Towards a Treaty Group Presented a Declaration of Commitment and Intent on 26Th January, 2018. It Includes How As Individuals We

Total Page:16

File Type:pdf, Size:1020Kb

Towards a Treaty Group Presented a Declaration of Commitment and Intent on 26Th January, 2018. It Includes How As Individuals We Towards a Treaty Group Presented a Declaration of Commitment and Intent on 26th January, 2018. It includes how as individuals we can commit to making change…. Learn more o Educate yourself about our shared history and current issues that impact First Nations people in Australia, in Queensland. o Find out about what happened locally: at first contact, the widespread massacres that took place, the restriction act, the stolen wages, find first hand experiences of the stolen generations… o Make a list of questions you have about Aboriginal and Torres Strait Islander cultural groups. Find the answers to your questions without asking any Aboriginal or Torres Strait Islander people to help you. o Be willing to be uncomfortable. Understand that our shared histories present complexities and contradictions. Don’t try to reduce or simplify it. Engage and take action o Find out what’s happening at a local community level o Diversify your circle of friends. o Stereotypes become popular when we don’t get to know people as individuals. It takes time to get to know people. o Confront racism, ignorance and inappropriate behaviour / language when you see, hear, read or experience it. Support a movement o Become involved in an organisation. Make it more than financial. Involve your time, energy, participation and emotional connection. Resources to explore… Add your own…. Share them… BOOKS: Australian books Dark Emu: Aboriginal Australia and the birth of Agriculture – Bruce Pascoe Brown Scars, White Tears - Ruby Hamad Growing up Aboriginal in Australia – edited Anita Heiss (personal stories of 51 Aboriginal Australians from a wide variety of backgrounds and experiences) Mullumbimby / Too Much Lip – Melissa Lucashenko Sand Talk: How Indigenous Thinking Can Save the World – Tyson Yunkaporta Non-Australian books on racism: Me and White Supremacy workbook - Layla F. Saad Why I No Longer Talk to White People About Race - Renni Edo Lodge White Fragility – Robin di Angelo FILMS: Leah Purcell’s body of work: Black Chicks Talking Rachel Perkins’ body of work: One Night the Moon, Radiance, Bran Nue Dae, Jasper Jones Ivan Sen’s body of work including: Beyond Clouds, Mystery Road (feature film and TV series), Goldstone Ten Canoes: traditional story from East-Arnhem sharing an Indigenous perspective on stories Like Rubies in the Kings Crown: local stories and histories from Yarrabah, North Qld Spear – Bangarra Dance TV: NITV (National Indigenous Television) Grace Beside Me (First Australian Indigenous kids TV series) Redfern Now Mystery Road (also a feature film) Mabo First Australians Cleverman Total Control Black Comedy PODCASTS: Pretty for an Aboriginal (Nakkiah Lui and Miranda Tapsell) TWITTER: @IndigenousXLtd Aboriginal owned and operated independent media company founded by Luke Pearson. Rotating Twitter account showcasing Indigenous Australian experiences and perspectives. @nakkiahlui Colourful First Nation personality Actor, Writer, Director @AmyThunig Gamilaroi| Education Academic @leesawatego Wife, Mum. Founder @IscariotMedia @DeadlyBloggers @CriticalClassrm Co-founder @DarkDisturb @BlackCoffee_AU @IndigBizMonth President @SEQICC @Utopiana Celeste Liddel Where blackfeministranters tweet. Arrernte, unionist,column, freelance commentator. Accidentally anarchic. @NareenYoung Industry Professor UTS Jumbunna Research @joewilliams_tew #TheEnemyWithin; Father; Fiancé; Suicide Survivor; Former NRL Player; Prof Boxer; International Keynote Speaker; Author MUSIC: Thelma Plum, Mojo Juju (esp Native Tongue), Dan Sultan, Briggs (esp Life is Incredible), Xavier Rudd, Yirrmal, Kev Carmody, Archie Roach THEATRE: Leah Purcell (Box the Pony, Drover’s Wife), Stephen Oliver, Bangarra Dance, Wesley Enoch, Nakkiah Lui, Aboriginal Centre for the Performing Arts (ACPA) YOUTUBE: Amy Thunig https://www.ted.com/talks/amy_thunig_disruption_is_not_a_dirty_word SPOKEN WORD: Slam Poetry winner 2018, Melanie Mununggurr-Williams, NT https://www.youtube.com/watch?v=x03nIylz4Hg Kutcha’s Carpool Koorioke https://www.youtube.com/channel/UCRua1BD8w7sxeSmPqQbA0tA Websites to explore to help guide your interests… Share Our Pride: http://www.shareourpride.org.au/ Reconciliation Australia: https://www.reconciliation.org.au/ Creative Spirits: https://www.creativespirits.info/ OTHER: The Killing Times – Massacre map: https://www.theguardian.com/australia- news/series/the-killing-times LIBRARIES / CENTRES: Kuril Dhagun – State Library of Queensland space for Aboriginal and Torres Strait Islander people to connect with SLQ collections Dandiiri—Inala School and Community Library resources reflecting all aspects of Aboriginal and Torres Strait Island culture and history. email us: [email protected] Like us on FaceBook: https://www.facebook.com/balaangala/ explore our website: http://www.balaangala.org.au/ .
