AIDS Era, Perhaps None Is As Sur- ,Fl,- Prising Or Disappointing As the New York Times

Total Page:16

File Type:pdf, Size:1020Kb

AIDS Era, Perhaps None Is As Sur- ,Fl,- Prising Or Disappointing As the New York Times with YOU/Iq)Jg MICIAH CONNOllY PfRfIDIA DANCIN~! JOIN S~lI~A ~O·~OBOYS! & lARRY Tff . flVf flOORS Of nN- C[)OO/Ig (0peLt\ AND A ROOf! at 9 pWl Contents OUTTWEEK August 7, 1989 NEWS 10 HEALTH Political Science (Harrington) 26 Positive Alternatives (Lederer) 28 THE ARTS Film Do The Right Thing 48 Music The New Music Seminar 50 Theater The Lady In Question 52 LEMMETAKEVAPIC-CHA! April helps Erich Conrad chronicle the opening of Funk, Theater The Quintessential Image 54 Inc., the Outlaw Party and other hot spots. (Social Books The Pursuit Of Sodomy 55 Terrorism, page 44.) DEPARTMENTS Outspoken (Editorial) 4 FEATURES Letters 6 Sotomayor 6 HOW GAY NEWSDAY? Nightmare of the Week 7 Chris Bull on the lesbian and gay newspaper Xeroxed 8 of record. page 32 Dykes To Watch Out For (Bechdel) 8 Out Of Control (Susie Day) 30 Out Of My Hands (Ball) 40 WHIRLING, FLYING, POUNDING Gossip Watch (SignOrile) 41 Charles Barber talks to dancer/choreogra- Look Out 42 pher Stephen Petronio about love, life and the Social Terrorism (Conrad) 44 new work. page 36 Community Directory 62 Personals 64 PEEK-A-BOO Going Out Calendar 68 Are you on the list? page 40 Best Bets 70 Sports (Hamlin) 74 WORD OF THE MINUTE Crossword 80 Get OVERit! (snap!) page 47 Hot Shot 82 AT LONG LAST...GESBIANS! Liz Tracey charts the phenomenon. page 46 ON THE COVER: ACT UP ACTING UP AT ARTHUR HOW TO GET LAID SULZBERGER'S HOME LAST WEEK .. Alison Camperwith lesbian sex tips. page 47 PHOTO BY T.l. UTI. August 7,1989 OUT?WEEK 3 Outspoken Publisher The Times And Our Lives Associate Publisher Editor In Chief Art Director f all the organs of society that richly deserve blame for News Editor the tragedies of the AIDS era, perhaps none is as sur- ,fl,- prising or disappointing as The New York Times. This Features Editor "liberal" paper, onetime supporter of good causes and champion of enlightened public policy, has failed so conspicuously in enlightened AIDS reporting that it's already made journalistic history. For the critical first 19 months of the epidemic, while the num- ber of reported cases reached 958 and tens of thousands more became infected, the Times published a total of seven articles about AIDS. During the same period, the Tylenol tampering claimed seven lives and got 54 Times articles, many of them on the front page. Writers such as Larry Kramer and Randy Shilts have painstakingly traced the remarkable, homophobic decisions of the Times' editorial staff to ignore AIDS. Other historians are at work documenting this historic conspiracy. And no, conspiracy is not too strong a word. But what concerns us here, and what concerned the activists who led a raucous and daring anti- Times protest this week, are not the paper's past failings, but its present ones. Because the sins of The New York Times did not end when it belatedly discovered AIDS. Some may question why the policies of the New York Times are so important to our community. The answer is that the Times is the nation's most influential newspaper, the supreme journalistic court that legitimizes trends, events and people in our society. Presidents and senators, scientists and philanthropists, editors and opinion mak- ers all read it, and then often act on what they read. Sadly, if it isn't in the Times, then it isn't actually real to many in power. And what hasn't been in the Times for years now is good, in-depth, aggressive reporting about the decade's biggest health story. Once second to none in scientific reporting, it's now taken for granted in research and scientific circles that the Times' coverage of advances in AIDS research is sloppy, spotty and unreliable. The Times has no full-time AIDS reporter, and has no AIDS reporter at all in Washington, where public policy on AIDS is made every day. It ADVERTISING lags behind even a local tabloid such as Newsday, which sent five (212) 68S-Ul8 reporters to the Montreal AIDS conference (to the Times' one), or a FAX (212) 179-4452 financial paper such as The Wall Street Journal, which published Director IInales twice as many Montreal articles as the Times. Reporter Gina Kolata's KitWihter articles are the one bright spot in an otherwise dim selection of lazily Account Executive reported, often insensitive articles on AIDS. Sidney Briscese Classified Sales Represel\tltive Now, more ominously, what had at least been a fairly accept- Tom Eubanks ' able stance on the Op-Ed page has turned damaging. The Times stood virtually alone in supporting Health Commissioner Stephen BUSINESS Assistant to the PubUsh,r Joseph's now totally-discredited plan for contact tracing. And in its Erich Conrad notorious June 29 editorial, the Times, in