African American Archeology in Texas: a Planning Document
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CHUNKEY, CAHOKIA, AND INDIGENOUS CONFLICT RESOLUTION by ANNE GREGORY A THESIS Presented to the Conflict and Dispute Resolution Program and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Science June 2020 THESIS APPROVAL PAGE Student: Anne Gregory Title: Chunkey, Cahokia, and Indigenous Conflict Resolution This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Science degree in the Conflict and Dispute Resolution Program by: Kirby Brown Chair Eric Girvan Member and Kate Mondloch Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2020. ii © 2020 Anne Gregory This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii THESIS ABSTRACT Anne Gregory Master of Science Conflict and Dispute Resolution June 2020 Title: Chunkey, Cahokia, and Indigenous Conflicts Resolution Chunkey, a traditional Native American sport, was a form of conflict resolution. The popular game was one of several played for millennia throughout Native North America. Indigenous communities played ball games not only for the important culture- making of sport and recreation, but also as an act of peace-building. The densely populated urban center of Cahokia, as well as its agricultural suburbs and distant trade partners, were dedicated to chunkey. Chunkey is associated with the milieu surrounding the Pax Cahokiana (1050 AD-1200 AD), an era of reduced armed conflict during the height of Mississippian civilization (1000-1500 AD). The relational framework utilized in archaeology, combined with dynamics of conflict resolution, provides a basis to explain chunkey’s cultural impact. -
The Keystone
THE KEYSTONE SOUTHWESTERN WRITERS COLLECTION | WITTLIFF GALLERY OF SOUTHWESTERN & MEXICAN PHOTOGRAPHY FALL 2006 | SPECIAL COLLECTIONS AT THE ALKEK LIBRARY | WWW. LIBRARY. TXSTATE. EDU/ SPEC- COLL UNIVERSITY SAN MARCOS A member of the Texas State University System from the CURATOR (right) Raymond, ¡Saludos! are extensively represented in the Wittliff Gallery, tells the (left) Sally Wittliff, 1991, Keith Carter The power of art in life is a story of a cleaning woman who said to him that in the the Bill Wittliff, Dawn Jones, Tommy Lee recurring motif here at the building where she worked there was one of his pictures— Jones, Sam Shepard, THANK YOU Collections, vividly set an old blind man petting a bunch of tiny kittens that were in & John Graves to all contributors forth once again by Graci- his lap and crawling over his shirt—eyes not open yet, blind of (seated)* who made gifts ela Iturbide in her book, like him. An edgy, unsentimental portrait that nevertheless Spirit (center) Emcee this fiscal year for Evan Smith, editor- Eyes to Fly With, upcoming reaches into every single chamber of your heart. She told general support or in-chief of TEXAS in the Wittliff Gallery Keith that she looked at it each day before she started work MONTHLY** to sponsor specific Series (p. 12). In the rare because it made her feel so good. anniversary gala projects: Place (below) revelatory text she ex- The life-changing power of art is not for the practition- Debbie & Jim # Azadoutioun Epperson, president plains how, after the death ers of art alone—it’s for all of us. -
Garveyism: a ’90S Perspective Francis E
New Directions Volume 18 | Issue 2 Article 7 4-1-1991 Garveyism: A ’90s Perspective Francis E. Dorsey Follow this and additional works at: http://dh.howard.edu/newdirections Recommended Citation Dorsey, Francis E. (1991) "Garveyism: A ’90s Perspective," New Directions: Vol. 18: Iss. 2, Article 7. Available at: http://dh.howard.edu/newdirections/vol18/iss2/7 This Article is brought to you for free and open access by Digital Howard @ Howard University. It has been accepted for inclusion in New Directions by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. GARVEYISM A ’90s Perspective By Francis E. Dorsey Pan African Congress in Manchester, orn on August 17, 1887 in England in 1945 in which the delegates Jamaica, Marcus Mosiah sought the right of all peoples to govern Garvey is universally recog themselves and freedom from imperialist nized as the father of Pan control