KEHINDE WILEY

Born 1977, Los Angeles, CA Resides New York and Beijing

EDUCATION

2001 MFA, Yale University, School of Art, New Haven, CT 1999 BFA, San Francisco Art Institute, San Francisco, CA

SOLO EXHIBITIONS

2015 “Kehinde Wiley: A New Republic” The Brooklyn Museum, Brooklyn, NY, catalogue 2014 “The World Stage: Haiti” Roberts & Tilton, Culver City, CA, catalogue “Kehinde Wiley: Memling” Taft Museum, Cincinnati, OH, catalogue 2013 “The World Stage: Jamaica” Stephen Freidman Gallery, London, UK, catalogue “The World Stage: Israel” Boise Art Museum, Boise, ID, catalogue “Kehinde Wiley: Memling” Phoenix Art Museum, Phoenix, AZ, catalogue “The World Stage: Israel” The Contemporary Jewish Museum, San Francisco, CA, catalogue 2012 “The World Stage: Israel” The Jewish Museum, New York, NY, catalogue “An Economy of Grace” Sean Kelly, New York, NY “The World Stage: France 1880 – 1960” Galerie Daniel Templon, Paris, France, catalogue 2011 “The World Stage: Israel” Roberts & Tilton, Culver City, CA, catalogue “Kehinde Wiley: Selected Works” SCAD Museum of Art, Savannah, GA 2010 “The World Stage: India-Sri Lanka” Rhona Hoffman Gallery, Chicago, IL, catalogue “Legends of Unity World Cup 2010 PUMA”, Apparel Design Gallery, Berlin; Topographie de l'Arte, Paris; Deitch Projects, New York; Elms Lesters, London; UCCA, Beijing 2009 “The World Stage: Brazil” Roberts & Tilton, Culver City, CA, catalogue “The World Stage: Africa, Lagos-Dakar” Artpace, San Antonio, TX, catalogue 2008 “The World Stage: Africa, Lagos-Dakar” The Studio Museum in Harlem, New York, NY, catalogue “Down” Deitch Projects, New York, NY “Focus: Kehinde Wiley” Modern Art Museum of Fort Worth, Fort Worth, TX 2007 “Kehinde Wiley” Portland Art Museum, Portland, OR “The World Stage: China” John Michael Kohler Arts Center, Milwaukee, WI, catalogue 2006 “Scenic” Rhona Hoffman Gallery, Chicago, IL “Columbus” Columbus Museum of Art, Columbus, OH, catalogue “Columbus” Roberts & Tilton, Los Angeles, CA, catalogue “Kehinde Wiley” Sorry, We’re Closed, Brussels, Belgium 2005 “Rumors of War” Deitch Projects, New York, NY “White” Conner Contemporary, Washington, D.C. “Bound - Kehinde Wiley Paintings” Franklin Art Works, Minneapolis, MN 2004 “Passing/Posing The Paintings of Kehinde Wiley” The Brooklyn Museum of Art, Brooklyn, NY, catalogue “Easter Realness” Rhona Hoffman Gallery, Chicago, IL 2003 “Faux/Real” Deitch Projects, New York, NY “Pictures at an Exhibition” Roberts & Tilton, Los Angeles, CA 2002 “Passing/Posing” Rhona Hoffman Gallery, Chicago, IL