telling us to ignore the pes- Vice President ' Peter Housos simistic results of a federal study, callously assured its readers that Treasurer AIDS is under control now that the newly infected will merely lawrence Basile replace the dead. Of Counsel Why is the Times doing this? We wish we knew. The respected Michael E. Carver, Steven Polakof daily San Francisco Examiner, in a special report on gay bashing, OUlWEEK is published weekly by OOIWEEK PUBlISIUNG ClllI'ORAlION. Tl linked former Times chief Abe Rosenthal with Anita Bryant, Morton lexilglon Aveooe Suite 200. HeN YOII:.New YOlk 100101212) 685-1i398. The ooIi1e cnn· tents of OUlWEEK are copyrittlt4:l1989by OUIWUK F\JBlISHlNG CQIlf'OOATIlN;,arld Downey, Jr. and Lyndon laRouche as a "key vocal opponent of mar /lO1 be reproduced in8hf m<mer. eithet in whole 01 inpar~ wi!~ WI~lenperl1\is· gays," but Rosenthal retired in 1986. Obviously his spirit, at least its sioofrom!hepOOlisher. Afttightsreserved. '1 .:::' f'lblicatlon of !he name or photograph of any pefSOl\••groop or organ/talmn homophobic shade, still lives on at the paper. appearilg or advertisilg it OUlWEEK mar not be taten as ... ind'ocalion of the selIual ACT UP, which has sometimes erred in its choice of targets, was orienlalioo 01 SIdl person. group or organization lIlIeu specifically staled. The opinions of OUlWEEK are expressed ont( in ClU' editorials. Other opWons right on target when it took aim at The New York Times. It should are 1hose of !he ""iters and artist. arld do no! necessarily repl8Sefl1 !he opinions 01 OUT, plan to go back again and again until it achieves visible results. 'Y W~. , 4 OUT?WEEK August 7, 1989 N FEDERALTAX. N TATE TAX. N ITYTAX. IF YOU EARN IT, WHY NOT KEEPIT - All 100% OF IT? You can with an investment in a New York Tax-Exempt Income Fund. And you get safety, affordability and liquidity too. New York Tax-Exempt Income Funds Offer High Tax-Free Income. A triple tax advantage for New Yorkers because they inve~t in municipal bonds which are exempt from City, Stateand Federal income taxes. New York Tax-Exempt Income Funds Are Safe And Affordable. Investments are made in diversified, quality municipal bonds, lowering your investment risk. And you can open an investment account for as little as $500. You Have Easy Access To Your Money. You can take your monthly dividends in cash, or reinvest them. And you can sell your sharesat any time at market value with no interest or withdrawal penalty. For more information about New York Tax-Exempt Income Funds, call Christopher Street Financial, Inc. at (212) 269-0110 or 1-800-262-6644 or return the cO~'pon below. ---------------------------------------------- Please send me more information about New York Tax-Exempt Income Funds. NAME ADDRESS CITY STATE ZIP TELEPHONE - HOME BUSINESS CHRISTOPHER STREET FINANCIAL, INC. 80 Wall Street, New York, NY 10005 Member Securities Investor Protection Corporation Member National Association of Securities Dealers ---------------------------------------------- August 7, 1989 OUT?WEEK 5 Letters To The Editor OutWeek NEEDS WOMEN people of color at editorial decision- Some suggestions for remedying We're concerned that the making meetings, issues of concern to this situation include the following: OutWeek structure of management our communities will not be covered Given the amount of work and decision-making is interfering and that our perspective will not be which publication of a weekly maga- with OutWeek's being accessible, included on issues of concern to the zine entails, we recommend hiring at informative and enjoyable to all seg- white gay male community. For exam- least 2-3 additional editors and that ments of the lesbian and gay commu- ple, the article on Compound Q, while these people be women and/or peo- nity in the New York area. noting that its derivative has been used ple of color. If finances don't allow Although the contributing writers, for abortion in China for centuries, did hiring 3 more editors, we recommend reporters and photographers include not raise the questions that occur imme- co-editing for the major sections of the many women and some people of color, diately to women. Will women PWAsbe magazine, namely news and features. the entire management of OutWeek, excluded form these trials? If • We recommend that several with the exception of one contributing Compound Q turns out to be the "cure," segments of material be solicited on a editor, is all male and all white. what will the impact be on women's regular basis from contributing editors It is clear that the editors have reproductive organs? Will women be who are women and people of color. made a significant effort to include forced to choose between treatment and Possibilities include book review sec- material of interest to women and childbearing? tions, a section on lesbian and gay people of color.
Recommended publications
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise.
    [Show full text]
  • Title: 2 Lives in - Selected Plays of Arthur Laurents - COL Author: Laurents, Arthur Publisher: Back Stage Books 2004
    Title: 2 Lives in - Selected Plays of Arthur Laurents - COL Author: Laurents, Arthur Publisher: Back Stage Books 2004 Description: roy drama - LGBTQ+ - relationships eight characters four male; four female two acts Matt Singer, a playwright and his long term partner Howard Thompson, a landscape gardener, are celebrating Howard's birthday. But tragedy strikes. Title: 2-2-Tango in - Making, Out / CCO Author: MacIvor, Daniel Publisher: Coach House Press 1992 Description: roy relationships - LGBTQ+ - men all male cast; two characters two male one act '. a highly stylized presentation that features clipped, overlapping dialogue and rigidly choreographed gestures. (MacIvor's) observations about the eternal struggle in relationships between emotional, physical and spiritual need and the assertions of independence easily exceed the gay context in which they are being played out.' Title: Abraham Lincoln's Big, Gay Dance Party Author: Loeb, Aaron Publisher: Playscripts, Inc. 2011 Description: roy comedy - prejudice - LGBTQ+ - homophobia - history nineteen characters four male; three female (doubling) three acts Illinois schoolteacher Harmony Green has told her fourth grade class that Menard County's most beloved homegrown hero, Abraham Lincoln, was gay. When Honest Abe is "outed" in a reimagined Christmas pageant, controversy and chaos engulf the town. As the trial of the century begins, big-city reporters and Congressional candidates descend, and family skeletons are forced out of the closet. Top hats and beards abound in this hilarious, poignant, and timely look at prejudice past and present. Title: Age of Minority 3 solo plays Author: Tannahill, Jordan Publisher: Playwrights Canada Press 2013 Description: roy - collection - one-acts - Canadian - drama - solo performance - Jordan Tannahill - LGBTQ+ includes: Get Yourself Home Skyler James rihannaboi95 Peter Fechter: 59 Minutes See separate entries for further description of each play.
    [Show full text]
  • Theater Companies by Tina Gianoulis
    Theater Companies by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com A poster for a Wings Since the earliest days of theatrical production, most of those involved in theater Theatre Company have seen the stage as a mirror held up to life. Through the mirror of theater, production of Cowboys. Courtesy Wings Theatre playwrights and actors reflect the real world, showing the audience aspects of its own Company. human nature. This reflection usually has multiple purposes, including entertainment, education, and satire, often with an ultimate goal of improving the world that is reflected through theater's mirror. The world of theater has always attracted large numbers of gay men and lesbians, made expert in the arts of disguise and illusion by the necessity of hiding their identities. However, ironically, just as in other areas of society, pre-liberation glbtq people usually found themselves left out of the mirror that theater held up to society. Drag Troupes Probably the earliest gay theater companies were drag troupes. The Jewel Box Revue, an interracial group that billed itself as "Twenty-five Men and a Girl," was founded in 1939 in a Miami nightclub. It differed from earlier drag acts in that it offered a unified production, not merely a succession of solo acts. Moreover, the show featured dance routines, original music, and comic sketches, but not lip synching. The revue began touring the United States in the 1940s, appearing mostly in gay bars and nightclubs, but in some theaters as well. The extensive circuit of bars and other performing venues is some indication that the glbtq population in the 1940s and 1950s was larger and somewhat more organized than often realized.