whether political or economic. African Nationalism. After Garveyism has taught that political power observing first-hand the in without economic power is worthless. Bhumane suffering of his fellow Jamaicans at home and abroad, he embarked on a mis The UNIA sion of racial redemption. One of his The corner-stone of Garvey’s philosophical greatest assets was his ability to transcend values was the establishment of the Univer myopic nationalism. His “ Back to Africa” sal Negro Improvement Association, vision and his ‘ ‘Africa for the Africans at UNIA, in 1914, not only for the promulga home and abroad” geo-political perspec tion of economic independence of African tives, although well before their time, are peoples but also as an institution and all accepted and implemented today. -
Pierce Mounds Complex an Ancient Capital in Northwest Florida
Pierce Mounds Complex An Ancient Capital in Northwest Florida Nancy Marie White Department of Anthropology University of South Florida, Tampa [email protected] Final Report to George J. Mahr, Apalachicola, Florida December 2013 ii ABSTRACT The Pierce site (8Fr14), near the mouth of the Apalachicola River in Franklin County, northwest Florida, was a major prehistoric mound center during the late Early and Middle Woodland (about A.D. 200-700) and Mississippian (about A.D. 1000-1500) periods. People lived there probably continuously during at least the last 2000 years (until right before the European invasion of Florida in the sixteenth century) and took advantage of the strategic location commanding the river and bay, as well as the abundant terrestrial and aquatic resources. Besides constructing several mounds for burial of the dead and probably support of important structures, native peoples left long midden (refuse) ridges of shells, animal bones, artifacts and blackened sandy soils, which built up a large and very significant archaeological site. Early Europeans and Americans who settled in the town of Apalachicola recognized the archaeological importance of Pierce and collected artifacts. But since the site and its spectacular findings were published by C.B. Moore in 1902, much information has been lost or misunderstood. Recent investigations by the University of South Florida were commissioned by the property owner to research and evaluate the significance of the site. There is evidence for an Early Woodland (Deptford) occupation and mound building, possibly as early as A.D. 200. Seven of the mounds form an oval, with the Middle Woodland burial mounds on the west side. -
Reglas De Congo: Palo Monte Mayombe) a Book by Lydia Cabrera an English Translation from the Spanish
THE KONGO RULE: THE PALO MONTE MAYOMBE WISDOM SOCIETY (REGLAS DE CONGO: PALO MONTE MAYOMBE) A BOOK BY LYDIA CABRERA AN ENGLISH TRANSLATION FROM THE SPANISH Donato Fhunsu A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature (Comparative Literature). Chapel Hill 2016 Approved by: Inger S. B. Brodey Todd Ramón Ochoa Marsha S. Collins Tanya L. Shields Madeline G. Levine © 2016 Donato Fhunsu ALL RIGHTS RESERVED ii ABSTRACT Donato Fhunsu: The Kongo Rule: The Palo Monte Mayombe Wisdom Society (Reglas de Congo: Palo Monte Mayombe) A Book by Lydia Cabrera An English Translation from the Spanish (Under the direction of Inger S. B. Brodey and Todd Ramón Ochoa) This dissertation is a critical analysis and annotated translation, from Spanish into English, of the book Reglas de Congo: Palo Monte Mayombe, by the Cuban anthropologist, artist, and writer Lydia Cabrera (1899-1991). Cabrera’s text is a hybrid ethnographic book of religion, slave narratives (oral history), and folklore (songs, poetry) that she devoted to a group of Afro-Cubans known as “los Congos de Cuba,” descendants of the Africans who were brought to the Caribbean island of Cuba during the trans-Atlantic Ocean African slave trade from the former Kongo Kingdom, which occupied the present-day southwestern part of Congo-Kinshasa, Congo-Brazzaville, Cabinda, and northern Angola. The Kongo Kingdom had formal contact with Christianity through the Kingdom of Portugal as early as the 1490s. -
Vita I. Academic/Professional
