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Music of Politics and Religion Supporting Constitutional Values in South Africa
Article Music of Politics and Religion Supporting Constitutional Values in South Africa Morakeng E.K. Lebaka University of South Africa [email protected] Abstract The Constitution of South Africa has been taken as a model globally as it supports non-discrimination and human rights. The purpose of this study was to analyse the South African National Anthem and a secular political song to investigate how music supported the values enshrined in the Constitution, including religious freedom, during the transition from a history of apartheid towards 25 years of democracy. Politicians such as Nelson Mandela and religious leaders such as Archbishop Desmond Tutu, black African spiritual practitioners, Muslim ecclesiastics, rabbis and others played a prominent role in a peaceful transition to democracy. Although there have been a few violent episodes like service delivery protests, farm murders, xenophobia and the tragedy of Marikana since 1994, in general South Africa has been peaceful, despite its history. This study concluded that the music of politics and liberation can be related to value systems and lack of conflict between ethnic and religious factions in South Africa since 1994. Keywords: South African Constitution; South African Anthem; struggle songs; reconciliation Introduction and Literature Review In 1994 South Africa transformed itself into a peaceful democracy without a civil war. Our neighbours—Mozambique, Namibia, Zimbabwe and Angola—all went to war to achieve peace. South African Special Forces played a pivotal role in the South African Border War and were active alongside the Rhodesian Security forces during the Rhodesian Bush War (Scholtz 2013). Combat operations were also undertaken against FRELIMO militants in Mozambique (Harry 1996, 13-281). -
Amandla: a Revolution in Four Part Harmony 2002 Complete Music
Amandla: A Revolution in Four Part Harmony 2002 Complete Music Numbered entries are from the sound tract CD. Additional, unnumbered items are from the end credits for the movie. Toyi Toyi Chant 1 AMANDLA! Protest meeting, Johannesburg 2 When You Come Back Vusi Mahlasela Ntsi Kana’s Bell Abdullah Ibrahim, also Hugh Masakela 3 Lizobuya Mbongeni Ngema 4 Meadowlands Nancy Jacobs and sisters 5 Sad Times, Bad Times The Original Cast of King Kong 6 Senzeni Na? Vusi Mahlasela & Harmonious Serenade Choir 7 Beware Verwoerd (Naants’ Indod’ Emnyama) Miriam Makeba Into Yam Miriam Makeba 8 Y’zinga Robben-Island Prison Singers Come Outro Zwai Bala and TK Zee (performers) 9 Stimela Hugh Masekela Maraba Blue Abdullah Ibrahim 10 Injamblo/Hambani Kunye Ne – Vangeli Pretoria Central Prison Makeba Miriam Makeba 11 Manneberg Abdullah Ibrahim 12 Nkosi Sikelel' iAfrika Soweto Community Hall 13 Thina Lomhlaba Siwugezi Vusi Mahlasela Palafala (Midnight Lover Mix) Zwai Bala and TK Zee (performers) 14 Mayibuye Vusi Mahlasela Madame Please Sophie Mgcina (performer) 15 Thina Sizwe SABC Choir Golomenda Zenzenia 16 Folk Vibe # 1 Tananas Lihambile Hamba Kahle Lindiwe Zulu (performer) 17 Dabula Ngesi'bam Soweto Community Hall 18 Sobahiya Abazali Ekhaya Amandla Group (performers) Thina Sengenange Jambo Militants (performers) 19 Bring Him Back Home (Nelson Mandela) Hugh Masekela Sign On Radio Freedom (performers) 20 Did You Hear That Sound? (Dreamtime Improv) Abdullah Ibrahim AK 47 Radio Freedom 21 S'bali Joe Nina Red Song Vusi Mahlasela 22 Makuliwe Soweto Community Hall -
Market Theatre Foundation
