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Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Remaking Horror According to the Feminists Or How to Have Your Cake and Eat It, Too
Représentations dans le monde Anglophone – Janvier 2017 Remaking Horror According to the Feminists Or How to Have your Cake and Eat It, Too David Roche, Université Toulouse Jean Jaurès Key words: horror, remake, feminist film theory, post-feminism, politics. Mots-clés : horreur, remake, théorie féministe, post-féminisme, politiques identitaires. Remakes, as Linda Hutcheon has noted, “are invariably adaptations because of changes in context” (170), and this in spite of the fact that the medium remains the same. What Robert Stam has said of film adaptations is equally true of remakes: “they become a barometer of the ideological trends circulating during the moment of production” because they “engage the discursive energies of their time” (45). Context includes the general historical, cultural, social, national and ideological context, of course, as well as the modes of production and aesthetic trends in the film and television industry. Studying remakes is, then, a productive way to both identify current trends and reconsider those of the past, as well as to assess the significance of a previous work into which the remake offers a new point of entry (Serceau 9), and this regardless of whether or not we deem the remake to be a “successful” film in itself. In this respect, remakes are especially relevant to film and television history and, more generally, to cultural history: they can teach us a lot about the history of production strategies, the evolution of genres, narrative, characterization and style, and of various representations (of an event, a situation, a group or a figure). In a recent article entitled “Zip, zero, Zeitgeist” [sic] posted on his blog (Aug 24, 2014), David Bordwell warns against the tendency of some journalists to see “mass entertainment” as “somehow reflect[ing] its society”: In sum, reflectionist criticism throws out loose and intuitive connections between film and society without offering concrete explanations that can be argued explicitly. -
My Movies Collection
My Movies Collection The [REC] Collection [REC] Type: Movie Type: Movie Year: 1900 Rel. Date: - Year: 2007 Rel. Date: - Director: - Runtime: 5h 38min Director: Paco Plaza Runtime: 1h 18min Actors: - Actors: Paco Plaza, Manuela Velasco, Ferran Terraza. Audio: - Audio: Subtitles: - Subtitles: [REC] 2 [REC] 3: Genesis Type: Movie Type: Movie Year: 2009 Rel. Date: - Year: 2012 Rel. Date: - Director: Paco Plaza Runtime: 1h 25min Director: Paco Plaza Runtime: 1h 20min Actors: Paco Plaza, Jonathan D. Mellor, Óscar Zafra, Ariel Casas. Actors: Paco Plaza, Leticia Dolera, Diego Martín. Audio: Audio: Subtitles: Subtitles: [REC] 4: Apocalypse 10 Cloverfield Lane Type: Movie Type: Movie Year: 2014 Rel. Date: - Year: 2016 Rel. Date: - Director: Jaume Balagueró Runtime: 1h 35min Director: Dan Trachtenbe... Runtime: 1h 43min Actors: Jaume Balagueró, Manuela Velasco, Paco Manzanedo. Actors: Dan Trachtenberg, John Goodman. Audio: Audio: Subtitles: Subtitles: 12 Angry Men 28 Days Later Type: Movie Type: Movie Year: 1957 Rel. Date: - Year: 2002 Rel. Date: - Director: Sidney Lumet Runtime: 1h 36min Director: Danny Boyle Runtime: 1h 53min Actors: Sidney Lumet, Martin Balsam, John Savoca. Actors: Danny Boyle, Alex Palmer, Bindu De Stoppani. Audio: Audio: Subtitles: Subtitles: 28 Weeks Later 3 Silent Classics by Josef Von Sternberg Type: Movie Type: Movie Year: 2007 Rel. Date: - Year: 1900 Rel. Date: - Director: Juan Carlos Fres... Runtime: 1h 40min Director: - Runtime: 4h 04min Actors: Juan Carlos Fresnadillo, Robert Carlyle, Rose Byrne. Actors: - Audio: Audio: - Subtitles: Subtitles: - The 39 Steps Abrakadabra Type: Movie Type: Movie Year: 1935 Rel. Date: - Year: 2018 Rel. Date: - Director: Alfred Hitchcock Runtime: 1h 26min Director: Nicolás Onetti Runtime: - Actors: Alfred Hitchcock, Robert Donat, Madeleine Carroll. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
