DOCSLIB.ORG

DI JL1 F6 Ocrcombined Withcitations.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DI JL1 F6 Ocrcombined Withcitations.Pdf T o d ^ , 1981 , tfr? Television ‘Hilo Hata’on KHETMonday Life as a Japanese-American “Hito Hata,” the first film about determination and, sometimes, defiance Japanese Americans written and with which they were met. Through these produced by Japanese Americans, makes flashbacks—of his early days as a railway its television debut in Hawaii on Monday, worker in the early 1900’s; of his being run September 14 at 8 p.m. on KHET Channel out of town with fellow agricultural 11. The Hawaii broadcast of the 90-minute workers in the 1920’s; of his entering Little drama, starring veteran Asian American Tokyo during its heyday in the 1930’s; and actor Mako (“Sand Pebbles”), is made of his imprisonment, along with thousands possible by a grant from Duty Free of other Japanese-Americans, in in­ Shoppers, Ltd. ternment camps during World War II—the “Hito Hata”—literally “single ban­ story of the Japanese experiences in ner”—derives its title from an expression America is poignantly recounted and its commonly used by the Issei, the im­ lessons illuminated. migrant first generation, who migrated to Kevin Thomas of the Los Angeles Times the U.S. with plans to return to Japan with praised “that splendid actor Mako, who enough wealth to enable them to raise holds everything together with his talent banners and flags—an honor given only to and impassioned integrity...” George the samurai and the wealthy lords. Williams of the Sacramento Bee stated The drama centers on Oda (Mako), an that “ ‘Hito Hata’ manages to create the elderly bachelor living in Los Angeles’ same spirit it seeks to tell about...the spirit Little Tokyo, whose life typifies the ex­ tha t must be preserved. ” periences of Issei bachelors now retired from the laboring work of their youth. The film has won the Gold Award in the Because of anti-miscegenation laws and Houston Film Festival for Theatrical poverty, many were forced to remain Feature Films—Low Budget Category. single and, as a result, were often In addition . to Mako, other featured overlooked by the Japanese community performers include Pat Morita, the late where family is important and went Yuki Shimoda, Saachiko, and TadHorino. unrecognized for their role in building The first feature length production of America. Visual Communications, a Los Angeles- The focus of the drama, the based Asian American film company, redevelopment plans for Little Tokyo that “Hito Hata” was produced by Steven would evict many of the old-time tenants of Tatsukawa and directed by Duane Kubo the area as well as break . up the com­ and Robert Nakamura. Original music for munity, evokes for Oda the many hard­ the film was composed and performed by ships he has endured and the spirit of Hiroshima. unrecognized for their role in building The first feature length production of America. Visual Communications, a Los Angeles- The focus of the drama, the based Asian American film company, redevelopment plans for Little Tokyo that “Hito Hata” was produced by Steven would evict many of the old-time tenants of Tatsukawa and directed by Duane Kubo the area as well as break up the com­ and Robert Nakamura. Original music for munity, evokes for Oda the many hard­ the film was composed and performed by ships he has endured and the spirit of Hiroshima, MAKO AS ODA—Veteran actor-director Mako (The Sand Pebbles) stars as Oka the Issei in “Hito Hata,” a 90-minute special about Japanese life in America since the turn of the century. Featured on KHET, Channels 11, 10 and 4 at 8 p.m. Monday, September 14, the drama traces Oda’s life as a farm worker, war prisoner and elderly bachelor in “Little Tokyo.” AFTER PEARL IIARBOR—After the outbreak of hostilities between Japan and tlm ODA AT 90—Faced with yet another fight, to