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Underserved Communities
National Endowment for the Arts FY 2016 Spring Grant Announcement Artistic Discipline/Field Listings Project details are accurate as of April 26, 2016. For the most up to date project information, please use the NEA's online grant search system. Click the grant area or artistic field below to jump to that area of the document. 1. Art Works grants Arts Education Dance Design Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts 2. State & Regional Partnership Agreements 3. Research: Art Works 4. Our Town 5. Other Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of April 26, 2016. Arts Education Number of Grants: 115 Total Dollar Amount: $3,585,000 826 Boston, Inc. (aka 826 Boston) $10,000 Roxbury, MA To support Young Authors Book Program, an in-school literary arts program. High school students from underserved communities will receive one-on-one instruction from trained writers who will help them write, edit, and polish their work, which will be published in a professionally designed book and provided free to students. Visiting authors, illustrators, and graphic designers will support the student writers and book design and 826 Boston staff will collaborate with teachers to develop a standards-based curriculum that meets students' needs. Abada-Capoeira San Francisco $10,000 San Francisco, CA To support a capoeira residency and performance program for students in San Francisco area schools. Students will learn capoeira, a traditional Afro-Brazilian art form that combines ritual, self-defense, acrobatics, and music in a rhythmic dialogue of the body, mind, and spirit. -
The Hudson River School of Artist
THE HUDSON RIVER SCHOOL OF ARTIST The following is a list of painters in the Hudson River School, a midth-century American art . a Hudson River School artist, and the two painted similar subjects. Sister Julie Hart Beers (Kempson) was also a landscape artist of this school. A rusted silo looms over a parking lot where he had seen dirt roads and marshland. Albert Bierstadt painted mountain landscapes on enormous canvases which included pictures of wild scenery filled with mists and clouds. It was promoted as a single-picture attraction—i. The Hudson River School origins date back to these romantic and nationalism ages of America. Fully illustrated, this website brings a personal dimension to the artists of the 19th century. The Wadsworth Atheneum in Hartford, Connecticut houses one of the largest collections of paintings by artists of the Hudson River School. So where Cropsey saw unkempt groves and choppy currents buffeting sailboats from a window there, we consoled ourselves with views of not much more than a fenced-off duck pond in the shadow of a street overpass. However, a new American school of landscape painting was about to emerge along with a new form of public entertainment — the art museum. Cole painted pictures as depicted by the novelist. If Cole is rightly designated the founder of the school, then its beginnings appear with his arrival in New York City in Advertisement People fishing there were staring at the water and their rods. Rain was threatening by the time I scrambled back up to the main trail, so we flagged down a passing flatbed truck for a ride to our car. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Title Artist Album Amazing Graces Panpipe Romantic
Title Artist Album Amazing Graces Panpipe Romantic Collection vol 1 Annie's Song Panpipe Romantic Collection vol 1 Another Day In Paradise Pop Du Monde Orchestra Essential Pan Pipes Apache The Shadows At Their Very Best Aria Richard Clayderman My Classic Collection Aria Panpipe Romantic Collection vol 1 Atlantis The Shadows At Their Very Best Ave Maria Panpipe Romantic Collection vol 1 Barcarolle Richard Clayderman My Classic Collection Bright Eyes Panpipe Romantic Collection vol 1 Careless Whisper Pop du Monde Orchestra Essential Pan Pipes Cavalleria Rusticana Richard Clayderman My Classic Collection Cuts Both Ways Pop du Monde Orchestra Essential Pan Pipes Dance On The Shadows At Their Very Best Do You Know Where You're Going To? (Theme from Mahogany) Richard Clayderman My Classic Collection Don´t Cry For Me Argentina Panpipe Romantic