Pervasive New Media
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Sex and Shock Jocks: an Analysis of the Howard Stern and Bob & Tom Shows Lawrence Soley Marquette University, [email protected]
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 11-1-2007 Sex and Shock Jocks: An Analysis of the Howard Stern and Bob & Tom Shows Lawrence Soley Marquette University, [email protected] Accepted version. Journal of Promotion Management, Vol. 13, No. 1/2 (November 2007): 73-91. DOI. © 2007 Taylor & Francis (Routledge). Used with permission. NOT THE PUBLISHED VERSION; this is the author’s final, peer-reviewed manuscript. The published version may be accessed by following the link in the citation at the bottom of the page. Sex and Shock Jocks: An Analysis of the Howard Stern and Bob & Tom Shows Lawrence Soley Diederich College of Communication, Marquette University Milwaukee, WI Abstract: Studies of mass media show that sexual content has increased during the past three decades and is now commonplace. Research studies have examined the sexual content of many media, but not talk radio. A subcategory of talk radio, called “shock jock” radio, has been repeatedly accused of being indecent and sexually explicit. This study fills in this gap in the literature by presenting a short history and an exploratory content analysis of shock jock radio. The content analysis compares the sexual discussions of two radio talk shows: Infinity’s Howard Stern Show and Clear Channel’s Bob & Tom Show. Introduction The quantity and explicitness of sexual content in mass media has steadily increased during the past three decades. Greenberg and Busselle (1996) found that sexual activities depicted in soap operas increased between 1985 and 1994, rising from 3.67 actions per hour in 1985 to 6.64 per hour in 1994. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Digital Audio Broadcasting : Principles and Applications of Digital Radio
Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Digital Audio Broadcasting Digital Audio Broadcasting Principles and Applications of Digital Radio Second Edition Edited by WOLFGANG HOEG Berlin, Germany and THOMAS LAUTERBACH University of Applied Sciences, Nuernberg, Germany Copyright ß 2003 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (þ44) 1243 779777 Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (þ44) 1243 770571. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the Publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought. -
Internet Radio: an Analysis of Pandora and Spotify
Internet Radio: An Analysis of Pandora and Spotify BY Corinne Loiacono ADVISOR • Jim Bishop EDITORIAL REVIEWER • Phyllis Schumacher _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2014 Internet Radio Customizations: An Analysis of Pandora and Spotify Senior Capstone Project for Corinne Loiacono Table of Contents Acknowledgements: ..................................................................................................................................... 3 Abstract: ........................................................................................................................................................ 4 Introduction: ................................................................................................................................................. 5 Review of Literature: .................................................................................................................................... 7 An Overview of Pandora: ................................................................................................................ 7 An Overview of Spotify: ............................................................................................................... 10 Other Mediums: ............................................................................................................................. 12 A Comparison: .............................................................................................................................. -
Car Wash for Peace Page 1 of 5
Car Wash for Peace Page 1 of 5 Car Wash for Peace Chemicals New Construction Detailing Fast Lube Financing Insurance Management Self-Serve Tunnel Water Reclaim In The Lobby Home | Subscribe | Buyer's Guide | Welcome to the Industry | E-Books | News | Reader Services | Media Kit | Editor's Blog | Archives | Contact | Resources Quick Products Search A - L Quick Products Search M - Z Search Articles Email a Friend Print Bookmark Post Current Topics Comment Carwash Chemicals Construction Subscribe Today Home Detailing Subscribe Editor's Letters Editor's Blog Car Wash for Peace Environmental Issues Article Categories Jimmy Fallon and Mr. Squeaky team up to wash the Extra Profit Centers Fast Lube Buyer's Guide world clean Reader Services Finance Welcome to the Industry By Lacey Nadeau General E-Books In Bay Automatics Media Kit No more wars or dirty cars – Insurance that’s the theme behind News Laws and Regulations actor and comedian Jimmy Resources Fallon’s song called “Car Management Resource Directory Wash for Peace.” The tune Operator Profiles is catchy, the lyrics Perspectives Columns E-Books Archives sometimes goofy. But the Real Estate simple, two-verse song that Sales & Marketing Fallon plays on his guitar – Employment Self -Serve Carwashing on TV, YouTube, the radio Products and even at a Florida Tunnel Carwashing carwash – has more than a Water Issues politically obscure message behind it. Fallon’s proceeds from the single sold on Carwash Chemicals iTunes go to Fisher House, a charity that supports America’s military by providing homes that enable family Latest News Construction members to be close to their loved ones during hospitalization. -
