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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
South Australian Mps
Contacts– South Australian MPs Key People Hon Steven Marshall - Premier Dunstan Liberal Telephone: 08 8363 9111 OR 8463 3166 Facsimile: 8463 3168 Postal Address: Unit 2 90-94 The Parade, NORWOOD SA 5067 Email: [email protected] Hon Vickie Chapman – Deputy Premier Bragg Liberal Telephone: 8207 1723 OR 08 8332 4799 Facsimile: 08 8364 2173 Postal Address: 357 Greenhill Road, TOORAK GARDENS SA 5065 Email: [email protected] Hon Stephen Knoll, Minister for Planning, Transport Schubert Liberal and Infrastructure Telephone: 08 8563 3636 Facsimile: 08 8563 0190 Postal Address: 129A Murray Street, TANUNDA SA 5352 Email: [email protected] Hon Rob Lucas – Treasurer Legislative Liberal Telephone: 8 8237 9100 Council Facsimile: 8226 1896 Postal Address: Level 8, State Administration Centre, North Terrace Adelaide SA 5000 Email: [email protected] Mr Peter Malinauskas – Leader of the Opposition Croydon Labor Telephone: 08 8346 2462 Facsimile: 08 8346 5471 Postal Address: 488 Port Road, WELLAND SA 5007 Email: [email protected] Dr Susan Close – Deputy Leader of the Opposition Port Adelaide Labor Telephone: 08 8241 0300 Facsimile: 08 8241 0400 Postal Address: 1/111 Lipson Street, PORT ADELAIDE SA 5015 Email: [email protected] Hon Tony Piccolo, Shadow Minister for Planning, Light Labor Housing and Urban Develpoment Telephone: 08 8522 2878 Facsimile: 08 8523 1392 Postal Address: 148 Murray Street, GAWLER SA 5118 Email: [email protected] Contacts– South Australian MPs Your MP’s -
NEWSLETTER ISSN 1443-4962 No
AUSTRALIAN NEWSPAPER HISTORY GROUP NEWSLETTER ISSN 1443-4962 No. 37 May 2006 Compiled for the ANHG by Rod Kirkpatrick, 13 Sumac Street, Middle Park, Qld, 4074. Ph. 07-3279 2279. E-mail: [email protected] 37.1 COPY DEADLINE AND WEBSITE ADDRESS Deadline for next Newsletter: 15 July 2006. Subscription details appear at end of Newsletter. [Number 1 appeared October 1999.] The Newsletter is online through the “Publications” link of the University of Queensland’s School of Journalism & Communication Website at www.uq.edu.au/journ-comm/ and through the ePrint Archives at the University of Queensland at http://eprint.uq.edu.au/) CURRENT DEVELOPMENTS: METROPOLITAN 37.2 MEDIA REFORM PROPOSALS Communications Minister Helen Coonan issued on 14 March an outline of proposals to reform Australia’s media laws. She wanted feedback from stakeholders by 18 April. Under the proposals, newspaper groups and radio groups could be acquired by free-to-air TV networks and vice-versa – and so, Nine, for instance, could buy John Fairfax Holdings, and News Ltd could buy Channel 10. Free-to-air channels would face competition from emerging digital TV players. Senator Coonan said the cross-media and foreign ownership restrictions would be removed by 2007 or 2012, but the Government would require at least five “commercial media groups” to remain in metropolitan markets and four in regional markets. Extensive coverage of the Coonan proposals was provided in, for example, the Australian of 15 March (pp.1, 6, 7, 13, 31, 34) and 16 March (pp.2, 14, 17, 19, 22 and 25) and the Australian Financial Review of 15 March (pp.1, 11, 14, 28, 47, 48, 49, 57, 59 and 60). -
Blitzkrieg: the Evolution of Modern Warfare and the Wehrmacht's
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2021 Blitzkrieg: The Evolution of Modern Warfare and the Wehrmacht’s Impact on American Military Doctrine during the Cold War Era Briggs Evans East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the History Commons Recommended Citation Evans, Briggs, "Blitzkrieg: The Evolution of Modern Warfare and the Wehrmacht’s Impact on American Military Doctrine during the Cold War Era" (2021). Electronic Theses and Dissertations. Paper 3927. https://dc.etsu.edu/etd/3927 This Thesis - unrestricted is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. Blitzkrieg: The Evolution of Modern Warfare and the Wehrmacht’s Impact on American Military Doctrine during the Cold War Era ________________________ A thesis presented to the faculty of the Department of History East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in History ______________________ by Briggs Evans August 2021 _____________________ Dr. Stephen Fritz, Chair Dr. Henry Antkiewicz Dr. Steve Nash Keywords: Blitzkrieg, doctrine, operational warfare, American military, Wehrmacht, Luftwaffe, World War II, Cold War, Soviet Union, Operation Desert Storm, AirLand Battle, Combined Arms Theory, mobile warfare, maneuver warfare. ABSTRACT Blitzkrieg: The Evolution of Modern Warfare and the Wehrmacht’s Impact on American Military Doctrine during the Cold War Era by Briggs Evans The evolution of United States military doctrine was heavily influenced by the Wehrmacht and their early Blitzkrieg campaigns during World War II. -
