13 Days Iran Silk Road Tour Overview
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
14 Days Persia Classic Tour Overview
Tour Name: 14 Days Persia Classic Tour Tour Code: OT1114001 Tour Duration: 14 Days and 13 Nights Tour Category: Discovery / Cultural Tour Difficulty: 2 Tour Tags: Classic Tour Tour Best Date: 12 months Tour Services Type: 3*/4* / All-inclusive Tour Destinations: Tehran/Kashan/Esfahan/Yazd/Shiraz/Kerman Related tours code: Number ticket limits: 2-16 Overview: Landing to Persia, Iran is a country with endless history and tradition and you explore both ancient Persia and modern Iran. Our Persia Classic Tour program includes the natural and historical attractions old central parts of Iran. In this route, we will visit cities like Tehran, Kashan, Isfahan, Yazd, Shiraz and finally Kerman. Actually, in most of these areas, living in warm and dry areas has been linked with history and has shaped the lifestyle that is specific to these areas. Highlights: . It’s a 14 days Iran classic discovery and cultural tour. The tour starts and ends in Tehran. In between, we visit 6 main cities and 17 amazing UNESCO world heritage site in Iran. Visit amazing UNESCO world heritage sites in Iran Tour Map: Tour Itinerary: Landing to PERSIA Welcome to Iran. To be met by your tour guide at the airport (IKA airport), you will be transferred to your hotel. We will visit Golestan Palace* (one of Iran UNESCO World Heritage site) and grand old bazaar of Tehran (depends on arrival time). O/N Tehran Magic of Desert (Kashan) Leaving Tehran behind, on our way to Kashan, we visit Ouyi underground city. Then continue to Kashan to visit Tabatabayi historical house, Borujerdiha/Abbasian historical house, Fin Persian garden*, a relaxing and visually impressive Persian garden with water channels all passing through a central pavilion. -
Issyk-Kul 2020 International Exhibition of Photography
ISSYK-KUL 2020 INTERNATIONAL EXHIBITION OF PHOTOGRAPHY FIAP 2020/316 PSA 2020-151 FPC W2020/P06 2020 FIAP 2020/316 PSA 2020-151 FPC W2020/P06 ARE YOU GOING TO ORGANIZE AN INTERNATIONAL EXHIBITION? You make the policies and branding, Salon.Photo Platform will do the rest, automatically and errorlessly! Website, Gathering of Photos, Judging Software & etc. www.Salon.Photo [email protected] Salon.Photo Platform and Judgment® Software are made by Focus Team Software Group, it include a website for announcing the rules, news, status list and result and sing up entrants. Entrants can upload their art works(single or collection), edit their profile and entries, fill out the titles and pay their fee. The administrator also has access too several reports such as full information about entrants, entries, payments, statistic of country etc. All entries get uniquely renamed by the software. The entry later will be downloaded using FTP and will be import to Judgment Software for judging. Later on, all results will be exported from the software and will be imported to the website. As all the process is automated there will be no mistake. Judgment® Software has all the requirements for judging such as: high speed, network judging, several stages of judging based on acceptance/rejection or scores, selection based on percentage or numbers, ability to return to the previews stage and selecting between special groups of works etc. Every jury member can select works by his keyboard. All the requested information for FIAP/PSA catalogs such as list of acceptances and table of statistics can be exported from the software. -
A Program of the Stanford Alumni Association March 17 to April 1, 2019
STANFORD TRAVEL/STUDY JUDITH KEYANI, IRAN, 2016 MOSQUES AND MONUMENTS OF PERSIA March 17 to April 1, 2019 a program of the stanford alumni association Few countries in the world spark the imagination—or create misconceptions—in the minds of Americans as does Iran. In the past 10 years, Stanford has led scores of educational travelers to this cultural and historical gem, and time and again, they return with stories of the country’s amazing sights and of the Iranian people’s incredible warmth and hospitality. “Eye-opening,” “extraordinary,” “humbling” and “not to be missed” are just some of the glowing terms Stanford travelers have used to describe this exceptional destination. Join us and faculty leader Ali Yaycioğlu as we delve deep into a country that is at once full of—and ever on the verge of making—history. BRETT S. THOMPSON, ’83, DIRECTOR, STANFORD TRAVEL/STUDY Highlights VIEW priceless archaeo- STROLL through PONDER the past logical treasures, including peaceful gardens where amid the ruins of legend- the Iranian crown jewels Sufi poets meditated in ary Persepolis, Darius I’s and a collection of rare medieval times, and marvel ceremonial capital and one miniatures, in the museums at the tiled mosques and of the best-preserved sites of Tehran. squares of Isfahan. remaining from the ancient world. COVER: ISFAHAN SHEIKH LOTFOLLAH MOSQUE, ISFAHAN Faculty Leader ALI YAYCIOG˘ LU was born and raised in Ankara, Turkey. His fields of interest include the transformation of the Ottoman Empire in the 18th and 19th centuries. His books and articles focus on the restructuring of economic, political and legal institutions and practices as well as ideas about social order, life and death in this transformative period. -