GROUP EXHIBITIONS

2016 “Open This End: Contemporary Art from the Collection of Blake Byrne” Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, NY “Open This End: Contemporary Art from the Collection of Blake Byrne” Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, OR 2015 “Open This End: Contemporary Art from the Collection of Blake Byrne” Nasher Museum of Art at Duke University, Durham, NC “Open This End: Contemporary Art from the Collection of Blake Byrne” Ohio State University Arts Space, Columbus, OH “In Profile: Portraits from the Permanent Collection,” The Studio Museum of Harlem, New York, NY 2014 “Black Eye” Concept NV, New York, NY “History” Bill Hodges Gallery, New York, NY “The Global Africa Project - Political Patterns” Curated by Regina Shin, Seoul Museum of Art, Seoul, South Korea “Study from the Human Body” Stephen Friedman Gallery, London, UK “Somos Libres II” Pinacoteca Gianni e Largella Agnello, Turino, Italy “Masculine / Masculine. The Nude Man in Art from 1800 to the Present Day” Museo Nacional de Arte, Mexico City, Mexico, catalogue “Futbol: The Beautiful Game” Los Angeles Museum of Art, Los Angeles, CA “Face to Face, Wall to Wall” Yellowstone Art Museum, Billings, MT, catalogue 2013 “Masculine / Masculine. The Nude Man in Art from 1800 to the Present Day” Musèe d’Orsay, Paris, France, catalogue “Adventures of Truth, Painting and Philosophy: A Narrative” Maeght Foundation, Saint-Paul de Vence, France “Through the Eyes of Texas: Masterworks from Alumni Collections” The Blanton Museum of Art, Austin, TX “30 Americans” Milwaukee Art Museum, Milwaukee, WI, catalogue 2012 “Looped” Utah Museum of Contemporary Art, Salt Lake City, UT “The Human Touch: Selections from the RBC Wealth Management Art Collection” RedLine Gallery, Denver, CO “The Soul of a City: Memphis Collects African American Art” Memphis Brooks Museum of Art, Memphis, TN “30 Americans” Chrysler Museum of Art, Norfolk, VA, catalogue “All I Want is a Picture of You” Angles Gallery, Los Angeles, CA “BAILA con Duende” Watts Towers Arts Center and Charles Mingus Youth Arts Center Campus, Los Angeles, CA “The Bearden Project”, The Studio Museum in Harlem, New York, NY “The Human Touch: Selections from the RBC Wealth Management Collection”, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 “Parallel Perceptions” NYC Opera, New York, NY “Who, What, Wear: Selections from the Permanent Collection” Studio Museum Harlem, New York, NY “Capital Portraits: Treasures from Washington Private Collections” National Portrait Gallery, Smithsonian Institution, Washington, D.C. “Becoming: Photographs from the Wedge Collection” The Nasher Museum of Art at Duke University, Durham, NC “Human Nature: Contemporary Art from the Collection” Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA “Beyond Bling: Voices of Hip-Hop in Art” Ringling Museum of Art, Sarasota, FL “30 Americans: Rubell Family Collection” Corcoran Gallery of Art, Washington, D.C., catalogue “For a Long Time” Roberts & Tilton, Culver City, CA “RE-Envisioning the Baroque” I.D.E.A. at Colorado College, Colorado Springs, CA 2010 “Size Does Matter” FLAG Art Foundation, New York!NY “Passion Fruits” Collectors Room, Berlin “The Global Africa Project Exhibition” Museum of Arts and Design, New York, NY “Personal Identities: Contemporary Portraits" Sonoma State University Art Gallery, Sonoma, CA “Pattern ID” Akron Art Museum, Akron, OH, catalogue “Wild Thing” Roberts & Tilton, Culver City, CA “Summer Surprises” Pennsylvania Academy of the Fine Arts, Philadelphia, PA “Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook” Plains Art Museum, Fargo, ND, catalogue “The Library of Babel / In and Out of Place” 176 Zabludowicz Collection, London, England “Searching for the Heart of Black Identity: Art and the Contemporary African American Experience” Kentucky Museum of Art and Craft, Louisville, KY “The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor” Victoria H. Myhren Gallery, Denver, CO “From Then to Now: Masterworks Contemporary African American Art” Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, Cleveland, OH 2009 “Reconfiguring the Body in American Art, 1820-2009” National Academy Museum, New York, NY “Creating Identity: Portraits Today” 21C Museum, Louisville, KY “Enchantment” Joseloff Gallery, Hartford, CT “Other People: Portraits from Grunwald and Hammer Collections” Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 “30 Americans” Rubell Family Collection, Miami, FL, catalogue “Macrocosm” Roberts & Tilton, Culver City, CA "21: Contemporary Art at the Brooklyn Museum" The Brooklyn Museum, Brooklyn, NY “RECOGNIZE! Hip Hop and Contemporary Portraiture” Smithsonian Institution, National Portrait Gallery, Washington, D.C “Selected Drawings” Museum of Contemporary Art, Cleveland, Cleveland, OH “Down” Museum of Contemporary Art, Detroit, Detroit, MI 2007 “New York States of Mind” Queens Museum of Art, Queens, NY “Crossing the Line: African American Artists in the Jacqueline Bradley and Clarence Otis Jr. Collection” Cornell Fine Arts Museum, Orlando, FL “Commemorating 30 Years (1976 – 2007): Part Three (1991 – 2007)” Rhona Hoffman Gallery, Chicago, IL “The Blake Byrne Collection” The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 “Do Not Stack” Roberts & Tilton, Los Angeles, CA “Black Alphabet: ConTEXTS of Contemporary African-American Art” Zacheta, National Gallery of Art, Warsaw, Poland “Down By Law” Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY “Hangar—7 Edition 4” Salzburg Airport, Salzburg, Austria “Redefined: Modern and Contemporary Art from the Collection” Corcoran Gallery of Art, Washington, D.C. “Relics and Remnants” Jamaica Center for Arts and Learning, Jamaica, NY 2005 “Maximum Flavor” ACA Gallery, Atlanta College of Art, Atlanta, GA “Neo-Baroque” Tema Celeste, Verona, Italy “Neovernacular” Turner Gallery, Los Angeles, CA “Kehinde Wiley/Sabeen Raja: New Paintings” Conner Contemporary Art, Washington, D.C. 2004 “Eye of the Needle” Roberts & Tilton, Los Angeles, CA “Glory, Glamour & Gold” The Proposition, New York, NY “She’s Come Undone” Greenberg Van Doren, New York, NY “The New York Mets and Our National Pastime” Queens Museum of Art, Queens, NY “Beauty” Kravets + Wehby, New York, NY “African American Artists in Los Angeles, A Survey Exhibition: Fade” City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 “Peripheries Become the Center” Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic “Superreal” Marella, Milan, Italy “New Wave” Kravets Wehby Gallery, New York, NY “Re: Figure” College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 “Painting as Paradox” Artists Space, New York, NY “Mass Appeal” Gallery 101, Ottawa, Canada “Ironic/ Iconic” The Studio Museum of Harlem, New York, NY “Black Romantic” The Studio Museum of Harlem, New York, NY 2001 “It’s Bigger Than Hip Hop” Rush Arts, New York, NY