Australian Films
AUSTRALIAN FILMS: The Rage in Placid Lake Just out of prep school -- where he was the target of tyrannical bullies -- misfit teen Placid Lake (Ben Lee) yearns to be a regular Joe. When a mishap lands Placid in a body cast for months, he formulates a plan to reinvent himself by donning a suit and taking a job as a drone at an insurance agency. But he soon discovers that conformity isn't what it's cracked up to be in this offbeat Aussie comedy from rookie director Tony McNamara. Strictly Ballroom This quirky, tenderly hilarious romantic comedy is sure to leave you tapping your toes. Directed by Baz Luhrmann, Strictly Ballroom is the off-beat story of a championship ballroom dancer (Paul Mercurio) who breaks all the rules by choosing an ugly duckling dancing partner (Tara Morice). Sweet, funny and original, this is one you won't forget quickly. The Castle When plans for an airport expansion threaten the home of Darryl Kerrigan (Michael Caton) and his family, the patriarch refuses to move from his "castle" -- in actuality, a shabby suburban tract house. Darryl rallies the troops and takes his battle to the highest court in Australia. This irreverent, warm-hearted comedy is frequently compared to The Full Monty. The Dish July 1969. Neil Armstrong is about to walk on the moon, and everyone's eyes are riveted to their TV screens. In Parkes, Australia, a radio dish antenna is slated to receive Apollo 11's video feed and send that historic sight out to the world … that is, if the Australian staff (including pipe-smoking, absent-minded scientist Sam Neill) and their NASA supervisor (the tense, by-the-book Patrick Warburton) don't make any mistakes! Rabbit Proof Fence Australia's aboriginal integration program of the 1930s broke countless hearts -- among them, those of young Molly (Evelyn Sampi), Gracie (Laura Monaghan) and Daisy (Tiana Sansbury), who were torn from their families and placed in an abusive orphanage. -
The Other Side of the Monument: Memory, Preservation, and the Battles of Franklin and Nashville
THE OTHER SIDE OF THE MONUMENT: MEMORY, PRESERVATION, AND THE BATTLES OF FRANKLIN AND NASHVILLE by JOE R. BAILEY B.S., Austin Peay State University, 2006 M.A., Austin Peay State University, 2008 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of History College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2015 Abstract The thriving areas of development around the cities of Franklin and Nashville in Tennessee bear little evidence of the large battles that took place there during November and December, 1864. Pointing to modern development to explain the failed preservation of those battlefields, however, radically oversimplifies how those battlefields became relatively obscure. Instead, the major factor contributing to the lack of preservation of the Franklin and Nashville battlefields was a fractured collective memory of the two events; there was no unified narrative of the battles. For an extended period after the war, there was little effort to remember the Tennessee Campaign. Local citizens and veterans of the battles simply wanted to forget the horrific battles that haunted their memories. Furthermore, the United States government was not interested in saving the battlefields at Franklin and Nashville. Federal authorities, including the War Department and Congress, had grown tired of funding battlefields as national parks and could not be convinced that the two battlefields were worthy of preservation. Moreover, Southerners and Northerners remembered Franklin and Nashville in different ways, and historians mainly stressed Eastern Theater battles, failing to assign much significance to Franklin and Nashville. Throughout the 20th century, infrastructure development encroached on the battlefields and they continued to fade from public memory. -
Stephen Harrington Thesis
PUBLIC KNOWLEDGE BEYOND JOURNALISM: INFOTAINMENT, SATIRE AND AUSTRALIAN TELEVISION STEPHEN HARRINGTON BCI(Media&Comm), BCI(Hons)(MediaSt) Submitted April, 2009 For the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology, Australia 1 2 STATEMENT OF ORIGINAL AUTHORSHIP The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge and belief, the thesis contains no material previously published or written by another person, except where due reference is made. _____________________________________________ Stephen Matthew Harrington Date: 3 4 ABSTRACT This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. -
DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
VCE History Study Design