Collection vol 1 Don't Cry for Me Argentina The Shadows At Their Very Best End Of The Road Pop Du Monde Orchestra Essential Pan Pipes Evergreen (Love Theme From "A Star Is Born") Richard Clayderman My Classic Collection Everything I Do Pop du Monde Orchestra Essential Pan Pipes Feelings Panpipe Romantic Collection vol 1 First Time Pop du Monde Orchestra Essential Pan Pipes Foot Tapper The Shadows At Their Very Best For All We Know Richard Clayderman The Carpenters Collection [US-Import] Forever Autumn Panpipe Romantic Collection vol 1 Forever Grenn Richard Clayderman My Classic Collection Four Seasons: Spring Richard Clayderman My Classic Collection Gärdebylåten/Maggidudi Og Jeg/Kristina Från Vilhelmina James Last James Last in Scandinavia Hill Street Blues Richard Clayderman My Classic Collection I Can´t Stop Loving you Panpipe Romantic Collection vol 1 I Can't Stop Loving You Pop du Monde Orchestra Essential Pan Pipes I Will Always Love You Pop du Monde Orchestra Essential Pan Pipes I Won't Last a Day Without You Richard Clayderman The Carpenters Collection [US-Import] I'll Be There Pop du Monde Orchestra Essential Pan Pipes Italian Symphony No. -
NGA | 2017 Annual Report
N A TIO NAL G ALL E R Y O F A R T 2017 ANNUAL REPORT ART & EDUCATION W. Russell G. Byers Jr. Board of Trustees COMMITTEE Buffy Cafritz (as of September 30, 2017) Frederick W. Beinecke Calvin Cafritz Chairman Leo A. Daly III Earl A. Powell III Louisa Duemling Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Whitney Ganz Sarah M. Gewirz FINANCE COMMITTEE Lenore Greenberg Mitchell P. Rales Rose Ellen Greene Chairman Andrew S. Gundlach Steven T. Mnuchin Secretary of the Treasury Jane M. Hamilton Richard C. Hedreen Frederick W. Beinecke Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Helen Lee Henderson Chairman President David M. Rubenstein Kasper Andrew M. Saul Mark J. Kington Kyle J. Krause David W. Laughlin AUDIT COMMITTEE Reid V. MacDonald Andrew M. Saul Chairman Jacqueline B. Mars Frederick W. Beinecke Robert B. Menschel Mitchell P. Rales Constance J. Milstein Sharon P. Rockefeller John G. Pappajohn Sally Engelhard Pingree David M. Rubenstein Mitchell P. Rales David M. Rubenstein Tony Podesta William A. Prezant TRUSTEES EMERITI Diana C. Prince Julian Ganz, Jr. Robert M. Rosenthal Alexander M. Laughlin Hilary Geary Ross David O. Maxwell Roger W. Sant Victoria P. Sant B. Francis Saul II John Wilmerding Thomas A. Saunders III Fern M. Schad EXECUTIVE OFFICERS Leonard L. Silverstein Frederick W. Beinecke Albert H. Small President Andrew M. Saul John G. Roberts Jr. Michelle Smith Chief Justice of the Earl A. Powell III United States Director Benjamin F. Stapleton III Franklin Kelly Luther M. -
The Domestication of History in American Art: 1848-1876
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1998 The domestication of history in American art: 1848-1876 Jochen Wierich College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, History of Art, Architecture, and Archaeology Commons, and the United States History Commons Recommended Citation Wierich, Jochen, "The domestication of history in American art: 1848-1876" (1998). Dissertations, Theses, and Masters Projects. Paper 1539623945. https://dx.doi.org/doi:10.21220/s2-qc92-2y94 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
A Catalogue of the Collection of American Paintings in the Corcoran Gallery of Art
A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art VOLUME I THE CORCORAN GALLERY OF ART WASHINGTON, D.C. A Catalogue of the Collection of American Paintings in The Corcoran Gallery of Art Volume 1 PAINTERS BORN BEFORE 1850 THE CORCORAN GALLERY OF ART WASHINGTON, D.C Copyright © 1966 By The Corcoran Gallery of Art, Washington, D.C. 20006 The Board of Trustees of The Corcoran Gallery of Art George E. Hamilton, Jr., President Robert V. Fleming Charles C. Glover, Jr. Corcoran Thorn, Jr. Katherine Morris Hall Frederick M. Bradley David E. Finley Gordon Gray David Lloyd Kreeger William Wilson Corcoran 69.1 A cknowledgments While the need for a catalogue of the collection has been apparent for some time, the preparation of this publication did not actually begin until June, 1965. Since that time a great many individuals and institutions have assisted in