Cambridge University Press 0521834805 - Australian Cinema after Mabo Felicity Collins and Therese Davis Index More information

Index

Aboriginal racial stereotypes, 3 as ‘coming-of-age’ film, 167–8 Adelaide Festival of the Arts, 42 landscape in, 76 The Adventures of Priscilla, Queen of the politics of shame in, 168–9 Desert, 77, 116, 159 race and identity in, 163–5 After the Deluge,35 as road film, 165–7 ‘aftershock’, 75, 78, 81–6 Benjamin, Walter, 8, 10, 66, 78 ‘afterwardness’, 78, 87–90, 91–2, 174 Beresford, Bruce, 35 Akerman, Piers, 6, 63, 135–7, 147 Berlant, Lauren, 61 Alberti, Manuela, 76, 91–2 Berry, Chris, 159–60, 175 American Graffiti, 152, 159 Bilcock, Jill, 31 Anderson, Ian, 164 Black and White, 10–14, 76 Armstrong, Gillian Black Chicks Talking (television program), High Tide,97 17–18, 182 The Last Days of Chez Nous, 35, 77 Aboriginal identity in, 17, 18 My Brilliant Career,75 colonialism in, 18 Oscar and Lucinda, 77, 83 ‘recognition’ in, 18 Armstrong, Kerry, 34 Black Talk, 183 Australian film genre, 25–7 black trackers, 3, 141 Australian Film Industry awards, 27, 30, 33, Blainey, Geoffrey, 6 34, 162 Blair, Wayne, 183 Australian history, politicisation, 5–6, 13, 16, Blake, Rachael, 34 27 Blurred, 114 Australian Rules, 42, 52 Boseley, Nicholas, 183 Anglo-Celtic social imaginary in, 43–5 Bovell, Andrew, 34 aural images, 41 Bowman, Anthony J., 124 depiction of race, 45–8 Brady, Tait, 34 identity in, 54 The Breakfast Club, 159 landscape in, 76 Bringing Them Home (report), 7, 20, 42, 57, The Awful Truth, 124 80, 117, 133, 135, 136, 139, 149, 150, 193 Ayres, Tony, 41, 114 neo-conservative response, 135–6 see also Stolen Generations The Back of Beyond, 90, 133, 143 Broadbent, Jim, 30, 37 Backroads, 165, 167 Broken English,10 ‘backtracking’, 3, 172 Brooks, Sue, 173, 176 Black and White,11 Buffalo 66, 159 The Bank, 96, 97, 114 Burungu, Daisy, 137, 148 Barney, 140 Barrett, Ray, 77 Caesar, David, 97, 114 Bayet-Charlton, Fabienne, 95 Cameron, John, 113 Beckett, Jeremy, 67 Campion, Jane, 42, 77, 83, 86–7 Bend It Like Beckham, 157 Caputo, Raffaele, 153 Beneath Clouds, 154, 162 Caruth, Cathy, 146, 182

200

© Cambridge University Press www.cambridge.org Index www.cambridge.org (television , 124 ,3 ,3 ,23 , 179 ,3,23 , 3, 14, 23 ,3 , 23, 142 , 138 individual film titles Howard Government, film and , 43, 52, 54, 56, 173, 174 , 96, 97 (television series), 32 , 114 , 77, 80, 152 , 157 , 185 television policy program), 137, 148 , 184 see also AFIaward, 22, 24 Crocodile Dundee Dead Heart as iconic figure, 25 Mimi One Night the Moon Rabbit-Proof Fence The Tracker Until the End of the World Walkabout see also Hall, Ken G., 96 Hannam, Ken, 75 Hansen, Miriam, 9 Goldman, Paul, 41, 76 Graham, Trevor, 60, 61, 62, 64 Grech, John, 106, 108 Greer, Germaine, 6, 91, 95 grief-work in filmmaking, 174, 175 Gulpilil, David, 37, 137 Fenech, Paul, 114 film-funding policy, 7, 8, 55–6 Flannery, Tim, 6, 95 Flat Foley, Gary, 165 Follow the Rabbit-Proof Fence Ford, Harrison, 134 Four Weddings and a Funeral Free Trade Agreement (Australia–US), 56 friendship, depiction, 15–17 Frontline Gabriel, Peter, 137 Gallipoli Garner, Helen, 35 The General genre, use in Australian film, 12–13,Ghandi, 15 Leela, 15 Gibson, Ross, 75, 172, 180 Girlfight The Goddess of 1967 Elliott, Stephan, 77, 116 Elsaesser, Thomas, 29, 146, 173 erfahrung Estens, Dick, 98, 108, 109 Faiman, Peter, 77 The Farm Fat Pizza 201 , 77, 167 ,23 , 173, 175, 182 , 77, 84 ,23 ,23 , 30, 77, 97 , 153 , 95, 97, 104–8, 164 , 114 , 115, 117–18, 119–21 social imaginary theory ,80 decision in, 117, 118–19, 121 31–3 Mabo populist sentiment, 32 quirkiness, 154, 159 urban landscape in, 122 Heaven’s Burning L.A. Confidential Master and Commander Romper Stomper see also AFIawards, 33 Australian ‘flavour’, 36–8 colonial nostalgia, 49 commercial-industrial strategy, 24, 27–9, modernity in, 54, 55 The Chant of Jimmie Blacksmith Chapman, Jan, 34, 35 Chauvel, Charles, 82, 140, 142 Cimino, Michael, 30 Clarry, Evan, 114 Cole, Beck, 184 Collette, Toni, 176, 177, 180–1 comedy genre, 77 coming-of-age films, 152–4 commercial-industrial strategy, 24, 26 Connolly, Robert, 96, 114 Connolly, Sharon, 176 Cook, Cecil, 139 Coppola, Francis Ford, 30 Coppola, Sofia, 123 Cowan, Tom, 89 Cox, Deb, 35 Crackerjack Crocodile Dundee Croghan, Emma-Kate, 115, 123, 124 Crowe, Russell, 22, 24, 25, 37 cultural-interventionist strategy, 24, 26, 55 Cunnamulla de Heer, Rolf, 3, 14, 76,Dermody, 94 Susan, 9, 42, 75, 140, 143 Devil in the Flesh The Dish Dixson, Miriam, 36, 41, 44 documentary films, 59–60 Doyle, Chris, 138, 141 Dreaming in Motion Duigan, John, 153 Duncan, Cathy, 98, 108–9 Elfick, David, 96 Elizabeth The Castle © Cambridge University Press Cambridge University Press University Cambridge Mabo Cinema after - Australian 0521834805 and Therese Davis Felicity Collins Index More information © CambridgeUniversityPress More information Index Felicity CollinsandThereseDavis 0521834805 -AustralianCinemaafterMabo Cambridge UniversityPress

Index ore mn Women Among Journey 76 Stephen, Johnson, 137 23, Darlene, Johnson, 155 Michael, Jenkins, Jedda Story Japanese 75 42, 9, Elizabeth, Jacka, 7 depiction, relations, Indigenous–settler 55 42, 24, Bridget, Ikin, Storm Ice The 160 53, 5, Andreas, Huyssen, 85 Bill, Hunter, 159 60, 42, John, Hughes, 135 6, Peter, Howson, 5 government, Howard 13 6, John, Howard, Smoke 180 Holy 154, 116, 77, J., Paul Hogan, wars’, ‘history 10 recreation, historical Amour Mon Hiroshima Tide High 143 133, 90, John, Heyer, Gate Heaven’s Burning Heaven’s Heartland Kid Heartbreak The On Head 64 Denise, Haslem, post- 179–80 in, landscape 181–2 178–9, 174, in, grief-work 176 in, ‘backtracking’ also see 55 policy, television and film 43 26, elites’, ‘cultural on attack 107 95, battler’, ‘the and to response 56 37, ethos, comfortable’ and ‘relaxed 176 80, apologise, to refusal nullius terra 99–104 in, imaginary social 97 in, identity 100 in, ‘afterwardness’ 159–160 movie, teen as 168–9 in, shame of politics 158, 154, film, ‘coming-of-age’ as 159 AFIawards, politicisation 160–2 2 8 142 88, 82, , e also see Mabo ,97 oiliaiaytheory imaginary social tlvso eis,9,98 95, series), (television 7 3 67 91 86–7, 83, 77, , 159 , ,30 osiuns,177–8 consciousness, 173 , see Mabo n 103 in, l-udn policy film-funding 7 35 179 83–5, 77, , utainhistory, Australian 155 , 6 80 16, , 146 , ,89 202 ao di,6,6,6,119 67, 64, 62, Eddie, Mabo, Mabo 68 63, 60, Bonita, Mabo, 155 116, 77, 29, 24, Baz, Luhrmann, Catastrophes Other and Love Actually Love Translation in Lost Bush the in Lost Islanders Bilong Land Craig Lahiff, 84 Youki, Kudoh, 97 Ted, Kotcheff, 159 154, Ana, Kokkinos, 35 Andrew, Knight, 30 Nicole, Kidman, 89 76, Mojgan, Khadem, 148 145, 144, 137, Molly, Kelly, 36 Paul, Keating, 63 Annita, Keating, 80 Shekhar, Kapur, okn o Alibrandi for Looking 77 Raymond, Longford, 30 John, Leguizano, 185 86, Sophie, Lee, 34 24, Ray, Lawrence, 179 Clara, Law, Nous Chez of Days Last The Lantana 163 99, Marcia, Langton, 114 Samantha, Lang, 77 75–6, 14, depiction, landscape, 10 Ned, Lander, e lotranullius terra also see in, law and culture Indigenous of status 118 16, response, neo-conservative 168–9 in, shame of politics 155–6 narrative, multicultural as Burning Heaven’s White and Black 120 80, 37, 5, speech, Park Redfern 16 legislation, rights land ra adcp n 54 in, landscape urban 33–6 thriller, crime as 27–9, 24, strategy, commercial-industrial 36–8 ‘flavour’, Australian 33 AFIawards, 123 114–15, urban, 94–9 country’, ‘the 115 coastal, 68–9 152 ae –,7 9 78 59, 7, 3–5, case, 124 , 140 , 123 , 0 2 76 12, 10, , 7 179 77, , 5–,168 159 156–8, 154–5, , 2 67 62, , doctrine 5 7 3 85–6 83, 77, 35, , 125 , www.cambridge.org Index www.cambridge.org , 157 , 75, 133, 140, , 159 ,77 , 3, 76, 140, 142 , 159 , 3, 133–4 , 77, 78–81, 83 , 152 , 124 ,23 ,5,145 consciousness, 173 , 138 (television series), 97 , 76, 77, 87, 88–90 , 115, 123, 126–9 Mabo 141 , 114 as action film, 137–8 critical responses, 135–7, 147–9 as hybrid genre film, 138–9 landscape in, 76, 181 as ‘lost child’ film, 139–44 marketing, 137 post- as trauma cinema, 144–5 Radstone, Susannah, 87 Real Women Have Curves Rebel Without a Cause One Night the Moon One Red Blood The Opposite of Sex O’Rourke, Dennis, 95, 98, 104–6, 107 Oscar and Lucinda Paperback Hero Pederson, Aaron, 185 Perkins, Rachel, 3, 76, 115, 123,Petro, 127 Patrice, 81 Phelps, Peter, 34 Picnic at Hanging Rock Pierce, Peter, 139, 140, 141, 142,Pilkington-Garimara, 143 Doris, 135, 147 place, role in Australian identity, 112–14 Powell, Michael, 157 Purcell, Leah, 17–18, 182 purgatorial narrative, 77 Rabbit-Proof Fence Racing the Moon Radiance reconciliation, 4 Risk Roach, Archie, 14 road movie genre, 25–6 Robbins, Glenn, 34 Roeg, Nicholas, 23, 133, 142–3 Rymer, Judy, 95 Sampi, Everlyn, 137 SBS Independent, 24, 42, 55–6 Schepisi, Fred, 35, 77 Schindler’s List Scott, Jane, 159 SeaChange The Searchers Sellars, Peter, 42 Sen, Ivan, 76, 154, 162 The Sentimental Bloke Serenades 203 , 82, 142 ,59 , 134 , 134 , 3, 76, 133, 136–8, 147, , 95, 97, 98, , 114 ,75 ,30 , 77, 116, 154, 180 , 134 , 29–30, 33, 36–8 , 140 , 165 , 76, 77, 87, 91–2, 140 , 96, 97 trilogy, 75, 77 trilogy, 28 , 97, 114 , 185 108–10 149 113, 176 as ‘intimate history’, 60–2 as tragedy, 62–5 ‘trauma of non-recognition’ in, 65–70 Backroads Clear and Present Danger Patriot Games Rabbit-Proof Fence The Sum of All Fears Mad Max Mailman, Deborah, 17, 18 Maloney, Paul, 114 Malouf, David, 41, 49 Manganninie Manne, Robert, 6, 135, 136 Marchetta, Melena, 154 Martin, Adrian, 30 Martin, Fran, 168–9 Maslin, Sue, 176 Matrix McGregor, Ewan, 30 Message from Moree Miller, George, 75 Mills, Jane, 147 Mimi The Missing Moffatt, Tracey, 82, 142, 163 Monk, Roger, 50 The Monkey’s Mask Morris, Meaghan, 165 Moulin Rouge Moynihan, J., 67 Muecke, Stephen, 165 Mullet Murdoch, Rupert, 30 Muriel’s Wedding My Brilliant Career Nash, Margot, 115, 121 national identity, depiction, 7 Neville, A.O., 136, 138, 148 Ngoombujarra, David, 10, 13 NightCries–ARuralTragedy No Worries Nowra, Louis, 10, 83, 127 Noyce, Phillip, 35, 134–5 Olsen, Christine, 137 One from the Heart One Nation (political party), 48, 50, 95, 106, Mabo – Life of an Island Man © Cambridge University Press Cambridge University Press University Cambridge Mabo Cinema after - Australian 0521834805 and Therese Davis Felicity Collins Index More information © CambridgeUniversityPress More information Index Felicity CollinsandThereseDavis 0521834805 -AustralianCinemaafterMabo Cambridge UniversityPress

Index ruacnm,1,15 182 145, 11, cinema, trauma Tracker The 119 Bud, Tingwell, 176 Alison, Tilson, 185 Warwick, Thornton, Mob Weird a They’re nullius terra You About Hate I Things 10 Away Far Too Sunday 42 of Summer 184 Samantha, Saunders, 10–13 case, Stuart Ballroom Strictly 13 T.G.H., Strehlow, Planet Strange 183 145, 133, 6–10, Generations, Stolen Me by Stand Daughter Squatter’s The 5 Steven, Spielberg, 153 Lesley, Speed, Matthew of Sons 41 36, 9, imaginary, social 154 115, 24, Rob, Sitch, 78 8, recognition’, of ‘shock Skin Shit 30 Paul, Sheehan, 68 65, Nonie, Sharp, rcgiin n 14–15 in, ‘recognition’ post- 181 76, in, landscape 3 in, tracker black the 94 in, ‘afterwardness’ Mabo also see Home Them Bringing also see also see also see Mabo 183 , ak,Elizabeth Jacka, Susan Dermody, 14–17 , 5,159 152, , otie –,7 6 1,172 112, 66, 7, 3–4, doctrine, 152 , osiuns,173 consciousness, 1,13 124–6 123, 115, , ,82 case 9 7 1,15 157 155, 116, 77, 29, , 157 , 5 77 75, , ,96 157 , (report) 204 onuBoy Yolngu Broke Voice My Year The 32 Dog, Working 174–5 Kathleen, Woodward, 154–5 96, Kate, Woods, Sun the of Women Boy Wog The 17 13, Keith, Windschuttle, 135 64, Evan, Williams, Juliet and Romeo Shakespeare’s William 114 Alan, White, Weir,Peter,35 Water on Walking 35 Mandy, Walker, 11 Janet, Walker, Walkabout Fright in Wake 114 Alexsi, Vellis, Possession Vacant Business Unfinished Uncivilized Around Turn 177 Gotaro, Tsunashima, inca agn Rock Hanging at Picnic Gallipoli 54 in, landscape urban 52 in, identity 42 strategy, cultural-interventionist 114 in, landscape coastal 41 images, aural 43 strategy, cultural-interventionist 9,199 196, 29 8 3,10 142–3 140, 133, 88, , 5 7 5 6 7 7 89,91, 88–90, 87, 77, 76, 75, 57, 55, , 140 , 7 80 77, , 184 , 114 , ,97 1,121–3 115, , 48–52 , ,99 tlvso eis,42 series), (television 153 , 5 3,140 133, 75, , www.cambridge.org ,