A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh
World Academy of Science, Engineering and Technology International Journal of Architectural and Environmental Engineering Vol:12, No:3, 2018 A Look at the History of Calligraphy in Decoration of Mosques in Iran: 630-1630 AD Cengiz Tavşan, Niloufar Akbarzadeh as strength, comfort and expansion. Throughout history, Abstract—Architecture in Iran has a continuous history from at Iranian architecture had its own originality and simplicity. All least 5000 BC to the present, and numerous Iranian pre-Islamic parts of Iran, especially villages and ancient monuments are elements have contributed significantly to the formation of Islamic like a live but old book of art and architecture, history, which art. At first, decoration was limited to small objects and containers in a brief moment, each page of that opens the gates of several and then progressed in the art of plaster and brickwork. They later applied in architecture as well. The art of gypsum and brickwork, thousand years of history to the visitors [7]. which was prevalent in the form of motifs (animals and plants) in Repeat motifs, symbolic role and decorations are one of the pre-Islam, was used in the aftermath of Islam with the art of main subjects in Iranian art. In Iranian architecture, the calligraphy in decorations. The splendor and beauty of Iranian symbolic elements generally embossed with carving and architecture, especially during the Islamic era, are related to painting integrated with elements of construction and decoration and design. After the invasion of Iran by the Arabs and the environmental, which makes it a new and inseparable introduction of Islam to Iran, the arrival of the Iranian classical architecture significantly changed, and we saw the Arabic calligraphy combination. -
Basic Statistics of Delhi
BASIC STATISTICS OF DELHI Page No. 1. Names of colonies/properties, structures and gates in Eighteenth Century 2 1.1 Sheet No.1 Plan of the City of Delhi 2 1.2 Sheet No.2 Plan of the City of Delhi 2 1.3 Sheet No.5 Plan of the City of Delhi 3 1.4 Sheet No.7 Plan of the City of Delhi 3 1.5 Sheet No.8 Plan of the City of Delhi 3 1.6 Sheet No.9 Plan of the City of Delhi 3 1.7 Sheet No.11 Plan of the City of Delhi 3 1.8 Sheet No.12 Plan of the City of Delhi 4 2. List of built up residential areas prior to 1962 4 3. Industrial areas in Delhi since 1950’s. 5 4. Commercial Areas 6 5. Residential Areas – Plotted & Group Housing Residential colonies 6 6. Resettlement Colonies 7 7. Transit Camps constructed by DDA 7 8. Tenements constructed by DDA/other bodies for Slum Dwellers 7 9. Group Housing constructed by DDA in Urbanized Villages including on 8 their peripheries up to 1980’s 10. Colonies developed by Ministry of Rehabilitation 8 11. Residential & Industrial Development with the help of Co-op. 8 House Building Societies (Plotted & Group Housing) 12. Institutional Areas 9 13. Important Stadiums 9 14. Important Ecological Parks & other sites 9 15. Integrated Freight Complexes-cum-Wholesale markets 9 16. Gaon Sabha Land in Delhi 10 17. List of Urban Villages 11 18. List of Rural Villages 19. List of 600 Regularized Unauthorized colonies 20. -
Pdf 129.08 K
The Role of Climate and Culture on the Formation of Courtyards in Mosques Hossein Soltanzadeh* Associate Professor of Architecture, Faculty of Art and Architecture, Tehran Central Branch, Islamic Azad University, Tehran, Iran Received: 23/05/2015; Accepted: 30/06/2015 Abstract The process regarding the formation of different mosque gardens and the elements that contribute to the respective process is the from the foci point of this paper. The significance of the topic lies in the fact that certain scholars have associated the courtyard in mosques with the concept of garden, and have not taken into account the elements that contribute to the development of various types of mosque courtyards. The theoretical findings of the research indicate that the conditions and instructions regarding the Jemaah [collective] prayers on one hand and the notion of exterior performance of the worshiping rites as a recommended religious precept paired with the cultural, environmental and natural factors on the other hand have had their share of founding the courtyards. This study employs the historical analytical approach since the samples are not contemporary. The dependant variables are culture and climate while the form of courtyard in the jame [congregational] mosque is the dependent variable. The statistical population includes the jame mosques from all over the Islamic world and the samples are picked selectively from among the population. The findings have demonstrated that the presence of courtyard is in part due to the nature of the prayers that are recommended to say in an open air, and in part because this is also favoured by the weather in most instances and on most days. -
Tourism Boom by Islamic Art Spiritual Attractions in Iran Perspective Elements
