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Matthew Dunn
Suspense, Mystery, Horror and Thriller Fiction JULY 2013 A Summertime Cornucopia with James Rollins Tami Hoag BRad TayloR RicHaRd godwin maTTHew dunn Lisa Gardner Continues her 10-Part Series On COnquering the DreaDeD SynOPSiS Peek Inside Stranger Than Fiction “The eye of god” & Beware! “The Poisoned Pilgrim” The Vampire hunTer #1 Internat I onal Bestseller “SIMON KERNICK writes great plots, great characters, great action.” —Lee ChiLd Available in paperback and ebook Available as an ebook Available as an ebook “Simon Kernick writes with his foot pressed hard on the pedal. hang on tight!” —harLan Coben “Kernick is no longer a writer to watch; he’s an author to be reckoned with.” —MarK biLLinghaM ATRIA INTERNATIONAL BOOKS OF MYSTERY YOUR PASSPORT TO A WORLD OF MURDER AND MAYHEM Proudly Published by Facebook.com/AtriaBooks Twitter.com/AtriaBooks AtriaInternationalMysteries.com PICK UP OR DOWNLOAD YOUR COPIES TODAY C r e di t s From the Editor John Raab President & Chairman What makes a great villain? Shannon Raab Creative Director When authors write a series, the focus is Romaine Reeves CFO generally on the heroes—their family and lives, and the people that touch them every day. Starr Gardinier Reina But what about the villain? That character Executive Editor usually changes from book to book since the hero Jim Thomsen saves the day and in the end the villain is generally Copy Editor killed off. The readers rarely get to know the villain Contributors since their life is so short, but that doesn’t mean the Donald Allen Kirch author can simply write about a really bad person that does bad things and then loses in Mark P. -
A Way of Life
SUMMER 2009 MODUS VIVENDI A Way of Life COmmENCEMENT 2009 FACULTY PROFILE RENEE MATSON THE CLAssICAL BRAIN FAMILIES ON A MISSION THE BEAR CREEK SCHOOL MAGAZINE Modus Vivendi Summer 2009 Modus Vivendi is translated as a way of life or a manner of living. The Bear Creek School seeks to develop individuals for whom the classical ideals of excellence in all things, love of learning, spiritual commitment, and self-discipline have become a way of life. Editor, Sue Sanford Art Director, Marla Zylstra Associate Editor, Sini Fernandez Contributors and Proofreaders Vicki Kaiser, Marky Olson, Shannon DuBois, Dr. Nancy Price, Kevin Davison, Jeff Gephart, Karen Blankenbeckler, Natalie Higashiyama, Peggy Hatem, Coralie Weston, Jenai Sheffels, Linda Sheppard, Liz Holtzman, Alicia Williams, Lori Lee, Allison Fletcher, Emily Knuth, and Michele Herold. Editorial Board Whitney Engel ‘08, Dani Pohlman ‘05, Susan Diamond, Natalie Higashiyama, James Prekeges, Patrick Carruth, Jeff Gephart, Justin Coleman, Marla Zylstra, Blake DeYoung, Janet Jacobson, Rob Sorensen, Chad Pohlman, Karen Blankenbeckler, and Sue Sanford. Editorial Submissions Articles, photographs, and ideas are welcome and may be sent to [email protected]. We reserve the right to edit submissions for length, clarity, and style. Modus Vivendi is published twice yearly by The Bear Creek School. If you are interested in writing for the Modus Vivendi, or have comments or Table of Contents questions regarding the publication, please contact Sue Sanford at [email protected] or 425-898-1720 ext. 328. Head of School, Patrick Carruth Around Campus Features Class Notes Vice President for Advancement, Justin Coleman Director of Admissions, Christie Hazeltine Director of Marketing & Communications, This page Sue Sanford The thirty-three members of the class of 2009 2 Message from the Head of School 24 Faculty Profile: Renee Matson 36 Alumni Notes and Features Director of Development Affairs, celebrate after their commencement ceremony Linda Sheppard on June 6, 2009. -
Django Unchained