Recommended publications
  • Visionsplendidfilmfest.Com
    Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland.
    [Show full text]
  • Article by Maria Joseph ONE NIGHT the MOON Directed by Rachel
    Area of Study 2 Article on One Night The Moon by Maria Joseph Context: The Imaginative Landscape Article by Maria Joseph ONE NIGHT THE MOON Directed by Rachel Perkins One Night the Moon is directed by Rachel Perkins and was released in 2001. Perkins is an Indigenous Australian, an Arrernte woman from the Central Desert region near Alice Springs. She grew up in Canberra, the daughter of renowned Aboriginal activist Charles Perkins, who died whilst the film was in production. One Night the Moon is dedicated to his memory. Like her father, Perkins is concerned with the social and political rights of Aboriginals in contemporary Australia. Her films Radiance (1998) and Bran Nue Dae (2010) centre on Aboriginal issues, and her television series The First Australians (2008) gives an Aboriginal viewpoint of Australian history. Paul Kelly is a principal actor and musician in One Night the Moon, playing the father, Jim. As a musician he is known for his insightful lyrics that comment on modern Australian life. At the time of making One Night the Moon, Kelly was married to Kaarin Fairfax, who plays Rose. Their actual daughter, Memphis, plays Emily. The Imaginative Landscape in One Night the Moon At one level ‘The Imaginative Landscape’ can be simply interpreted as having to do with representations of the land. Writers and directors create the settings of their narratives in order to convey meaning. We all know that a thunderstorm or wild wind suggests something dramatic or tragic is likely to happen in the story. A narrative with a negative outcome or a critical message may be set in a landscape that conveys pessimism, such as a grungy cityscape.
    [Show full text]
  • DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
    THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated.
    [Show full text]
  • MS 5014 C.D. Rowley, Study of Aborigines in Australian Society, Social Science Research Council of Australia: Research Material and Indexes, 1964-1968
    AIATSIS Collections Catalogue Manuscript Finding Aid Index Australian Institute of Aboriginal and Torres Strait Islander Studies Library MS 5014 C.D. Rowley, Study of Aborigines in Australian Society, Social Science Research Council of Australia: research material and indexes, 1964-1968 CONTENTS COLLECTION SUMMARY………………………………………….......page 5 CULTURAL SENSITIVITY STATEMENT……………………………..page 5 ACCESS TO COLLECTION………………………………………….…page 6 COLLECTION OVERVIEW……………………………………………..page 7 BIOGRAPHICAL NOTE………………………………...………………page 10 SERIES DESCRIPTION………………………………………………...page 12 Series 1 Research material files Folder 1/1 Abstracts Folder 1/2 Agriculture, c.1963-1964 Folder 1/3 Arts, 1936-1965 Folder 1/4 Attitudes, c.1919-1967 Folder 1/5 Bibliographies, c.1960s MS 5014 C.D. Rowley, Study of Aborigines in Australian Society, Social Science Research Council of Australia: research material and indexes, 1964-1968 Folder 1/6 Case Histories, c.1934-1966 Folder 1/7 Cooperatives, c.1954-1965. Folder 1/8 Councils, 1961-1966 Folder 1/9 Courts, Folio A-U, 1-20, 1907-1966 Folder 1/10-11 Civic Rights, Files 1 & 2, 1934-1967 Folder 1/12 Crime, 1964-1967 Folder 1/13 Customs – Native, 1931-1965 Folder 1/14 Demography – Census 1961 – Australia – full-blood Aboriginals Folder 1/15 Demography, 1931-1966 Folder 1/16 Discrimination, 1921-1967 Folder 1/17 Discrimination – Freedom Ride: press cuttings, Feb-Jun 1965 Folder 1/18-19 Economy, Pts.1 & 2, 1934-1967 Folder 1/20-21 Education, Files 1 & 2, 1936-1967 Folder 1/22 Employment, 1924-1967 Folder 1/23 Family, 1965-1966
    [Show full text]
  • Reconciliationnews Issue No 28 // December 2013
    ReconciliationNews ISSUE NO 28 // December 2013 Michael Hohnen and Mark Grose and their passion for Indigenous music Rachel Perkins discusses her love of filmmaking Alison Page, bringing people together through the Freshwater Saltwater Arts Alliance 2 ISSUE NO 28 // December 2013 CONTENTS 3 Black Diggers – CEO message the untold story 4 Rachel Perkins: in the frame How quickly this year has flown! All of a sudden we’re talking about Christmas, thinking about a welcome break 7 A tale of two talents by a beach somewhere and looking forward to all that fun 8 Coming home to and food with family and friends. Noongar country 10 Making music with Skinnyfish For most of us, taking a break will probably include music, movies and books, perhaps even a visit to a gallery or a festival. The arts enrich our lives every day and in much the same way 12 Riding the black cockatoo as sport encourages respect and admiration for athletic talent, the arts can provide a real appreciation and understanding of culture. 16 Saltwater Freshwater: bringing people together We’ve devoted this edition of Reconciliation News to the arts and I hope you’ll enjoy the various stories that together illustrate that reconciliation comes in many forms. 19 Bangarra turns 25! The thoughtful voice of film director Rachel Perkins whose work includes First Australians, Mabo and Redfern Now comes through clearly as she reveals her passion for filmmaking. Her quietly 19 Aboriginal artists shine powerful films have helped demystify our hidden history and have fostered better understanding between Aboriginal and Torres Strait Islander people and other Australians.
