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Huygens on Translation
HUYGENS ON TRANSLATION Theo Hermans 1 The tercentenary of the death of Constantijn Huygens (1596-1687) presents a convenient occasion to trace the views held by this versatile and multilingual writer on the subject of translation. A first inventory of Huygens' pronouncements on the matter is all that will be attempted here. The choice of Huygens is not dictated by commemorative considerations alone. Both the contemporary appreciation of his work as a translator – notably of John Donne – and the fact that, as in Vondel's case, some of Huygens' comments on translation are echoed and occasionally challenged by other translators, indicate that his approach to the subject is sufficiently central to be treated as a point of reference. 2 Huygens' extraordinary gifts as a linguist are well known, as is the fact that he began to write poems in Latin at the age of 11 and in French at 16, two years before he tried his hand at Dutch verse. It has been calculated that of the more than 75,000 lines of verse in Worp's edition of Huygens' Collected Poems, 64.3% are in Dutch, 26.4% in Latin and 8.7% in French, with Italian, Greek, German and Spanish making up the remaining 0.6% (Van Seggelen 1987:72). His skill as a multilingual versifier can be breathtaking: in one of his more playful polyglot moods he presents his friend Jacob van der Burgh with an "Olla podrida" poem, dated 11 March 1625, with lines in Dutch, Latin, Greek, Italian, French, Spanish, German and English (Ged. II: 111-13). -
SIMON STEVIN (1548 – 1620) by HEINZ KLAUS STRICK, Germany
SIMON STEVIN (1548 – 1620) by HEINZ KLAUS STRICK, Germany The Flemish mathematician, physicist and engineer SIMON STEVIN is one of the lesser-known personalities in the history of science. However, his work has left many traces. We do not even know his exact date of birth and death; his birthplace was Bruges; where he died is uncertain: either Leiden or the Hague. Raised in the Calvinist tradition, he grew up in Flanders, became an accountant and cashier for a trading firm in Antwerp, travelled for several years through Poland, Prussia and Norway until he took a job at the tax office in Bruges in 1577. Around this time, the 17 provinces of the Netherlands, which also include the area of present-day Belgium, Luxembourg and parts of northern France, belong to the Spanish dominion. Large parts of the population, especially in the northern provinces, converted to the Calvinist faith. In 1567 King PHILIP II OF SPAIN appointed the DUKE OF ALBA as governor. When ALBA carried out a punitive expedition against the Protestants, a war began which only ended in 1648 with the Peace Treaty of Münster (partial treaty of the Peace of Westphalia). In 1579 the Protestant provinces in the north of the Netherlands united to form the Union of Utrecht and declared their independence as the Republic of the United Netherlands; they elected WILLIAM THE SILENT or WILLIAM OF ORANGE as regent. As the political situation came to a head, SIMON STEVIN's life situation also changed: although he was already 33 years old, he still attended a Latin school and then took up studies at the newly founded University of Leiden. -
Constantijnhuygens' Pathodiasacra Etprofana
CONSTANTIJN HUYGENS’ PATHODIA SACRA ET PROFANA. A SENTIMENTAL JOURNEY GANDOLFO CASCIO UTRECHT UNIVERSITY Abstract Constantijn Huygens (1596-1687) in 1620 traveled to Venice as a secretary of ambassador Van Aerssen: he was the only member of the legation who knew Italian. This visit to the Most Serene Republic has been extremely important to him, since he could experience the many natural and artistic wonders he had a mere abstract knowledge of. However, in his life the Dutch poet made a more interesting journey: an intellectual and sentimental one, writing his Pathodia sacra et profana. In this collection we have compositions written in Italian in the very fashionable style of Petrarch. In my essay, I will try to make an historic-philological analysis of this opus in order to establish how the original paradigm has been respected or violated, both in style as well as content. Key Words Constantijn Huygens, Reception theory, stylistics, Petrarchism, Baroque. to flee time you need to seek refuge before time, solely in its length. Carlo Levi1 In 1891, more or less midway upon the journey of his life, Paul Gaugain left his country and set sail on a ship that anchored in the port of Papeete. A couple of years later, Amedeo Modigliani used to portray his friends à la Giorgione. These 1 ‘Per fuggire il tempo bisogna rifugiarsi prima del tempo, nella pura durata’: Carlo Levi, comment on Sterne’s Sentimental Journey Through France and Italy (1768), in Carlo Levi, Prima e dopo le parole. Scritti e discorsi sulla letteratura, Rome: Donzelli, 2001, p. 154. -
Simon Stevin