COLUMBIA PICTURES e WEINSTEIN COMPANY presentano un film di QUENTIN TARANTINO JAMIE FOXX CHRISTOPH WALTZ LEONARDO DiCAPRIO KERRY WASHINGTON e SAMUEL L. JACKSON Casting a cura di: Victoria Thomas Costumi di: Sharen Davis Montaggio di: Fred Raskin Scenografie di: J. Michael Riva Direttore della fotografia: Robert Richardson Executive Producers: Bob Weinstein, Harvey Weinstein, Michael Shamberg, Shannon McIntosh e James W. Skotchdopole Prodotto da: Stacey Sher, Reginald Hudlin e Pilar Savone Scritto e diretto da: Quentin Tarantino Distribuzione: Warner Bros. Pictures Italia Durata: 2 ore e 45 minuti Data d’uscita: 17 gennaio 2013 Materiali stampa: www.cristianacaimmi.com/materialidjango.zip 1 DJANGO UNCHAINED Sinossi Ambientato nel Sud degli Stati Uniti due anni prima dello scoppio della Guerra Civile, Django Unchained vede protagonista il premio Oscar® Jamie Foxx nel ruolo di Django, uno schiavo la cui brutale storia con il suo ex padrone, lo conduce faccia a faccia con il Dott. King Schultz (il premio Oscar® Christoph Waltz), il cacciatore di taglie di origine tedesca. Schultz è sulle tracce dei fratelli Brittle, noti assassini, e solo l’aiuto di Django lo porterà a riscuotere la taglia che pende sulle loro teste. Il poco ortodosso Schultz assolda Django con la promessa di donargli la libertà una volta catturati i Brittle – vivi o morti. Il successo dell’operazione induce Schultz a liberare Django, i due uomini scelgano di non separarsi, anzi Schultz sceglie di partire alla ricerca dei criminali più ricercati del Sud con Django al suo fianco. Affinando le vitali abilità di cacciatore, Django resta concentrato su un solo obiettivo: trovare e salvare Broomhilda (Kerry Washington), la moglie che aveva perso tempo prima, a causa della sua vendita come schiava. -
ADOPTED SEP 0 7 2010 SECONDED BY: C.R~ LOS ANGELES CITY Council
CITY OF LOS ANGELES RESOLUTION MARC MARMARO WHEREAS, Marc Marmaro was born on February 26, 1948, in the Bronx, New York; and, WHEREAS, Marmaro went on to receive a B.A. from George Washington University in 1969 and J.D. cum laude, Order of the Coif, from New York University School of Law in 1972; and, WHEREAS, in 1972, Marmaro clerked for the Honorable John J. Gibbons, U.S. Court of Appeals for the Third Circuit; and, WHEREAS, Marmaro served the U.S. Attorney's Office, Southern District of New York as an assistant U.S. attorney from 1975 to 1978; and, WHEREAS, Marmaro moved to the City of Los Angeles to join Manatt, Phelps & Phillips as a litigation associate and partner until 1981; and, WHEREAS, in 1981, Marmaro helped found the law firm Jeffer, Mangels, Butler, & Marmaro, LLP, which has grown from 11 employees to over 140 in three cities across the United States; and, WHEREAS, Marmaro is a Fellow of the American College of Trial Lawyers; and, WHEREAS, in 2004, he was named California Lawyer of the Year in Intellectual Property by California Lawyer magazine for negotiating the settlement of spinal fusion technology patent disputes for $1.35 billion; and, WHEREAS, on June 30,2010, California Governor Arnold Schwarzenegger appointed him to the Los Angeles County Superior Court; and, WHEREAS, on August 5, 2010, Marc Marmaro was officially sworn into office as a Judge for Los Angeles County Superior Court; and, NOW, THEREFORE, BE IT RESOLVED, that by the adoption of this resolution, the City Council of Los Angeles, the Mayor, and the City Attorney extends their congratulations to Marc Marmaro for his judicial appointment, outstanding achievements, and constant pursuit for justice. -
NATO Feb 07.Indd
February 2007 NATO of California/Nevada February 2007 NATO of California/Nevada Information for the California and Nevada Motion Picture Theatre Industry CALENDAR Spring/Summer Film Product Seminar of EVENTS & Set for April HOLIDAYS Be among the first to see the adventure, animation, drama and comedy that awaits the movie-going public this coming season. Attend the NATO of California/Nevada 2007 Spring/ Valentine’s Day Summer Film Product seminar on Thursday, April 12th at the February 14 Regal Hacienda Crossing Theatre in Dublin or Tuesday, April 17th at Krikorian Premiere Theatres’ Metroplex 18 At Buena President’s Day Park Downtown. February 19 The full day seminars will begin at 9:00 AM with a conti- Regal’s Hacienda Crossing Theatre nental breakfast, continue in the auditorium at 10:00 AM where Academy Awards the marketing reps from the major studios will present upcoming presentation promotions and product reels from their exciting spring and February 25 summer line-ups. A lunch break will allow time for meeting and visiting with other managers, followed by the concluding Daylight Saving presentations and the ever-popular Goodie Bag distribution. Time Begins Attendance is open to NATO of CA/NV member companies March 11 and is by reservation only, no walk-ins and no substitutions. Due to space limitations we can accommodate no more than ShoWest two persons from each theatre location. Reservation deadline March 12-15 is Friday, March 23rd. See registration on page 2 Krikorian’s Metroplex 18 at Buena Park St. Patrick’s Day March 17 Regal’s Curtis Ewing Joins Spring Begins March 21 Board of Directors Curtis M. -
Gus Van Sant Regis Dialogue Formatted
Gus Van Sant Regis Dialogue with Scott Macaulay, 2003 Scott Macaulay: We're here at the Walker Art Center for Regis dialogue with American filmmaker Gus Van Sant. He'll be discussing the unique artistic vision that runs through his entire body of work. Gus was first recognized for a trilogy of films that dealt with street hustlers, Mala Noche, Drugstore Cowboy, My Own Private Idaho. He then went on to experiment with forum and a number of other films including To Die For, Psycho and even Cowgirls Get the Blues. Gus is perhaps best known for his films, Goodwill Hunting and Finding Forrester, but all of his work including his latest film, Gerry, has his own unique touch. We'll be discussing Gus' films today during this Regis dialogue. I'm Scott Macaulay, producer and editor of Filmmaker Magazine. I'll be your guide through Gus' work today in this Regis dialogue. Thanks. Gus Van Sant: Thank you. Scott Macaulay: It's a real pleasure to be here with Gus Van Sant on this retrospective ... Which is called on the road again. I guess there are a lot of different illusions in that title, a lot of very obvious ones because a lot of Gus' movies deal with travel and change and people going different places, both locations within America but also in their lives. But another interesting implication of the title is that this retrospective is occurring on the eve of the release here and also nationwide of Gerry, which is really one of Gus' best and most moving films but it's also yet sort of another new direction for Gus as a filmmaker. -
BAM/PFA Program Guide Were Initiated by Bampfa.Berkeley.Edu/Signup
2011 SEP / OCT BAM/PFA UC BERKELEY ART MUSEum & PacIFIC FILM ARCHIVE PROGRAM GUIDE SILKE OTTO-KNAPp RICHARD MISRACh DESIRÉE HOLMAn KURT SCHWITTERs cREATe hIMALAYAN PILGRIMAGe DZIGA VERTOV RAINER WERNER FASSBINDER UCLA FESTIVAL OF PRESERVATIOn PAUL SHARITs yILMAZ GÜNEy nEW HOLLYWOOD CINEMA IN THE SEVENTIEs TERRY RILEY rOBIN COX ENSEMBLE 01 BAM/PFA EXHIBITIONS & FILM SERIES SILKE OTTO-KNAPP / MATRIX 239 P. 7 1991: THE OAKLAND-BERKELEY FIRE AfTErmATH PHOTOGRAPHS BY RICHARD MIsrACh P. 5 RICHARD MIsrACH: PHOTOGRAPHS from THE COLLECTIOn P. 6 DESIRÉE HoLMAN: HETEroTOPIAS / MATRIX 238 P. 9 CREATE P. 8 ROME, NAPLES, VENICE: MASTERWORKS from THE BAM/PFA COLLECTIOn P. 9 KURT SCHWITTErs: COLor AND COLLAGe P. 8 HIMALAYAN PILGRIMAGE: JOURNEY TO THE LAND of SNOWS P. 9 THom FAULDErs: BAMscAPE UCLA FESTIVAL of PrESErvATIOn P. 15 THE OUTSIDErs: NEW HoLLYWooD CINEMA IN THE SEVENTIES P. 12 SOUNDING Off: PorTRAITS of UNUSUAL MUSIC P. 18 ALTERNATIVE VISIONS P. 22 ANATOLIAN OUTLAW: YILMAZ GÜNEy P. 20 KINO-EYE: THE REvoLUTIONARY CINEMA of DZIGA VERTov P. 24 A THEATER NEAR You P. 19 PAUL SHARITS: AN OPEN CINEMa P. 23 HomE MovIE DAy P. 17 RAINER WERNER FAssbINDER: TWO GrEAT EPIcs P. 26 GET MORE Listen to artist Desirée Holman in conversation with curatorial assistant Dena Beard, bampfa.berkeley.edu/podcasts. Cover Dziga Vertov: Imitation of the "Leap from the Grotto" (PE 5), c. 1935; from the Vertov Collection, Austrian Film Museum, Vienna. Listen to the June 23 Create roundtable discussion, bampfa.berkeley.edu/podcasts. 01. Peter Bissegger: Reconstruction of Kurt Schwitters’s Merzbau, 1981-83 (original ca. 1930–37, destroyed 1943); 154 3/4 × 228 3/8 × 181 in.; Sprengel Museum Hannover; Photo: Michael Herling/ Learn more about L@TE artists and programmers at bampfa.berkeley.edu/late. -
Resume June 2021
LARRY FITZGERALD Editor • Online and Offline (818) 489-0704 larry@fitzpost.com SELECTED CREDITS • More at imdb.com VARIETY/LIVE EVENTS Dancing with the Stars ABC Segment Editor Academy of Country Music Awards CBS Noms/Online Editor (2020 & 2021) Fox New Year’s Eve Toast & Roast Fox Online Editor Space Launch Live (Emmy Winner) Discovery Online Editor Space Launch: Splashdown Discovery Online Editor Radio Disney: ARDYs Summer Playlist Disney Online Editor Disney Channel Epic Holiday Showdown Disney Online Editor See Us Unite For Change MTV Segment Editor 82nd Academy Awards ABC Nominations Editor 81st Academy Awards ABC Supervising Editor 80th Academy Awards ABC Supervising Editor 79th Academy Awards ABC Nominations Editor (Emmy Nominated) Oscar’s Red Carpet ABC Segment Editor Miss Universe Pageant NBC/Fox Online Editor (7 shows) Miss USA Pageant NBC/Fox Online Editor (8 Shows) Creative Arts Emmy Awards E!/FXX Supervising Editor (6 shows) iHeart Radio Music Awards TBS Online Editor (2 shows) Forward: The Future of Black Music Facebook Offline & Online Editor NAACP Image Awards BET/CBS Offline & Online Editor HBCU Homecoming YouTube Offline & Online Editor American Rescue Dog Show Hallmark Segment Editor Independent Spirit Awards IFC Online Editor Black Women In Hollywood OWN Online Editor American Black Film Festival BET Online Editor GAME • COMPETITION Web Heads Nick Editor, 15 eps (Multicam Studio) Scream Play E! Online Editor Search Party E! Segment Editor Skin Wars GSN Reunion Show Segment Editor REALITY • DOCU-SOAP Married to Medicine: Atlanta -
Daily Eastern News: February 26, 2008 Eastern Illinois University
Eastern Illinois University The Keep February 2008 2-26-2008 Daily Eastern News: February 26, 2008 Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/den_2008_feb Recommended Citation Eastern Illinois University, "Daily Eastern News: February 26, 2008" (2008). February. 17. http://thekeep.eiu.edu/den_2008_feb/17 This Article is brought to you for free and open access by the 2008 at The Keep. It has been accepted for inclusion in February by an authorized administrator of The Keep. For more information, please contact [email protected]. "TELL THE TRUTH AND DON'T BE AFRAID" WWW.DENNEWS.COM The DAILY EASTERN NEWS EASTERN ILLINOIS UNIVERSITY, CHARLESTON TUESDAY 12.26.08 VOL. 95 I ISSUE 35 UNIVERSITY I COSTS CAMPUS I EVENTS Tuition to Winter fest moves to warmer climate • VVeatherconcerns RYAN KERCH I MEMBER OF STUDENT SENATE AND UNIVERSITY BOARD 1ncrease prompted change to Lawson basement "I think it was kind of sad that it was just Student Senate. for fall 08 If this is something like First Night, there should be more By Dylan Polk campus organizations:' Staff Reporter Perry says no state funding increase Students will not hear sleigh bells Baumgart said. "We wanted to music and snow globes. WANT TOGO? ring tonight. make sure the students were safe." He said that the event was a way a factor in decision Winter Wonderland has been Because of the event being held for Eastern students to express con • WHAT: Winter Wonderland, fea moved to 7 p.m. in the basement of indoors, the previously scheduled cern and get involved. -
Oscar Host Ellen Degeneres Is Ready to Dance Cuaron's Oscar Nod
lifestyle SUNDAY, MARCH 2, 2014 Pharrell, U2, Idina Menzel rock Oscar rehearsals aving the nation’s No 1 song does not exempt an artist from Oscar rehearsals. Pharrell Williams ran through his Hcatchy hit “Happy” more than half a dozen times Friday in preparation for the Oscar telecast. He even shared the spotlight with a spate of stars: Jamie Foxx, Brad Pitt and Kate Hudson showed up to rehearse while he was on stage. All I care about is the fun,” Williams said to Hudson, who boogied in the audience as he practiced his dance-heavy number. A choir of high-school students and 20 professional dancers accompany his colorful performance. Also rehearsing Friday: Broadway star Idina Menzel, who’s set to sing “Let It Go” from animated film nominee “Frozen”; U2, which is nominated for its song from the Mandela movie, “Ordinary Love”; and rocker Karen O, who is nominated for “The Moon Song” from best-picture nominee “Her.” Menzel was awed by the technology that allowed the Oscar