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Vanguard Jazz Orchestra Plans May Tribute to Thad Jones and Mel Lewis
JazzWeek with airplay data powered by jazzweek.com • March 30, 2005 Volume 1, Number 19 • $7.95 In This Issue: Mack Avenue to Sponsor Detroit Jazz Fest. 4 WGBH Ups Rivero to Radio/ TV GM . 5 Camilo Embarks . 6 441 Launches Test of Time . 9 Reviews and Picks. 15 Jazz Radio . 18 Smooth Jazz Radio. 23 RADIO Q&A: Radio WEMU’S Panels. 27 LINDA YOHN News. 4 page 12 Charts: #1 Jazz Album – Joey DeFrancesco #1 Smooth Album – Dave Koz #1 Smooth Single – Dave Koz JazzWeek This Week EDITOR Ed Trefzger ’m thrilled that we get to feature another of our favorite people CONTRIBUTING EDITORS in jazz radio this week, WEMU music director Linda Yohn. Keith Zimmerman Kent Zimmerman ILinda is a nominee for the Jazz Journalists Association Excel- Tad Hendrickson lence in Jazz Broadcasting/Willis Conover-Marian McPartland CONTRIBUTING WRITER Award. She has been there encouraging and supporting our ef- Tom Mallison forts even before there was a JazzWeek, as one of the first par- PHOTOGRAPHY ticipants on the Jazz Programmers Mailing List. Linda has been Barry Solof a key figure at each of JazzWeek’s Summits and an active part of PUBLISHER the industry tracks at IAJE for years. As host of the 9 a.m. to noon Tony Gasparre shift on WEMU, Linda shows everyone how jazz radio should be ADVERTISING: Contact Tony Gasparre done, and thanks to the ’net, those of us outside of Ypsilanti/Ann (585) 235-4685 x3 or Arbor/Detroit get to eavesdrop. email: [email protected] While we’re talking about the Motor City, hats off to Mack SUBSCRIPTIONS: Prices in US Dollars: Avenue Records for picking up the sponsorship of the Detroit In- Charter Rate: $199.00 per year, ternational Jazz Festival. -
2014–2015 Season Sponsors
2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. -
2014 REVIEW from the Director
2014 REVIEW From the Director The past year has been a productive and exciting time at the fi eld is taking us in exciting directions. In August 2014, the Center for Folklife and Cultural Heritage. In April 2014, Robert Leopold joined us as deputy director. His extensive Smithsonian Folkways Recordings began releasing albums leadership and management skills will strengthen our from the vast UNESCO Collection of Traditional Music, making research and collections teams. We also hired Mary Linn, a these invaluable recordings available to the public once leader in the fi eld of cultural sustainability, to join our team again. In May, we initiated an innovation project to improve as curator of cultural and linguistic revitalization. the way we work and ensure we stay on the cutting edge Finally, the past year held several key milestones in our of developments in the fi eld. In the summer, we produced efforts to grow our resources. We received the second largest one of the most vibrant and successful Smithsonian gift in the history of the Center from the China International Folklife Festivals in years, hosting more than 230 artists, Culture Association. Additionally, by shifting how we fund our performers, and experts from China and Kenya. activities—especially the Folklife Festival—we have freed up Many of the developments at the Center in the past more resources to support other events, new projects, and year are fundamental to the way we work. I am proud to year-round research. As we become more strategic in the use announce that our new strategic plan has been fi nalized of our funding, we are able to focus more fully on fulfi lling and is already guiding our work and strengthening our all the goals in our strategic plan. -
Steve Smith Biography 2020 Steve Smith's Drumming, While Always
Steve Smith Biography 2020 Steve Smith's drumming, while always decidedly modern, can best be described as a style that embodies the history of U.S. music. Originally drawn to the drums by hearing marching bands in parades as a child in his native Massachusetts, Smith began studying the drums at age nine, in 1963. After high school, Smith studied in Boston at the Berklee College of Music from 1972-76, where he had private lessons with both Gary Chaffee and Alan Dawson. His original love of rudimental parade band drumming is evident in his intricate solos. Likewise, his command of jazz, from New Orleans music, swing, big band, bebop, avant-garde to fusion, plus his rock drumming sensibilities and knowledge of rhythms from India allow him to push the boundaries of all styles to new heights. In 1976, Smith began his association with jazz-fusion by joining violinist Jean-Luc Ponty's group and recording the 