VITA I. ACADEMIC/PROFESSIONAL BACKGROUND A. Name Title Mark Bayless Busby, Professor of English B. Educational Background (Years, Degrees, Universities, Majors, Thesis/Dissertation) August 1977 Ph.D. University of Colorado, Boulder Dissertation: “The Merging Adam-Christ Figure in Contemporary American Fiction” Director: James K. Folsom January 1969 M.A. Texas A&M University-Commerce Thesis: “Recent Trends in Marxist Literary Theory” Director: Thomas A. Perry May 1967 B.A. Texas A&M University-Commerce Majors: English and Speech C. University Experience (Dates, Positions, Universities,) Sept. 1994-Present Professor of English, Texas State University, San Marcos, TX August 1991-Sept. 1994 Associate Professor of English, Texas State University, San Marcos, TX August 2002-2012 Director, Southwest Regional Humanities Center, Texas State University, San Marcos, TX August 1991-2012 Director, Center for the Study of the Southwest, Texas State University, San Marcos, TX August 1983-July 1991 Associate Professor of English, Texas A&M University, College Station, TX August 1977-Aug. 1983 Assistant Professor of English, Texas A&M University, College Station, TX August 1972-May 1977 Instructor of English, University of Colorado, Boulder, CO June-August 1974, 1975 Instructor of English, Black Education Program, University of Colorado, Boulder, CO September 1970-June 1972 Associate Faculty Instructor of English, Indiana-Purdue University, Indianapolis, IN D. Relevant Professional Experience (Dates, Position, Entity,) September 1970-Dec. 1971 Communicative Arts Instructor, U.S. Army Adjutant General School, Fort Harrison, IN September 1967-May 1969 Teaching Assistant in English, Texas A&M University-Commerce, TX II. TEACHING A. Teaching Honors and Awards: 2012 Named Alpha Chi Favorite Professor, Texas State University 2008- Named Jerome H. -
Center for Public History
Volume 8 • Number 2 • spriNg 2011 CENTER FOR PUBLIC HISTORY Oil and the Soul of Houston ast fall the Jung Center They measured success not in oil wells discovered, but in L sponsored a series of lectures the dignity of jobs well done, the strength of their families, and called “Energy and the Soul of the high school and even college graduations of their children. Houston.” My friend Beth Rob- They did not, of course, create philanthropic foundations, but ertson persuaded me that I had they did support their churches, unions, fraternal organiza- tions, and above all, their local schools. They contributed their something to say about energy, if own time and energies to the sort of things that built sturdy not Houston’s soul. We agreed to communities. As a boy, the ones that mattered most to me share the stage. were the great youth-league baseball fields our dads built and She reflected on the life of maintained. With their sweat they changed vacant lots into her grandfather, the wildcatter fields of dreams, where they coached us in the nuances of a Hugh Roy Cullen. I followed with thoughts about the life game they loved and in the work ethic needed later in life to of my father, petrochemical plant worker Woodrow Wilson move a step beyond the refineries. Pratt. Together we speculated on how our region’s soul—or My family was part of the mass migration to the facto- at least its spirit—had been shaped by its famous wildcat- ries on the Gulf Coast from East Texas, South Louisiana, ters’ quest for oil and the quest for upward mobility by the the Valley, northern Mexico, and other places too numerous hundreds of thousands of anonymous workers who migrat- to name. -
ALSCW 17Th Annual Conference
ALSCW 17th Annual Conference Friday, October 14, 2011 – Sunday, October 16, 2011 with special thanks to the Boston University Center for the Humanities (Professor James Winn, Director) We warmly invite non-members of the ALSCW to register for this conference and enjoy our stimulating menu of events and the convivialities of the weekend. If you would like to join our Association and enjoy all the privileges of membership—including a member-rate for conference registration—please visit our website ALSCW.org We look forward to seeing our members again and to welcoming new members. Thursday October 13 Prologue to the Conference 7:00pm: A