com- pleting the information contained herein. It is impossible to mention each indi- vidual and institution who has contributed to this project. But we take particular pleasure in recording our indebtedness to the staffs of the following institutions for their invaluable assistance: The Frick Art Reference Library, The District of Columbia Public Library, The Library of the National Gallery of Art, The Prints and Photographs Division, The Library of Congress. For assistance with particular research problems, and in compiling biographi- cal information on many of the artists included in this volume, special thanks are due to Mrs. Philip W. Amram, Miss Nancy Berman, Mrs. Christopher Bever, Mrs. Carter Burns, Professor Francis W. -
2010 Exhibition Brings Women Artists to Light
Spring 2010 Newsletter A New Organization is Formed 2010 Exhibition Brings A new chapter in the story has Women Artists to Light begun. On October 19th, 2009, May 2 - October 31 the New York State Board of Regents approved a charter This May, join us for the opening of our new exhibi- establishing an independent tion, “Remember the Ladies: Women of the Hudson non-profit organization to own River School,” the Lisa Fox Martin and operate the home of Thom- first known exhibi- Board Chairman as Cole. For the past ten years, tion to focus solely the historic site has been owned by the Greene County on the women art- Historical Society, which owns several other impor- ists associated with tant historic properties. Thomas Cole’s home and the 19th-century studio will now be run as an independent non-profit landscape paint- organization. ing movement. The exhibition will Although the ownership structure is new, the people include approxi- who are involved remain the same. The new orga- mately 25 works of nization’s Board of Trustees consists of the same art by artists such twelve people who were on the “Cole Committee” of as Julia Hart Beers, the Greene County Historical Society, with the same (sister to William officers including Lisa Fox Martin as Chairman. The and James Hart), three paid staff – Betsy Jacks, Joanna Frang, and Linda Evelina Mount Bartula – have been retained by the Trustees to work (niece to William for the new organization. A new part-time person, Sidney Mount) Melissa Gavilanes, was added this year. -
Remember the Ladies: Women of the Hudson River School
Remember the Ladies d women of the hudson river school Charlotte Buell Coman (1833–1924) frontispiece: Forest Brook, 1895 Oil on canvas, 24 x 20 in. Private Collection Remember the Ladies d women of the hudson river school May 2–October 31, 2010 essays by Nancy Siegel and Jennifer Krieger 218 Spring Street, Catskill, NY 12414 518.943.7465 • www.thomascole.org Edith Wilkinson Cook (active 1851–1875) FIG.1: Autumn Landscape with Figures, 1871 1 5 Oil on canvas, 7 /4 x 5 /8 in. Mark Lasalle Fine Art director’s statement d N MAY 2010 THE THOMAS COLE NATIONAL HISTORic SITE opened the first known exhibition to focus Isolely on the women artists associated with the Hudson River School, the nineteenth-century land- scape painting movement. Considering all the attention that has been given to this art movement in recent decades, it is certainly time that the names of these women become better known. The fact that there were women artists who were inspired by the landscape during the same years as Thomas Cole, Asher Durand, and Frederic Church is a story that needs to be told, and we are so pleased to bring their fascinating lives and work to the public. Their landscape paintings, and the stories behind them, speak to these women’s perseverance, triumph, heartbreak, and even their sense of humor about it all. One young woman was forbidden to create art, and her drawings were burned by her stepmother. Another was conducting her art career while raising her children as a single mother. Yet another climbed “all the principal peaks of the Catskills, Adirondacks, and White Mountains, as well as those of the Alps, Tyrol, and Black Forest, often tramping twenty-five miles a day, and sketching as well, often in the midst of a blinding snow- storm,” according to an 1889 article.1 And all this in the sort of clothing we today would not consider practical. -
Where Books Come Alive!