SPECIAL PROJECTS

2014 Kings of Culture portrait series in collaboration with Grey Goose “Iconic” Presented by Sean Kelly at the 26th Annual ADAA Show Kehinde Wiley: An Economy of Grace documentary film broadcast on PBS FIFA World Cup Brazil Official Art Print Edition. 2011 Art Production Fund, New York City Taxicab Project Parallel Perceptions, New York City Opera Project 2010 Puma World Cup project Character Approved, USA Network 2006 Nike Billboard Project, Los Angeles 2005 VH1 Hip Hop Honors Awards (VH1 commissioned Kehinde Wiley to paint portraits of all the 2005 Art of Hip-Hop Honorees. Wiley met with the featured rappers and director John Singleton before painting his subjects). Infiniti in Black automobile national ad campaign (commercials and print) BET Awards (Kehinde Wiley’s Entry of Paris of the Dauphin used for the BET awards show program).

AWARDS & HONORS

2015 US Department of State Medal of Arts 2014 The Brooklyn Museum Asher B. Durand Award for Artistic Achievement 2013 American Federation for Arts Cultural Leadership Award 2012 Pratt Legend Award 2011 New York City Art Teachers Association/United Federation of Teachers, Artist of the Year Award 2011 Canteen Magazine, Artist of the Year Award 2010 USA Network, Character Approved Award 2008 Americans for the Arts, Young Artist Award for Artistic Excellence 2002 Rema Hort Mann Foundation Grant Recipient Studio Museum Harlem, Artist in Residence

LECTURES/ SYMPOSIA

2015 Minneapolis Institute of the Arts, Minneapolis, MI 2014 New York Academy of Art, New York, NY Taft Museum, Cincinnati, OH Virginia Tech Center for the Arts, Blacksburg, VA 2013 Tate Collective, Tate Britain, London, UK Boise Museum of Art, Boise, ID Edna Manley College, Kingston, Jamaica Ten Years of Painting, Museum of Fine Arts, Boston, MA The World Stage: Israel, The Contemporary Jewish Museum, San Francisco, CA Phoenix Art Museum, Phoenix, AZ 2012 The World Stage: Israel, The Jewish Museum, New York, NY 2011 Kehinde Wiley and Andre Leon Talle In Conversation, SCAD Museum of Art, Savannah, GA National Museum of African Art, Smithsonian Institution, Washington, D.C. Phoenix Art Museum, Phoenix, AZ Los Angeles County Museum of Art, Los Angeles, CA 2010 High Museum, Atlanta, GA 2009 The Getty Center, Los Angeles, CA Artpace, San Antonio, TX Pennsylvania Academy of Fine Art, Philadelphia, PA 2008 The Studio Museum of Harlem, New York, NY 2007 Here and Now: African and African American Art and Film Conference, New York University, New York, NY Pennsylvania State University, State College, PA Portland Art Museum, Portland, OR Nasher Museum of Art at Duke University, Chapel Hill, NC Yale University, New Haven, CT Milwaukee Art Museum, Milwaukee, WI John Michael Kohler Arts Center, Sheboygan, WI 2006 Symposium on Contemporary Portraiture, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Columbus, Columbus Museum of Art, Columbus, OH 2005 Kehinde Wiley Artist Talk, Pratt Institute, Brooklyn, NY 2004 Lecture for Passing/ Posing The Paintings of Kehinde Wiley, Brooklyn Museum, Brooklyn, NY Artist Lecture Series, Triple Candie, Harlem, NY Kehinde Wiley, Harvard School of Arts, Boston, MA 2003 Kehinde Wiley Artist Talk, Boston Museum School of Fine Arts, Boston, MA 2002 The Artist Voice, The Studio Museum of Harlem, New York, NY 2001 A Conversation with John Wilson, Yale University Art Gallery, New Haven, CT Notes on Modernism, Yale University Art Gallery, New Haven, CT 2000 Painting and Popular Culture, Southern Connecticut University, School of Art, CT