    [Show full text]
  • Performing Arts Collection Coll2007.016
    http://oac.cdlib.org/findaid/ark:/13030/kt609nd56d No online items Inventory of the Performing Arts Collection Coll2007.016 Staff Processing this collection has been funded by a generous grant from the National Historical Publications and Records Commission. ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California 90007 (213) 821-2771 [email protected] Inventory of the Performing Arts Coll2007.016 1 Collection Coll2007.016 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Performing Arts collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2007.016 Physical Description: 81 Linear Feet78 archive cartons, 2 flat boxes Date (inclusive): 1937-2012 Date (bulk): bulk Abstract: Programs, flyers, press kits, photographs, correspondence, newspaper clippings including reviews, and periodicals primarily documenting gay and lesbian actors and theater 1980-2000. The core of this artificial collection was formed from performing arts materials from the collection of Ken Dickmann, supplemented with materials from the Purple Circuit collection, an information clearinghouse for gay and lesbian theater, founded by Bill Kaiser. Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained.
    [Show full text]
  • In the Gender World Will Show You Such a Great Time at Such a Great Price! the Texas 'T' Is Known For
    The Gender Corrmunity's News & Information Monthly #61 $7.00 ' I )) I I l \:-.~ '• "l I ~) ')\ \{j)Att;efk ~'?~ ) TH E ARGUMENT AGAINST SURGERY ON DEMAND DEALING WITH SHAME AND GUilT TRANSSEXUALS ATTEND MICHIGAN WOMYN'S MUSIC FESTIVAL YOUR INNER SELVES TRANSGENDER NATION MOVIE REVIEW: SPLIT: PORTRAIT OF A DRAG QUEEN RESPECTING OUR CHILDREN NEWS •.. INFORMATION ... COMMENTARY ... HUMOR Now! More days in '95! TEXAS 'T' PARTY 7th Annual February. 21st- 26th, 1995 in San Antonio, Texas No other event in the gender world will show you such a great time at such a great price! The Texas 'T' is known for. a wonderful location, weather, food, seminars, and most of all, PEOPLE! Won't you be part of our celebration? for information call or write: Texas 'T' Party P. 0. Box 17 Bulverde, TX 78163 (210) 980-7788 Please send S.S.A.E., if possible. <e~@~~ca f~(L~ The Gender Conmunity's News & Information Monthly NOVEMBER 1994 (ISSUE #61) KYMBERLEIGH'S CLIPBOARD: The argument by the "surgery on demand 11 advocates has a great big flaw in it ••• 2 NEWS DEPARTMENT ... BEGINS ON PAGE4 NEWSWIRE (news of the worldwide gender community) THE DIVA OF DISH (mainstream news) HotBuzzl (snippets from all over) VOX POPULI: Letters to the editor ••• 13 REGULAR COLUMNISTS ... BEGIN ON PAGE 17 VIRGIN VIEWS BY VIRGINIA: Crossdressing stems from envy of women's freedom of self-expression INSIGHT: Even when our children accept, we must take care not to abuse their acceptance WOMAN TO WOMAN: Comparing the environments of our minds and our hearts T NOTES: New columnist Anne Vitale, Ph.D.
    [Show full text]
  • Large Print Guide Andy Warhol
    ANDY WARHOL 12 March – 15 November 2020 LARGE PRINT GUIDE 6 7 5 8 4 9 3 10 11 1 2 12 WARHOL AUDIO GUIDE Scan this QR code to play the FREE Warhol audio guide. Place a smart phone camera over the QR code or click on the URL. Hear commentary, stories and personal reflections from Tate curators and Warhol collaborators. Please use headphones https://pwa.aiwebservices.com/c/warholtatemodern 3 CONTENTS Introduction ........................................................................5 1. Andrew Warhola ..............................................................7 2. Sleep .............................................................................20 3. Pop ................................................................................24 4. The Factory ....................................................................46 5. Silver Clouds ..................................................................60 6. Exploding Plastic Inevitable ............................................63 7. The Shooting ..................................................................71 8. Back to work ..................................................................90 9. Ladies and Gentlemen ....................................................99 10. Exposures ...................................................................115 11. Mortal Coil .................................................................. 129 12. The Last Supper .......................................................... 135 Credits ............................................................................