PUBLIC PERFORMANCE DVDS,VIDEOS AND AUDIO BASED ON OUTSTANDING CHILDREN’S BOOKS Where Books Come Alive! Table of Contents Where Books Come Alive! Fall 2008 New Releases page 4-5 Spring 2008 New Releases page 6-7 For more than 50 years, Weston Woods’ The Playaway® Audio Collection page 8-9 mission has been to motivate children to want New and Noteworthy page 10 to read. Every book is brought to life through Story Hour Collection page 11-41 engaging visuals and stirring word-for-word Alphabetical Listing narrations. They are accompanied by an SPECIAL COLLECTIONS History page 42-43 original musical score, composed to perfectly Author Documentaries page 44 fit the mood and nuances of each story. Caldecott/Newbery page 45 All of our new DVD titles have added bonus features to Foreign Language page 46-47 further enhance the experience of seeing your favorite Rabbit Ears® page 48 Scholastic Entertainment page 49 books brought to life. These features include: Scholastic Audio page 50-55 ★Read-Along allows children to follow WESTON WOODS’STORY COLLECTIONS ON DVD each word as it is simultaneously Read- Thematic DVD page 68-70 narrated and highlighted on the Along! Story Collections screen, strengthening vocabulary, Spanish Bilingual DVD page 70 comprehension and fluency. All new DVDs now offer Story Collections three viewing options: Read-Along, closed-captioned Favorite Author DVD page 71 Story Collections subtitles or no text at all. ★Closed-captioned subtitles and/or subtitled captions - INDEXES Thematic Index page 56-57 Closed–captioned subtitles include Month-by-Month Index page 58-59 descriptive text for the hearing Critic’s Choice – Best Titles page 60 impaired, while subtitled captions from Other Producers contain only the spoken Alphabetical Index of page 61-67 narration and character Weston Woods’ Titles dialogue (without descriptive text) for use as a reading EXPANDED PURCHASING OPTIONS AVAILABLE! tool. -
Tv Advertised Lp's
AUSTRALIAN RECORD LABELS TV ADVERTISED LABELS 1970 to 1992 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, SEPTEMBER 2018 1 ACKNOWLEDGEMENTS MANY THANKS TO PAUL ELLWOOD FOR HELP WITH J & B. ANDREW RENAUT’S WEBSITE LISTS MANY OF THE MAJESTIC / K-TEL COMPILATIONS: https://majesticcompilations.com/ CONCEPT RECORDS CONCEPT RECORD PTY LTD, 139 MURRAY ST, PYRMONT, 2009 // 37 WHITING ST, ARTARMON, 2064. BEGUN BY THEO TAMBAKIS AS A J & B SPECIAL PRODUCTS LABEL. ACTIVE FROM 1984. CC 0001 BREAKIN’ IT UP VARIOUS 1984 CC 0002 HOWLIN’ FOR HITS 2LP VARIOUS 1984 CC 0003 LOVE THEMES INSPIRED BY TORVILL & DEAN VARIOUS CC 0004 THAT’S WHAT I CALL ROCK ‘N’ ROLL VARIOUS CC 0005 THE BOP WON’T STOP VARIOUS 1985 CC 0006 THE HITS HITS HITS MACHINE 2LP VARIOUS 1985 CC 0007 MASTERWORKS COLLECTION VARIOUS 1985 CC 0008 CC 0009 LOVE ME GENTLY VARIOUS CC 0010 4 STAR COUNTRY 2LP DUSTY, REEVES, WHITMAN, WILLIAMS CC 0011 CC 0012 THE DANCE TAPES VARIOUS 1985 CC 0013 KISS-THE SINGLES KISS 1985 CC 0014 THE VERY BEST OF BRENDA LEE 2LP BRENDA LEE 1985 CC 0015 SOLID R.O.C.K. VARIOUS 1985 CC 0016 CC 0017 CC 0018 HIT AFTER HIT VARIOUS 1985 CC 0019 BANDS OF GOLD 2LP VARIOUS CC 0020 THE EXTENDED HIT SUMMER 2LP VARIOUS 1985 CC 0021 METAL MADNESS 2LP VARIOUS 1985 CC 0022 FROM THE HEART VARIOUS 1986 CC 0023 STEPPIN’ TO THE BEAT VARIOUS 1986 CC 0024 STARDUST MELODIES NAT KING COLE CC 0025 THE VERY BEST OF OZ ROCK 2LP VARIOUS 1986 CC 0026 SHE BOP VARIOUS 1986 CC 0027 TI AMO VARIOUS 1986 CC 0028 JUMP ‘N’ JIVE VARIOUS 1986 CC 0029 TRUE LOVE WAYS VARIOUS 1986 CC 0030 PUTTIN’ ON