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 7 No 4 S1 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy July 2016 Tourism Boom by Islamic Art Spiritual Attractions in Iran Perspective Elements Susan Khataei Assistant Professor, Department of Graphic Design, Faculty of Architecture and Urban Design, Shahid Rajaee Teacher Training University, Tehran, Iran Doi:10.5901/mjss.2016.v7n4s1p40 Abstract Iran is one of the ten first countries in the world on the subject of tourism attractions. Iran, the land of four seasons simultaneously, and historical and scientific - cultural buildings is of interest for many tourists. Various works of Islamic art in the perspective of Iran that have been arisen in different periods and regions all have the same message and truth and have a sign of coordination and the greatness of Islamic civilization and culture. The artistic unity that stems from ideological unity, is able to attract many audience and can transcends the boundaries of time and place and communicate spiritually with all its contacts and believers. Islamic art and architecture is derived from religious sources and has an appearance (form) and the inside. Forms are created to give meaning and generally in Islamic art, nothing is void of the "meaning". General feeling of foreign tourists by observing Islamic-Iranian monuments is along with surprise, admiration and a sense of spirituality. In this study, the role of decorations in mosques and shrines in Iranian - Islamic architecture to establish spiritual relationship with the audience is emphasized. This is an applied research with analytical descriptive method which have been done based on observation and documentary studies. -
Use of Daylight in Mosques: Meaning and Practice in Three Different Cases
H.S¸. Arel & M. Öner, Int. J. of Herit. Archit., Vol. 1, No. 3 (2017) 421–429 USE OF DAYLIGHT IN MOSQUES: MEANING AND PRACTICE IN THREE DIFFERENT CASES H. S¸. AREL & M. ÖNER Department of Architecture, I˙zmir University, Turkey. ABstract Since the emergence of the first cultures, light has been used in various ways for illuminating indoor spaces with sacred and symbolic meanings. Light has almost the same meaning in every religion: how- ever, in Islam, we distinctly see different notions of light, such as divine light, divine unity and unity of God which sets Islam apart from other religions. Mosques have the most perfect use of light in Islamic architecture. There is no doubt that mosques are sacred spaces that give out an intense sense of the pres- ence of God. Therefore, the use of light in mosques matters for both symbolic and spiritual reasons. We see the most striking and generous use of light particularly in Islamic mosques because light is likened to God, while darkness symbolizes Satan. Therefore, different ways of lighting are employed in order to highlight these notions. In addition to having symbolic and spiritual meanings, the use of light plays a role, in enhancing the decorative and aesthetic aspects of the interior spaces of mosques. Muslims aim at highlighting simplicity, clarity and purity by letting light into the interior of mosques in different ways. Wide spaces with no load-bearing walls, dome windows, colourful windows and grilled windows are used in designing mosques to enhance the symbolic, spiritual and aesthetic sense of the interior. -
The Sheikh Lotfollah Mosque Consolidating Shi’Ism, Forming Spirituality, and Creating the Infinite Dome
The Sheikh Lotfollah Mosque Consolidating Shi’ism, forming spirituality, and creating the infinite dome Nora Fathalipour M.A. candidate University of New Brunswick B.A. Law and History of Art and Archaeology, SOAS The truly unique Sheikh Lotfollah mosque Sheykh Baha’i, the Sheikh Lotfollah in the Naqsh-e Jahaan Square1 (henceforth mosque was the first monument of the “the Square”) in Esfahan, Iran is situated in Square to be finished; an inscription by the the heart and centre of the city. One enters chief calligrapher of the Shah on the tile the mosque of Sheikh Lotfollah through mosaic of the entry gateway to the mosque heavy wooden doors laden with geometric sets the starting date to 1012 AH/1603-04 carvings with intense anticipation. Not a CE.4 It was completed in 1028 AH/1618-19 single façade or inch has been left without CE, at the same time the Square itself was some sort of tile work. The colourful completed. portal skilfully hides, for the person outside, the ‘maze’ before the main room Used by the Shah himself for prayer, the that leads one to immediately face the mosque has had various names, though qibla, the direction that Muslims face to it currently bears the name of a learned pray. With a foundation in the same rare Safavid scholar.5 Exquisite, yet small, the marble employed throughout the square; Sheikh Lotfollah mosque is located on the entire colour scheme of the mosque is the east side of the Square. Of the Safavid refreshingly joyful and inviting. mosques, this is a unique building; its single dome is surrounded by resting Sheikh Baha’i was a cleric and polymath rooms and service areas, yet lacks the instrumental in formulating the Safavid typical features such as a court, and even ruler Shah Abbas I’s new religious policy minarets. -
Iranian Mosques, the Milestone of Islamic Architecture: a Case Study of Shaikhlotfollah Mosque Sepideh Ebad1