II THE PRINCIPAL WORKS OF SIMON STEVIN E D IT E D BY ERNST CRONE, E. J. DIJKSTERHUIS, R. J. FORBES M. G. J. MINNAERT, A. PANNEKOEK A M ST E R D A M C. V. SW ETS & Z E IT L IN G E R J m THE PRINCIPAL WORKS OF SIMON STEVIN VOLUME II MATHEMATICS E D IT E D BY D. J. STRUIK PROFESSOR AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY, CAMBRIDGE (MASS.) A M S T E R D A M C. V. SW ETS & Z E IT L IN G E R 1958 The edition of this volume II of the principal works of SIMON STEVIN devoted to his mathematical publications, has been rendered possible through the financial aid of the Koninklijke. Nederlandse Akademie van Wetenschappen (Royal Netherlands Academy of Science) Printed by Jan de Lange, Deventer, Holland The following edition of the Principal Works of SIMON STEVIN has been brought about at the initiative of the Physics Section of the Koninklijke Nederlandse Akademie van Weten schappen (Royal Netherlands Academy of Sciences) by a committee consisting of the following members: ERNST CRONE, Chairman of the Netherlands Maritime Museum, Amsterdam E. J. DIJKSTERHUIS, Professor of the History of Science at the Universities of Leiden and Utrecht R. J. FORBES, Professor of the History of Science at the Municipal University of Amsterdam M. G. J. M INNAERT, Professor of Astronomy at the University of Utrecht A. PANNEKOEK, Former Professor of Astronomy at the Municipal University of Amsterdam The Dutch texts of STEVIN as well as the introductions and notes have been translated into English or revised by Miss C. -
Evangelische Theologische Faculteit, Leuven ISAAC BEECKMAN
Evangelische Theologische Faculteit, Leuven ISAAC BEECKMAN (1588-1637) AND THE RISE OF MODERN SCIENCE: AN EXPLORATION OF BEECKMAN’S THEOLOGICAL THOUGHT IN THE CONTEXT OF HIS MECHANICAL PHILOSOPHY A Thesis Submitted in Partial Fulfilment of the Requirements for the degree of Master of Arts in Theology and Religious Studies in the Department of Historical Theology Advisors: Prof. Dr. Antoon Vos and Drs. Matthias Mangold by Ben Van Acker Leuven, Belgium July 2019 CONTENTS PREFACE ............................................................................................................................................ V ABSTRACT .......................................................................................................................................... VII INTRODUCTION ..................................................................................................................................... 1 The Discovery of Beeckman’s Journal 1 Religion and the Rise of Modern Science 4 Science from the Perspective of University Thought 5 Methodology 7 CHAPTER 1. BEECKMAN’S LIFE, FAITH AND EDUCATION ............................................................. 10 Introduction 10 The Birth of a Craftsman, Theologian and Natural Philosopher 10 The Christian Faith of a Natural Scientist 17 Beeckman’s Academic Training 26 Theology in the Time of Early and High Orthodoxy 31 Summary 36 CHAPTER 2. GOD’S BOOK OF NATURE AND ITS MECHANICAL WORKING ................................. 38 Introduction 38 The Author, the Book of Nature and Its Readers -
Networking in High Society the Duarte Family in Seventeenth-Century Antwerp1
Networking in high society The Duarte family in seventeenth-century Antwerp1 Timothy De Paepe Vleeshuis Museum | Klank van de stad & University of Antwerp At the end of the sixteenth century the Duarte family, who were of Jewish origin, moved from Portugal to Antwerp and it was here that Diego (I) Duarte laid the foundations for a particularly lucrative business in gemstones and jewellery. His son Gaspar (I) and grandson Gaspar (II) were also very successful professionally and became purveyors of fine jewellery to the courts in (among other places) England, France, the Dutch Republic and the Habsburg Empire. Their wealth enabled the Duartes to collect art and make music in their “palace” on the Meir. Their artistic taste and discernment was such that the mansion became a magnet for visitors from all over Western Europe. The arts were a catalyst for the Duartes’ business, but also constituted a universal language that permitted the family to transcend religious and geographical borders. The death of Diego (II) Duarte in 1691 brought to an end the story of the Duartes in Antwerp. The Duartes were possibly the foremost dealers in jewellery and gemstones in Antwerp in the seventeenth century, but they did not achieve that position without a great deal of effort. Thanks to hard work, determination, a love of the arts and a widespread family network, plus the advantage of Antwerp’s geographically central position, these enterprising cosmopolitans managed to overcome religious discrimination and a succession of setbacks. And in the intimacy of their home they brought together the world of business, the arts and diplomacy in an environment that welcomed every discerning visitor, irrespective of his or her religious background. -
THE INVENTION of ATOMIST ICONOGRAPHY 1. Introductory
