Daily Eastern News: February 26, 2008 Eastern Illinois University
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Matthew Dunn
Suspense, Mystery, Horror and Thriller Fiction JULY 2013 A Summertime Cornucopia with James Rollins Tami Hoag BRad TayloR RicHaRd godwin maTTHew dunn Lisa Gardner Continues her 10-Part Series On COnquering the DreaDeD SynOPSiS Peek Inside Stranger Than Fiction “The eye of god” & Beware! “The Poisoned Pilgrim” The Vampire hunTer #1 Internat I onal Bestseller “SIMON KERNICK writes great plots, great characters, great action.” —Lee ChiLd Available in paperback and ebook Available as an ebook Available as an ebook “Simon Kernick writes with his foot pressed hard on the pedal. hang on tight!” —harLan Coben “Kernick is no longer a writer to watch; he’s an author to be reckoned with.” —MarK biLLinghaM ATRIA INTERNATIONAL BOOKS OF MYSTERY YOUR PASSPORT TO A WORLD OF MURDER AND MAYHEM Proudly Published by Facebook.com/AtriaBooks Twitter.com/AtriaBooks AtriaInternationalMysteries.com PICK UP OR DOWNLOAD YOUR COPIES TODAY C r e di t s From the Editor John Raab President & Chairman What makes a great villain? Shannon Raab Creative Director When authors write a series, the focus is Romaine Reeves CFO generally on the heroes—their family and lives, and the people that touch them every day. Starr Gardinier Reina But what about the villain? That character Executive Editor usually changes from book to book since the hero Jim Thomsen saves the day and in the end the villain is generally Copy Editor killed off. The readers rarely get to know the villain Contributors since their life is so short, but that doesn’t mean the Donald Allen Kirch author can simply write about a really bad person that does bad things and then loses in Mark P. -
A Way of Life
SUMMER 2009 MODUS VIVENDI A Way of Life COmmENCEMENT 2009 FACULTY PROFILE RENEE MATSON THE CLAssICAL BRAIN FAMILIES ON A MISSION THE BEAR CREEK SCHOOL MAGAZINE Modus Vivendi Summer 2009 Modus Vivendi is translated as a way of life or a manner of living. The Bear Creek School seeks to develop individuals for whom the classical ideals of excellence in all things, love of learning, spiritual commitment, and self-discipline have become a way of life. Editor, Sue Sanford Art Director, Marla Zylstra Associate Editor, Sini Fernandez Contributors and Proofreaders Vicki Kaiser, Marky Olson, Shannon DuBois, Dr. Nancy Price, Kevin Davison, Jeff Gephart, Karen Blankenbeckler, Natalie Higashiyama, Peggy Hatem, Coralie Weston, Jenai Sheffels, Linda Sheppard, Liz Holtzman, Alicia Williams, Lori Lee, Allison Fletcher, Emily Knuth, and Michele Herold. Editorial Board Whitney Engel ‘08, Dani Pohlman ‘05, Susan Diamond, Natalie Higashiyama, James Prekeges, Patrick Carruth, Jeff Gephart, Justin Coleman, Marla Zylstra, Blake DeYoung, Janet Jacobson, Rob Sorensen, Chad Pohlman, Karen Blankenbeckler, and Sue Sanford. Editorial Submissions Articles, photographs, and ideas are welcome and may be sent to [email protected]. We reserve the right to edit submissions for length, clarity, and style. Modus Vivendi is published twice yearly by The Bear Creek School. If you are interested in writing for the Modus Vivendi, or have comments or Table of Contents questions regarding the publication, please contact Sue Sanford at [email protected] or 425-898-1720 ext. 328. Head of School, Patrick Carruth Around Campus Features Class Notes Vice President for Advancement, Justin Coleman Director of Admissions, Christie Hazeltine Director of Marketing & Communications, This page Sue Sanford The thirty-three members of the class of 2009 2 Message from the Head of School 24 Faculty Profile: Renee Matson 36 Alumni Notes and Features Director of Development Affairs, celebrate after their commencement ceremony Linda Sheppard on June 6, 2009. -
Django Unchained