SUNDAY MORNING GRID 10/23/16 LATIMES.COM/TV TIMES 7 Am 7:30 8 Am 8:30 9 Am 9:30 10 Am 10:30 11 Am 11:30 12 Pm 12:30 2 CBS Football New York Giants Vs
SUNDAY MORNING GRID 10/23/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS Football New York Giants vs. Los Angeles Rams. (6:30) (N) NFL Football Raiders at Jacksonville Jaguars. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) News Figure Skating F1 Count Formula One Racing 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Jack Hanna Ocean Sea Rescue Wildlife 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Football Regional Coverage. (N) Å 13 MyNet Paid Matter Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Hubert Baking Mexican 28 KCET Peep 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Rick Steves’ Europe Travel Skills (TVG) Å Age Fix With Dr. Youn 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Paid Program Fútbol Central (N) Fútbol Mexicano Primera División: Pumas vs Tigres República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Program Home Alone 2: Lost in New York ›› (1992) (PG) Zona NBA Next Day Air › (2009) Donald Faison. -
Camera Operator of the Year Award
BEST CINEMATOGRAPHY | CLAUDIO MIRANDA LAUDIO MIRANDA LAUDIO C | CINEMATOGRAPHY BEST “And everybody asked me would I try again...? I never did. As a matter of fact, I have never done anything with my life after that....” “A visual triumph that advances the art of screen storytelling leaps and bounds ahead of everything that has come before.....” – Pete Hammond, Hollywood.com US $7.00 AWARDS ISSUE 2009 Display Until April 2009 2009 Special Awards Issue THE OPERATING CAMERAMAN: TRANSITIONS 1 © 2009 Paramount Pictures. All Rights Reserved. PARAMOUNTGUILDS.COM WWW.SOC.ORG CAMERACAMERA OPERATOROPERATOR VOLUME 18, NUMBER 1 SPECIAL AWARDS ISSUE 2009 Filming Law & Order: Criminal Intent out east on the north shore of Long Island. Courtesy of Al Cerullo. Features: SOC Lifetime Achievement Awards Celebration Meet the people who are being honored this Cover: year for Lifetime Achievement as a Camera Operator, Camera Technician, Mobile Platform Camera Operator, and Still Photographer, for the President’s Award, for Outstanding Achievement in Technology, for Distinguished 6 Service, and for the 2nd annual Camera Operator of the Year Award. Filming a Heist Cover photo of by Dan Kneece SOC 53 Sean Penn from An Operator’s personal diary description of Milk. © 2008 Focus shooting the feature film Maiden Heist for Features. DP Ueli Steiger ASC. Departments: 2 President’s Letter 61 Transitions by Dan Kneece SOC 63 Last Take; Ad Index 4 News & Notes SOC donation to Childrens Hospital Vision 64 Roster of the SOC Center; Holiday Screening. as of 1/9/09 Camera Operator Letter from the President Special Awards Issue 2009 elcome to the 2009 Past recipients have felt that Editor . -
Macy's Strike Heats Up
Volume 12 Issue 7 Charges of Union Busting Macy’s Strike Heats Up by Ray O’Loughlin Firestone-Roderick told Sentinel U.S.A. The streets around Macy’s and Em- that “ There are many rumors circulating poriunkCapwell’s San Francisco stores about the issues in the strike and most were quieter this week. A court order are untrue. We are not cutting anyone’s restraining enthusiastic pickets was be benefits or anyone’s wages.” Although ing strictly enforced by the police who she could not elaborate on the details, have arrested 13 strikers so far. As the she explained Macy’s position as “ offer strike by 3300 members of Department ing another benefit package” for new Store Employees Local 1100 approached workers. its fifth week, longer than most had ex That proposal to leave present pected to be away from their jobs, employees at present benefit levels but negotiators were still far from agreeing hire new people under a system of reduc on a new 3-year contract. Worse still, ed benefits was denounced by workers following Macy’s offer of a two-tiered on Monday’s picket lines. “ They want to system of wages and benefits, many slice the union in half,” said Gunter Posner, an 11 year veteran stock clerk, AIDS Health Prelect stati (I to r) top row; Tim Sally, John Acevedo, Judy Macks; bottom row: began to fear that the real aim of the James Dllley, Ed Morales, Ernest Andrews, William Vitiello. See story page 3. stores* owners was to undermine and “At the next contract, they’re hoping the eventually get rid of the union. -