International Research Journal of Applied and Basic Sciences © 2013 Available online at www.irjabs.com ISSN 2251-838X / Vol, 7 (13): 940-951 Science Explorer Publications Iranian mosques, the milestone of Islamic architecture: a case study of ShaikhLotfollah mosque Sepideh Ebad1 1. M.A of architecture Corresponding Author email: [email protected] ABSTRACT: The mosques as the most important built structure in all historical eras of Islamic architecture has a special place in research and investigation. Researching the Iranian architecture and querying its blind spots of its transformation can be a proper context to investigate and analyze the role of Iranian architects in Islamic architecture. The present study using a descriptive-analytic method embarked on recognizing the importance of mosque structure in Islamic architecture and distinctive features of Safavids as milestone of Iranian architecture. Finally peculiar features of ShaikhLotfollah mosque was compared with Tabriz Kaboud mosque. Certainly ShaikhLotfollah mosque of Isfahan is one of the most prominent Iranian-Islamic structures built in the eastern side of NaqsheJahan square causing the emergence of different hypotheses on building of these exceptional states due to its peculiar features. The results showed that kaboud mosque is not Iranian regarding design features having Turkish adaptation. Finally after the comparison it was known that however ShaikhLotfollah mosque was built in Safavids in Isfahan style, since Safavids were of Turks, they renew their old tradition of mosque building style in Shaikhlotfollah mosque. Key words: Islamic architecture, descriptive-analytic, Shaikhlotfollah Mosque, Kaboud Mosque. INTRODUCTION The mosques structures as the most important built structure in all historical eras of Islamic architecture have always had a special place in research and investigation. -
The Quality of Light-Openings in the Iranian Brick Domes
31394 Soha Matoor et al./ Elixir His. Preser. 80 (2015) 31394-31401 Available online at www.elixirpublishers.com (Elixir International Journal) Historic Preservation Elixir His. Preser. 80 (2015) 31394-31401 The Quality of Light-Openings in the Iranian Brick Domes (with the Structural Approach) Soha Matoor, Amene Doroodgar and Mohammadjavad Mahdavinejad Faculty of Arts and Architecture, Tarbiat Modares University, Tehran, Iran. ARTICLE INFO ABSTRACT Article history: Paying attention to light is considered as one of the most prominent features of Iranian Received: 26 October 2014; traditional architecture, which influenced most of its structural and conceptual patterns. The Received in revised form: construction of light-openings in the buildings such as masjids, bazaars, madrasas, and 28 February 2015; caravanserais, as the Iranian outstanding monuments, proves the point. The Iranian master- Accepted: 26 March 2015; mimars’ strategies to create the light-openings in the domes has been taken into consideration through this study. To this end, the light-openings’ exact location, according to Keywords the domes’ structural properties have been taken into analysis. Next, based on the foursome The light, classification of the domes, the research theoretical framework has been determined, and The light-opening, through applying the case-study and the combined research methods, the case-studies have The Iranian brick dome, been studied meticulously. According to the achieved results, the light-openings of the The dome’s structure. Iranian brick domes have been located at four distinguished areas, including: 1- the dome’s top, 2- the dome’s curve, 3- the dome’s shekargah and 4- the dome’s drum. -
Day 1: Flight from Your Home Country to Tehran
Day 1: Flight from your home country to Tehran We prepare ourselves for a fabulous trip to Great Persia. Arrival to Tehran, after custom formality, meet and assist at airport and transfer to the Hotel. O/N: Tehran Day 2: Tehran After breakfast, full day visit Tehran: Niyavaran Palace, Imamzadeh Saleh & Tajrish Bazaar O/N: Tehran The Niavaran Complex is a historical complex situated in Shemiran, Tehran (Greater Tehran), Iran. It consists of several buildings and monuments built in the Qajar and Pahlavi eras. The complex traces its origin to a garden in Niavaran region, which was used as a summer residence by Fath-Ali Shah of the Qajar Dynasty. A pavilion was built in the garden by the order of Naser ed Din Shah of the same dynasty, which was originally referred to as Niavaran House, and was later renamed Saheb Qaranie House. The pavilion of Ahmad Shah Qajar was built in the late Qajar period.During the reign of the Pahlavi Dynasty, a modern built mansion named Niavaran House was built for the imperial family of Mohammad Reza Pahlavi. All of the peripheral buildings of the Saheb Qaranie House, with the exception of the Ahmad Shahi Pavilion, were demolished, and the buildings and structures of the present-day complex were built to the north of the Saheb Qaranie House. In the Pahlavi period, the Ahmad Shahi Pavilion served as an exhibition area for the presents from world eaders to the Iranian monarchs. Imamzadeh Saleh is one of many imamzadeh mosques in Iran. The mosque is located at Tajrish Square in Tehran's northern Shemiran district.