Grateful Dead Hundred Year Hall Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Grateful Dead Hundred Year Hall Mp3, Flac, Wma Grateful Dead Hundred Year Hall mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hundred Year Hall Country: US Released: 2004 Style: Blues Rock, Country Rock, Psychedelic Rock MP3 version RAR size: 1981 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1871 mb Rating: 4.5 Votes: 814 Other Formats: WAV AA XM MIDI WMA VOC AIFF Tracklist Hide Credits Bertha 1-1 5:41 Written-By – Jerry Garcia, Robert Hunter Me And My Uncle 1-2 3:05 Written-By – John Phillips Next Time You See Me 1-3 4:15 Written-By – William Harvey*, Earl Forest China Cat Sunflower 1-4 5:14 Written-By – Jerry Garcia, Robert Hunter I Know You Rider 1-5 5:14 Arranged By – Grateful Dead*Written-By – Traditional Jack Straw 1-6 4:47 Written-By – Bob Weir, Robert Hunter Big Railroad Blues 1-7 3:54 Written-By – Noah Lewis Playing In The Band 1-8 9:17 Written-By – Bob Weir, Mickey Hart, Robert Hunter Turn On Your Lovelight 1-9 19:13 Written-By – D. Malone*, J. Scott* Going Down The Road Feelin' Bad 1-10 7:32 Arranged By – Grateful Dead*Written-By – Traditional One More Saturday Night 1-11 5:44 Written-By – Bob Weir Truckin' 2-1 17:45 Written-By – Bob Weir, Jerry Garcia, Phil Lesh, Robert Hunter Cryptical Envelopment 2-2 36:29 Written-By – Jerry Garcia Comes A Time 2-3 6:45 Written-By – Jerry Garcia, Robert Hunter Sugar Magnolia 2-4 7:23 Written-By – Bob Weir, Robert Hunter Companies, etc. Phonographic Copyright (p) – Grateful Dead Productions, Inc. Manufactured By – Warner Strategic Marketing Marketed By – Warner Strategic Marketing Manufactured By – Cinram, Olyphant, PA – Z28634 Manufactured By – Cinram, Olyphant, PA – Z28635 Recorded At – Jahrhunderthalle, Frankfurt Credits Artwork, Design – Gecko Graphics Bass, Vocals – Phil Lesh Drums – Billy Kreutzmann* Guitar, Vocals – Bob Weir, Jerry Garcia Liner Notes – Robert Hunter Mastered By – Jeffrey Norman Organ, Harmonica, Vocals – Ron McKernan* Piano – Keith Godchaux Producer – John Cutler, Phil Lesh Recorded By – Alembic Research [Tape Archivist] – Dick Latvala Vocals – Donna Jean Godchaux* Notes Recorded live, April 26, 1972 at Jahrhundert Halle Frankfurt, Germany. Barcode and Other Identifiers Barcode (Text): 0 8122-78940-2 3 Barcode (String): 081227894023 Matrix / Runout (Disc 1): Z28634 3 R2 78940-2.1 01 M 1 S 1 Mould SID Code (Disc 1): IFPI 2U7B Mastering SID Code (Disc 1): ifpi L909 Matrix / Runout (Disc 2): Z28635 3 R2 78940-2.2 01 M 1 S 1 Mould SID Code (Disc 2): IFPI 2U3B Mastering SID Code (Disc 2): ifpi L909 Other versions Category Artist Title (Format) Label Category Country Year Grateful Hundred Year Hall Grateful Dead GDCD 40202 GDCD 40202 US 1995 Dead* (2xCD, Album) Records Not On Label Grateful Hundred Year Hall none (The Grateful none Unknown Dead* (Cass, Unofficial) Dead) Grateful Dead GDCD Grateful Hundred Year Hall GDCD Records, Line Germany 1995 9.21318 Dead* (2xCD, Album) 9.21318 Records Grateful Hundred Year Hall Grateful Dead GDCD 40202 GDCD 40202 US Unknown Dead* (2xCD, Album, RE) Records Grateful Hundred Year Hall Grateful Dead GDCD2 4021 GDCD2 4021 UK 1995 Dead* (2xCD, Album) Records Related Music albums to Hundred Year Hall by Grateful Dead Grateful Dead - Fallout From The Phil Zone Grateful Dead - Dick's Picks Volume Twenty-One: Richmond Coliseum, Richmond, VA, 11/1/85 Grateful Dead - Without A Net The Grateful Dead - The Best Of The Grateful Dead 1967-1977 The Grateful Dead - Shakedown Street Grateful Dead - Dick's Picks Volume Two: Columbus, Ohio 10/31/71 Jerry Garcia - Boston Blues Grateful Dead - Pauley Pavilion, UCLA, Los Angeles, CA • 11/17/73 Grateful Dead - In The Dark Grateful Dead - Shakedown Street The Grateful Dead - Fillmore West 1969 Bonus Disc Furthur - Live - Cuthbert Amphitheater, Eugene, OR, 2011-09-23.
