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Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Augusta, GA] Daily Constitutionalist, January- April, 1864 Vicki Betts University of Texas at Tyler, [email protected]
University of Texas at Tyler Scholar Works at UT Tyler By Title Civil War Newspapers 2016 [Augusta, GA] Daily Constitutionalist, January- April, 1864 Vicki Betts University of Texas at Tyler, [email protected] Follow this and additional works at: https://scholarworks.uttyler.edu/cw_newstitles Recommended Citation Betts, ickV i, "[Augusta, GA] Daily Constitutionalist, January-April, 1864" (2016). By Title. Paper 31. http://hdl.handle.net/10950/663 This Article is brought to you for free and open access by the Civil War Newspapers at Scholar Works at UT Tyler. It has been accepted for inclusion in By Title by an authorized administrator of Scholar Works at UT Tyler. For more information, please contact [email protected]. DAILY CONSTITUTIONALIST [AUGUSTA, GA] January – April 1864 DAILY CONSTITUTIONALIST [AUGUSTA, GA], January 3, 1864, p. 1, c. 1 “The Proudest Words.”—Writes a Chaplain in the force sent from the Army of Northern Virginia to the Army of Tennessee: [“]When the din of war shall have died away and the sweet notes of peace shall be heard through our happy and redeemed country, the proudest words any lips may utter are, “I served as a private through the fierce struggle for Southern Independence. [”] DAILY CONSTITUTIONALIST [AUGUSTA, GA], January 3, 1864, p. 1, c. 3 New Shoe Store and Gaiter Manufactory L. Louis & Co., Broad Street. Opposite Planters’ Hotel, Augusta, Georgia. DAILY CONSTITUTIONALIST [AUGUSTA, GA], January 3, 1864, p. 1, c. 4 Blankets for the Soldiers. A liberal friend had given me fifty blocks of Thread to exchange for Blankets for the soldiers. I offer one block of 5 lb Factory Thread for a blanket, the blankets so raised to be sent to the needy soldiers in Tennessee. -
NBS Production Notes Revised
present FOR HI-RES IMAGES, PLEASE VISIT http://www.imageevent.com/tlareleasing/nakedboyssinging CONTACTS: TLA Releasing Funny Boy Films Lewis Tice Joe Handy, Publicist National Press Liaison BrandingIron Worldwide 215 733 0608 ext. 323 436 7575 [email protected] [email protected] www.tlareleasing.com www.funnyboyfilms.com nakedboyssingingmovie.com tlareleasing.com Naked Boys Singing! is based on the long-running off-Broadway musical comedy revue, “Naked Boys Singing,” which featured 16 original songs celebrating the splendors of male nudity. In the years since its first performance at the Celebration Theater in Los Angeles, the staged version of “Naked Boys Singing” has become an international phenomenon, playing successfully in more than 40 cities and in six languages all over the globe. Director Troy Christian has restaged the play for the film and come up with new arrangements for the original songs. The opening song, “Gratuitous Nudity,” is written and performed in such a sense of fun as to help the audience get over any nervousness they might have about the nudity. Before you know it, most people forget the performers are still naked, well, kind-of, but of course, that’s one of the points made in this light- hearted study of nudity, what we think of it and how we react to it. Naked Boys Singing! is a fun, joyous, and even liberating experience, guaranteed to touch your heart in places and leave you with a smile on your face. You may even find yourself afterwards singing some of the songs in the shower. In Loving Memory of: Stephen Bates Jim Morgan David Crocker Ron Phillips CAST (In Alphabetical Order) Andrew Blake Ames Jason Currie Jaymes Hodges Joseph Keane Anthony Manough Ethan Le Phong Joe Souza Kevin Stea Salvatore Vassallo Vincent Zamora Theater Announcements Joe Souza Answering Machine Voices Peter Lempert Marlene Fisher Pianist David Hawkins CREW Directors Troy Christian Robert Schrock Executive Producers Kermit Johns G. -
Episode 064: Vincent Paterson Special If Using Any of the Below
The MJCast – Episode 064: Vincent Paterson Special If using any of the below text, please reference The MJCast and display the following podcast URL. Thank-you. http://www.themjcast.com/episode-064-vincent-paterson-special/ Q (The MJCast): We got something pretty cool today to share with everyone, haven't we? Jamon (The MJCast): Yeah, we do. We've got an interview with one of Michael's chief collaborators, an amazing choreographer by the name of Vincent Paterson. He has a documentary that is titled "The Man Behind the Throne", and I think that's a really accurate way of describing him. He's a guy that often isn't in the limelight around Michael's career, but is somebody that had a crucial, crucial role in the in the visual aspects