PUBLIC COLLECTIONS

The Brooklyn Museum of Art, Brooklyn, NY Columbus Museum of Art, Columbus, OH Denver Art Museum, Denver, CO Detroit Institute of Arts, Detroit, MI The Flag Art Foundation, New York, NY The Hammer Museum, Los Angeles, CA Harn Museum of Art, Gainesville, FL High Museum of Art, Atlanta, GA The Jewish Museum, New York, NY Herbert F. Johnson Museum of Art, Ithaca, NY Kansas City Art Museum, Kansas City, MO Los Angeles County Museum of Art, Los Angeles, CA Memorial Art Gallery, Rochester, NY Metropolitan Museum of Art, New York, NY Miami Art Museum, Miami, FL Milwaukee Art Museum, Milwaukee, WI Minneapolis Institute of Art, Minneapolis, MN Mint Museum of Art, Charlotte, NC Modern Art Museum of Fort Worth, Fort Worth, TX Museum of Contemporary Art, Los Angeles, CA Museum of Fine Arts, Boston, MA Nasher Museum of Art, Chapel Hill, NC Nerman Museum of Contemporary Art, Overland Park, KS North Carolina Museum of Art, Raleigh, NC Oak Park Library, Chicago, IL Pennsylvania Academy of the Fine Arts, PA Phoenix Art Museum, Phoenix, AZ Portland Museum of Art, Portland, OR The Rubell Family Collection, Miami, FL San Antonio Museum of Art, San Antonio, TX Seattle Museum of Art, Seattle, WA The Sender Collection, New York, NY The Studio Museum of Harlem, New York, NY Toledo Museum of Art, Toledo, OH 21C Museum, Louisville, KY Virginia Museum of Fine Arts, Richmond, VA Walker Art Center, Minneapolis, MN The Zabludowicz Collection, London, England