The WWF Legend Has Become Renowned for His Hilarious Twitter
the WWF legend has become renoWned For his hilarious Twitter takedoWns oF celebrities noW, on the eve oF the release oF a documentary about his spectacular rise, Fall, and come by Steven Leckart photographs by Gregory Miller Says, “Go F Yourself!”**K (F**k the bieber!), rivals (F**k the hulk hogan!), and even countries (F**k the north korea!). back, We Went to the sheik’s house to get to knoW the man behind the snarling mustache. Gilbert Gottfried; he’ll sign hundreds of One day the phone rang—Takhti was head shots and pose for photos at two being rushed to the hospital. When VIP meetandgreets; he’ll shoot a spec Vaziri arrived, he was sent to the cem TV commercial for Bud Light in which etery. As Takhti’s body was washed on a he armwrestles a blonde actress in a stone altar, Vaziri stood there and wept. pizza parlor; he’ll film his final interview Takhti’s death was declared a suicide, for the documentary Iranian Legend: The but many suspected his democratic Iron Sheik Story, which premieres next leanings had put the wrestler in the month; he’ll storm Mayor Rob Ford’s of crosshairs of the SAVAK, Iran’s secret fice in Toronto and hijack a gaggle of TV police, who were infamous for torture news crews. Video of him insulting the and executions. “They tell me, ‘If you politician—“The man eats a cheeseburger don’t want to be like him,’ ” Vaziri and smokes crack!!!”—will go viral. recalls, “ ‘better don’t say nothing.’ ” Which brings us to the Sheik’s Twitter Vaziri hopped a plane to New York, “WAKE THE FUCK UP, JABRONI!” account. -
SIRIUS XM Radio Signs Multi-Year Deal with Bubba the Love Sponge(R)
SIRIUS XM Radio Signs Multi-Year Deal With Bubba the Love Sponge(R) NEW YORK, Dec 19, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- Bubba will continue to host popular weekday show on Howard 101 Radio personality Bubba the Love Sponge(R) has signed an agreement with SIRIUS XM Radio (Nasdaq: SIRI). (Logo: http://www.newscom.com/cgi-bin/prnh/20080819/NYTU044LOGO ) The Bubba the Love Sponge(R) Show airs Monday through Thursday from 3:00 pm to 7:00 pm ET, and Fridays from 10:00 am- 2:00 pm ET on Howard 101. The Bubba the Love Sponge Show is available on SIRIUS channel Howard 101 and on XM channel Howard 101 with "The Best of SIRIUS" package. "I will continue the radio revolution with Howard Stern on SIRIUS XM," said Bubba the Love Sponge. "I am pleased to have a long-term home on satellite radio." "Bubba has become an important asset at satellite radio," said Scott Greenstein, President and Chief Content Officer, SIRIUS XM Radio. "His performance and loyal fan base are an important part of our future." The Bubba the Love Sponge(R) Show is produced and broadcast from a state-of-the-art studio in Florida, and features Bubba and his colorful sidekicks producer Brent Hatley, Spice Boy, Ned and Manson. The show is regularly visited by stars from the worlds of sports, comedy, and music. Bubba incorporates his love of sports and politics into every show, as well as song parodies, and a wide variety of comical and musical bits. Bubba the Love Sponge(R) (the nickname that he legally adopted and trademarked in 1999) is a top-rated on-air personality whose career has included stations in Terre Haute, Grand Rapids, San Antonio, Chicago, Philadelphia, Orlando, Milwaukee and Tampa Bay. -
Metallica to Perform Live on the Howard Stern Show on Stern's Exclusive Siriusxm Channel Howard 100
NEWS RELEASE Metallica to Perform Live on The Howard Stern Show on Stern's Exclusive SiriusXM Channel Howard 100 9/23/2016 - Metallica's exclusive SiriusXM channel Mandatory Metallica to return November 16 - Mandatory Metallica to feature "Town Hall" special NEW YORK, Sept. 23, 2016 /PRNewswire/ -- Howard Stern and SiriusXM announced today that Grammy® Award- winning, Rock and Roll Hall of Fame Inductees Metallica will perform live on The Howard Stern Show on Howard Stern's exclusive SiriusXM channel Howard 100 on Monday, September 26. The in studio performance will feature Metallica performing songs from their 30-plus year career, including music from their upcoming album Hardwired….to Self-Destruct, scheduled to be released on November 18 on the band's Blackened Recordings. Additionally, on Monday, September 26, the band will record a special edition of SiriusXM's "Town Hall" series— answering questions from a select group of SiriusXM listeners in the SiriusXM studios in New York City. The "Town Hall" special, hosted by music journalist and SiriusXM host David Fricke, will air on the band's limited-run SiriusXM channel Mandatory Metallica, launching Wednesday, November 16. Mandatory Metallica, which originally aired on SiriusXM in 2009 and again in 2013 when the band performed a private concert for SiriusXM at the Apollo Theater in New York City, will feature hits, rarities and concert recordings from throughout the band's iconic career. The channel will air beginning Wednesday, November 16 at 5:00 pm ET and will air through Wednesday, November 23, via satellite on channel 40 and through the SiriusXM app on smartphones and other connected devices, as well as online at siriusxm.com. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