Sunday Morning Grid 3/21/21 Latimes.Com/Tv Times
SUNDAY MORNING GRID 3/21/21 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News 2021 NCAA Basketball Tournament Second Round: Teams TBA. 2021 NCAA Basketball Tournament 4 NBC Today in LA Weekend Meet the Press (N) Å NBC4 News Mecum Auto Auctions Alpine Skiing PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch David Pain Relief! 7 ABC News This Week Eyewitness News 9AM News 2021 NCAA Women’s Basketball Tournament 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb Harvest Slim,Firm Danette Icons The World’s 1 1 FOX Mercy SunPower Fox News Sunday The Issue News Huckabee Sex Abuse Cancer? RaceDay NASCAR Cup Series 1 3 MyNet Bel Air Presbyterian Fred Jordan Freethought In Touch Kenmore 1894 Gold Dr. Ho’s Emeril News The Issue 1 8 KSCI Smile GetX35 Workout! AAA Larry King Smile Ideal Bathroom? IRTV Persian Ideal Sex Abuse 2 2 KWHY Programa Programa Revitaliza Programa Programa Programa Programa Programa Op Smile Paid Prog. Programa Programa 2 4 KVCR Paint Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Queens Lidia Milk Street Cook 2 8 KCET Darwin’s Cat in the SciGirls Odd Squad Cyberchase Biz Kid$ Rick Steves Rick Steves’ Europe Rick Steves Classical Rewind 3 0 ION Jeremiah Youseff In Touch Amazing Blue Bloods (TV14) Å Blue Bloods (TV14) Å Blue Bloods (TV14) Å Blue Bloods (TV14) Å 3 4 KMEX Conexión Programa Programa Programa Aquí y ahora Fútbol Fútbol Mexicano Primera División (N) 4 0 KTBN R. -
The Fog Free
FREE THE FOG PDF James Herbert | 352 pages | 05 Mar 2010 | Pan MacMillan | 9780330515313 | English | London, United Kingdom The Fog - Wikipedia Looking for a movie the entire family can enjoy? Check out our picks for family friendly movies movies that transcend all ages. For even more, visit our Family Entertainment Guide. See the full list. Against the backdrop of spine-chilling stories of drowned mariners and a year-old shipwreck lying on the bottom The Fog the sea, the peaceful community of the coastal town of Antonio Bay, California is making preparations to celebrate its centennial. However--as strange supernatural occurrences blemish the festivities--an impenetrable opaque mist starts to shroud the seaside village, leading to unaccountable disappearances and the spilling of warm bright-red blood. One long century ago, a hideous crime was committed The Fog the town's elders. Now, the restless dead have returned for revenge, demanding justice. Is there something evil lurking in the fog? Written by Nick Riganas. I watched The Fog for the first time since the early 's the other night. John Carpenter and Debra Hill did a fine job with this one. The good points of the movie deal with the overall story and the setting of the film. The story is explained fully during the movie and the setting in California is superb and creepy. The music is The Fog disturbing. The background music coupled with The Fog uneasiness and lonliness of the town, Antonio Bay, is very effective. No gore whatsoever in this one so the whole family may watch this movie together. -
BAM Presents John Carpenter: Master of Fear, a Tribute to the Legendary Director and Composer, Feb 5—22