BIBLIOGRAPHY

2014 Williams, Erin. “Kehinde Wiley explains his ‘An Economy of Grace’ paintings focusing on black women.” The Washington Post. 4 October 2014 “Kehinde Wiley in Conversation with Filmmaker Terence Nance”, Flaunt Magazine October, 2014 Adams, James. “Artist Kehinde Wiley and ‘the call of the avant-garde’” The Globe and Mail. February 20, 2014 2013 WSI Administration. “Kehinde Wiey. The World Stage: Jamaica.” Wall Street International. October 17, 2013 Luke, Ben. “Kehinde Wiley on his first UK solo show for Frieze week.” London Evening Standard. October 11, 2013 Hutchenson, Lori Lakin. “Artist Kehinde Wiley Gains Attention for Exhibit at Phoenix Art Museum.” Good Black News. April 3, 2013 Mason, Wyatt. “Kehinde the First.” GQ April 2013 “Pop Chart: A Fine Art”, Time Magazine March 18, 2013 Crow, Kelly. “A Creative New Frame Game.” The Wall Street Journal. March 8, 2013 Pop Chart: A Fine Art.” Time Magazine March 18, 2013: 50 Chun, Kimberly. “Kehinde Wiley brings ‘World Stage’ to SF.” SF Chronicle February 13, 2013 Moskowitz, Gary. “The Portraits of Kehinde Wiley: The Black Diaspora via Israel.” The Economist February Crenn, Julie. “Kehinde Wiley.” Art Press. January 2013 2012 Jackson, Brian Keith. “The World Stage: Entretien de Kehinde Wiley par Barthélémy Toguo.” L’Officiel. December 2012-January 2013: 86-93. Delos, Soline. “Expo African Kings.” Elle. December 12, 2012: 48 De Rouchebouet, Béatrice. “Kehinde Wiley, star à Paris.” Figaro Scope. November 7, 2012: 20. Delaury, Vincent. “Kehinde Wiley.” L’oeil. November 2012: 49. Raison, Bertrand. “Kehinde Wiley.” Palace Costes. November 2012: 158. Jeong, Sarah. “Galerie Daniel Templon, Paris- L’histoire de l’art dans la rue.” Beaux Arts Magazine. November 2012: 170. Birolli, Viviana. “Recontre Du Troisiéme Type.” Jalouse. November 2012: 164. Guilleminot, Adrien. “Kehinde Wiley.” Arts Magazine. November 2012: 54. Duponchelle, Valérie. “Kehinde Wiley.” L’oeil. November 2012: 49. Peyard, Sophie. “Kehinde Wiley- ‘The World Stage.’” Anous Paris. October 29, 2012: 30. Duponchelle, Valérie. “Kehinde Wiley, Le Superlatif Vivant.” Figaro Scope, October 17, 2012:10. Rachline, Sonia. “Portraits Prodigies.” Vogue. October 2012:126. Dambert, Samuel and Anne-Sophie Guiget. “La palette rap de Kehinde Wiley, peintre de cour et de ghetto.” Citizen K. Autumn 2012:122-25. Cutler, Jody B. “Kehinde Wiley/ The World Stage: Israel.” The International Review of African American Art Spring-Summer 2012: 7 “Kehinde Wiley.” Public Art Vol. 070 July 2012: 76-83 Binlot, Ann. “’I Wanted to Go to the Best’: A Q&A with Artist Kehinde Wiley on his Collaboration with Givenchy Designer Riccardo Tisci.” Artinfo June 8, 2012 Malick, Courtney. “Economics 101: Kehinde Wiley.” V Magazine. May 21, 2012. “The Culture: Pop Chart.” Time Magazine May 21, 2012: 53 “May Exhibitions.” Art+Auction May 2012: 60 “Kehinde Wiley on ‘Economy of Grace,’ His First Exhibition Featuring Women.” Huffington Post May 15, 2012: 1-3 O’Rourke, Meghan. “Ideas & People: Kehinde Wiley.” Wall Street Journal Magazine May 2012: 25-28 Holt, Emily. “The Art of Fashion: Kehinde Wiley Joins Forces with Riccardo Tisci for His Latest Exhibit.” Vogue May 3, 2012 Beam, Christopher. “How to Make It in the Art World: Rule No.6. Outsource to China.” New York Magazine April 30, 2012: 48-50, 116 Halperin, Julia. “Kehinde Wiley Collaborates with Designer Riccardo Tisci to Create His First-Ever Paintings of Women.” Artinfo April 20, 2012 Lynch, Matthew. “Kehinde Wiley Turns Eye on Female Subjects.” WWD April 20, 2012 “The Art of Givenchy.” Style.com April 20, 2012 Lala, Kisa. “Kehinde Wiley On the World Stage: A Conversation with the Artist.” Huffington Post Arts April 16, 2012: 1-11 White, Armond. “Iconic Ambassadors: Kehinde Wiley’s Cross- Cultural Pageant.” City Arts April 4, 2012: 3-4 Hassan, Sarah. “’The Head Must be Proud’ Kehinde Wiley’s The World Stage: Israel at The Jewish Museum, New York.” Artwrit April 2012: 1-2 Skobie, Ilka. “Towards A New World Portrait.” Artnet March 21, 2012 Reilly, Andrew. “Kehinde Wiley’s ‘The World Stage: Israel’ On View At The Jewish Museum.” The Huffington Post. March 5, 2012. Schwendener, Martha. “The Diaspora is Remixed.” The New York Times March 2012: C22 “You’re Going To That Party? Art Basel 2011.” Juxtapoz February 2012: 28 “Kehinde’s Israeli Initiative” The Art Newspaper. January 17, 2012. 