An Introduction to Internet Radio
NB: This version was updated with new Internet Radio products on 26 October 2005 (see page 8). INTERNET RADIO AnInternet introduction to Radio Franc Kozamernik and Michael Mullane EBU This article – based on an EBU contribution to the WBU-TC Digital Radio Systems Handbook – introduces the concept of Internet Radio (IR) and provides some technical background. It gives examples of IR services now available in different countries and provides some guidance for traditional radio broadcasters on how to adapt to the rapidly changing multimedia environment. Traditionally, audio programmes have been available via dedicated terrestrial networks broad- casting to radio receivers. Typically, they have operated on AM and FM terrestrial platforms but, with the move to digital broadcasting, audio programmes are also available today via DAB, DRM and IBOC (e.g. HD Radio in the USA). However, this paradigm is about to change. Radio programmes are increasingly available not only from terrestrial networks but also from a large variety of satellite, cable and, indeed, telecommunications networks (e.g. fixed telephone lines, wire- less broadband connections and mobile phones). Very often, radio is added to digital television plat- forms (e.g. DVB-S and DVB-T). Radio receivers are no longer only dedicated hi-fi tuners or portable radios with whip aerials, but are now assuming the shape of various multimedia-enabled computer devices (e.g. desktops, notebooks, PDAs, “Internet” radios, etc.). These sea changes in radio technologies impact dramatically on the radio medium itself – the way it is produced, delivered, consumed and paid-for. Radio has become more than just audio – it can now contain associated metadata, synchronized slideshows and even short video clips. -
Notice of Opposition Opposer Information Applicant Information Goods/Services Affected by Opposition
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1098521 Filing date: 11/30/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Notice of Opposition Notice is hereby given that the following party opposes registration of the indicated application. Opposer Information Name Corporacion de Radio y Television Espanola, S.A Granted to Date 11/28/2020 of previous ex- tension Address AVDA RADIO TELEVISION 4 EDIF PRADO DEL R POZUELO DE ALARCON MADRID, 28223 SPAIN Attorney informa- TODD A. SULLIVAN tion HAYES SOLOWAY PC 175 CANAL STREET MANCHESTER, NH 03101 UNITED STATES Primary Email: [email protected] Secondary Email(s): [email protected] 603-668-1400 Docket Number Isern 20.01 Applicant Information Application No. 88647258 Publication date 09/29/2020 Opposition Filing 11/30/2020 Opposition Peri- 11/28/2020 Date od Ends Applicant HONER, JODI 20845 CHENEY DR TOPANGA, CA 90290 UNITED STATES Goods/Services Affected by Opposition Class 038. First Use: 0 First Use In Commerce: 0 All goods and services in the class are opposed, namely: Transmission of interactive television pro- grams; Transmission of interactive television program guides and listings; Transmission of streaming television programs, namely, streaming of television programs on the internet; Transmission of sound, video and information from webcams, video cameras or mobile phones, all featuring live or re- corded materials; Television transmission services; Televisionbroadcasting; -
The RIAA, the DMCA, and the Forgotten Few Webcasters: a Call for Change in Digital Copyright Royalties
Federal Communications Law Journal Volume 61 Issue 2 Article 7 3-2009 The RIAA, the DMCA, and the Forgotten Few Webcasters: A Call for Change in Digital Copyright Royalties Kellen Myers Indiana University Maurer School of Law Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Administrative Law Commons, Antitrust and Trade Regulation Commons, Communications Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Legislation Commons Recommended Citation Myers, Kellen (2009) "The RIAA, the DMCA, and the Forgotten Few Webcasters: A Call for Change in Digital Copyright Royalties," Federal Communications Law Journal: Vol. 61 : Iss. 2 , Article 7. Available at: https://www.repository.law.indiana.edu/fclj/vol61/iss2/7 This Note is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. The RIAA, the DMCA, and the Forgotten Few Webcasters: A Call for Change in Digital Copyright Royalties Kellen Myers* I. INTRODUCTION ......................................................................... 432 II. WEBCASTING AND COPYRIGHT LAW: A HISTORY ................... 435 A. How Webcasting Works ................................................... 435 B. CopyrightBackground .................................................... 435 C. The Musical Work (Composition)