Novelist and a Poet: Tim Parks and Mark Halliday Reading The Poetry Reading Series at Boston University Presents TIM PARKS and MARK HALLIDAY Thursday October 13th at 7 p.m. The Castle, 225 Bay State Road Supported by the BU Center for the Humanities, College of General Studies, and the Association of Literary Scholars, Critics, and Writers Free and open to the public Please contact Meg Tyler ([email protected], 617-358-4199) with any questions Mark Halliday teaches at Ohio University. His books of poems are: Little Star (William Morrow, 1987), Tasker Street (University of Massachusetts, 1992), Selfwolf (University of Chicago, 1999), Jab (University of Chicago, 2002), and Keep This Forever (Tupelo Press, 2008). His critical study Stevens and the Interpersonal appeared in 1991 from Princeton University Press. He co-authored with Allen Grossman a book on poetics, The Sighted Singer (John Hopkins University Press, 1991). Tim Parks was born in Manchester in 1954, and studied at Cambridge and Harvard before moving permanently to Italy in 1981. -
Black Capitalism’
Opinion The Real Roots of ‘Black Capitalism’ Nixon’s solution for racial ghettos was tax breaks and incentives, not economic justice. By Mehrsa Baradaran March 31, 2019 The tax bill President Trump signed into law in 2017 created an “opportunity zones” program, the details of which will soon be finalized. The program will provide tax cuts to investors to spur development in “economically distressed” areas. Republicans and Democrats stretching back to the Nixon administration have tried ideas like this and failed. These failures are well known, but few know the cynical and racist origins of these programs. The neighborhoods labeled “opportunity zones” are “distressed” because of forced racial segregation backed by federal law — redlining, racial covenants, racist zoning policies and when necessary, bombs and mob violence. These areas were black ghettos. So how did they come to be called “opportunity zones?” The answer lies in “black capitalism,” a forgotten aspect of Richard Nixon’s Southern Strategy. Mr. Nixon's solution for racial ghettos was not economic justice, but tax breaks and incentives. This deft political move allowed him to secure the support of 2 white Southerners and to oppose meaningful economic reforms proposed by black activists. You can see how clever that political diversion was by looking at the reforms that were not carried out. After the Civil Rights Act, black activists and their allies pushed the federal government for race-specific economic redress. The “whites only” signs were gone, but joblessness, dilapidated housing and intractable poverty remained. In 1967, blacks had one-fifth the wealth of white families. ADVERTISEMENT Yet a white majority opposed demands for reparations, integration and even equal resources for schools. -
Meet Me at the Flagpole: Thoughts About Houston’S Legacy of Obscurity and Silence in the Fight of Segregation and Civil Right Struggles
Meet Me at the Flagpole: Thoughts about Houston’s Legacy of Obscurity and Silence in the fight of Segregation and Civil Right Struggles Bernardo Pohl Abstract This article focuses on the segregated history and civil right movement of Houston, using it as a case study to explore more meaningfully the teaching of this particular chapter in American history. I have a dream that one day every valley shall be exalted, every hill and mountain shall be made low, the rough places will be made straight and the glory of the Lord shall be revealed and all flesh shall see it together. Dr. Martin Luther King, Jr. I remember the day very clearly. It was an evening at Cullen Auditorium at Uni- versity of Houston. It was during the fall of 2002, and it was the end of my student teach- ing. Engulfed in sadness, I sat alone and away from my friends. For me, it was the end of an awesome semester of unforgettable moments and the start of my new teaching career. I was not really aware of the surroundings; I did not have a clue about what I was about to experience. After all, I just said yes and agreed to another invitation made by Dr. Cam- eron White, my mentor and professor. I did not have any idea about the play or the story that it was about to start. The word “Camp Logan” did not evoke any sense of familiarity in me; it did not resonate in my memory. Besides, my mind was somewhere else: it was in the classroom that I left that morning; it was in the goodbye party that my students prepared for me; and it was in the uncertain future that was ahead of me. -