27 October - 10 October 2019 1 Page 5 Editor’s Note Page 6 Hard Work Pays Off, A Doctorate Conferred On Ismail Mahomed Page 8 ABRIDGED VERSION OF KEYNOTE ADDRESS DELIVERED BY ISMAIL MAHOMED Page 12 Excellence Rewarded At The Inaugural Afro-Tech Art Award Page 14 30 years of Market Photo Workshop Page 16 Moussa John Kalapo Other Worlds Book Launch Page 18 Scenes From Reframing Africa Page 20 Eugène Ionesco’s Rhinoceros Travels To Cape Town Windybrow Arts Centre Page 22 Celebrates Zambian Independence Day Page 24 Ub’dope Shishini Residency Soaring To Great Heights Page 26 A Six Week Festival To Celebrate 30 Years Page 28 The Storyteller of Riverlea is back for its second homecoming at the Market Theatre 2 MARKET BUZZ Volume 3 No 09 27 October - 10 October 2019 1 Page 30 Mandla Mlangeni Live at the THE MARKET BUZZ Market Theatre TEAM Page 32 Where Are They Now? WRITERS: Clara Vaughan (Market Laboratory Head) Ismail Mahomed (Market Theatre Foundation CEO) WHAT’S ON AT THE Page 34 Keitu Gwangwa MARKET THEATRE (Windybrow Arts Centre Head) FOUNDATION Khona Dlamini (Programmes and Project Manager) Candice Jansen (Research & Exhibitions Programming Manager) Page 39 Scene at the Market Theatre Cebisile Mbonambi (MPW Social Media Intern Lusanda Zokufa-Kathilu (Senior Publicist) Zama Sweetness Buthelezi (Brand and Communications Manager) Zodwa Shongwe (Producer) Thozama Busakwe (Market Laboratory Marketing The Market Theatre Foundation is an agency of the Assistant) Department of Arts & Culture STORY RESEARCH & DEVELOPMENT: Lusanda Zokufa-Kathilu -
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Mhishi, Lennon Chido (2017) Songs of migration : experiences of music, place making and identity negotiation amongst Zimbabweans in London. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26684 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Songs of Migration: Experiences of Music, Place Making and Identity Negotiation Amongst Zimbabweans in London Lennon Chido Mhishi Thesis submitted for the degree of PhD Anthropology and Sociology 2017 Department of Anthropology and Sociology SOAS, University of London 1 I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
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(1 (1 .. es * ,. 1* 5, .1 - SI . 1. *, 444 -- 5*~ j II 1 'U New Books from Ravan Press GOLD AND WORKERS -A People's History of South Africa Volume 1 %s Vby Luli Callinicos 'Veryinterestingtous,the workers. It gives abackgroundto labourrelationsiv when industrial mining began.' Moses Mayekiso, Transvaal Branch Secretary of Metal and Allied Workers Union. 'It is extremely well researched . It aims to set up the black workers who have underpinned our industrial economy as unsung heroes who have borne the heat of the day (or rather the depths) so that the economy, from which whites have been the chief beneficiaries, could prosper, 'It is rich enough in ideas and stimulating enough in content to serve as a source book for classes throughout the land.' - Prof. T R H Davenport , History Department, Rhodes University. WORKING FOR BOROKO THE ORIGINS OF A COERCIVE LABOUR SYSTEM IN SOUTH AFRICA by Marian Lacey 'Working for nothing, for a place to sleep.' A searching new history which analyses the relationship between segregationist land policies and labour systems under successive South African governments. LOOKING THROUGH THE KEYHOLE by Noel Manganyi Further essays on black culture and experience by the author of BeingBlack-In-The-World and Mashangu's Reverie. The collection includes the text of a long interview between the author and Professor Es'kia Mphahlele. THE SCHOOL MASTER by Rose Moss A powerful and challenging new novel set in contemporary South Africa, which tells the story of the struggle of a humane young South African to resist the complicity of his unwilling collaboration in the daily practice of apartheid. -
University of Zululand Master of Music
UNIVERSITY OF ZULULAND INDIGENOUS FEATURES INHERENT IN AFRICAN POPULAR MUSIC OF SOUTH AFRICA A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF MUSIC in the department of Music at the University of Zululand by THULASIZWE NKABINDE DECEMBER 1997 INDIGENOUS FEATURES INHERENT IN POPULAR MUSIC OF SOUTH AFRICA SUPERVISOR: PROF MK XULU DECLARATION The whole of this work is a product of my original thought and research. Where the contrary is found that willl always be acknowledged in full. THULASIZWE NKABINDE ACKNOWLEDGMENTS I would like to express my gratitude to Professor Musa ~IU for his patience, advice and guidance, without which this project would have been all the more difficult. My deepest appreciate goes to my father, Mr. Gibson Siyabonga Nkabinde, my wife