2011 Landi, Ann. “In With the Old.” ARTNews September 2011: 84-89 Vogel, Carol. “A Painting that Begat a Whole Show.” The New York Times September 16, 2011: C27 Sánchez-Del-Valle, Carmina. “Digital Craft, Design and the Work of Lawrence Sass” The International Review of African American Art Vol. 23, No. 3, 2011: 37-40 First, Danny. “Danny First on Kehinde Wiley.” Art Ltd. September/October 2011: 78 Williams, Maxwell. “Kehinde Wiley: The Transcontinental Breadth of a Contemporary Master.” Flaunt Magazine Issue 114: 132-137, Cover and Feature Finkel, Jori. “Kehinde Wiley Paints a Diverse Israel.” Los Angeles Times April 9, 2011: D14 Frank, Peter. “Kehinde Wiley” Huffington Post May 27, 2011 Leib, R. “Go See- Los Angeles: Kehinde Wiley ‘The World Stage: Israel’ at Roberts & Tilton through May 28th, 2011.” Art Observed May 17, 2011 Meers, Carolyn. “Calendar May 2011 The World Stage: Israel” Angeleno May 2011: 28 Dambrot, Shana Nys. “For Art Thou, Culver City” LA Weekly April 8, 2011: 34-35 Laster, Paul. “Kehinde Wiley Asks: ‘What Does An Israeli Even Look Like?’” Flavorpill April 19, 2011 Righthand, Jess. "Kehinde Wiley: From Personal to Global" The Washington Post April 15, 2011 Reese, Gregg. “Artist Kehinde Wiley: A Master with Street Cred.” OurWeekly April 14, 2011 Siegal, Daniel. “The Agenda: Kehinde Wiley Art Talk @ LACMA.” Brand X April 7, 2011 Rus, Mayer. “Culture(d) Kehinde Wiley from the Holyland.” Los Angeles Times Magazine April 3, 2011: 16 Rao, Priya. “Hailing Artworks on the Avenue.” The Wall Street Journal January 8, 2011 “Profiles: 33 Artists.” The Art Economist January 2011: 29, 63 2010 Schwager, Michael. Personal Identities/Contemporary Portraits. University Art Gallery Sonoma State University, November/December, 2010 Schuster, Dana. “A-List Artist” New York Post December 29, 2010 Siverio, Ida. “Kehinde’s R-evolution.” 944 October 2010: 24-27 Watson, Simon. “Kehinde Wiley” Whitewall Fall 2010: 119-123, cover and interview Halperin, Julia. “Kehinde Wiley Now Represented in New York by Sean Kelly Gallery.” New York Observer September 17, 2010 Jackson, Brian Keith. “A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China.” Leap No. 03, 2010: 86-93, Cover “PAFA’s Summer Surprises and More.” SanArt August 1, 2010 Feldman, Melissa. “World Cup Chic | Kehinde Wiley’s Fancy Footwork” New York Times Magazine June 2, 2010 Loszach, Fabien. “Bling-Bling, Everytime I Come Around.” Esse Arts + Opinions No. 69 Spring/Summer 2010 Badinella, Chiara and Fabrizio Affronti. “Grandi Maestri, Fonte Perenne.” La Casana No. 1 January-March 2010: 26-29 “100 Artisti da Scommetterci / 100 Artists to Bet On,” Arte Magazine, Milan, Italy, August 2010: 120-140 Hunt, Kena and Watson, Simon. “Kehinde Wiley” Vogue Italia October 2010 Dreyfuss, Joel. “Meet the Root 100, 2010 Edition, The Root Unveils its Latest List of Young African-American Pace Setters and Game Changers.” The Root October 10, 2010 Garfield, Joey. “Kehinde Wiley.” Juxtapoz January, 2010: 46-61, Cover Karcher, Eva. “The Colours of Africa: Art Beyond the Primitive.” The Mini International Vol. 34, Iss. 2, 2010: 36-41, Cover Krentcil, Faran. “First Look: Puma Africa” Nylon Magazine march 16, 2010 2009 Thompson, Krista. “The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop.” The Art Bulletin Vol. XCI, No. 4 December 2009: 481-505, Cover Jackson, Brian Keith and Kimberely Cleveland, Ph.D. Kehinde Wiley: The World Stage Brazil. Culver City: Roberts & Tilton, 2009 “Out 100: The Class of 2009.” Out Magazine December 2009/January 2010 “PUMA’s Kehinde Wiley Boot.” Soccer365.com November 24, 2009 Picard, Charmaine. “The Work the King of Pop Commissioned but Never Saw.” The Art Newspaper December 2, 2009 Robinson, Walter. “Weekend Update.” Artnet September 4, 2009 Harp, Grady. “The Portraiture of Kehinde Wiley: Celebrating the African American Male.” Oranges & Sardines August 2009: 98-100 Ramirez, Loreto. “Kehinde Wiley-Barroco Urbano, la Nueva Masculinidad.” Arte Al Limite July-August 2009: 70-75 Johnson, Ken. “The Human Figure, Dressed Up, Down And Often Not at All.” The New York Times Wednesday, July 22, 2009: C6 Rudick, Nicole. “Black Light by Kehinde Wiley, Essays by Brian Keith Jackson and Krista A. Thompson.” Bookforum Vol. 16, Iss. 2, June/July/August 2009: 54 Neto, Artur Maioli. “Kehinde Wiley.” More Magazine June/July 2009: 76 Lockhart, Donatella. “Kehinde Wiley: Hedonista Actitud.” Casas & Gente Vol. 24, No. 236, June 2009: 42-45, Cover Masson, Géraldyne. “Kehinde Wiley: Renaissance Moderne.” Clark Magazine No. 36, May/June 2009: 80-84 Keeps, David. “Wiley World.” The Advocate June/July 2009: 107-109 Scot Miller, D. “This is Afro-Surreal.” The San Francisco Bay Guardian May 20-26, 2009: 1, 9 Brophey-Warren, Jamin. “Master Blaster.” The Wall Street Journal May 22, 2009 Gibson, Allison. “Kehinde Wiley.” The Daily Serving May 5, 2009 Feaster, Felicia and Nancy Staab. “Fantastic Bombastic! Haute Hip Hop.” Angeleno March 2009: 42 Greenberg, David. “Kehinde Wiley; Deitch Projects.” Art in America No. 3 March 2009: 134 2008 Holzwarth, Hans Werner, Ed. Art Now Vol. 3. New York: Taschen, 2008: 512-515 