    [Show full text]
  • Theatre Costume, Celebrity Persona, and the Archive
    Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing.
    [Show full text]
  • The Constitutive Role of African Australian Film1
    Culture is Our Future: The Constitutive Role of African Australian Film1 Anne Harris2 Monash University “It doesn’t matter what tone of fuckin’ black you are, you are black.” (Deborah Mailman, Black Chicks Talking, 2001)3 Abstract ‘Culture is our Future’4 is one example of an emerging body of film and video by and about African Australians, and in which ethics and aesthetics sometimes compete. Australian media representations of African Australians have been persistently negative, and many look to the ability of film and video to represent a counter-narrative in the co- construction of cultural and subcultural identities. Drawing on Appadurai’s5 cultural imaginary and mediascapes, this article will contextualise these films in a consideration of larger ‘filmic diasporas’ which represent the diversity and richness of African communities emerging in multiple diasporic locations (particularly Australia), and competing within multiple aesthetics. Simultaneously, this critique interrogates how these examples of gender and race6 may also be used as ‘mechanisms of exclusion’7, and how African Australians remain ‘constitutively visible’8 despite mainstream media attempts to render them invisible. 1 Editor’s Note: This article was submitted and reviewed prior to the author’s uptake of the role of co-editor of ARAS. All review processes were conducted anonymously and processed by the other editors. 2 Author’s Note: The author gratefully acknowledges the contribution of the anonymous ARAS reviewers who have, through the journal’s review process, contributed to the clarity and depth of the argument presented here. 3 Deborah Mailman, Black Chicks Talking. Director, Leah Purcell, Bungabura Productions Pty.
    [Show full text]
  • Inside Today 2021 Edition
    Friday, 22 January, 2021 WEATHER PAGE 20 TV GUIDE PAGES 23-24, 49-50 PUZZLES PAGE 21 CLASSIFIEDS PAGES 53-57 borderwatch.com.au | $3.00 BEEF FOCUS INSIDE TODAY 2021 EDITION 12479388-SN05-21 Summer surge THE Penola district hopes to ride the wave of domestic tourists travelling around Aus- tralia, with a new tourism strategy urging travellers to swap California for Coonawar- ra. The Coonawarra Vignerons Association initiative coincides with an influx of visitors to the premier wine region, with some cel- lar doors reporting a busier than ever sum- mer holiday boom. Story page 6 FROM CALI TO COONAWARRA: Balnaves of Coonawarra cellar door sales Georgie Mag- gie in full a with the recent introduction of the Swap California for Coonawarra tourism strategy. Picture: MOLLY TAYLOR Culture bombshell RAQUEL MUSTILLO code of conduct issues has been publicly re- media and its coverage of the internal issues, “This review left staff feeling disillusioned councillors supported engaging an indepen- [email protected] leased. and dissatisfied knowing that their input was The two-hour meeting was called partly in dent mediator and consultant to undertake a not fully documented, taken on board or AN explosive recording of a Grant District response to claims staff members were “ha- cultural review. therefore actioned,” Mr Whicker wrote. Council meeting has revealed a number of rassed and in some cased bullied, disrespect- However, staff received notice a second cul- “As chief executive officer, I am genuinely allegations relating to Mayor Richard Sage’s tural review will be undertaken by council after ed and unsupported” in interactions with Mr sorry for what happened and wish to make a behaviour towards the organisation’s staff, the initial investigation was not fully actioned.