1977 landmark fusion album Enigmatic Ocean. It was while touring with rocker Ronnie Montrose a year later that Smith was asked to join the popular rock band Journey which brought his playing to the attention of a rock audience. With Journey, Smith toured the world and recorded numerous successful albums including the immensely popular Escape (which includes the ubiquitous hit song “Don’t Stop Believin’”) and Frontiers, both of which garnered the band many Top 40 hits. Journey’s albums have sold in excess of 75 million copies worldwide to date. In 1985 Smith left Journey to pursue his original passion, jazz, and to continue his developing career as a session player, bandleader and educator. -
Born in America, Jazz Can Be Seen As a Reflection of the Cultural Diversity and Individualism of This Country
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Styles in Jazz Music”. In Section 1 of this course you will cover these topics: Introduction What Is Jazz? Appreciating Jazz Improvisation The Origins Of Jazz Topic : Introduction Topic Objective: At the end of this topic student would be able to: Discuss the Birth of Jazz Discuss the concept of Louis Armstrong Discuss the Expansion of Jazz Understand the concepts of Bebop Discuss todays Jazz Definition/Overview: The topic discusses that the style of music known as jazz is largely based on improvisation. It has evolved while balancing traditional forces with the pursuit of new ideas and approaches. Today jazz continues to expand at an exciting rate while following a similar path. Here you will find resources that shed light on the basics of one of the greatest musical developments in modern history.WWW.BSSVE.IN Born in America, jazz can be seen as a reflection of the cultural diversity and individualism of this country. At its core are openness to all influences, and personal expression through improvisation. Throughout its history, jazz has straddled the worlds of popular music and art music, and it has expanded to a point where its styles are so varied that one may sound completely unrelated to another. First performed in bars, jazz can now be heard in clubs, concert halls, universities, and large festivals all over the world. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Key Points: 1. The Birth of Jazz New Orleans, Louisiana around the turn of the 20th century was a melting pot of cultures. -
The Rippingtons Discography 1987 2011Rar
The Rippingtons Discography 1987 2011rar 1 / 4 The Rippingtons Discography 1987 2011rar 2 / 4 3 / 4 THE RIPPINGTONS. Formed: 1987. Members: Scott Breadman, percussion; Russell Freeman, guitar, keyboards, programmer, arranger, .... The Rippingtons Discography (1987 2011).rar ->>> http://cinurl.com/14r940.. Jump to Discography - This album was the first for the Rippingtons under its new partnership with E1 Music. Discography[edit].. The Rippingtons Discography (1987 2011).rar http://ssurll.com/10qm83 f40dba8b6f The Rippingtons Discography (1987 2011).rar .... The Official Website of the Rippingtons, a contemporary jazz band formed in 1985 by guitarist Russ Freeman.. The Rippingtons. Biography by Matt Collar. + Follow Artist. Hugely successful West Coast smooth and contemporary jazz outfit featuring guitarist Russ Freeman.. The Rippingtons Discography (1987 2011).rar[/b] daz poser contentparadise 3d models megapack 6.5 gb torrent rangoli designs without dots pdf download [i] .. MP3 @ 192Kb - 57,1Mb. Lista de Temas: 01 Moonlighting 02 She lilkes to watch 03 Angela 04 Dreams 05 Mirage 06 Calypso cafe 07 Open all .... 7 May 2018 . Talibov Yol Hereketi Qaydalari Pdf Download. YOL HRKTININ TKILI V HRKT. f42d4e2d88. The Rippingtons Discography (1987 2011).rar.. download_public_finance_and_public_policy_jonathan_gruber_pdf-adds. The Rippingtons Discography (1987 2011).rar power plan assistant .... Whitesnake 1987 30th Anniversary Super Deluxe Edition. ... 320kbps and FLAC, like The Rippingtons and Spyro Gyra and japanese stuff too, of course. ... Apr 04, 2011 · Download S. However, the unforgettable baby-talk voice of singer Claire .... Seeds:0 Leech:1 2.13 Gb RIPPINGTONS Discography 1987 2011 MP3 320. The Rippingtons - Let It Ripp Mp3 Album Download. Buy Mp3 Music Online / The .... adele wikipedia discography, adele wikipedia discography, Take That .. -
A “Journey” Through Band Agreements
Hastings Communications and Entertainment Law Journal Volume 43 Number 2 Summer 2021 Article 4 Summer 2021 A “Journey” Through Band Agreements Jordan M. Whitford Follow this and additional works at: https://repository.uchastings.edu/hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Jordan M. Whitford, A “Journey” Through Band Agreements, 43 HASTINGS COMM. & ENT. L.J. 189 (2021). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol43/iss2/4 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. A “Journey” Through Band Agreements By JORDAN WHITFORD* INTRODUCTION A “Journey” through band agreements reveals that it is not just about creating music. This paper will explain the ins and outs of band agreements, using the most recent lawsuit involving the band members of Journey along with other various disputes to demonstrate what issues can arise throughout a band’s lifespan. HISTORY OF JOURNEY JOURNEY ACCEPTED FAME, FORTUNE, AND BAND MEMBERS WITH “OPEN ARMS” The musical band Journey was formed in San Francisco, California in 1973 under the management of Herbie Herbert.1 Journey made their live debut at the Winterland -
Special Donor Edition and Report to the Community
SPECIAL DONOR EDITION AND REPORT TO THE COMMUNITY TITLE TRACK THE ROCK & ROLL HALL OF FAME MEMBER MAGAZINE THE POWER OF ROCK DECEMBER 2018 DECEMBER NEW EXHIBITS AND EXPERIENCES AT THE ROCK HALL / CELEBRATING THE 2018 INDUCTEES W WELCOME Features AVIP 10 SUPPORTER A grant from the KeyBank Foun- dation provides free Rock Hall admission to local residents. ANEXPERIENCE 12 LIKENO OTHER The Connor Theater and the Power of Rock Experience are From the CEO exciting new attractions. Thanks to your support, 2018 has been a COMMITMENT fantastic year at the Rock & Roll Hall of Fame. 14 TOCLEVELAND The following pages provide a snapshot of the Chris and Sara Connor show their year; highlights include: belief in the city. The opening of our new Hall of Fame Gallery, presented by KeyBank, and the Power of Rock Experience in the Connor Theater. Departments 8 15 ON VIEW ENGAGEMENT Rock Hall Live! featured 80 days of live music 3 on our PNC outdoor stage. Stay Tuned explores Supporters Lydia ARTIST the intersection of Parker and Ed Special exhibits like Stay Tuned: Rock on VISITS TV and rock. Kleinman share their Musicians connect TV and the 2018 Inductee class featured 6 love of music. with their fans at the exhibition. ROCK U Rock Hall. Local teacher Stacy 16 There’s always something for everyone at Hubert knows the FINANCIAL 4 OVERVIEW the Rock Hall! It is with your support that we BACKSTAGE value of Rockin’ the Schools. Our 2017 report to can bring these elements together to engage, PASS the community and teach and inspire fans through the power of The 2018 Induction 7 thank you to our rock and roll. -
Steve Turre Regains Jazz Album No. 1 Caribbean Jazz
JazzWeek with airplay data powered by jazzweek.com • January 12, 2005 Volume 1, Number 8 • $7.95 In This Issue: NEA Jazz in the IAJE 2005 WRAP UP ISSUE Schools. 4 Verizon Funds NEA Jazz Masters. 6 Radio Track back at IAJE . 7 IAJE Round Up (Sort of) . 14 IAJE Snapshots . 17 Reviews and Picks. 19 Jazz Radio . 21 Smooth Jazz Radio. 28 Radio Panels. 35 More News . 4 Charts: #1 Jazz Album – Dr. Lonnie Smith (1/7) Steve Turre (1/12) #1 Smooth Album – Various: For Luther #1 Smooth Single – Richard Elliot JazzWeek This Week EDITOR Ed Trefzger Are you rested up yet? CONTRIBUTING EDITORS If you attended IAJE 2005 in Long Beach, you’re probably still trying Keith Zimmerman to catch up on sleep. With so much to do and so many folks to see, I don’t Kent Zimmerman know how you can be expected to cover everything. Tad Hendrickson It was great to see the return of the radio track; we’ve got a rundown CONTRIBUTING WRITER on what went on in those sessions, and we plan on helping IAJE make Tom Mallison those workshops even better in 2006. Included in that is coverage of the PHOTOGRAPHY “Legends of Radio” panel, and our session on radio airplay. Barry Solof Tad Hendrickson was on the go at IAJE, too. He has his own run- down of the conference, but slightly tongue in cheek. PUBLISHER Check out some of the photos from there, too. Tony Gasparre One of the most positive things to come from the conference was the ADVERTISING: Contact Tony Gasparre NEA/Jazz at Lincoln Center “NEA Jazz in the Schools” program. -
Steve Augeri
STEVE AUGERI Steve Augeri is an American rock singer best known for his work with Tall Stories, Tyketto, and Journey.[1] Career Drawing from a range of diverse musical influences to deliver a unique and personal take on the genre of melodic rock, Steve Augeri is an American rock singer best known as the lead vocalist for the rock group Journey from 1998 to 2006. Augeri recorded three albums during a successful eight-year tenure with the group that brought one of the world’s most accomplished rock groups back to the stage to perform for their millions of fans worldwide. He attributes his love and inspiration of music to his father, Joseph, and their many years of listening to Sinatra, R&B, Soul, and Country music on their Emerson clock radio. His grammar school music teacher, Fredrick Torregrossa, also had a direct influence by encouraging Augeri to develop and improve upon the potential of his voice and by casting him to sing Puccini’s "La Donna Mobile" in the school’s 4th grade musical. Initially studying woodwinds at New York City’s High School of Music and Art, Augeri switched to bassoon and soon discovered his love for classical music.[3] Attending, and then teaching at, French Woods Festival for the Performing Arts summer camp, he supervised children from ages 6–16 for their Rock Band classes which as he states, was surely the original “School of Rock.” When Augeri’s tuition check for college bounced, he returned home to start a rock and roll band. Working as a session vocalist, as well as bartending and waiting tables, it was not until 1984 when Augeri received his first break and was hired as background vocalist for one of the world’s most renowned hard rock guitarists, Michael Schenker of UFO and Scorpions fame. -
Geographic Perspectives on Contemporary / Smooth Jazz
GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ By WILLIAM ROBERT FLYNN Bachelor of Music in Classical Guitar Performance California State University, Fullerton Fullerton, California 2000 Master of Applied Geography Texas State University San Marcos, Texas 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2014 GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ Dissertation Approved: Dr. G. Allen Finchum Dissertation Adviser Dr. Brad A. Bays Dr. Jonathan C. Comer Dr. Thomas Lanners Outside Committee Member ii ACKNOWLEDGEMENTS Completing this dissertation and my doctoral program at Oklahoma State University would not have been possible without the support of many people over the past ten years. I would like to start with my advisor and chair, Dr. Allen Finchum, who not only happens to share my interest in smooth jazz, but has always been there for me. One could not ask for a better mentor, as he was always so giving of his time, whether we were discussing my research, talking about my experiences as a graduate instructor, or him just taking an interest in my personal life. I feel blessed to have been able to work with such a special graduate committee, comprised of Dr. Jon Comer, Dr. Brad Bays, and Dr. Tom Lanners. Dr. Comer sparked my passion for quantitative methods and spatial analysis, and Dr. Bays taught my very first course at OSU, a wonderful and stimulating seminar in historical geography. With Dr. Lanners, I could not have asked for a better fit for my outside committee member, and I feel privileged to have been able to work with a musician of his caliber. -
Artis—Naples Announces Full 2019-20 Season
Home of The Baker Museum and the Naples Philharmonic For Immediate Release: July 15, 2019 Contact: Ashley Mirakian, VP Marketing and Patron Engagement [email protected] | 239-254-2670 Website: artisnaples.org Facebook: facebook.com/artisnaples Twitter: @artisnaples | Instagram: artisnaples ARTIS—NAPLES ANNOUNCES FULL 2019-20 SEASON Highlights include Gladys Knight, Paul Anka, Bill Engvall, Sutton Foster with the Naples Philharmonic, The Beach Boys, Patti LaBelle, and Trisha Yearwood The iconic season celebrates Beethoven, the piano, French Impressionists, the Southwest Florida debut of Hamilton and the reopening of The Baker Museum Naples, Fla.—From joining the world in celebrating the 250th anniversary of Beethoven’s birth with superstar musicians from around the globe to reopening The Baker Museum, the 2019-20 season promises to be a momentous one for Artis—Naples. Through the season theme, Icons, Artis—Naples has prepared a calendar of events befitting the major milestones occurring on its Kimberly K. Querrey and Louis A. Simpson Cultural Campus. The full performance schedule was announced Monday. Highlights include the return of Gladys Knight, Paul Anka, Patti LaBelle, The Beach Boys, Itzhak Perlman and Kenny G. Also sure to thrill fans are Trisha Yearwood with her Grammy- winning country vocals as well as Johnny Mathis and Mandy Patinkin. In addition to the many talented guest artists set to join Music Director Andrey Boreyko, Principal Pops Conductor Jack Everly and the Naples Philharmonic during the Masterworks and Pops seasons, special Naples Philharmonic events are also planned, including an evening with pianist André Watts, a concert with Broadway star Sutton Foster, a salute to the music of the Rolling Stones and more.