of a lot of Michael's art. Q: And a huge footprint in pop culture, I believe, so-- Jamon: Absolutely. Q: Yeah, well, I guess we should just get to the show. Jamon: Let's do it! [Intro] Q: Ladies and gentlemen, welcome to the MJCast! I'm Q, and I'm here today with my co-host and Jamon Bull. Now, when people talk about Michael Jackson's career, names often mentioned: studio geniuses Berry Gordy, Quincy Jones, and Bruce Swedien. For me, a name that should certainly be mentioned right alongside, and of just as much importance is choreographer and director Vincent Paterson. Jamon: Yeah, Vincent Paterson began his career with Michael working as an assistant choreographer and lead dancer on the "Beat It" and "Thriller" short films, before continuing on to ideate and choreograph the timeless masterpiece of film "Smooth Criminal". -
Strike a Pose
BOND/360 Presents STRIKE A POSE A FILM BY ESTER GOULD AND REIJER ZWAAN RT: 83 min Rating: Not Rated Website: www.madonnadancers.com North American press: Silversalt PR Thessa Mooij Laura Schwab 646.637.4700 347.401.0825 [email protected] [email protected] SHORT SYNOPSIS In 1990, seven young male dancers - six gay, one straight - joined Madonna on her most controversial tour. On stage and in the iconic film Truth or Dare they showed the world how to express yourself. Now, 25 years later, they reveal the truth about life during and after the tour. Strike a Pose is a dramatic tale about overcoming shame and finding the courage to be who you are. LONG SYNOPSIS In 1990, seven young dancers joined pop star Madonna on her most controversial world tour. Wild, talented and barely twenty, the dancers set out on the trip of a lifetime. Their journey was captured in Truth or Dare, one of the highest-grossing documentaries ever. As a self-proclaimed mother to her six gay dancers plus straight Oliver, Madonna used the film to take a stand on gay rights, freedom of expression and the fight against AIDS. Madonna’s flamboyant dancers became icons of sexual freedom, inspiring people all over the world to be who you are. At the height of the AIDS epidemic and in the aftermath of the conservative Reagan era, Truth or Dare introduced audiences to fun-loving, bold and larger-than-life gay characters. The film was ground-breaking, featuring two guys kissing passionately during the famous Truth or Dare scene. -
Inventory List 3
Brothers of the Century Awarded at the 2004 Alpha Gamma Rho Page 1 of 59 National Convention Charles A. Stewart BOC ID#: 10013 University of Illinois 1906 Charles A. Stewart was initiated into Delta Rho Sigma in 1906. He represented the fraternity at the “marriage” between Delta Rho Sigma and Alpha Gamma Rho. Afterward he served as the first Grand President of Alpha Gamma Rho at the first National Convention held on November 30, 1908 at the Hofbrau Hotel in Chicago. Albert B. Sawyer, Jr. BOC ID#: 10039 University of Illinois 1908 Albert B. Sawyer was initiated into Delta Rho Sigma in 1906. He was the moderator at the “marriage” of Alpha Gamma Rho and Delta Rho Sigma. He kept the minutes of the first meetings. According to Brother Sawyer, the minutes were on two paper place mats bearing the name of Hofbrau (Chicago). At the first national convention held November 30, 1908, Brother Sawyer served as the Grand Secretary and Treasurer. Nathan L. Rice BOC ID#: 10186 University of Illinois 1916 Nathan L. Rice is a long time supporter of Alpha Gamma Rho. He grew up on the family farm in Philo, Illinois. In 1915 Nathan became a member of Alpha Gamma Rho at the University of Illinois. In April of 1918 he was enlisted in World War I. He returned to the University of Illinois in September of 1919. After graduation, Brother Rice returned to the farm and in 1924 accepted the position as President of the Philo Exchange Bank. In 1923 Sleeter Bull asked Brother Rice to write the history of Alpha Gamma Rho. -
KSFO Collection ARS.0063
http://oac.cdlib.org/findaid/ark:/13030/kt458035s1 No online items Guide to the KSFO Collection ARS.0063 Finding aid prepared by Franz Kunst Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] © 2010 The Board of Trustees of Stanford University. All rights reserved. Guide to the KSFO Collection ARS.0063 1 ARS.0063 Descriptive Summary Title: KSFO Collection Dates: 1953-1989 Collection number: ARS.0063 Creator: KSFO (Radio station : San Francisco, Calif.) Collection size: 36 boxes Contributing Institution: Archive of Recorded Sound Abstract: The KSFO collection consists of audiovisual material and ephemera from this San Francisco radio station's years owned by Golden West Broadcasting, 1956-1983. KSFO was known for their news and sports coverage, as well as the voice talents of such personalities as Don Sherwood, Russ Hodges, Lon Simmons, and Al "Jazzbo" Collins. The majority of this collection involves station marketing, promotions, and fundraisers, although there are airchecks and other broadcast recordings. Production library material includes jingles, themes, music beds, promotional spots, and advertising. Language of Material: English Access Open for research; material must be requested at least two business days in advance of intended use. Contact the Archive for assistance. Publication Rights Property rights reside with repository. Publication and reproduction rights reside with the creators or their heirs. To obtain permission to publish or reproduce, please contact the Head Librarian of the Archive of Recorded Sound. Preferred Citation KSFO Collection, ARS-0063. Courtesy of the Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, Calif. -
I Mondi Di Haze E Montini Da Merlino Bottega D'arte Pietrasanta Da
Corriere Fiorentino Martedì 12 Giugno 2018 CULTURE 23 FI Recensione Festival Con la prima edizione del Deep regista Alessandro Brucioni ha tutta la joie de vivre della nostra Un intenso Crestacci Festival, la Fortezza Vecchia di diretto Michele Crestacci in un costa. Con «Scene di Libertà», Livorno ha ospitato per una intenso monologo, scritto a Francesco Cortoni dirige un testo dà voce aPicchi settimana, teatro, musica, quattro mani, su Armando del giovane tedesco Jan eracconta l’Italia cinema e danza. Fra artisti come Picchi, lo storico capitano Friedrich: crude storie di sesso in Paolo Rossi, Michele Santeramo dell’Inter. Raccontando gli esordi un avvincente impianto registico e Paolo Benvegnù, anche le nella sua Livorno e poi la - grandi proiettori manovrati sul produzioni degli organizzatori (le fulminea ascesa, gli artisti palco e belle musiche di Simone di Gherardo Vitali Rosati associazioni Mo Wan Teatro e tratteggiano la storia dell’Italia Protagonista Lalli – ma con un cast non Pilar Ternera). Con «Picchi» il del dopoguerra, condendola con Michele Crestacci in «Picchi» sempre all’altezza. Fotografia TEATRI I mondi di Haze e Montini FIRENZE OPERA DI FIRENZE da Merlino bottega d’arte Piazza Vittorio Gui 1, tel. 055.27.79.350 Concerto con gli Ensemble degli Intrigati: Giuditta Di Gioia (flauto), FrancescoDarmanin (clarinetto), Dagmar Immagini delicate, culminato in questo nuovo Bathmann (violoncello), Omar Cecchi oniriche, dall’architettura racconto visivo: invece di (percussioni), Massimiliano Cuseri raffinata e densa di buttarsi giù, ha preso la Haze, «Me is someone else» (dettaglio) (pianoforte). DirettoreLuciano Garosi. suggestioni artistiche. Due macchina fotografica per Giovedì 14 giugno. Ore20. giovani fotografe fiorentine reinventarsi e conoscersi. -
Dated: September 28, 2017 Poughkeepsie, New York /S
17-35871-cgm Doc 86 Filed 09/28/17 Entered 09/28/17 14:34:27 Main Document Pg 1 of 1 UNITED STATES BANKRUPTCY COURT HEARING DATE: September 19, 2017 SOUTHERN DISTRICT OF NEW YORK HEARING TIME: 12:00 p.m. POUGHKEEPSIE DIVISION OBJECTION DEADLINE: September 12, 2017 -------------------------------------------------------- x In re: : : Case No. 17-35871 (CGM) SKIP BARBER RACING SCHOOL, LLC, : : (Chapter 11) Debtor. : -------------------------------------------------------- x ORDER DISMISSING CASE Upon the United States Trustee’s Motion to Dismiss or Convert Case under 11 U.S.C. § 1112(b), filed on August 26, 2017 (ECF Doc. No 78) (the “Motion”), and the hearing on the Motion held on September 19, 2017; and there being no objection to the Motion; and it appearing that notice was proper and that there is cause to grant the relief sought, it is hereby ORDERED, that the Debtor’s case is dismissed; and it is further ORDERED, that within 14 days after the entry of this Order, the Debtor shall file a statement of disbursements for all periods in which it did not file a Monthly Operating Report and pay all quarterly fees due and owing to the United States Trustee under 28 U.S.C. § 1930(a)(6). /s/ Cecelia G. Morris _______________________ Dated: September 28, 2017 Hon. Cecelia G. Morris Poughkeepsie, New York Chief U.S. Bankruptcy Judge 17-35871-cgm Doc 86-1 Filed 09/28/17 Entered 09/28/17 14:34:27 Order to Dismiss Pg 1 of 1 UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF NEW YORK 355 Main Street Poughkeepsie, NY 12601 IN RE: Skip Barber Racing School LLC CASE NO.: 17−35871−cgm Social Security/Taxpayer ID/Employer ID/Other Nos.: CHAPTER: 11 06−1634668 NOTICE OF DISMISSAL An order of dismissal was entered by the Honorable Cecelia G. -
The Civics of Rock: Sixties Countercultural Music and The