Indrisek, Scott. “Art & Design: Q & A with Kehinde Wiley.” Anthem December 10, 2008 Breukel, Claire. “Editorials: 30 Americans.” Wynwood December 2008 Ball, Sarah. “Urban Outfitters.” Newsweek November 24, 2008: 61 Leutwyler, Henry. “The Masters Are Dead—Long Live the Masters.” Esquire November 2008 Peers, Alexandra. “The Fine Art of Surviving the Crash in Auction Prices.” The Wall Street Journal November 19, 2008 Schnabel, JL. “Kehinde Wiley Gets ‘Down’ at Deitch.” Juxtapoz.com Tuesday, November 6, 2008 M.I.A. “Kehinde Wiley.” Interview November 2008: 68-73 Stillman, Nick. “Kehinde Wiley, Studio Museum in Harlem.” Artforum November 2008: 353 Rawls, Will. “The Staging of Myth.” ARTslant November 2008 Sorkin, Jenni. “Kehinde Wiley: Portraits, Patterns and Fashion; Post-Colonialism and Mortality.” Frieze October 2008: 282-283 Collins, Lauren. “Studio Visit: Lost and Found.” The New Yorker September 1, 2008: 56, 58 Smith, Roberta. “A Hot Conceptualist Finds the Secret of Skin.” The New York Times Friday September 5, 2008: B21, B24 Bedolla, Myrtis. “Exhibitions News & Reviews: Art Basel Miami Beach, The African American Presence.” The International Review of African American Art Vol. 22, No. 1: 54- 56 Passariello, Micol. “Gangsta E Gentiluomo.” L’espresso July 17, 2008: 158 Fels, Sophie. “Paint it Black.” Time Out New York July 10-16, 2008 Jackson, Brian Keith. “Native Son.” Giant Magazine June/July 2008 “What’s Up.” The Studio Museum in Harlem Magazine Summer 2008: 2-5 + cover Evans, Ali. “A Portrait of an Artist by an Artist.” Studio: The Studio Museum in Harlem Magazine Spring 2008 Fortune, Brandon Brame, Frank H. Goodyear III and Jobyl A. Boone. Recognize: Hip Hop and Contemporary Portraiture. Washington D.C.: Smithsonian Institute, 2008 Claiborne, Barron. “Black is Beautiful.” Paper Magazine March 2008 Fortune, Brandon. “Hip Hop Baroque.” Art World February/March 2008: 20 Bentley, Kyle. “Previews: Kehinde Wiley, Studio Museum in Harlem.” Artforum May 2008: 161 The Associated Press. “Portrait Gallery Opens First Hip-Hop exhibit with LL Cool J, Ice-T.” International Herald Tribune February 8, 2008 Stoilas, Helen. “Toppling the Ivory Tower.” The Art Newspaper February 7, 2008 Jankauskas, Jennifer, Greg Tate and Paul Miller (DJ Spooky). Kehinde Wiley: The World Stage—China. Sheboygan: The John Michael Kohler Arts Center, Los Angeles: Roberts & Tilton, Chicago: Rhona Hoffman Gallery, New York: Deitch Projects, 2008 2007 Schwaner-Albright. “The Remix: Tight Weave.” The New York Times Style Magazine Holiday 2007: 80 Malone, Micah. “Kehinde Wiley, Portland, OR.” Art Papers September/October 2007: 70 Miller, Paul D. “New World Portraiture: Kehinde Wiley.” Art Asia Pacific, No. 55, September/October 2007: 140-143 “Special Report: The Black Enterprise Guide.” Black Enterprise August 2007: 122 Fanzine 137 Summer 2007: 162-165 Vecchiato, David. “Kehinde Wiley: Il Pittore Che Trasforma I Gangsta in Gentiluomini.” La Repubblica XL July 2007 Tracy L. Teslow. "A Troubled Legacy." Museums & Social Issues Vol. 2, No. 1, Spring 2007: 26-28 Holmes, Pernilla. “In Your Face.” Art News June 2007: 17, 106-11, Cover Rothman, Sabine. “Kehinde Wiley: The Interpreter.” House and Garden June 2007: 154- 155 “Exhibition Highlights.” Art In America Now May 2007: Cover Venegas, Luis. “Unforgettable Faces.” Fanzine 187 April 2007 Stoilas, Helen. “New Media on the Rise.” The Art Newspaper April 2007 Schumacher, Mary Louise. “Iconic, Ironic.” Milwaukee Journal Sentinel March 7, 2007: 1E-6E Chang, Jeff and Dave Zirin. “Beyond Hip-Hop’s Misogyny.” Los Angeles Times April 23, 2007 “Ice-T for the NGP.” The Art Newspaper, Vol. XVI, No. 177, February 2007: 1 Elliot, Amy. “You’ll Have to Stand in Line for the Work of These Hot, Young Yale Artists.” American Art Collector January 2007 2006 Jackson, Brian Keith, Franklin Sirmans and Emil Welbekin. Kehinde Wiley: Columbus. Los Angeles: Roberts & Tilton, Columbus: The Columbus Museum of Art, 2006 Sischy, Ingrid. “The New York School.” Vanity Fair December 2006: 342-343 Greco, Stephen. “Kehinde Wiley.” TRACE Magazine 2006 Essence October 2006 Hill, Logan. “Hot Artist: Kehinde Wiley.” Rolling Stone Issue 10011, October 19, 2006: 112 Herbst, Moira. “What Wait Till the Paint Is Dry.” Business Week October 16, 2006: 98-100 LeBlanc, Marc. “Kehinde Wiley: Roberts & Tilton.” Beautiful Decay Issue P: 40 Sumner, Vonn. “Kehinde Wiley: Roberts & Tilton Gallery.” Artillery Vol. 1, No. 1, September 2006: 36-37 Hunter, Andy. “Kehinde Wiley.” Mean September 2006: 26 Lewis, David. “The Art World: Kehinde Wiley.” Prophecy No. 9, Summer 2006 “Best of the Weekend: Urban Art.” LA Daily News June 2006 Young, Paul. “The re-Masters.” Variety June 2006: 33 Miles, Christopher. “Kehinde Wiley.” Flaunt Issue 75, 