African Concepts of Energy and Their Manifestations Through Art
AFRICAN CONCEPTS OF ENERGY AND THEIR MANIFESTATIONS THROUGH ART A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Renée B. Waite August, 2016 Thesis written by Renée B. Waite B.A., Ohio University, 2012 M.A., Kent State University, 2016 Approved by ____________________________________________________ Fred Smith, Ph.D., Advisor ____________________________________________________ Michael Loderstedt, M.F.A., Interim Director, School of Art ____________________________________________________ John R. Crawford-Spinelli, D.Ed., Dean, College of the Arts TABLE OF CONTENTS LIST OF FIGURES………………………………………….. iv ACKNOWLEDGMENTS …………………………………… vi CHAPTERS I. Introduction ………………………………………………… 1 II. Terms and Art ……………………………………………... 4 III. Myths of Origin …………………………………………. 11 IV. Social Structure …………………………………………. 20 V. Divination Arts …………………………………………... 30 VI. Women as Vessels of Energy …………………………… 42 VII. Conclusion ……………………………………….…...... 56 VIII. Images ………………………………………………… 60 IX. Bibliography …………………………………………….. 84 X. Further Reading ………………………………………….. 86 iii LIST OF FIGURES Figure 1: Porogun Quarter, Ijebu-Ode, Nigeria, 1992, Photograph by John Pemberton III http://africa.si.edu/exhibits/cosmos/models.html. ……………………………………… 60 Figure 2: Yoruba Ifa Divination Tapper (Iroke Ifa) Nigeria; Ivory. 12in, Baltimore Museum of Art http://www.artbma.org/. ……………………………………………… 61 Figure 3.; Yoruba Opon Ifa (Divination Tray), Nigerian; carved wood 3/4 x 12 7/8 x 16 in. Smith College Museum of Art, http://www.smith.edu/artmuseum/. ………………….. 62 Figure 4. Ifa Divination Vessel; Female Caryatid (Agere Ifa); Ivory, wood or coconut shell inlay. Nigeria, Guinea Coast The Metropolitan Museum of Art, http://www.metmuseum.org. ……………………… 63 Figure 5. Beaded Crown of a Yoruba King. Nigerian; L.15 (crown), L.15 (fringe) in. -
West-Central African Nature Spirits in the South Carolina Lowcountry
Southeastern Regional Seminar in African Studies (SERSAS) Fall Meeting 27 - 28 October 2000 University of Tennessee, Knoxville West-Central African Nature Spirits in the South Carolina Lowcountry Ras Michael Brown Dillard University Captives carried from West-Central African ports to the shores of South Carolina arrived in large numbers throughout the duration of the legal and illegal African slave trade, particularly during the years when plantation slavery began to take its familiar form and expand throughout Carolina. These enslaved West-Central Africans played an especially important role in shaping the cultural milieu of the southeastern seaboard. A number of scholars have looked at the influence of West-Central Africans on beliefs and practices in the African- Lowcountry cultural tradition.[1] This paper is part of my contribution to this topic. In particular, I examine the example of nature spirits in South Carolina as reflective of the profound and unique impact that West-Central Africans had on the development of African- Lowcountry culture. I contend that West-Central African nature deities, called simbi spirits in Kikongo, served the enslaved people of the early Lowcountry as spiritual benefactors around which captives of diverse African origins and those born in the Lowcountry built their communities. Simbi Spirits in the South Carolina Lowcountry: Evidence & Questions In 1843, a geologist in search of marl deposits in the soil of South Carolina recorded in his journal that enslaved people throughout the Lowcountry that water spirits called "cymbees" inhabited certain springs. This early account and later ones from twentieth-century sources also report that African-descended people in the Lowcountry feared the "cymbees," especially in instances when individuals (usually women) tried to draw water or children endeavored to swim in the springs.