THE CIVICS OF ROCK: SIXTIES COUNTERCULTURAL MUSIC AND THE TRANSFORMATION OF THE PUBLIC SPHERE by Michael Jacob Kramer A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2006 Approved by Advisor: John F. Kasson Reader: Robert Cantwell Reader: Peter Filene Reader: Lawrence Grossberg Reader: Jacquelyn Hall © 2006 Michael Jacob Kramer ALL RIGHTS RESERVED ii ABSTRACT MICHAEL KRAMER: The Civics of Rock: Sixties Countercultural Music and the Transformation of the Public Sphere (Under the direction of Professor John F. Kasson) For the counterculture of the 1960s and 70s, rock music was not only mass entertainment, but also a form of public life. While many scholars have argued that rock was incompatible with civic participation, this book claims that in music scenes such as San Francisco, in poster art and dancing, on the radio and in print publications, rock served as a flash point for dilemmas of citizenship and civil society. As frequently as it deteriorated into escapism and hedonism, rock also created an atmosphere of inquiry in which the young might listen, think, move, and feel their way through issues of public and civic interaction, such as identity, belonging, power, and democracy. Even when exported by the American military to Vietnam or when circulating to youth movements worldwide, far from eclipsing public life, rock music transformed it into a mass-mediated mode of association -
Here He Practicedfor Sixteen Court Since 1971, a Role in Years, Ending As a Senior Part Which He Has Served with Ner of Powers &Rehnquist
Cover: From the photo album of Avis Winton Walton'45. Taken in 1943, this snapshot shows (I-r) Gloria Midgely Beutler'44, Margaret Morten Feinlieb '44 (since deceased), and Mrs. Walton. (The young woman in back, whose name is unknown, is thought to be an assistant law librarian. ) An article on early women graduates of the School begins on page 4. f- STANFORD LAWYER FALL 1986 VOL. 21, NO.1 Editor: Constance Hellyer Associate Editor: Jo Ann Coupal Graphic Design: Nancy Singer, Barbara Mendelsohn Production Art: Linda Ruiz Stanford Lawyer is published semi annually for alumnilae and friends of Stanford Law School. Correspon dence and materials for publication are welcome and should be sent to: Editor, Stanford Lawyer, Stanford Law School, Crown Quadrangle, Page 4 Page 32 Page 16 Stanford, CA 94305-8610. Copyright 1986 by the Board of Trustees of the Leland StanfordJunior University. Reproduction in whole or in part, without permission of the publisher, FEATURE ARTICLES is prohibited. The President's Choice: Justice William H. Rehnquist '52 2 The Venturesome Women of Stanford Law, 1920-1945 4 Leelane Ellis Hines '59 AT ISSUE Overruled: Jury Neutrality in Capital Cases II SamuelR. Gross The U. S. and the World Court: Facing the Facts 14 Michael]. Danaher '80 BOARD OF VISITORS ANNUAL MEETING Introduction and Overview 16 State of the School, 1986 18 Innovative Approaches to Legal Education 20 Placement Issues: Strategies and Choices 24 SCHOOL NEWS Career Alternatives: Further Initiatives 32 Faculty Notes 47 ALUMNI/AE NEWS Class Notes SO In Memoriam 76 Alumnilae Gatherings 78 Letters to the Editor 80 Coming Events Back Cover LAW FUND ANNUAL REPORT Following Page 80 2 Stanford Lawyer Fall 1986 The President's Choice: Justice William H. -
Public Comments Regarding the Joint Strategic Plan
Electronic Filing TO: Victoria Espinel, U.S. Intellectual Property Enforcement Coordinator and Colleagues Office of Management and Budget, Executive Office of the President RE: Coordination and Strategic Planning of the Federal Effort Against Intellectual Property Infringement: Request of the Intellectual Property Enforcement Coordinator for Public Comments Regarding the Joint Strategic Plan DATE: March 24, 2010 This filing is in response to the U.S. Intellectual Property Enforcement Coordinator’s (USIPEC) request for public comments concerning the development of a strategic plan against intellectual property infringement. See 75 Fed. Reg. 8137-39 (Feb. 23, 2010). The Copyright Alliance appreciates the opportunity to present its views in this important inquiry. The Copyright Alliance is a nonprofit, nonpartisan 501(c)(4) educational organization dedicated to promoting copyright as an engine for creativity, jobs, and growth. It is a membership organization comprised of individual artists and institutions, including guilds and unions, corporations, trade associations, and sports leagues. Its members come from a full range of creative industries including musical composition, music publishing, performing rights organizations and sound recordings; book, magazine and newspaper publishing; business and entertainment software; visual arts, including illustration, graphic arts and photography; and motion pictures and broadcasting. The Copyright Alliance has over forty institutional members, consisting of the Advertising Photographers of America;