Recommended publications
  • Grateful Dead Records: Realia
    http://oac.cdlib.org/findaid/ark:/13030/c8k64ggf No online items Guide to the Grateful Dead Records: Realia Wyatt Young, Maureen Carey University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Finding aid updated in 2018, 2020, 2021 Guide to the Grateful Dead MS.332.Ser.10 1 Records: Realia Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Realia Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser.10 Physical Description: 178 Linear Feet128 boxes, 21 oversize items Date (inclusive): 1966-2012 Stored in Special Collections and Archives. Language of Material: English Access Restrictions Collection open for research. Advance notice is required for access. Use Restrictions Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. Preferred Citation Grateful Dead Records: Realia. MS 332 Ser. 10. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, 2008. Accurals The first accrual was received in 2008. Second accrual was received in June 2012. Biography The Grateful Dead were an American rock band that formed in 1965 in Northern California. They came to fame as part of author Ken Kesey's Acid Tests, a series of multimedia happenings centered around then-legal LSD.
    [Show full text]
  • WORKING CLASS HERO a Tribute to John Lennon
    Issue 284 October 13, 1995 $40 Pay -Per -View: huh? Special Feature: WORKING CLASS HERO A Tribute To John Lennon Walls And Bridges Editorial Exclusive Interview: DreamWorks' Mo Ostin, Spotlight On Lenny Waronker KDLE Wichita and Michael Ostin Overnight Buzz Records Mariah Carey "One Sweet Day" Green Day "Leek Stink Breath" Meat Loaf "I'd Lie For You (And That's The Truth)" Selena "Dreaming Of You" Tears For Fears "God's Mistake" St THE SILVER BULLET BAND IT'S A YSTERY IMPACT DATE OCTOBER 16 ii NEW'Rend STORIES) BY BOB SEGER FRO MANAG HEUNCH PREMIERE ANDREWS 1995 CAPITOL STORYTELLER. RECORDS. IN( #284 published by NETWORK 40 INC. 120 N. Wary RI., Burbank, CA 91502 phone (818) 9554040 fax (818) 9712420 [email protected] #1 Added #1 Accelerated #1 PPW JOE RICCITELLI RICK BISCEGLIA JERRY BLAIR MELISSA ETHERIDGE TLC MARIAN CAREY On The Cover: Most Requested 36 The cover art from the Working Class Hero album. A Network 40 exclusive: four pages of the hottest reaction records. News 4 Plugged In 44 Music video rotations at the major video channels. Page 6 not on page 6! The whole truths, the half-truths and anything but the truth.... Oh Wow! 46 Halloween Songs. Editorial 10 Programmers Textbook 48 VP/GM Gerry Cagle on "Walls And Bridges." Bill Richards on "The Alternative Angle." Special Feature: "A Pet Project" 12 Show Prep 50 The All -Star John Lennon Benefit Album Play It, Say It! / Trivia / Rimshots Exclusive: "A New Dream Team Gets To Work" ...16 Now Playing 52 Interview with Mo Ostin, Lenny Waronker and Michael Ostin.