2006: 44-47 Kaufman, Katrina. “Kehinde Wiley: In the Company of Masters.” Venice June 2006: 90-95 Schimmel, Jessica. “Art Walk: Art imitates life on the streets and in the museum.” Item June 2006: 44 Von Bodin, Claudia. “Helden des schwarzen Barock.” Art Das Kunstmagazin May 2006 Herffs, Hauke. “Paint it Black.” Maxim (German Edition) May 2006 Goodman, Wendy. “Double Space.” New York Magazine May 1, 2006: 92-95 Lee, Carol. “54 Beautiful People.” Paper April 2006: 85 Berwick, Carly. The New York Sun March 9, 2006 Bellet, Harry. “De L’art a Gogo a New York.” Le Monde March 14, 2006 Sirmans, Franklin. “Kehinde Wiley.” Uovo: an Independent Voice for Contemporary Art Spring 2006 Kuhn, Thomas W. “Armory Show 2006.” Messen & Markte Spring 2006 Mason, Christopher. “Venice & 125th Street: Kehinde Wiley.” Whitewall Spring 2006: 56- 67 Colman, David. “Kehinde Wiley.” Elle Décor March 2006: 54-56 2005 Cotter, Holland. “Art in Review: Kehinde Wiley.” The New York Times December 9, 2005 Diaz, Hose. “Artists; Kehinde Wiley: Hip Hop Royalty.” Art News November 2005 Golden, Thelma. “Kehinde Wiley.” Interview Magazine October 2005 Murray, Sorraya. “A Rising Generation and the Pleasures of Freedom.” The International Review of African American Art 2005 Wiley, Kehinde. “Post-Black, Post-Soul, or Hip Hop Iconography?” International Review of African-American Art 10, No. 2, Fall 2005 Lewis, Sarah. “De(i)fying the Masters.” Art in America April 2005: Cover Wiley, Kehinde. “Top Ten.” ArtForum April 2005 Ross, Susan. “The Kehinde Wiley Experience: White.” NY Arts Magazine May 27, 2005 Detrick, Ben. “Paint it Black.” Complex Magazine April/ May 2005 Yablonsky, Linda. “Painting the Town.” Time Out New York April 14-20, 2005 Golfar, Fiona. “A Season for All Women: Ilona Rich.” British Vogue April 2005 Abbe, Mary. “Going for Baroque.” Star Tribune February 18, 2005 Wood, Eve. “Kehinde Wiley Brooklyn Museum Review.” Flash Art Jan-Feb 2005 2004 Fineman, Mia. “The History of Art, in Baggy Jean and Bomber Jackets.” New York Times, Arts & Leisure December 19, 2004 Brew-Hammond, Nana Ekua. “It’s Bigger Than Hip-Hop.” METRO, NY Edition December 21, 2004 “Kehinde Wiley.” Museums Magazine, Special Edition McGee, Celia. “Artist Going for Baroque on Harlem.” New York Daily News October 7, 2004 Gonzales, Michael A. “Kehinde Wiley: Urban Baroque.” Essence Magazine November 2004 Mwangaguhunga, Ron. “Two New Shows on the Color Line.” New York Magazine Sept. 13, 2004 Walker, Dionne. “A Portrait of the Artist as a Young Black Man: Kehinde Wiley.” BET.com September 2004 Korot, Joyce B. “The Neo-Baroque Era” Tema Celeste, Italy, New York Issue No. 104 Fashion Issue, Black Book Magazine Fall 2004 “Interview with Kehinde Wiley.” Loyal Magazine Issue No. 8 Fitch, Elizabeth. “A Portrait of artist Kehinde Wiley.” Amsterdam News Vol.95, No.29/ July 2004 “Kehinde Wiley: Prince of Hip Hop Portraiture.” SEULE Magazine Summer 2004 Hawkins, Margaret. “Gallery Glance: Kehinde Wiley.” Chicago Sun Times May 21, 2004 Warsh, Larry. “Kehinde Wiley/ Museums Collect.” Museums New York Spring Issue 2004 2003 Kim, Christine Y. “Kehinde Wiley Faux Real." Issue Magazine December 2003 Myers, Holly. "Scenes Far, Far Out of Tiepolo." Los Angeles Times November 7, 2003 Wood, Eve, "Acerbic Beauty." Artnet.com October 2003 Thompson, Bonsu. "Benefit II Society." King Magazine September- October 2003 Stillman, Nick. "Art Seen." The Brooklyn Rail August –September 2003 Sirmans, Franklin. "A Bling Bling Baroque." One World Magazine August-September 2003 Weisen, Barbara. "Re: Figure." College of Du Page, The Guhkberg Gallery April/May 2003 Jackson, Brian Keith. "B-boy Stance." Vibe August 2003 Stein, Lisa. "Re: Figure Plays with Figurative Painting." Chicago Tribune May 5, 2003 Murray, Derek. "Ironic/Iconic." Art in America March 2003 Kerr, Merrily. "New Wave." Flash Art March/April 2003 Cohen, Mark Daniel. "Real Art Ways." Hartford Current 2003 2002 Menin, Samuel and Michele Robecchi. "Focus Painting." Flash Art October 2002 Cotter, Holland. "Ironic/Iconic." The New York Times August 2002 Yablonsky, Linda. "Failing in Love." Time Out Magazine May 9, 2002 Kimmelman, Michael. " A Black World of Ins and Outs." The New York Times April 26, 2002 Saltz, Jerry. "A World Apart." Artnet.com May 8, 2002 Ross, Andrew. "Andrew Ross on Black Romantic." Art Forum April 2002 Plagens, Peter. "Kitsch as Kitsch Can." Newsweek May 6, 2002 Gessell, Paul. "At the Hip Hop." Ottawa Citizen August 30, 2002 Euteneier, Anita. "Hip Hop Appeal." Express August 29, 2002 Foster, Tonya. "(Re)Direct(ing) Light: Black is and Black Ain’t." Representations, ArtsWire Current Summer 2002 2001 McKanic, Arlene. "Death, Pain, Anger, Redemption: It’s Bigger than Hip Hop." Greenwich Village Gazette 2001