BAM presents John Carpenter: Master of Fear, a tribute to the legendary director and composer, Feb 5—22 Opens with a one-night-only conversation John Carpenter: Lost Themes with Brooke Gladstone Followed by a BAMcinématek retrospective of all of Carpenter’s feature films In conjunction with the release of Carpenter’s debut solo album, Lost Themes, out Feb 3 John Carpenter: Lost Themes with Brooke Gladstone BAM Howard Gilman Opera House (30 Lafayette Ave, Brooklyn) Feb 5 at 8pm Tickets: $25, 35, 50 John Carpenter: Master of Fear film retrospective BAM Rose Cinemas (30 Lafayette Ave, Brooklyn) Feb 6—22 Tickets: $14 general admission, $9 for BAM Cinema Club members Bloomberg Philanthropies is the 2014—2015 Season Sponsor. The Wall Street Journal is the title sponsor for BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Dec 15, 2014—Renegade auteur John Carpenter makes a rare New York appearance at BAM on Thursday, February 5 to discuss his legendary career and celebrate the release of his first solo album, Lost Themes. Boasting “one of the most consistent and coherent bodies of work in modern cinema” (Kent Jones, Film Comment), Carpenter injects B-movie genres—horror, sci-fi, action—with the bravura stylistic technique of classical Hollywood giants like Howard Hawks, John Ford, and Alfred Hitchcock, and composes the scores for nearly all of his films. He will be joined by Brooke Gladstone, host of NPR’s On the Media, for a wide-ranging discussion of his film and music. Lost Themes will be released in conjunction with the event on February 3 through Sacred Bones Records. -
Análisis De La Filmografía De John Carpenter 1
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN ANÁLISIS DE LA FILMOGRAFÍA DE JOHN CARPENTER 1 Se recuerda al lector no hacer más use oc esta obra que el que flpt%V•7~>~ QQ Q ‘~W~ ‘tcientes sobre los Derechos de Propiedad Intelectual del autor. La Biblioteca TESIS DOCTORAL queda exenta de toda responsabilidad. I!NIVE<{WQtUi COMPLUTENSE L~ MADRID ACtii 41) DE CIENCIAS VV í Ñl<<’PMACION REGIStROS DE LIBROS SIBtAO’ FC GENERAL — 1• i~y~(}j=~ Doctorando: JAVIER IGLESIAS LACABA Tesis Doctoral realizada por JAVIER IGLESIAS LACABA Bajo la dirección del Doctor D. SANTIAGO SÁNCHEZ GONZÁLEZ ÍNDICE Pág. 10 L-INTRODUCCION 1.1.—Objetivos de la Tesis 12 15 1.2. — Metodología 2. - UN CINEASTA LLAMADO JOHN CARPENTER . 17 2.1. — Apuntes biográficos 26 2.1.1. — Una curiosa personalidad . 31 2.2. — Antecedentes carpenterianos . 33 2.2.1.—El cine que admiró . 33 2.2.2. — Sus directores favoritos . 38 2.2.2.1. — Howard Hawks ... 40 2.3. — Carpenter y el nuevo cine fantástico . 43 2.3.1. — La década de los noventa . 45 2.4. Características del cine carpenteriano . 53 2.4.1.—Una historia casi única . 57 2.4.2. —Creación de atmósferas . 58 2.4.3. —Mensaje social . 63 2.4.4. — Visión crítica de la autoridad: El desafio a los estudios ... 63 2.4.4.1. — Los personajes y el modelo social . 65 2.4.5. — Aspectos técnicos . 67 2.4,5.1.—Actores . 71 2.4.6. — El cine de terror versus la realidad ... 75 3- 2.5. — Elimografia para el cine 77 2.51.—Otros trabajos para el Séptimo Arte 78 2.5.1.1.—Director . -
Queer Presence in Post Modern Horror Films
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 7-17-2009 Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films Melanie McDougald Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation McDougald, Melanie, "Where I am, There (Sh)it will be: Queer Presence in Post Modern Horror Films." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/66 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. WHERE I AM, THERE (SH)IT WILL BE: QUEER PRESENCE IN POST MODERN HORROR FILMS by MELANIE MCDOUGALD Under the Direction of Margaret Mills Harper ABSTRACT This paper will consider the function of queer space and presence in the post modern horror film genre. Beginning with George Romero‟s 1968 film Night of the Living Dead and continuing through to contemporary examples of the genre, the paper posits the function of the queer monster or monstrous as integral to and representative of the genre as a whole. The paper analyzes both the current theory and scholarship of the genre and through Lacanian psychoanalytic theory and queer theory offers a theory of how these theories can add to existing theory