COLUMBIA PICTURES e WEINSTEIN COMPANY presentano un film di QUENTIN TARANTINO JAMIE FOXX CHRISTOPH WALTZ LEONARDO DiCAPRIO KERRY WASHINGTON e SAMUEL L. JACKSON Casting a cura di: Victoria Thomas Costumi di: Sharen Davis Montaggio di: Fred Raskin Scenografie di: J. Michael Riva Direttore della fotografia: Robert Richardson Executive Producers: Bob Weinstein, Harvey Weinstein, Michael Shamberg, Shannon McIntosh e James W. Skotchdopole Prodotto da: Stacey Sher, Reginald Hudlin e Pilar Savone Scritto e diretto da: Quentin Tarantino Distribuzione: Warner Bros. Pictures Italia Durata: 2 ore e 45 minuti Data d’uscita: 17 gennaio 2013 Materiali stampa: www.cristianacaimmi.com/materialidjango.zip 1 DJANGO UNCHAINED Sinossi Ambientato nel Sud degli Stati Uniti due anni prima dello scoppio della Guerra Civile, Django Unchained vede protagonista il premio Oscar® Jamie Foxx nel ruolo di Django, uno schiavo la cui brutale storia con il suo ex padrone, lo conduce faccia a faccia con il Dott. King Schultz (il premio Oscar® Christoph Waltz), il cacciatore di taglie di origine tedesca. Schultz è sulle tracce dei fratelli Brittle, noti assassini, e solo l’aiuto di Django lo porterà a riscuotere la taglia che pende sulle loro teste. Il poco ortodosso Schultz assolda Django con la promessa di donargli la libertà una volta catturati i Brittle – vivi o morti. Il successo dell’operazione induce Schultz a liberare Django, i due uomini scelgano di non separarsi, anzi Schultz sceglie di partire alla ricerca dei criminali più ricercati del Sud con Django al suo fianco. Affinando le vitali abilità di cacciatore, Django resta concentrato su un solo obiettivo: trovare e salvare Broomhilda (Kerry Washington), la moglie che aveva perso tempo prima, a causa della sua vendita come schiava. -
NATO Feb 07.Indd
February 2007 NATO of California/Nevada February 2007 NATO of California/Nevada Information for the California and Nevada Motion Picture Theatre Industry CALENDAR Spring/Summer Film Product Seminar of EVENTS & Set for April HOLIDAYS Be among the first to see the adventure, animation, drama and comedy that awaits the movie-going public this coming season. Attend the NATO of California/Nevada 2007 Spring/ Valentine’s Day Summer Film Product seminar on Thursday, April 12th at the February 14 Regal Hacienda Crossing Theatre in Dublin or Tuesday, April 17th at Krikorian Premiere Theatres’ Metroplex 18 At Buena President’s Day Park Downtown. February 19 The full day seminars will begin at 9:00 AM with a conti- Regal’s Hacienda Crossing Theatre nental breakfast, continue in the auditorium at 10:00 AM where Academy Awards the marketing reps from the major studios will present upcoming presentation promotions and product reels from their exciting spring and February 25 summer line-ups. A lunch break will allow time for meeting and visiting with other managers, followed by the concluding Daylight Saving presentations and the ever-popular Goodie Bag distribution. Time Begins Attendance is open to NATO of CA/NV member companies March 11 and is by reservation only, no walk-ins and no substitutions. Due to space limitations we can accommodate no more than ShoWest two persons from each theatre location. Reservation deadline March 12-15 is Friday, March 23rd. See registration on page 2 Krikorian’s Metroplex 18 at Buena Park St. Patrick’s Day March 17 Regal’s Curtis Ewing Joins Spring Begins March 21 Board of Directors Curtis M. -
The BG News February 25, 2005
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-25-2005 The BG News February 25, 2005 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 25, 2005" (2005). BG News (Student Newspaper). 7406. https://scholarworks.bgsu.edu/bg-news/7406 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY February 25, 2005 OSCAR NIGHTS The 77th Annual Academy PM SHOWERS Awards will announce HIGH: 33 LOW 20 winners; PAGE 8 www.bgnews.com independent student press VOLUME 99 ISSUE 121 USG: cheating policy unfair Students accused of time the unidentified stu- ^«%^M H\ - \~ r3 ui! dent involved in this case was cheating need more accused of cheating, he is being dismissed from BGSU for two •mt ^ ^»'—' -^ ^LM0V"ll"HB>MIB*m rights, USG says ■-—** years — unfairly, according to Malkin. By Bridget Triarp REPORTER Malkin said this student's work was taken by classmates USG passed a series of reso- and turned in to his instructor lutions this week that defend without his consent. the rights of students who are "Intent is not a defense," accused of cheating under the Malkin said. "You can't say I University academic honesty policy. didn't intend for it to get stolen — that's not a defense. -
The Bagpipe VVOL.Ol
AARTsrts 2 • OOPINIONpinion 3.3* OOUTLOOKutlook 4 • SSPORTSports 4 TheThe Bagpipe VVOL.ol. 51, NNo.o. 15 WWEDNESDAY,ednesday, MMARCHarch 2,2005____________________________________2, 2005 wWWW.BAGPIPEONUNE.COM w w .bagpipeonline.com Love Chapel will get proposal you in denied In tight budgetbudge-t the end year,year,nonew no new BBYy LLINNEAinnea MMINICHinich positions “Redemption"Redemption is the only sub BBYy ADAMA dam BBELZelz ject for me,”me," playwright Margaret Edson, author of “Wit,”"Wit," explained The college will not fund the to the audience gathered in Sand chapel program that was recom erson 215 last Saturday morning. mended by the chapel committecommitteee She had come to Covenant to see because next year’syear's budget will be the college’scollege's production of "Wit"“Wit” too tight. President Nielson will and to speak about her play. take over chapel temporarily. In "Wit,"“Wit,” Dr. Jason Posner dede- _ With two crucial positions to fill scribes Vivian Bearing, his former Margaret Edson gave a talk on Saturday morning, and fielded questions that Brae Howard in the sciences, and a lean budget professor, as giving “a"a hell of a afternoon after the play. See Chapel, page 3. lecture. No notes, not a word out of place. It was pretty impressive."impressive.” trick of going around backwards kindness.”kindness." Through these ungra In her presentation on Saturday because if one were to write a play cious characters, Edson is able to Grades not a bargaining morning, •· Edson was the realiza about Christian people who are show us what grace is. Of course, tion of this description. -
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013
The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 COUNCIL ON LIBRARY AND INFORMATION RESOURCES AND THE LIBRARY OF CONGRESS The Survival of American Silent Feature Films: 1912–1929 by David Pierce September 2013 Mr. Pierce has also created a da tabase of location information on the archival film holdings identified in the course of his research. See www.loc.gov/film. Commissioned for and sponsored by the National Film Preservation Board Council on Library and Information Resources and The Library of Congress Washington, D.C. The National Film Preservation Board The National Film Preservation Board was established at the Library of Congress by the National Film Preservation Act of 1988, and most recently reauthorized by the U.S. Congress in 2008. Among the provisions of the law is a mandate to “undertake studies and investigations of film preservation activities as needed, including the efficacy of new technologies, and recommend solutions to- im prove these practices.” More information about the National Film Preservation Board can be found at http://www.loc.gov/film/. ISBN 978-1-932326-39-0 CLIR Publication No. 158 Copublished by: Council on Library and Information Resources The Library of Congress 1707 L Street NW, Suite 650 and 101 Independence Avenue, SE Washington, DC 20036 Washington, DC 20540 Web site at http://www.clir.org Web site at http://www.loc.gov Additional copies are available for $30 each. Orders may be placed through CLIR’s Web site. This publication is also available online at no charge at http://www.clir.org/pubs/reports/pub158. -
Resume June 2021
LARRY FITZGERALD Editor • Online and Offline (818) 489-0704 larry@fitzpost.com SELECTED CREDITS • More at imdb.com VARIETY/LIVE EVENTS Dancing with the Stars ABC Segment Editor Academy of Country Music Awards CBS Noms/Online Editor (2020 & 2021) Fox New Year’s Eve Toast & Roast Fox Online Editor Space Launch Live (Emmy Winner) Discovery Online Editor Space Launch: Splashdown Discovery Online Editor Radio Disney: ARDYs Summer Playlist Disney Online Editor Disney Channel Epic Holiday Showdown Disney Online Editor See Us Unite For Change MTV Segment Editor 82nd Academy Awards ABC Nominations Editor 81st Academy Awards ABC Supervising Editor 80th Academy Awards ABC Supervising Editor 79th Academy Awards ABC Nominations Editor (Emmy Nominated) Oscar’s Red Carpet ABC Segment Editor Miss Universe Pageant NBC/Fox Online Editor (7 shows) Miss USA Pageant NBC/Fox Online Editor (8 Shows) Creative Arts Emmy Awards E!/FXX Supervising Editor (6 shows) iHeart Radio Music Awards TBS Online Editor (2 shows) Forward: The Future of Black Music Facebook Offline & Online Editor NAACP Image Awards BET/CBS Offline & Online Editor HBCU Homecoming YouTube Offline & Online Editor American Rescue Dog Show Hallmark Segment Editor Independent Spirit Awards IFC Online Editor Black Women In Hollywood OWN Online Editor American Black Film Festival BET Online Editor GAME • COMPETITION Web Heads Nick Editor, 15 eps (Multicam Studio) Scream Play E! Online Editor Search Party E! Segment Editor Skin Wars GSN Reunion Show Segment Editor REALITY • DOCU-SOAP Married to Medicine: Atlanta -
Oscar Host Ellen Degeneres Is Ready to Dance Cuaron's Oscar Nod
lifestyle SUNDAY, MARCH 2, 2014 Pharrell, U2, Idina Menzel rock Oscar rehearsals aving the nation’s No 1 song does not exempt an artist from Oscar rehearsals. Pharrell Williams ran through his Hcatchy hit “Happy” more than half a dozen times Friday in preparation for the Oscar telecast. He even shared the spotlight with a spate of stars: Jamie Foxx, Brad Pitt and Kate Hudson showed up to rehearse while he was on stage. All I care about is the fun,” Williams said to Hudson, who boogied in the audience as he practiced his dance-heavy number. A choir of high-school students and 20 professional dancers accompany his colorful performance. Also rehearsing Friday: Broadway star Idina Menzel, who’s set to sing “Let It Go” from animated film nominee “Frozen”; U2, which is nominated for its song from the Mandela movie, “Ordinary Love”; and rocker Karen O, who is nominated for “The Moon Song” from best-picture nominee “Her.” Menzel was awed by the technology that allowed the Oscar orchestra, playing off- site at the Capitol Records building, to coordinate with her live at the Dolby Theatre. “Hi, Bill, can you hear me?” she said into the microphone at conductor William Ross, whom she could see on a monitor from inside the theater. “I’m trying to get that telepathic vibe with you because I’m alone up here and this is my first time (on the Oscars). “You look very handsome,” she added. Karen O, front woman of the rock band Yeah Yeah Yeah’s, took notes from director Spike Jonze as she practiced her performance, “The Moon Song” from his best-picture nominee, “Her.” “Spike just asked me to hold the mic a little bit lower, so I need a little more level,” she told a sound engineer. -
China's Nationalism and Its Quest for Soft Power Through Cinema
Doctoral Thesis for PhD in International Studies China’s Nationalism and Its Quest for Soft Power through Cinema Frances (Xiao-Feng) Guo University of Technology, Sydney 2013 Acknowledgement To begin, I wish to express my great appreciation to my PhD supervisor Associate Professor Yingjie Guo. Yingjie has been instrumental in helping me shape the theoretical framework, sharpen the focus, and improve the structure and the flow of the thesis. He has spent a considerable amount of time reading many drafts and providing insightful comments. I wish to thank him for his confidence in this project, and for his invaluable support, guidance, and patience throughout my PhD program. I also wish to thank Professor Wanning Sun and Professor Louise Edwards for their valued support and advice. I am grateful for the Australian Postgraduate Award that I received via UTS over the three-and-half years during my candidature. The scholarship has afforded me the opportunity to take the time to fully concentrate