orchestra, playing off- site at the Capitol Records building, to coordinate with her live at the Dolby Theatre. “Hi, Bill, can you hear me?” she said into the microphone at conductor William Ross, whom she could see on a monitor from inside the theater. “I’m trying to get that telepathic vibe with you because I’m alone up here and this is my first time (on the Oscars). “You look very handsome,” she added. Karen O, front woman of the rock band Yeah Yeah Yeah’s, took notes from director Spike Jonze as she practiced her performance, “The Moon Song” from his best-picture nominee, “Her.” “Spike just asked me to hold the mic a little bit lower, so I need a little more level,” she told a sound engineer. -
Business Review Request Letter: Producers Guild of America
Quinn emanuel trial lawvers los anueles 865 South Figueroa Street, 10th Floor, Los Angeles, California 90017 TEI. 213-443-3000 FAX 213-443-3100 WRITER'S DIRECT DIAL NO, (213) 443-3146 WRITER'S INTERNET ADDRESS [email protected] March 25, 2011 Office of the Assistant Attorney General Antitrust Division Department of Justice Main Justice Building Room 3109 950 Pennsylvania Avenue, N.W. Washington, D.C. 20530 Re: Producers Guild of America Business Review Letter Request To the Assistant Attorney General: We are writing on behalf of our client, the Producers Guild of America, to request a business review letter with respect to the proposed use of the "p.g.a" certification mark owned by the Producers Guild of America ("PGA"). The "p.g.a" certification mark has been approved for registration by the United States Patent and Trademark Office subject only to proof of use in commerce. (A true and correct copy of the USPTO Web site records reflecting the status and ownership of the "p.g.a" certification mark is annexed as Exhibit A.) Because so many persons now receive producer credits for so many reasons, even cinephiles often find it impossible to determine which person(s) performed the functions of a producer with respect to a given motion picture. The use of the PGA's certification mark would make the persons who truly performed a producer's duties with respect to a given movie easily identifiable. Financiers, actors, lawyers, and others have long demanded a "producer" credit in exchange for their help making motion pictures, both in the United States and abroad. -
The Business of Making Movies
Cover Story THE BUSINESS OF MAKING MOVIES B Y S. MARK Y OUNG,JAMES J. GONG, AND W IM A. V AN DER S TEDE The U.S. motion picture industry generates close to $100 billion in revenues, is one of the country’s largest exporters, and exerts enormous cultural influence worldwide. But today it also faces enormous pressures. 26 STRATEGIC FINANCE I F ebruary 2008 oing to the movies has always been one of ney Pictures, Warner Brothers Pictures, Paramount Pic- society’s most pleasurable pastimes. Over tures, Columbia Pictures, and Universal Pictures. The the past few years, though, enormous MPAA represents these studios internationally and plays a changes have occurred in the movie- number of roles: It advocates for the U.S. film industry, making business: escalating production protects producers from copyright theft, and fights pira- and marketing costs, the significant impact cy. In 2006, the MPAA studios released 203 films (34%), of increased piracy, the uncertainty in film and other, independent distributors released 396 (66%). financing, the proliferation of digital tech- Even though major studios have made their name in Gnology, and the increase in available entertainment Hollywood, large, vertically integrated conglomerates options for consumers. These and other factors have own them today. These conglomerates also incorporate a implications for the motion picture business, the types of number of other forms of entertainment and media, such movies it will produce, and how and where people will as radio stations, cable and network television stations, view them. Based on research sponsored by the Foundation for Applied Research (FAR) of the Institute of Management THE LARGEST DISTRIBUTORS OF Accountants (IMA®), this is the first in a series of articles on the U.S.