Beauty and all my children, Khayelihle, Phelelani and Banele for all their support and encouragement, and to Ms Brenda Trimmel for her endless hours of typing and perfectionist care in the format of this project. I would also like to thank all those people who, in one way or another, made this project reach completion. They are: Professor Joseph Bhekizizwe Shabalala of the Ladysmith Black Mambazo, Marks Mankwane of the Makgona Tsohle Band, Mahlathini and the Mahotella Queens, Yvonne Chaka Chaka, Simon Buthelezi, Bongani Hlatshwayo, Print and Electronic Media, the entire SABC staff and the SABC Choristers, not forgetting the enormous support from the audience, the music lovers. DEDICATION This thesis is dedicated to my late mother Mrs Thembakuye Nkabinde who gave me all the support to pursue my career. ABSTRACT The central aim of this study is to identify those features in the music of Ladysmith Black Mambazo, Yvonne Chaka Chaka, Mahlathini and the Mahotella Queens that derive from Indigenous African music and show how they have been transformed to become part of popular idioms. -
Joy of Jazz Festival, Grahamstown 2004
Standard Bank Jazz Festival, Grahamstown 2015 (Incorporating the Standard Bank National Youth Jazz Festival) Support funding from: The Austrian Embassy Brian Meese Dutch Fund of the Performing Arts The French Institute of South Africa Paul Bothner Music ProHelvetia Johannesburg The Royal Netherlands Embassy SAfm SAMRO Spedidam Swedish Arts Council / Swedish Jazz Federation / Mary Lou Meese Youth Jazz Fund Swiss Arts Council The US Embassy Thursday 2 July Bokani Dyer Quintet Contemporary South African Jazz meets Swiss precision Bokani Dyer has had a meteoric rise in the jazz world, winning the Standard Bank Young Artist Award at age 25 and garnering invitations to international festivals such as the London Jazz Festival. As part of his extensive 2014 European tour he performed with four gifted representatives of the Swiss jazz scene whom he had met during his residency at the Bird’s Eye Jazz Club in Basel, and the vitality of contemporary South African Jazz meets Swiss precision and musicianship in this outstanding collaboration. Dyer’s music is all-encompassing, embracing his roots as well as the contemporary musical landscape of South Africa. Bokani Dyer (piano), Donat Fisch (sax - CH), Matthias Spillmann (trumpet – CH), Stephan Kurrman (bass - CH), Norbert Pfammatter (drums - CH) DSG Hall Thursday 2 July 17:00 R80 Carlo Mombelli & the Storytellers Manipulated bass and sound design “Disconcertingly beautiful” was the comment on Carlo Mombelli’s playing from The Jazz Times – the world’s leading jazz periodical. The US Bass Player Magazine’s view was that “Avant-garde bass-focused jazz composition has rarely sounded so gorgeous....Once in a while an artist comes along who produces music unlike anything you’ve heard.” Having played sold out concerts over the past year to much critical acclaim, this ensemble features the unique composer/bassist Carlo Mombelli, known in South Africa for his cutting-edge voice-like playing style. -
This Edition Is a Special Focus on the Harare International Festival of the Arts ( Held from 29 April to 4 May at the Harare Gardens in Central Harare
2008 ZIMBABWE IN PHOTOS This edition is a special focus on the Harare International Festival of the Arts (www.hifa.co.zw) held from 29 April to 4 May at the Harare Gardens in central Harare. The existence and contination of the festival is testa- ment to the spirit of resilience and hope resident in the people of Zimbabwe. We pay tribute to the artists and managers who made this event possible. We hope that HIFA 2009 will take place in a truly free and prosperous Zimbabwe. Inquiries on use of images – Chris Kabwato, [email protected] / Blogspot: http://ngizwani.wordpress.com ZIMBABWE IN PHOTOS EDITION 8 EDITION Chris Kabwato - Editorial Somethings change, somethings don’t I am used to mocking the Mazoe Orange Juice advert with the punchline “Something change, somethings don’t”. But although I am not sure if the ever popular Zimbabwean juice has remained the same over the decades, I can vouch for somethings that don’t seem to change and I list them as: • Harare International Festival of the Arts (HIFA – www.hifa. co.zw) – see explanation below • Bronte Hotel (how does this place maintain its grace and elegance in the middle of a city wracked by neglect) • Zimbabweans (“MaZimbo”) – how do they maintain their smiles and civility in the middle of such nonsense? HIFA is an anomaly in a country collapsing – dubious water that flows intermittently; electricity rationing (polite term is “load-shedding”); pot-holes in which a hippo could take Chris with Simon Attwell of Freshly Ground. a nice swim; snaking queues for cash at banks; ubiquitous plain-clothes police and informers; and a hysterical state- controlled media. -
MUSICKING at HOME on the WOOD THAT SINGS: CONTEMPORARY MARIMBA PERFORMANCE PRACTICES in ZIMBABWE by WONDER MAGURAUSHE Submitted
MUSICKING AT HOME ON THE WOOD THAT SINGS: CONTEMPORARY MARIMBA PERFORMANCE PRACTICES IN ZIMBABWE by WONDER MAGURAUSHE Submitted in accordance with the requirements for the degree of DOCTOR OF LITERATURE AND PHILOSOPHY in the subject MUSICOLOGY at the UNIVERSITY OF SOUTH AFRICA Supervisor: Professor Marc Duby JUNE 2017 Declaration I declare that MUSICKING AT HOME ON THE WOOD THAT SINGS: CONTEMPORARY MARIMBA PERFORMANCE PRACTICE IN ZIMBABWE is my own work and that all the sources that I have used or quoted have been indicated and acknowledged by means of complete references. Initials and Surname: W. Maguraushe Student number: 55544681 Date: June 2017 ii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Professor Marc Duby for his visionary guidance and dedication, which kept me on radar throughout the compilation of this thesis. May the Lord bless you abundantly. To my family, thank you so much for enduring long periods without me as I travelled to attend to the demands of this research. Your support makes you my most prized companions. For making this study possible, I would like to acknowledge all my research participants; marimba performers, marimba makers, marimba music fans, and festival organisers. Your commitment to Zimbabwe marimba music performance practice has a reserved place in my heart. To Richard and Isaac, I say bravo! I am personally indebted to members of Rimba Resonance Vibes Ensemble for being such a wonderful band to work with. All of you are destined for dizzy heights in the world of marimba music performance; just keep on scaling! iii ABSTRACT This thesis explores the current state of marimba music performance practice in Zimbabwe. -
Kennedy Center
KENNEDY CENTER Gold Medal in the Arts SATURDAY,Gala APRIL 14, 2018 ZEITZ MUSEUM OF CONTEMPORARY ART AFRICA CAPE TOWN, SOUTH AFRICA Stephanie and Karel Komárek, Co-Chairs The Kennedy Center International Committee on the Arts welcome you to the Kennedy Center Gold Medal in the Arts Gala celebrating Basil J.R. Jones and Adrian P. Kohler John Kani Sibongile Khumalo Dr. Gcina Mhlophe McCoy Mrubata Gold Medal in the Arts Past Recipients 2005 ST. PETERSBURG 2012 MADRID OLIVIA DE HAVILLAND, PEDRO ALMODÓVAR, VALERY GERGIEV, MARTHA SARA BARAS, PLÁCIDO INGRAM, IRWIN JACOBS, DOMINGO, PACO PEÑA, MÆRSK MCKINNEY MØELLER, TAMARA ROJO TREVOR NUNN 2013 PRAGUE 2006 LONDON JIŘÍ BĚLOHLÁVEK, SOŇA DARCEY BUSSELL, ČERVENÁ, KAREL KOMÁREK, MICHAEL CAINE, JUDI DENCH, JR.,MAGDALENA KOŽENÁ JEREMY IRONS, JACOB ROTHSCHILD, LILY SAFRA 2014 UAE HOOR AL-QASIMI, BADR 2007 BEIJING JAFAR, QUINCY JONES, SONG ZUYING, ARIF AND FAYEEZA NAQVI, MINISTER SUN JIAZHENG ZAKI AL NUSSEIBEH 2008 BUENOS AIRES 2015 PARIS NORMA ALEANDRO, JULIO PIERRE BOULEZ, LESLIE BOCCA, PALOMA HERRERA, CARON, ALEXANDRE DESPLAT, MERCEDES SOSA YASMINA REZA 2009 ISTANBUL 2016 DUBLIN CIHAT AŞKIN, CANA GÜRMEN, SIR JAMES GALWAY, SIR VAN AHMET KOCABIYIK MORRISON, FIONA SHAW, JIM SHERIDAN, ENDA WALSH 2010 TOKYO TADAO ANDO, MIDORI, 2017 MILAN KANZABURO NAKAMURA, SALVATORE ACCARDO, YUKIO NINAGAWA CARLOS BULGHERONI, RENATO BRUSON, GIANANDREA NOSEDA The Kennedy Center International Committee on the Arts proudly bestows the Gold Medal in the Arts in recognition of extraordinary achievement in the arts each year at its international summit. The Committee awards inspiring individuals, whose lifetime achievements have created, nurtured, supported, and championed the world’s greatest arts and artists. -
AFRICAN PARTY PI.Indd
Putumayo presents: African Party EXIL 91213-2 / LC 08972/ VÖ: 25.4.2008 / DISTRIBUTION: INDIGO 1. Sekouba Bambino: “Famou (Remix Danse)” (Sekouba Bambino) 5’34” 2. Maciré Sylla: “Perenperen” (Macire Sylla, Cedric Asseo) 5’17” 3. BoPol Mansiamina: “Samba Samba” (BoPol Mansiamina) 4’38” 4. Oliver Mtukudzi: “Kunze Kwadoka” (Oliver Mutukudzi) 5’29” 5. Les Go de Koteba: “Tougna Fo (To Tell The Truth)” (Awa Sangho) 4’29” 6. Mapumba: “Mwafwako” (Mapumba) 3’09” 7. Kotoja: “Vami Duwe” (Danjuma Adamu) 5’19” 8. Chiwoniso: “Nguva Ye Kufara” (Chiwoniso Maraire) 4’33” 9. Louis Mhlanga: “Rhumba All The Way” (Orchestra Baobab, J. Indi, Louis Mhlanga) 5’39” 10. Bonga: “Mulemba Xangola” (Bonga) 5’20” Vor 15 Jahren, am 13. April 1993, erschien mit World Vocal die erste Putumayo-Scheibe. Das bunte Label darf also in diesen Tagen einen Geburtstag feiern, der für jugendlichen Aufbruch, Ungezähmtheit und Lust steht. Was gäbe es treffenderes, als diese runde Zahl mit einer Kollektion schwarzafrikanischer Feten-Musik zu feiern, zu der Künstler aus den Anfangs- tagen des Labels, long time companions, aber auch ganz neue Gesichter und Stimmen beitragen? Mit dabei sind die US-Nigerianer von Kotoja, deren Konzert Labelchef Dan Storper 1991 erst zur Gründung von Putumayo animierten. Dabei der zimbabwische Löwe Oliver Mtukudzi, der durch seine Alben auf dem New Yorker Verlag ebenfalls eng mit der Familien- geschichte verbunden ist. Dabei sind aber auch Stars wie der Guineer Sekouba Bambino Diabaté oder Angolas Nationalinstitution Bonga nebst partytauglichen Neuentdeckungen aus der DR Kongo, der Elfenbeinküste, Guinea und Südafrika. Sie alle bereiten den festlichen Tanzboden zum 15jährigen Label-Leben, die gleichzeitig den Charakter eines ausgelassenen Rückblicks und einer spannenden Vorschau hat! Ein Teil der Erlöse aus dem Verkauf dieser CD geht an HopeHIV. -
Multimedia Suggested List
ANGOLA ARTIST Nastio Mosquito (1981 - ) - Specialty: Contemporary Artist ARUBA ARTIST Frederick Hendrick (Henry) Habibi (1940 - ) - Specialty: Poet, Literary Critic - Most of his poems are written in Papiamento AUSTRALIA ARTIST Gloria Petyarre (aka Gloria Pitjara) (1945 - ) - Specialty: Aboriginal artist. Her works are considered highly collectible; prices range from $2,000 - $30,000. AUTHORS Faith Bandler (1918 – 2015) - Specialty: Writer Mary Carmel Charles - Specialty: Writer Alexis Wright - Specialty: Writer Kate Howarth - Specialty: Writer Glenyse Ward - Specialty: Writer Fifty Shades of Brown: Sources for Building Ethnic-Centered Community Collections for New Americans of Color by Wilma Kakie Glover-Koomson 1 BARBADOS AUTHORS Austin Clarke (A.C.) (1934 - ) - Specialty: Novelist, Short Story, and Essayist - Bibliography: The Polished Hoe; Storm of Fortune; Survivors of the Crossing Kwadwo Agymah Kamau - Specialty: Writer - Bibliography: Pictures of a Dying Man; Flickering Shadows Karen Lord (1968 - ) - Specialty: Writer - Bibliography: Redemption in Indigo; The Best of All Possible Worlds Glenville Lovell (1955 - ) - Specialty: Writer, Dancer, and Playwright - Bibliography: Fire in the Canes; Song of Night; Mango Ripe! Mango Sweet (play) George Lamming (1927 - ) - Specialty: Novelist, Poet, and Essayist - Bibliography: In the Castle of My Skin; Natives of My Person; The Pleasures of Exile – Essays MUSIC/MUSICIANS/LABELS Arturo Tappin Rihanna (aka Robyn Rihanna Fenty) (1988 - ) - Specialty: Singer, Songwriter - Albums: Unapologetic; Talk that Talk; Loud; Good Girl Born Bad; Rated R Shontelle Layne (1985 - ) - Specialty: Singer BENIN ARTISTS Meschach Gaba (1961 - ) - Specialty: Artist (Contemporary African and Cultural), Sculptor - Bibliography: Meschac Gaba by Stephen Muller (August 2010) MUSIC/MUSICIANS/LABELS Angelique Kidjo Wally Badarou Fifty Shades of Brown: Sources for Building Ethnic-Centered Community Collections for New Americans of Color by Wilma Kakie Glover-Koomson 2 BRITAIN AUTHOR V.S.