on my PhD study. I am indebted to Yingjie Guo and Louise Edwards for their help with my scholarship application. I should also thank UTS China Research Centre, the Research Office of the Faculty of Arts and Social Sciences at UTS, and UTS Graduate Research School for their financial support for my fieldwork in China and the opportunities to present papers at national and international conferences during my doctoral candidature. Finally, my gratitude goes to my family, in particular my parents. Their unconditional love and their respect for education have inspired me to embark on this challenging and fulfilling journey. -
Jurisdictional Statement of Citizens United
No. 08-_______ In The Supreme Court of the United States ____________ CITIZENS UNITED, Appellant, v. FEDERAL ELECTION COMMISSION, Appellee. ____________ On Appeal from the United States District Court for the District of Columbia ____________ Jurisdictional Statement ____________ James Bopp, Jr. Counsel of Record Richard E. Coleson Jeffrey P. Gallant Clayton J. Callen BOPP, COLESON & BOSTROM 1 South 6th Street Terre Haute, IN 47807-3510 812/232-2434 (telephone) 812/235-3685 (facsimile) Counsel for Citizens United Questions Presented 1. Whether all as-applied challenges to the disclo- sure requirements (reporting and disclaimers) imposed on “electioneering communications” by the Bipartisan Campaign Reform Act of 2002 (“BCRA”) were resolved by McConnell’s statement that it was upholding the disclosure requirements against facial challenge “‘for the entire range of electioneering communications’ set forth in the statute.” Mem. Op. I, App. 15a (quoting McConnell v. FEC, 540 U.S. 93, 196 (2003)). 2. Whether BCRA’s disclosure requirements impose an unconstitutional burden when applied to election- eering communications protected from prohibition by the appeal-to-vote test, FEC v. Wisconsin Right to Life, 127 S. Ct. 2652, 2667 (2007) (“WRTL II”), because such communications are protected “political speech,” not regulable “campaign speech,” id. at 2659, in that they are not “unambiguously related to the campaign of a particular federal candidate,” Buckley v. Valeo, 424 U.S. 1, 80 (1976), or because the disclosure require- ments fail strict scrutiny when so applied. 3. Whether WRTL II’s appeal-to-vote test requires a clear plea for action to vote for or against a candi- date, so that a communication lacking such a clear plea for action is not subject to the electioneering communi- cation prohibition. -
Food for Soul
Food for Soul A unique compilation of M ovies and Books to keep you on the edge! Part 1 MOVIES This is a beginner’s list of movies that will stir your imagination. We recommend that you watch these carefully, over the next few months and try to understand the director’s message. These are interesting, but difficult movies. They will force you to question some of your beliefs, and will help your thought patterns take on new dimensions. Happy viewing! 1. THE UNTOUCHABLES “The Power of Character” Kevin Kostner, Sean Connery, Robert de Niro Kevin Costner became a star as the legendary “GMan” Eliot Ness in THE UNTOUCHABLES, a slambang gangster saga with bravura direction by Brian De Palma, a witty David Mamet script and superb acting, including Robert De Niro as Al Capone and Sean Connery’s Oscarwinning turn as a wily veteran cop. It’s a terrifically entertaining and exciting movie. The story is almost totally fictionalized (Ness never killed Frank Nitti and had nothing to do with Capone’s incometax rap), but this becomes completely irrelevant in light of the beautifully crafted film’s accomplishments. De Palma, who has often been accused of emphasizing style over content, here has a strong and substantial script to work with, and his flashy direction meshes perfectly with the film’s flamboyantly operatic design. The script may not be true to history, but it’s true to human emotion and very moving, personalizing the battle between good and evil by concentrating on the impact that violence and corruption has on families.