Kumar Vill‐Ray, PO‐Ray, PS‐Khalari Dist.‐Ranchi‐829209 (Jharkhand) 5 Abhay Kumar S/O Sri Rajendra Prasad Mandal OK S/O Sri Rajendra Prasad Mandal Room No.‐215, Saranda Hostel, Faculty of Forestry, B.A.U., Kanke Ranchi‐834006, Jharkhand 6 Abhinandan Singh S/O Sri Shashikant Singh OK S/O Sri Shashikant Singh Room No.‐327, PG Block Boys Hostel, Dr.RPCAU Pusa, Samastipur‐848125
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Indian Costumes
A. BISWAS t PUBLICATIONS DIVISION Digitized by the Internet Archive in 2018 with funding from Public.Resource.Org https://archive.org/details/indiancostumesOObisw . * <* INDIAN COSTUMES A. BISWAS PUBLICATIONS DIVISION MINISTRY OF INFORMATION AND BROADCASTING GOVERNMENT OF INDIA First print : 1985 (Saka 1906) Reprint: 2003 (Saka 1924) © Publications Division ISBN : 81-230-1055-9 Price : Rs. 110.00 Published by The Director, Publications Division, Ministry of Information and Broadcasting, Government of India, Patiala House, New Delhi-110 001 SALES EMPORIA • PUBLICATIONS DIVISION • Patiala House, Tilak Marg, New Delhi-110001 (Ph. 23387069) • Soochna Bhavan, CGO Complex, Lodhi Road, New Delhi-110003 (Ph. 24367260) • Hall No. 196, Old Secretariat, Delhi-110054 (Ph. 23890205) • Commerce House, Currimbhoy Road, Ballard Pier, Mumbai-400038 (Ph. 22610081) • 8, Esplanade East, Kolkata-700069 (Ph. 22488030) • Rajaji Bhawan, Besant Nagar, Chennai-600090 (Ph. 24917673) • Press Road, Near Govt. Press, Thiruvananthapuram-695001 (Ph. 2330650) • Block No. 4,1st Floor, Gruhakalpa Complex, M.G. Road, Nampally, Hyderabad-500001 (Ph. 24605383) • 1st Floor, /F/ Wing, Kendriya Sadan, Koramangala, Bangalore-560034 (Ph. 25537244) • Bihar State Co-operative Bank Building, Ashoka Rajpath, Patna-800004 (Ph. 22300096) ® 2nd floor, Hall No 1, Kendriya Bhawan, Aliganj, Lucknow - 226 024 (Ph. 2208004) • Ambica Complex, 1st Floor, Paldi, Ahmedabad-380007 (Ph. 26588669) • Naujan Road, Ujan Bazar, Guwahati-781001 (Ph. 2516792) SALES COUNTERS • PRESS INFORMATION BUREAU • CGO Complex, 'A' Wing, A.B. Road, Indore (M.P.) (Ph. 2494193) • 80, Malviya Nagar, Bhopal-462003 (M.P.) (Ph. 2556350) • B-7/B, Bhawani Singh Road, Jaipur-302001 (Rajasthan) (Ph. 2384483) Website : http://www.publicationsdivision.nic.in E-mail : [email protected] or [email protected] Typeset at : Quick Prints, Naraina, New Delhi - 110 028.
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