save his home from demolition, Oda's U.S. in 1941, Oda "was among the 120,000 Japanese-Americans living on the west expression mirrors the difficulties of Japanese life in America. The 90-minute docu- coast who were stripped of their property and possessions and forcibly detained in drama features seldom-told experiences of the Issei in the U.S. during and before internment camps. WWil. *Access to articles restricted to University of Hawai'i affiliates only. Items in eVols are protected by copyright, with all rights reserved, unless otherwise indicated. Hatamiya, L. (1981, December 18-25). Economic Effects of WW2 upon Japanese Americans in California. Pacific Citizen, pp. 59-74. Daniels, R. (1981, December 18). Exceprts from JACL's Testimony to the CWRIC. Pacific Citizen, pp. 14. pp. 52-53. Saul, E. (1981, December 18-25). Contributions of The 44nd/100th/MIS. Pacific Citizen, pp. 54-60. Yamamoto, A. (1981, December 18-25). Evolution of the Japanese American Communities. Pacific Citizen, pp. 54-60. Beekman, A. (1981, December 18-25). Japanese Strangers in Paradise. Pacific Citizen, pp. 10. Tsukamoto, M. T. (1981, December 18-25). Florin 'Monogatari': 1882-1980 Story of Japanese Who flourished with Berries and Tokay. Pacific Citizen, p. 10. Tateishi, J. (1981, December 18-25). An interview with Mike Masaoka on WW2 JACL actions. Pacific Citizen, p. 5. Okura, P. (1981, December 18-25). We who suffered and survived... Pacific Citizen, pp. 3 Brief: Bay Area Attorneys for Redress: History, legal concepts in plain language lend understanding of Nikkei redress issue. (1981, December 18-25). Pacific Citizen, p. 4. Skipped citations for page 55-58 on pdf Ryan, P. H. (1981, December 6). Pearl After The Attack: Recollection Of A Navy Wife. The Washington Post Magazine, 14-26. Fuchida, M. (1981, December 6). I Led the Attack on Pearl Harbor. The Washington Post Magazine, 27-34. Hamilton, D. (1981, December 6). Dante's Inferno Never Looked Like This. The Washington Post Magazine, 38-43. CWRIC holds 1-day hearing in New York. (1981, December 4). Pacific Citizen, pp. 3-5. Gardena offers reward for info on Buddhist Temple Fire. (1981, December 4). Pacific Citizen, pp. 3. Idaho State fetes high school dropout as its alumnus of year. (1981, December 4). Pacific Citizen, pp. 3. Hayakawa drops in Calif. Poll; campaign funds running low. (1981, December 4). Pacific Citizen, pp. 3. Doctor says Hawaii Nisei judge was not beaten up. (1981, December 4). Pacific Citizen, pp. 3. Ennis, E. J. (1981, December 4). Redress Reports: ACLU's Statement to CWRIC. Pacific Citizen. pp. 2. Barrow’s testimony on WRA. (1981, December 4). Pacific Citizen. pp. 2. Wakabayashi, R. (1981, December 4). Musubi: Thoughtfulness. Pacific Citizen, pp. 4-5. Shimabokuro, R. (1981, December 4). On redress - Portland Comment. Pacific Citizen. Hosokawa, B. (1981, December 4). 'Yakuza' - Some Unpleasant Implications. Pacific Citizen. Marutani, B. (1981, December 4). The Problems of Self-Identity. Pacific Citizen. U. S. pilot flew Japan’s Zero over D.C. during WW2. (1981, December 4). Pacific Citizen. pp. 8. WW II ‘internment’ still haunts MD. (1981, December 4). Pacific Citizen. pp 7. […] explains why money not top redress issue. (1981, November 27). Pacific Citizen. CWRIC may get extension of time to Dec. 31, 1982. (1981, November 27). Pacific Citizen. Emamura, P. (1981, November 27). Wartime Justice Dept. Official labels evacuation illegal. Pacific Citizen. Minoru, Y. (1981, November 27). JACL and The Loyalty Oath. Pacific Citizen. PAART discusses Asian issues facing Los Angeles. (1981, November 27). Pacific Citizen Civil Right Commission’s Arthur Flemming ousted. (1981, November 27). Pacific Citizen. National Public Radio to focus on Evacuation. (1981. November 27). Pacific Citizen. Asians. (1981, November 27). Pacific Citizen Tatsuno, S. (1981, November 27). Detention Camps-1982. Pacific Citizen. Tsujimura, J., Dr. (1981, November 27). The Autumn Air. Pacific Citizen. Hosokawa, B. (1981, November 27). 