    [Show full text]
  • Grateful Dead Records: History MS.332.Ser
    http://oac.cdlib.org/findaid/ark:/13030/c8vm49n7 Online items available Grateful Dead Records: History MS.332.Ser. 1 Special Collections and Archives Processing Unit University of California, Santa Cruz 2011 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Grateful Dead Records: History MS.332.Ser. 1 1 MS.332.Ser. 1 Language of Material: English https://www.gdao.org/ Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: History creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 1 Physical Description: 60 Linear Feet37 boxes Date (inclusive): 1950-2010 Abstract: This series contains a limited amount of historical and biographical material about the band and individual band members, as well as awards given to the band. Stored in Special Collections and Archives. Access Collection is open for research. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication. Preferred Citation Grateful Dead Records: History. MS 332 Ser. 1. Special Collections and Archives, University Library, University of California, Santa Cruz. Acquisition Information Gift of Grateful Dead Productions, April 2008. A second accrual was received in June 2012.
    [Show full text]
  • Brand New Cd & Dvd Releases 2004 5,000+ Top Sellers
    BRAND NEW CD & DVD RELEASES 2004 5,000+ TOP SELLERS COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, Videos, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2004 5,000+ titles listing are all of U.K. manufactured (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. 695 10,000 MANIACS campfire songs Double B9 14.00 713 ALARM in the poppy fields X4 12.00 793 ASHER D. street sibling X2 12.80 866 10,000 MANIACS time capsule DVD X1 13.70 859 ALARM live in the poppy fields CD/DVD X1 13.70 803 ASIA aqua *** A5 7.50 874 12 STONES potters field B2 10.50 707 ALARM raw E8 7.50 776 ASIA arena *** A5 7.50 891 13 SENSES the invitation B2 10.50 706 ALARM standards E8 7.50 819 ASIA aria A5 7.50 795 13 th FLOOR ELEVATORS bull of the woods A5 7.50 731 ALARM, THE eye of the hurricane *** E8 7.50 809 ASIA silent nation R4 13.40 932 13 TH FLOOR ELEVATORS going up-very best of A5 7.50 750 ALARM, THE in the poppyfields X3
    [Show full text]
  • Sinn Fein Leader to Bring Cause to Campus by DAVE TYLER Purposes, I’M Sure,” Said Kevin Ireland from British Rule
    eOBSERVER Thursday, October 12, 1995* Vol. XXVII No. 39 THE INDEPENDENT NEWSPAPER SERVING NOTRE DAME AND SAINT MARY'S Sinn Fein leader to bring cause to campus By DAVE TYLER purposes, I’m sure,” said Kevin Ireland from British rule. Over ganization, Sinn Pdin has, un­ ing Adams in terrorist activi­ News Editor Klau, who is coordinating the last 20 years, the IRA has der Adams’ leadership, blos­ ties. The following year the U.S. Adams’ visit for Notre Dame claimed responsibility for nu­ somed into a pivotal player in granted Adams a 48 hour visa, Gerry Adams, head of Sinn Student Union Board (SUB). merous terrorist activities in the Northern Ireland peace despite the protests of British Fein, the political wing of the Adams’ visit is sponsored by Ulster and elsewhere. In the process. leaders. On St. Patrick’s Day in Irish Republican Army, will SUB and Student Government. past year, however, IRA para­ Last year, in what observers March, Adams was received at speak Nov. 1 at Stepan Center According to its mission state­ military activity has ended in considered a stunning move, the White House by President as part of his current tour of ment, Friends.of Sinn Fein is the wake of a cease-fire and the Irish and British govern­ and Mrs. Clinton. the United States. dedicated to “developing rela­ peace process that hopes to end ments asked Sinn Fein to par­ Despite the controversial na­ When Adams returns to tionships with Irish American the “troubles” between Catholic ticipate in the Irish Peace ture of Adams’ political affilia­ Northern Ireland at the conclu­ organizations and other demo­ Republicans and Protestant Initiative.
    [Show full text]
  • 1 Grateful Dead and the Art of Rock Improvisation
    Critical Studies in Improvisation / Études critiques en improvisation, Vol 10, No 2 Book Review Grateful Dead and the Art of Rock Improvisation David Malvinni Lanham, MD: The Scarecrow Press, 2013 ISBN 978-0-8108-8255-3 276 pages Reviewed by Melvin James Backstrom As the first scholarly monograph on the music of the Grateful Dead, David Malvinni’s Grateful Dead and the Art of Rock Improvisation is a significant addition to popular music scholarship. Although numerous edited volumes of essays focused on the band have been published in the two decades since the band’s demise after the death of lead guitarist Jerry Garcia (Weiner; Adams and Sardiello; Gimbel; Meriwether; Tuedio and Spector), this is the first by a single author to focus entirely on a musicological assessment. And since it has often been the sociological aspects of the Grateful Dead phenomenon that have received the most attention, especially the audience—colourful fans known as Deadheads, it is a refreshing change for a scholar to focus entirely on what should be of primary importance for a musical ensemble: its music. The Good There is much that is worthwhile. The first chapter focuses on how the group used older musical traditions—blues, R&B, country and folk—as the basis for their often highly experimental improvisational performance style. Although the countercultures of the 1960s have often been seen as wholly contrary to traditional mores, Malvinni’s grounding of the Dead’s musical practices in musical traditionalism serves as a reminder that for at least some countercultural elements a recuperation and re-articulation of tradition was central to their identity.
    [Show full text]
  • AUDIO + VIDEO 9/13/11 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
    NEW RELEASES WEA.COM ISSUE 19 SEPTEMBER 13 + SEPTEMBER 20, 2011 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/13/11 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- BARENAKED Hits From Yesterday And RRW 528614 LADIES Today $11.98 9/13/11 8/24/11 CLAPTON, ERIC & Wynton Marsalis And Eric CD- MARSALIS, Clapton Play The Blues Live WNR 528530 WYNTON From Jazz At Lincoln Center $18.98 9/13/11 8/24/11 Wynton Marsalis And Eric CLAPTON, ERIC & Clapton Play The Blues Live CX- MARSALIS, From Jazz At Lincoln Center WNR 528531 WYNTON (CD/DVD) $24.98 9/13/11 8/17/11 Pull Up Some Dust and Sit NON A-527407 COODER, RY Down (2LP w/Bonus CD) $28.98 9/13/11 8/24/11 CD- DIRT DRIFTERS, WRN 455612 THE This Is My Blood $13.99 9/13/11 8/24/11 CD- RRR 177652 DREAM THEATER A Dramatic Turn Of Events $18.98 9/13/11 8/24/11 A Dramatic Turn Of Events RRR A-177651 DREAM THEATER (2LP 180 Gram Vinyl) $29.98 9/13/11 8/24/11 CX- A Dramatic Turn Of Events RRR 177655 DREAM THEATER (Special Edition) (CD/DVD) $21.98 9/13/11 8/17/11 CD- ATL 527696 GROUPLOVE Never Trust A Happy Song $13.99 9/13/11 8/24/11 Never Trust A Happy Song ATL A-527696 GROUPLOVE (Vinyl w/Download) $20.98 9/13/11 8/24/11 CD- CUR 79254 HOLY, STEVE Love Don't Run $18.98 9/13/11
    [Show full text]
  • Note to Users
    NOTE TO USERS Page(s) not included in the original manuscript and are unavailable from the author or university. The manuscript was microfilmed as received. This reproduction is the best copy available. Psychedelic Music in San Francisco: Style, Context, and Evolution Craig Morrison A Thesis in The Department of Humanities Presented in Partial Fulfillment d the Requirements for the Degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada Septernber 2000 O Craig Morrison 2000 National Library Bibliothèque nationale 1*1 of Canada du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395. rue Wellington OttawaON KlAON4 Ottawa ON K1A ON4 Canada Canada Yovr lFie Votre réf8rmce Our lile Noire reftirence The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seli reproduire, prêter, distribuer ou copies of this thesis in microfom, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts from it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author7s ou autrement reproduits sans son permission. autorisation. ..- III ABSTRACT Psychedelic Music in San Francisco: Style, Context, and Evolution Craig Momson, Ph-D Concordia University, 2000 Psychedelic rock began in 1965 and was popular until around 1970.
    [Show full text]
  • Grateful Dead Records: Media MS.332.Ser
    http://oac.cdlib.org/findaid/ark:/13030/c8zc817k Online items available Grateful Dead Records: Media MS.332.Ser. 7 Special Collections and Archives Processing Staff University of California, Santa Cruz 2012 1156 High Street Santa Cruz 95064 [email protected] URL: http://guides.library.ucsc.edu/speccoll Note Edited in 2018 to include inventory Grateful Dead Records: Media MS.332.Ser. 7 1 MS.332.Ser. 7 Contributing Institution: University of California, Santa Cruz Title: Grateful Dead Records: Media Creator: Grateful Dead Productions Identifier/Call Number: MS.332.Ser. 7 Physical Description: 19.5 Linear Feet23 boxes Date (inclusive): 1967-2005 (bulk 1967-1995) Date (bulk): 1967-1995 Abstract: This series includes examples of non-commercial, and in some cases unofficial audio and video recordings, variant editions, and fan recordings. Language of Material: English . https://www.gdao.org/ Access This series is open for research. Due to format restrictions, cassette tapes and vinyl records may not be listed to or reproduced. CDs and DVDs are accessible via a listening station in the Special Collections and Archives reading room. Publication Rights Property rights for this collection reside with the University of California. Literary rights, including copyright, are retained by the creators and their heirs. The publication or use of any work protected by copyright beyond that allowed by fair use for research or educational purposes requires written permission from the copyright owner. Responsibility for obtaining permissions, and for any use rests exclusively with the user. For more information on copyright or to order a reproduction, please visit guides.library.ucsc.edu/speccoll/reproduction-publication.
    [Show full text]
  • Of 66 RECORDINGS COLLECTED by DEBRA
    Page 1 of 66 RECORDINGS COLLECTED BY DEBRA JAN BIBEL Current Date September 1, 2021 The personal preferential ratings (* to ****) are continually revised with repeated hearings over the years. Sequence of albums here does not match the sequence on the shelves, which is in correct order. International Musique du No: *** Ocora C 559005 Gagaku and Beyond **** Tokyo Gakuso Celestial Harmonies 13179 Gems from Foreign Lands *** Tokyo Gakuso Celestial Harmonies 13217 Tegoto ** Tomoko Sunazaki Fortuna 17068 Koto Music. Tadao Sawai Plays Michio Miyagi *** Playasound PS 65180 The Soul of the Koto *** Musicians of Ikuta-Ryu Lyrichord 7218 Japan. Splendor of the Koto *** Playasound PS 65131 Koto Music of Japan ** Zumi-Kai Group LaserLIght 12 184 Koto Classics **** Shinichi Yuize Nonesuch 511729 L’ Epopee des Heike ** Junko Ueda VDE CD-650 Sankyoku *** Ensemble Yonin No Kai Ocora C 560070 Japan/Traditional Vocal & Instrumental Music **** Ensemble Nipponia Nonesuch 72072 Kabuki & Other Traditional Music **** Ensemble Nipponia Nonesuch 72084 Kabuki and Jiuta-Mai Music *** Ethnic B 6809 Nagauta [Kabuki concert music] *** Ensemble Kineya Ocora C 560144 Melody of Japan/ Brightness of Summer *** King KICH 2128 Melody of Japan/Pathos of Autumn ** King KICH 2129 Melody of Japan/Stillness of Winter *** King KICH 2130 Melody of Japan/Joy of Spring *** King KICH 2127 Japanese Traditional Music Gagaku *** King KICH 2001 Nagaku (No) *** King KICH 2002 Kabuki *** King KICH 2003 Biwa *** King KICH 2004 Shakuhachi *** King KICH 2005 So (Koto) *** King KICH 2006 Sankyoku (ensemble) *** King KICH 2007 Shamisen I *** King KICH 2008 Shamisen II *** King KICH 2009 Percussion *** King KICH 2010 Japanese Dance Music *** King KICH 2022 Japanese Work Songs ** King KICH 2023 Music of Japanese Festivals ** King KICH 2028 Eternal Songs *** Agatsuma Domo 73049 En **** Agatsuma Domo 73072 Yasouemaki ** WagakkiBand Avex Music [.mp3] Spirit of Samurai.
    [Show full text]
  • Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965-75
    The Grateful Dead and Their World: Popular Music and the Avant-Garde in the San Francisco Bay Area, 1965-75 Melvin J. Backstrom Schulich School of Music McGill University, Montreal December 2017 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Melvin J. Backstrom 2017 Table of Contents Abstract i Abrégé ii List of Musical Examples iii List of Illustrations iv List of Tables v Acknowledgements vi Introduction 1 The Politics of Sixties’ Counterculturalism 12 On Improvisation 32 Modernism/Postmodernism and the Avant-Garde 36 On Irony 42 Chapter 1: The Art-Popular Music Dialectic in San Francisco, 1965-1970 51 The San Francisco Tape Music Center 51 The Trips Festival as Rock Concert Paradigm 60 Jazz & Rock 72 The Jefferson Airplane 79 Country Joe and the Fish 82 The Grateful Dead: 1967-69 84 Anthem of the Sun 85 Aoxomoxoa 98 Progressive Rock and the Grateful Dead 101 Live/Dead 103 Conclusion 115 Chapter 2: “Sing Me Back Home”: Musical Traditions and Sixties’ Counterculturalism 117 “We’ve got to get ourselves back to the garden”: The Politics of Countercultural Ideals 120 Country Music and Its Countercultural Relations 128 “Country & Western” vs. “Country” 131 “Okie from Muskogee,” the Beach Boys and the Grateful Dead 133 “An Evening with the Grateful Dead” 138 Rock-Country-Jazz-Fusion? 142 “Dark Star>El Paso>Sing Me Back Home” – August 27, 1972 144 “Dark Star>Cumberland Blues” – September 27, 1972 148 Conclusion 154 Chapter 3: Pastoral Complexity in the Music of the
    [Show full text]
  • M~Adn~Efss Strikes -At Midnigh T - by THOMAS F
    ':4 "Let-Each Become Aware" Founded 1957, Incorporated 1976 | I ~ Volume XXXIX, Number 13 Monday, October 16, 1995 First Copy IFree M~adn~efss Strikes -at Midnigh t - BY THOMAS F. MASSE events about fifteen minutes after 11, the Statesman Stiff ISC was nearly filled to capacity. Some of Almost 4,000 students, faculty, the 1,000 "Midnight Madness" tee-shirts alumni and. friends of-the Seawolves were given away at the door, but some were .packed the Indoor Sports Complex to held in reserve and flung into the crowd welcome Stony Brook's men's and during breaks in the action. women's basketball teams and a chance During the - next 45 minutes, to, try to win a number of prizes- given contestants from the crowd competed in away. the Dizzy Bat Race, a pudding eating The crowd, treated to a number of contest, a three-point shooting contest, and mini-events, giveaway promotions and a perennial favorite "Crawl for Cash." [See few surprises, was the largest mostly- sidebar about contests]. The crowd was student crowd to attend a Stony Brook also treated to performances by the Stony event. Brook Kickline, Cheerleaders and Step "This. is the best time I've had'at Team.. Stony Brook so far," said Cynthia At five to midnight, Angela Alvey, a Bartholome, 18, a sophomore.. "This is a graduate of Stony Brook, sang a rousing nice' turnout, a lot of people showed up. rendition of "The Star Spangled Banner," We're having a lot of fun." and then the Madness began. Dr. Norman Goodman, a faculty It began with a streaker walking member for more than 30 years, said he's serenely to center court before he was never seen anything like this at Stony aggressively removed by an ISC staff, Brook before.
    [Show full text]