    [Show full text]
  • Playing It Queer: Understanding Queer Gender, Sexual and Musical Praxis in a 'New' Musicological Context
    Playing It Queer: Understanding Queer Gender, Sexual and Musical Praxis in a 'New' Musicological Context Author Taylor, Jodie Published 2009 Thesis Type Thesis (PhD Doctorate) School Queensland Conservatorium DOI https://doi.org/10.25904/1912/3154 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/366992 Griffith Research Online https://research-repository.griffith.edu.au Playing it Queer Understanding Queer Gender, Sexual and Musical Praxis in a ‘New’ Musicological Context Jodie Taylor BMus (Music Technology) BMus (Hons) (Musicology) Queensland Conservatorium of Music Griffith University A dissertation submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy November 2008 Key Words Bio queens; camp; drag; drag kings; gay; gender; genderfuck; heteronormativity; homosexuality; identity; lesbian; music; musicology; performance; performativity; play; queer; queercore; queer theory; sex; sexuality. Key Words i Abstract Across ages and cultures, music has been associated with sexual allure, gender inversion and suspect sexuality. Music has been theorised as both a putative agent of moral corruption and an expressive mechanism of gender and sexual signification, capable of arousing and channelling sexual urges and desires. This research examines musically facilitated expressions of queerness and queer identity, asking how and why music is used by queer musicians and musical performers to express non-normative gender and sexual identities. A queer theoretical approach to gender and sexuality, coupled with interdisciplinary theories concerning music as an identificatory practice, provides the theoretical landscape for this study. An investigation into queer musical episodes such as this necessitates an exploration of the broader cultural milieu in which queer musical work occurs.
    [Show full text]
  • Queer Visibility on the Transatlantic Modernist Stage
    © 2016 Ben De Witte ALL RIGHTS RESERVED QUEER VISIBILITY ON THE TRANSATLANTIC MODERNIST STAGE By BEN DE WITTE A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Comparative Literature Written under the direction of Elin Diamond And approved by ___________________________ ___________________________ ___________________________ ___________________________ ____________________________ New Brunswick, New Jersey October, 2016 ABSTRACT OF THE DISSERTATION Queer Visibility on the Transatlantic Modernist Stage By BEN DE WITTE Dissertation Director: Elin Diamond My dissertation analyzes a selection of Argentinean, Spanish and U.S. modernist plays that dramatize the double movement of what I call “queer visibility.” That is, they make queer themes “visible” but also render the visible “queer” by extending our notions of modernist experimentation. Such experimentation, I argue, is intelligible only within a transatlantic history of, in Edward Said’s sense, “traveling” influences that have informed queer drama in the twentieth century. Each of the dissertation’s chapters offers a comparative angle on a playwright and their staging of queer materials, establishing surprising connections between various geographies and theatrical cultures. Chapter one analyzes the Argentinean José González Castillo’s naturalist play Los invertidos (1914), the first in its kind to plot the medical category “sexual
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Between the Times: Trans-Temporality, and Historical Representation Permalink https://escholarship.org/uc/item/3js3t1s5 Author Lau, Jacob Roberts Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Between the Times: Trans-Temporality, and Historical Representation A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Gender Studies by Jacob Roberts Lau 2016 © Copyright by Jacob Roberts Lau 2016 ABSTRACT OF THE DISSERTATION Between the Times: Trans-Temporality, and Historical Representation by Jacob Roberts Lau Doctor of Philosophy in Gender Studies University of California, Los Angeles, 2016 Professor Kyungwon Hong, Chair While the field of transgender studies has recently emerged at the boundaries of feminist and queer theory, only recently have scholars begun to theorize “trans” as an intersectional category that is always formed through constructions of race, gender, class, sexuality, nationality, and imperialism. This project contributes to this conversation by arguing for reading trans history, memoir and literary representation as a different experience of gendered and racialized time. In order to survive a cis (non-trans) normative world, trans bodies, narratives, and lives are narrated as a linear transition from one gender and/or sex to another in ways that preserve gender binaries and developmental notions of progress. Coining the term “trans-temporality” as both an experiential affect and a method of reading trans narratives against normative notions of sex, gender, race, class, sexuality and nationality, my project primarily thinks transgender through postcolonial, queer, and historical materialist theorizations of time and historicism that push against and suggest alternatives to purely linear temporalities, situating trans within traditions of temporal critique, and affective histories of non-normative embodiment.