THE INVENTION OF ATOMIST ICONOGRAPHY Christoph Lüthy Center for Medieval and Renaissance Natural Philosophy University of Nijmegen1 1. Introductory Puzzlement For centuries now, particles of matter have invariably been depicted as globules. These glob- ules, representing very different entities of distant orders of magnitudes, have in turn be used as pictorial building blocks for a host of more complex structures such as atomic nuclei, mole- cules, crystals, gases, material surfaces, electrical currents or the double helixes of DNA. May- be it is because of the unsurpassable simplicity of the spherical form that the ubiquity of this type of representation appears to us so deceitfully self-explanatory. But in truth, the spherical shape of these various units of matter deserves nothing if not raised eyebrows. Fig. 1a: Giordano Bruno: De triplici minimo et mensura, Frankfurt, 1591. 1 Research for this contribution was made possible by a fellowship at the Max-Planck-Institut für Wissenschafts- geschichte (Berlin) and by the Netherlands Organization for Scientific Research (NWO), grant 200-22-295. This article is based on a 1997 lecture. Christoph Lüthy Fig. 1b: Robert Hooke, Micrographia, London, 1665. Fig. 1c: Christian Huygens: Traité de la lumière, Leyden, 1690. Fig. 1d: William Wollaston: Philosophical Transactions of the Royal Society, 1813. Fig. 1: How many theories can be illustrated by a single image? How is it to be explained that the same type of illustrations should have survived unperturbed the most profound conceptual changes in matter theory? One needn’t agree with the Kuhnian notion that revolutionary breaks dissect the conceptual evolution of science into incommensu- rable segments to feel that there is something puzzling about pictures that are capable of illus- 2 THE INVENTION OF ATOMIST ICONOGRAPHY trating diverging “world views” over a four-hundred year period.2 For the matter theories illustrated by the nearly identical images of fig. -
Geometry and Mathematical Symbolism of the 16Th Century Viewed Through a Construction Problem
THE TEACHING OF MATHEMATICS 2016, Vol. XIX, 1, pp. 32–40 GEOMETRY AND MATHEMATICAL SYMBOLISM OF THE 16TH CENTURY VIEWED THROUGH A CONSTRUCTION PROBLEM Milana Dabi´c Abstract. This paper represents a construction problem from Problematum geometricorum IV written by Simon Stevin from Bruges in 1583. The problem is used for illustrating the geometry practice and mathematical language in the 16th century. The large impact of Euclid and Archimedes can be noted. In one part of the construction, Stevin expressed the need for using numbers for greater clarity. Hence, the link with the work of Descartes and the further geometry development is pointed out. MathEduc Subject Classification: A35 MSC Subject Classification: 97A30 Key words and phrases: 16th century mathematics; mathematical symbolism; Simon Stevin; construction problems 1. Introduction From the times of Ancient Greece until the 16th century there was no signif- icant geometrical contribution that would expand the existing geometrical knowl- edge. Only in the second half of the 16th century we can find geometry works of Simon Stevin from Bruges (1548–1620). It is believed that his influence was neglected in the history of mathematics and that his name should be mentioned together with the name of his contemporary Galileo Galilei, from whom Stevin was a whole generation older (16 years) [8]. It is considered that Stevin, as a predecessor of Descartes, prepared a path for introducing correspondence between numbers and points on the line by studying the 10th book of Euclid’s Elements and translating it to numbers [9]. Besides his work on the Problematum geometricorum libri V, he wrote Tomus secundus de geometriae praxi (in 1605) which is: ::: different from the Problemata geometrica and inferior to it; it is also a collection of geometrical problems but it is not arranged as logically as the former; it was chiefly made to complete the Prince’s geometrical training [6, p. -
Simon Stevin, Polymaths and Polymathy in the Early Modern Period
introduction Simon Stevin, Polymaths and Polymathy in the Early Modern Period Karel Davids, Fokko Jan Dijksterhuis, Rienk Vermij and Ida Stamhuis Simon Stevin (1548– 1620) was a slightly older contemporary of Galileo, and can in many respects be considered his Dutch counterpart: a scholar who opened up new, mathematical, ways of studying the world. As such, he has rightly tak- en his place in the annals of early modern science. But Stevin was more than a clever theoretician; he was also an exponent of a new approach to knowledge in the early modern period, when established ways of understanding the world had been thrown into doubt. Ignoring these broader aspects, as has commonly been done, risks failing to grasp his full significance. Stevin remains badly un- derstood, in many respects, and this volume is thus an attempt to understand him better by placing his work in this broader context. In his approach to a wide range of topics, Stevin presents a case – and a very interesting one – of a more general trend in early modern learning, when knowledge was often produced by ‘polymaths’ rather than specialists. Ana- lyzing his situation is therefore not only important as a means of assessing his aims and motives, but also leads to a better understanding of European intellectual history in general. Such a study will shed light on changes in mathematics and natural philosophy in the early modern period, and it will also contribute to a better understanding of the transformation of European learning. Starting with Stevin, this collective volume aims to analyze the transforma- tion of the European ideal of knowledge in the early modern period by com- paring Stevin with similar multi- talented individuals (‘polymaths’) in the Low Countries and other European countries, and by examining the relations be- tween the multiple strands of Stevin’s thinking, writing and other activities. -