    [Show full text]
  • JASPER JONES a Film by Rachel Perkins
    Presents JASPER JONES A film by Rachel Perkins “A marvelously entertaining and ultimately uplifting tale” – Richard Kuipers, Variety Austrailia / 2017 / Drama / English / 103 mins Film Movement Contact: Press: [email protected] Theatrical: Clemence Taillandier | (212) 941-7744 x301 | [email protected] Festivals & Non-Theatrical: Maxwell Wolkin | (212) 941-7744 x211 | [email protected] www.FilmMovement.com 1 SYNOPSIS Adapted from Craig Silvey’s best-selling Australian novel and featuring a stellar cast including Toni Collette, Hugo Weaving, Levi Miller, Angourie Rice, Dan Wyllie and Aaron McGrath, JASPER JONES is the story of Charlie Bucktin, a bookish boy of 14 living in a small town in Western Australia. In the dead of night during the scorching summer of 1969, Charlie is startled when he is woken by local mixed-race outcast Jasper Jones outside his window. Jasper leads him deep into the forest and shows him something that will change his life forever, setting them both on a dangerous journey to solve a mystery that will consume the entire community. In an isolated town where secrecy, gossip and tragedy overwhelm the landscape, Charlie faces family breakdown, finds his first love, and discovers what it means to be truly courageous. SHORT SYNOPSIS Based on the best-selling novel, JASPER JONES is the story of Charlie Bucktin, a young bookish boy living in a small town. One night, local mixed-race outcast Jasper Jones appears at Charlie’s window and the pair embark on a journey to solve a mystery that will consume the entire community. LOGLINE Two boys journey to solve a mystery that will consume the entire community.
    [Show full text]
  • 07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website
    78 Montague Road South Brisbane PO Box 3310 South Brisbane BC Queensland 4101 Telephone: 07 3010 7600 Facsimile: 07 3010 7699 Email: [email protected] Website: www.qldtheatreco.com.au Front cover: Georgina Symes Photo: Craig Ratcliffe The Crucible L-R: Brad McMurray, Melanie Zanetti, Francesca Savige, Nelle Lee, Bryan Nason, Amelia Dowd, Sue Dwyer, Chris Betts, Christopher Sommers, Andrew Buchanan, Robert Coleby, Bob Newman, Leo Wockner, Kathryn Marquet, Paul Bishop, James Stewart. Photo: Rob Maccoll Contents Letter to the Premier ..................................................................................................................................................2 Introduction Company profile ........................................................................................................................................... 3 Strategic overview ........................................................................................................................................4 Functions of the Company ............................................................................................................................ 5 Queensland Government objectives.............................................................................................................6 Chair’s report ............................................................................................................................................... 7 Artistic Director’s report ...............................................................................................................................8
    [Show full text]
  • Music, TV & Film, Books & Reports by Trent Wallace, Former Australian
    Cultural Resources: Music, TV & Film, Books & Reports By Trent Wallace, former Australian Pro Bono Centre AGS Secondee Policy & Project Officer A practical approach to supporting Indigenous people is by consuming music, television and film, books and reports. Whilst the list is not exhaustive, it provides a solid foundation! Music – There is a diverse and vast array of Aboriginal and Torres Strait Islander musicians. Thelma Plum, Mojo Juju, Jessica Mauboy, Baker Boy, Yothu Yindi, Christine Anu, Deborah Cheetham, Troy Cassar-Daley, Casey Donovan, Isaiah Firebrace, Archie Roach, Xavier Rudd, Dan Sultan, Dr G Yunupingu, Shakaya, A.B Original and Tiddas. Television and Film – TV shows such as Total Control, Redfern Now, Black Comedy, Cleverman, Wentworth -– in particular, anything featuring Leah Purcell. Also, the channel NITV. Anything by Stephen Oliver (look up his poetry and presentations). Movies such as The Sapphires, Rabbit-Proof Fence, Mabo, Radiance, Samson and Delilah, and Top End Wedding. Books – Dark Emu by Bruce Pascoe, First Australians by Rachel Perkins and Marcia Langton, Jandamarra and the Bunuba Resistance by Banjo Woorunmurra and Howard Pedersen, The Quiet Revolution by Marcia Langton, Hidden In Plain View by Paul Irish, It’s Our Country edited by Megan Davis and Marcia Langton, Butterfly Song by Terri Janke and anything by the incredible Anita Heiss. Reports – We also recommend reading the Report of the Royal Commission into Aboriginal Deaths in Custody,1 Closing the Gap reports,2 and Indigenous Expenditure reports.3 The Australian Institute of Health and Welfare has also produced the following helpful reports: Aboriginal and Torres Strait Islander people: a focus report on housing and homelessness,4 and Aboriginal and Torres Strait Islander Health Performance Framework (HPF) report 2017.5 1 See www.humanrights.gov.au/our-work/aboriginal-and-torres-strait-islander-social- justice/publications/indigenous-deaths.
    [Show full text]
  • Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
    McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences.
    [Show full text]