    [Show full text]
  • LGBTQ PERFORMING ARTS in NYC June 22, 1868 Singer Edwin Kelly and Female Impersonator Francis Role of Hedda Gabler to Start Her Broadway Acting Career
    CURTAINS UP! New York City Council L G B T Q PERFORMING ARTS IN NYC 2020 CALENDAR Cover: Adina Verson and Katrina Lenk performing in Indecent, Original Broadway Company. Photograph by Carol Rosegg. t is my pleasure to introduce this calendar from the LaGuardia and Wagner Archives documenting the rich history of the local LGBTQ community’s role in the performing arts. This vibrant and welcoming community is one of the main reasons that I was drawn to New York City as a young gay man. I When one thinks of the magical allure of New York City throughout the nation and around the world, the performing arts immediately come to mind. These arts have shaped the city’s culture and, in turn, the nation’s. Performing arts typically include the dramas, comedies, and musicals of Broadway, Off- Broadway, and Off-Off Broadway theatre, as well as opera, cabaret, orchestral music, classical dance, and more. This calendar is truly unique in that it reaches beyond this standard definition by exploring the role of performing arts as political and cultural protest. From the Latinx L’Unicorns of Staten Island, to the Brooklyn-based Ballez, to the Bronx Academy of Arts and Dance (BAAD!), the calendar features performing arts from all five boroughs. Dancers from all five Queens-based CUNY schools are also depicted performing in the annual Queens Pride Parade in Jackson Heights over the last two years. Manhattan, of course, is represented by the dramas and musicals of Broadway and the queer cabaret performed downtown. Yet, the LGBTQ community’s history with New York’s performing arts also reveals a story of prejudice and outright prohibition.
    [Show full text]
  • 0 Drag in Oklahoma: the Power of Performance By
    DRAG IN OKLAHOMA: THE POWER OF PERFORMANCE BY: STEPHANIE VICTORIA ALLEN A thesis submitted to the graduate faculty in partial fulfillment requirements for the degree of MASTERS OF HISTORY University of Central Oklahoma 2017 0 Acknowledgments I would like to thank the professors and students that I have worked with at the University of Central Oklahoma (UCO). They have supported me with advice and resources to further my thesis. First, I would like to thank my thesis chairman and professor Dr. Lindsey Churchill for believing in me when I did not believe in myself. Without her enthusiasm, dedication, and mentorship this work would not have been possible. Dr. Katrina Lacher also on my committee, for introducing me to public entertainment history and supporting my decision to write a thesis on it. Heidi Vaughn, the third member of my committee, for always being there for me when I needed it. I have never met a more helpful person. To my friends and family thank you for the support and toleration. To David Whitmire for your constant love and motivation. A special thanks to Verta Taylor and Leila Rupp. Their publications gave me the base from which to start this research and many of my interview questions came from their work. To the community of UCO scholars, I will forever be grateful for the support and comradery. I would specifically like to thank Patrick and Helen Salkeld for pushing me and taking a real interest in this research. To each of the drag artists who graciously allowed me to interview them I am deeply grateful, this work would be nothing without you.
    [Show full text]
  • Essays on Camp, Drag, and Sexuality
    ESSAYSONCAMP, DRAG, AND SEXUALITY 306.766 M6132A ESSAYSON CAMP, DRAG, AND SEXUALITY MOEMEYER MA ATER Macater Press ,vww.n1acaterpress.com Copyright © 20 I 0 Macat er Press All rights reserved . No part of this p ublication may be reprod uced, stored in a retri eval system, or transmitted, in any form or by any means, electronic, mecha nical, photocopying, record ing, or otherwise, witho ut the prio r written p ermission of the p ublisher. Printed in the United States of Amer ica Meyer, Moe An Archaeology of posing: essays on camp, drag, and sexuality ISBN 978-0-98 14924-5-2 Library of Cong ress Con trol Number: 20099 13712 Design: Zuc ker Design Cover image: Harvey Reddin g, Anatomy Lesson, 1978. CONTENTS Acknowle dgm ent s vii Introduction Unveiling th e Word : Science and Narrat ive in Tra nssexual Striptease 13 2 Reclaiming the Discou rse of Camp 33 3 The Signifying Inver t: Camp and the Performa nce of Nineteent h- Centu ry Sexology 53 4 Top Camp/Bottom Camp 73 5 Rethinking Paris Is Burning: Performing Socia l Geography in Harle m Drag Balls 105 6 Celeb rity Jack: The Internet and th e Dea th of Camp 141 7 In Defe nse of Gay/Perfo rm ance 151 by Thomas A. King and Moe Meyer Appendix 182 Notes 185 Work s Cited 203 Index 219 ACKNOWLEDGMENTS take this opportunity to thank the many individuals who, at different stages of these writings, offered invaluable criticism and suggested new Itra jectories: Sam Abel, Jeff Abell, Tim Benzie, Joan Jett Blakk, Jonatha n Bollen, Caro l Burbank, Sue-Ellen Case, Freder ick C.
    [Show full text]