'Many Happy Returns, Norm’. Pacific Citizen. Marutani, B. (1981, November 27). The Tale of a Tail. Pacific Citizen. Alternate JACL health plan to attract younger group eyed. (1981. November 6). Pacific Citizen CWRIC Hearings: Washington Michener, Masaoka testify at CWRIC. (1981, November 6). Pacific Citizen. Nikkei senators vote 2-1 against Reagan AWACS sale. (1981, November 6). Pacific Citizen. Retirement testimonial dinner Nov. 14 for Justice Tamura. (1981, November 6). Pacific Citizen. San Gabriel Chapter to hold installation Nov. 14. (1981, November 6). Pacific Citizen Barrows, L. (1981, November 6). Barrows speaks on WRA before CWRIC. Pacific Citizen. pp. 2. Tateishi, J. (1981, November 6). Silence Snapped. Pacific Citizen. pp. 2. Sansei county official under D.A.’s investigation. (1981, November 6). Pacific Citizen. pp. 3. Witnesses testify in court over Mayor Sato’s holdup. (1981, November 6). Pacific Citizen. CWRIC. (1981. November 6). Pacific Citizen. pp 4. Okotsu, J. (1981, November 6). Bookshelf A Time for Sharing. Pacific Citizen. pp. 4. Wakabayashi, R. (1981, November 6). Musubi: How We Ended. Pacific Citizen. pp. 4 Seko, S. (1981, November 6). From Happy Valley: The Opportunity to Suffer. Pacific Citizen. Hosokawa, B. (1981, December 4). Heart Mountain-Reunion and Redress. Pacific Citizen. Marutani, B. (1981, December 4). With the Kalmucks. Pacific Citizen. Ikejiri, R. (1981, November 6). Roundtable on TV Programming. Pacific Citizen. Former U.S. government officials slated to testify at CWRIC-Washington Hearing. (1981, October 23). Pacific Citizen. pp. 1. Hawaii Nisei judge injured from mysterious causes. (1981, October 23). Pacific Citizen. pp. 1. Judd get Freedom Metal. (1981, October 23). Pacific Citizen. pp. 1. McCloy letter lauds wartime Nikkei behavior in camps. (1981, October 23). Pacific Citizen. pp. 1. Nikkei senators mourn the death of Pres. Anwar Sadat. (1981, October 23). Pacific Citizen. pp. 1. Prout, E. (1981, October 23). Detroit to host MDC fall session. Pacific Citizen. pp. 1. Kubokawa, C. (1981, October 23). The Festive Mexico City Connections.
Load more

Recommended publications
  • Masaaki Hatsumi and Togakure Ryu
    How Ninja Conquered the World THE TIMELINE OF SHINOBI POP CULTURE’S WORLDWIDE EXPLOSION Version 1.3 ©Keith J. Rainville, 2020 How did insular Japan’s homegrown hooded set go from local legend to the most marketable character archetype in the world by the mid-1980s? VN connects the dots below, but before diving in, please keep a few things in mind: • This timeline is a ‘warts and all’ look at a massive pop-culture phenomenon — meaning there are good movies and bad, legit masters and total frauds, excellence and exploitation. It ALL has to be recognized to get a complete picture of why the craze caught fire and how it engineered its own glass ceiling. Nothing is being ranked, no one is being endorsed, no one is being attacked. • This is NOT TO SCALE, the space between months and years isn’t literal, it’s a more anecdotal portrait of an evolving phenomenon. • It’s USA-centric, as that’s where VN originates and where I lived the craze myself. And what happened here informed the similar eruptions all over Europe, Latin America etc. Also, this isn’t a history of the Japanese booms that predated ours, that’s someone else’s epic to outline. • Much of what you see spotlighted here has been covered in more depth on VintageNinja.net over the past decade, so check it out... • IF I MISSED SOMETHING, TELL ME! I’ll be updating the timeline from time to time, so if you have a gap to fill or correction to offer drop me a line! Pinholes of the 1960s In Japan, from the 1600s to the 1960s, a series of booms and crazes brought the ninja from shadowy history to popular media.
    [Show full text]
  • III. Appellate Court Overturns Okubo-Yamada
    III. appellate PACIFIC CrrlZEN court overturns Publication of the National Japanese American Citizens League Okubo-Yamada Vol. 86 No. 1 New Year Special: Jan. 6-13, 1978 20¢ Postpaid U.S. 15 Cents STOCKTON, Calif.-It was a go law firm of Baskin, festive Christmas for the Server and Berke. It is "ex­ Okubo and Yamada families tremely unlikely" the appel­ here upon hearing from late court would grant Hil­ their Chicago attorneys just ton Hotel a rehearing at the before the holidays that the appellate level nor receive Jr. Miss Pageant bars alien aspirants lllinois appellate court had permission to appeal to the SEATTLE-Pacific Northwest JACL leaders concede the "It would seem only right and proper that the pageant reversed the Cook County lllinois supreme court, fight to reinstate a 17-year-{)ld Vietnamese girl of Dayton, rules should be amended to include in their qualifications trial court decision and or­ Berke added. He said! Wash. who was denied the Touchet Valley Junior Miss dered the 1975 civil suit "The end result, after all of pageant candidates the words 'and aliens legally ad­ aeainst the Hilton Hotel title because she was not an American citizen has most these petitions, is that we are mitted as pennanent residents of the United States'," Ya­ Corp. to be reheard going to be given amthero~ likely been lost. mamoto wrote in a letter to the Spokane Spokesman Re­ The Okubo-Yamada case portunity to try this case or The state Junior Miss Pageant will be held at Wenat­ view. had alleged a breach of ex­ settle it before trial" chee Jan.
    [Show full text]
  • Nickelodeon Masters the Elements with the Legend of Korra
    For Immediate Release NICKELODEON MASTERS THE ELEMENTS WITH THE LEGEND OF KORRA London, UK – 29th April, 2013 – From the creators of the Hit Series Avatar: The Last Airbender, The Legend of Korra is set to premiere on Nickelodeon on Sunday, 7th July at 9:00am. The mythology from the critically acclaimed Avatar series continues in the new animation which follows a new Avatar named Korra, a 17-year-old headstrong and rebellious girl who continually challenges tradition on her quest to become a fully realized Avatar. New episodes of The Legend of Korra will premiere each Sunday at 9:00am. The Legend of Korra takes place 70 years after the events of Avatar: The Last Airbender and follows the next Avatar after Aang – a girl named Korra (Janet Varney) who is from the Southern Water Tribe. With three of the four elements under her belt (Earth, Water and Fire), Korra seeks to master Air. Her quest leads her to Republic City, the modern “Avatar” world that is a virtual melting pot where individuals from all nations live and thrive. Korra quickly discovers that the metropolis is plagued by crime as well as a revolution that threatens to rip the city apart. Under the tutelage of Aang’s son, Tenzin (J.K. Simmons), Korra begins her airbending training while dealing with the dangers at large. In the premiere episode, “Welcome to Republic City,” Korra leaves the safety of her home and travels to bustling Republic City to begin her airbending training. Once there, she is shocked to find a big city full of dangers.
    [Show full text]
  • Hit Cartoon: Avatar: the Last Airbender
    Bowens 1 Emily Bowens ([email protected]) Dr. O’Donnell Engl. 3130 12/2/20 More Than a Kid’s Show: A Review of Nickelodeon’s Hit Cartoon: Avatar: The Last Airbender Gene, Yang Avatar: The Last Airbender - The Promise Part 1 Cover) Fifteen years after its original air date, Avatar: The Last Airbender has succeeded in becoming ingrained in pop culture with a recent revival just earlier this year. Put your misjudgments about kid’s shows aside and become captivated by a powerful and mesmerizing story about war, violence, and the power of redemption. Bowens 2 A Reintroduction Show Title: Avatar: The Last At a time when all seemed wrong with the world, and anxiety was Airbender setting in after being in lockdown for two months in a Covid-ridden world, a Premiere Date: February 21, 2005 End Date: July,19 2008 guardian angel in the form of Netflix released the news that its streaming Rating: TV-7 service would be releasing Nickelodeon’s Avatar: The Last Airbender on Genre: Animation, Adventure, and May, 15 2020. So my boyfriend and I prepared to binge watch one of the Action most important shows from our childhood to bring back memories and cure Episodes: 61 our quarantine boredom. You may be wondering to yourself, why would Seasons: 3 you guys be so excited about a kid’s show that premiered fifteen years ago? Total Airtime: 1464 minutes You see, Avatar: The Last Airbender is a show that you can keep watching Creators: Michael Dante over and over again and keep finding new meaning every time.
    [Show full text]
  • Car/Bus Accident Shows Need for Public Awareness No Injuries Incurred When Car Fails to Stop for School Bus Unloading Students
    25«! HC«S « S0K3- 3,,K 3IHDER,* SffilWOPORr. MICHIC* 49284 Volume 17. Issue 25 Lowell Area Readers Since 1893 Wednesday, May 5,1993 Car/bus accident shows need for public awareness No injuries incurred when car fails to stop for school bus unloading students Wet roads and a misun- Galvin was carrying two pas- alize that the red flashing lights derstanding of the law may sengers, Laura Radle, 1800 mean all motorists must stop," have been the cause of an ac- W. Main, and Darlene Hess, said Larry Mikulski Bus Su- cident Thursday on M-21 just of Lowell. No one in either perintendent for Lowell. "It west of Settle wood. The acci- car was seriously injured. looks to me like the second dent involved two cars and a Christenson was coming car was expecting the first car school bus. to a stop bccause the buses' to keep on going." A car driven by Robert red lights were flashing and it Mikulski went on to ex- Galvin, 18(K)W. Main, struck was unloading children. The plain, "until the public is more another car driven by Robert other car apparently could not educated, either by law en- Christenson, 2535 Gee Dr., as stop in time to avoid hitting forcement officials or some he was coming to a stop for a his car. other organization, this kind school busunloadingchildren. "Some police officers tell of accident will happen more The school bus was just me that these types of acci- frequently. Only next time grazed and no children were dents are occurring more fre- some child may get hurt." in spite of the damage to Robert Galvin's 1984 Olds, no serious iiyuries occurred injured.
    [Show full text]
  • Product Catalog
    FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2017-2018 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 22 | Digital Histories Volumes 30 | VC Classics 32 | Hidden Treasures Series 34 | Documentary 36 | Narrative 37 | Graphic Film/Animation 38 | Video 43 | Filmmakers Development Program 47 | Other Works 48 | Multi-Media 49 | Photographic Exhibitions 51 | Publications 52 | Resources 54 | Rental and Sales Info 57 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog.
    [Show full text]
  • Whitewashing of Minority
    People Painted Over: Whitewashing of Minority Actors in Recent Film William Lowrey In 1972 the iconic television series Kung Fu first aired. The shows inception and concept were owed to the Asian martial artist Bruce Lee, who had hoped to play the main character. Instead, the actor David Carradine was cast, despite the fact that he had little martial arts training. This decision was due to, as one producer put it, “If we put a yellow man up on the tube, the audience will turn the switch off in less than five minutes.” (Mako qtd. in Michelle). Thirty-eight years after Kung Fu, the film The Last Airbender released with all three of its main roles filled by white actors, despite taking place in an Asian fantasy world. Even though Kung Fu and The Last Airbender are separated by nearly four decades, both suffer from whitewashed casts. Whitewashing is the practice of erasing people of color either through replacing a minority character with a white character, or more commonly with a white actor replacing a minority actor in the portrayal of a character of color. Although arguments in defense of whitewashing and other forms of discriminatory casting are less blatantly offensive than in 1972, many still support and perpetuate these practices. Certain forms of whitewashing are today no longer considered acceptable. Foremost among these is blackface, which is now considered a virulently racist practice. The history of blackface dates back to the early American minstrel shows. In these, white performers would darken their face and hands, usually with burnt cork, so as to appear black, and perform routines in which they portrayed African Americans negatively.
    [Show full text]
  • Transnational Legitimization of an Actor: the Life and Career of Soon-Tek Oh1
    Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh1 ESTHER KIM LEE He is the voice of the father in the Disney animation film Mulan (1998). He is Sensei in the Hollywood hit film Beverly Hills Ninja (1997). He is Lieutenant Hip in the 007 film The Man with the Golden Gun (1974). These examples may trigger memories of Soon-Tek Oh in the minds of many Americans.2 Some would vaguely remember him as the “oriental” actor whose face often gets confused with those of other Asian and Asian American actors, such as Mako and James Hong. Theatre aficionados may remember him for his award-winning role in Stephen Sondheim’s musical Pacific Overtures in the 1970s, but more Americans will know him as the quintessential “oriental” man in Hollywood. This is not the legacy Soon-Tek Oh wanted. He would prefer to be remembered as an artist, an actor who played Hamlet, Romeo, and Osvald Alving; who founded theatre companies; who promoted cultural awareness for Korean Americans; and who taught youths with all of his integ- rity. He wanted to be a “great actor,” who transcended all markings, especially racial ones, and who was recognized for his talent as an artist. He has sought what I describe in this essay as “legitimization” as a respected actor at every crucial point in his life.3 Soon-Tek Oh was the first Korean actor to appear in American mainstream theatre, film, or television.4 He left Korea for Hollywood in 1959 as a young man, seeking to learn the craft of filmmaking.
    [Show full text]
  • Product Catalog
    FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2013-2014 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 20 | VC Classics 22 | Hidden Treasures Series 24 | Documentary 26 | Narrative 27 | Graphic Film/Animation 28 | Video 33 | Filmmakers Development Program 37 | Other Works 38 | Multi-Media 39 | Photographic Exhibitions 41 | Publications 42 | Resources 44 | Rental and Sales Info 46 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog.
    [Show full text]
  • True Crime™: Streets of L.A.™ for the PC Ships to Retail
    True Crime™: Streets Of L.A.™ for the PC Ships to Retail Santa Monica, CA - May 12, 2004 - Activision, Inc. (Nasdaq: ATVI) announced today True CrimeTM: Streets of L.A.TM for the PC has shipped to retail stores nationwide. The PC version takes the driving, fighting and shooting action of the best-selling console game to a new level with sleek PC graphics, new weapons, unlockable characters, and an online multiplayer feature. Building on a slammin' soundtrack featuring original hip-hop music from Snoop Dogg, Westside Connection, and many others, the PC game adds an additional 32 tracks from rock artists such as Alice In Chains, Queensryche, and 2004 Grammy Award Nominees Spineshank and Stone Sour. True Crime: Streets of L.A. for the PC is rated "M" ("Mature" - Blood and Gore, Mature Sexual Themes, Strong Language and Violence) by the ESRB and carries a suggested retail price of $49.99. The single player portion of True Crime: Streets of L.A. for the PC thrusts players into the role of rogue Elite Operations Division operative Nick Kang, a no-holds-barred badass, whose brutal reputation and lethal skills have landed him the nasty task of taking down the Chinese Triad and Russian Mafia that have turned Los Angeles into a war zone. Featuring a powerful 3D engine, the game allows the player to engage in a single player crime drama throughout 240 square miles of Los Angeles streets or challenge opponents in online multiplayer action modes. Gamers take part in explosive gun battles with double fisted firepower, devastating martial arts brawls, and high-speed shootouts.
    [Show full text]
  • Activision's True Crime™: Streets of L.A.™ Set to Release on November 4
    Activision's True Crime™: Streets of L.A.™ Set to Release on November 4 Activision's True Crime™: Streets Of L.A. ™ Set To Release On November 4 Santa Monica, CA – October 17, 2003 – Now gamers can save the City of Angels and take out the bad guys Hong Kong action flick style with Activision, Inc.’s (Nasdaq: ATVI) upcoming release of True Crime™: Streets of L.A.™ which begins shipping to retail outlets worldwide on November 4, 2003. True Crime: Streets of L.A. features an all-star voice cast of top Hollywood talent including Christopher Walken, Gary Oldman, Michael Madsen, Russell Wong, Michelle Rodriguez, Ron Perlman, CCH Pounder, James Hong, Mako and Keone Young. The game will be supported by a soundtrack that will debut more than 50 original music tracks performed by such renowned West Coast rap artists as Snoop Dogg, Westside Connection (Ice Cube, Mac 10 and WC), Warren G, KAM, Jayo Felony, Boo Yaa Tribe, Easy-E Jr., among others. “With True Crime: Streets of L.A., Luxoflux has done a great job of merging three distinct game genres -- action, shooting and driving -- with an innovative branching storyline into one action-packed crime drama,”said Larry Goldberg, executive vice president, Activision Worldwide Studios. “Gamers will experience an L.A. where high-octane car chases, hand-to-hand combat and explosive shootouts are all in a day’s work.” True Crime: Streets of L.A. thrusts players into the role of rogue Elite Operations Division operative Nick Kang, a no-holds- barred badass, whose brutal reputation and lethal skills have landed him the nasty task of taking down the Chinese Triad and Russian Mafia cartel that have turned Los Angeles into a war zone.
    [Show full text]
  • Boxoffice Barometer (April 15, 1963)
    as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production.
    [Show full text]