Simon Stevin - Wikipedia
Simon Stevin - Wikipedia https://en.wikipedia.org/wiki/Simon_Stevin Simon Stevin Simon Stevin (Dutch: [ˈsimɔn ˈsteːvɪn]; 1548–1620), Simon Stevin sometimes called Stevinus, was a Flemish mathematician, physicist and military engineer. He made various contributions in many areas of science and engineering, both theoretical and practical. He also translated various mathematical terms into Dutch, making it one of the few European languages in which the word for mathematics, wiskunde (wis and kunde, i.e., "the knowledge of what is certain"), was not a loanword from Greek but a calque via Latin. Contents Biography Simon Stevin's travels Simon Stevin in the Netherlands Born c. 1548 Discoveries and inventions Bruges, Belgium Hydraulic engineering — management of Died 1620 waterways (aged 71–72) Philosophy of science Alma mater Leiden University Geometry, physics and trigonometry Music theory Occupation Mathematician, Bookkeeping engineer Decimal fractions Known for Decimal Mathematics fractions[a] Neologisms Trivia Publications References Further reading External links Biography Very little is known with certainty about Stevin's life and what we know is mostly inferred from other recorded facts.[1] The exact birth date and the date and place of his death are uncertain. It is assumed he was born in Bruges since he enrolled at Leiden University under 1 von 11 16.09.19, 20:45 Simon Stevin - Wikipedia https://en.wikipedia.org/wiki/Simon_Stevin the name Simon Stevinus Brugensis (meaning "Simon Stevin from Bruges"). His name is usually written as Stevin, but some documents regarding his father use the spelling Stevijn (pronunciation [ˈsti:vaɪn]). This is a normal spelling shift in 16th-century Dutch.[2] He was born around the year 1548 to unmarried parents, Anthonis (Anton) Stevin and Catelyne van der Poort. -
The Birth of Scientific Publishing — Descartes in the Netherlands
A Century of Science Publishing E.H. Fredriksson (Ed.) IOS Press, Chapter The Birth of Scientific Publishing — Descartes in the Netherlands Jean Galard Cultural Department, Musée du Louvre, Paris, France René Descartes (–) occupies an eminent place at a crucial moment in the history of thought. He played a decisive role when the medieval scholastic tra- dition was supplanted by the modern scientific mind. His personal contribution to the attainments of science was perhaps modest (most of his theories were soon out- dated). But he incarnated a new attitude of the mind towards the world; he for- mulated a new method; he furnished the essential bases for the future development of knowledge. His books, which were all written in the Netherlands, are examples of the spectacular birth of scientific publications. However, by a noteworthy paradox, they were directed against the cult of the Book. Descartes, like Galileo, relied on observation, on direct experience, aided by reasoning, at a time when intellectual authority was incarnated by the canonical books, those of Aristotle. The Cartesian moment in the history of thought is marked by a refusal of opinions conveyed by ancient books. It was the moment of the true re-foundation of thought, indepen- dent of bookish culture. An anecdote illustrates it well. A gentleman went to visit Descartes at Egmond, in Holland, where the philosopher resided from , and asked him for the books of physics that he used. Descartes declared that he would willingly show them to him: he took his visitor in a courtyard, behind his dwelling, and showed the body of a calf that he was about to dissect. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Constantijn Huygens, de kunst en het hof Broekman, I. Publication date 2010 Link to publication Citation for published version (APA): Broekman, I. (2010). Constantijn Huygens, de kunst en het hof. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 Summary Constantijn Huygens is one of the most famous courtiers of the Dutch Golden Age. He is known as the secretary of Frederik Hendrik and Willem II, the composer of a large oeuvre of poetry, the author of memoirs, and the father of four sons and one daughter. Between 1629 and 1631, he wrote the first of two autobiographies, and in it, he devoted a vast amount of attention to, among other subjects, the young painters Rembrandt and Lievens.