History Victorian Certificate of Education Study Design Victorian Curriculum and Assessment Authority 2004 COVER ARTWORK WAS SELECTED FROM THE TOP ARTS EXHIBITION. COPYRIGHT REMAINS THE PROPERTY OF THE ARTIST. Latoya BARTON Tarkan ERTURK The sunset (detail) Visage (detail) from a series of twenty-four 201.0 x 170.0 cm 9.0 x 9.0 cm each, oil on board synthetic polymer paint, on cotton duck Liana RASCHILLA Nigel BROWN Teapot from the Crazy Alice set Untitled physics (detail) 19.0 x 22.0 x 22.0 cm 90.0 x 440.0 x 70.0 cm earthenware, clear glaze. lustres composition board, steel, loudspeakers, CD player, amplifier, glass Kate WOOLLEY Chris ELLIS Sarah (detail) Tranquility (detail) 76.0 x 101.5 cm, oil on canvas 35.0 x 22.5 cm gelatin silver photograph Christian HART Kristian LUCAS Within without (detail) Me, myself, I and you (detail) digital film, 6 minutes 56.0 x 102.0 cm oil on canvas Merryn ALLEN Ping (Irene VINCENT) Japanese illusions (detail) Boxes (detail) centre back: 74.0 cm, waist (flat): 42.0 cm colour photograph polyester cotton James ATKINS Tim JOINER Light cascades (detail) 14 seconds (detail) three works, 32.0 x 32.0 x 5.0 cm each digital film, 1.30 minutes glass, flourescent light, metal Lucy McNAMARA Precariously (detail) 156.0 x 61.0 x 61.0 cm painted wood, oil paint, egg shells, glue, stainless steel wire Accredited by the Victorian Qualifications Authority 41a St Andrews Place, East Melbourne, Victoria 3002 Developed and published by the Victorian Curriculum and Assessment Authority 41 St Andrews Place, East Melbourne, Victoria 3002 This completely revised and reaccredited edition published 2004. -
Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi's the Chant of Jimmie Blacksmith Revisited
FILMHISTORIA Online Vol. 28, núms. 1-2 (2018) · ISSN: 2014-668X Racial Tragedy, Australian History, and the New Australian Cinema: Fred Schepisi’s The Chant of Jimmie Blacksmith Revisited ROBERT J. CARDULLO University of Michigan Abstract The Chant of Jimmie Blacksmith (1978) broke ground in its native country for dealing bluntly with one of the most tragic aspects of Australian history: the racist treatment of the aboriginal population. Adapted faithfully from the 1972 novel by Thomas Keneally, the film concerns a young man of mixed race in turn-of-the-century Australia who feels torn between the values and aspirations of white society, on the one hand, and his aboriginal roots, on the other, and who ultimately takes to violence against his perceived white oppressors. This essay re-views The Chant of Jimmie Blacksmith from the following angles: its historical context; its place in the New Australian Cinema; its graphic violence; and the subsequent careers of the film’s director, Fred Schepisi, and its star, Tommy Lewis. Keywords: The Chant of Jimmie Blacksmith; Fred Schepisi; Thomas Keneally; New Australian Cinema; racism and colonialism Prior to the late 1970s, Australia was something of a cinematic backwater. Occasionally, Hollywood and British production companies would turn up to use the country as a backdrop for films that ranged from the classic (On the Beach [1959]) to the egregious (Ned Kelly [1970], starring Mick Jagger). But the local movie scene, for the most part, was sleepy and unimaginative and very few Australian films traveled abroad. Then, without warning, Australia suddenly experienced an efflorescence of imaginative filmmaking, as movies such as Picnic at Hanging Rock (1975), The Getting of Wisdom (1977), My Brilliant Career (1979), and Breaker Morant (1980) began to be shown all over the world. -
Cabinet Ministers and Portfolio Responsibilities (PDF, 989.2
THE MINISTRY The Hon Steven Marshall MP The Hon Vickie Chapman MP Premier of South Australia Deputy Premier | Attorney General | Planning and Local Government Responsible for: - Aboriginal Affairs and Reconciliation Responsible for: - Defence and Space Industries - Justice Reform - The Arts - Consumer and Business Affairs - Tourism - Local Government - Veterans’ Affairs - City of Adelaide - Multicultural Affairs The Hon Rob Lucas MLC The Hon Dan van Holst Pellekaan MP Treasurer Energy and Mining Responsible for: Responsible for: - Industrial Relations - Mineral Resources and Energy - The Public Sector - Leader of Government Business (HOA) - Finance - Housing and Urban Development - Leader of Government in the Legislative Council (LegCo) The Hon John Gardner MP The Hon Michelle Lensink MLC Education Human Services Responsible for: Responsible for: - Education and Child Development - Communities and Social Inclusion - Higher Education and Skills - TAFE - Social Housing functions - The Status of Women - Youth - Volunteers - Disabilities THE MINISTRY The Hon David Pisoni MP The Hon Stephen Wade MLC Innovation and Skills Health and Wellbeing Responsible for: Responsible for: - Workforce Training and Skills - Health - Innovation and Entrepreneurship - Ageing - Science and Information Economy - Mental Health and Substance Abuse - Apprenticeships and Traineeships - Creative Industries - Skilled Migration The Hon Rachel Sanderson MP The Hon Corey Wingard MP Child Protection Transport and Infrastructure | Recreation | Sport & Racing Responsible -
Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences.