Soundbox: Lineage, Curated by Collaborative Partner Julia Bullock Available Now on Sfsymphony+
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FOR IMMEDIATE RELEASE UPDATED May 28, 2015 February 17, 2015 Contact: Katherine E. Johnson (212) 875-5718; [email protected] NEW YORK PHILHARMONIC TO RETURN TO BRAVO! VAIL FOR 13th-ANNUAL SUMMER RESIDENCY, JULY 24–31, 2015 Music Director Alan Gilbert To Lead Three Programs Bramwell Tovey and Joshua Weilerstein Also To Conduct Soloists To Include Violinist Midori, Cellist Alisa Weilerstein, Pianists Jon Kimura Parker and Anne-Marie McDermott, Acting Concertmaster Sheryl Staples, Principal Viola Cynthia Phelps, Soprano Julia Bullock, and Tenor Ben Bliss New York Philharmonic Musicians To Perform Chamber Concert The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra’s 13th- annual summer residency there, featuring six concerts July 24–31, 2015, as well as a chamber music concert performed by Philharmonic musicians. Music Director Alan Gilbert will conduct three programs, July 29–31, including an all-American program and works by Mendelssohn, Mahler, Mozart, and Shostakovich. The other Philharmonic concerts, conducted by Bramwell Tovey (July 24 and 26) and former New York Philharmonic Assistant Conductor Joshua Weilerstein (July 25), will feature works by Grieg, Elgar, Tchaikovsky, Rachmaninoff, and Richard Strauss, among others. The soloists appearing during the Orchestra’s residency are pianists Jon Kimura Parker and Anne-Marie McDermott, cellist Alisa Weilerstein, violinist Midori, soprano Julia Bullock and tenor Ben Bliss, and Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps. The New York Philharmonic has performed at Bravo! Vail each summer since 2003. Alan Gilbert will lead the concert on Wednesday, July 29, featuring Mendelssohn’s Violin Concerto, with Midori as soloist, and Mahler’s Symphony No. -
Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Wednesday 15 February 2017 7.30pm Barbican Hall UK PREMIERE: MARK-ANTHONY TURNAGE London’s Symphony Orchestra Mark-Anthony Turnage Håkan (UK premiere, LSO co-commission) INTERVAL Rachmaninov Symphony No 2 John Wilson conductor Håkan Hardenberger trumpet Concert finishes approx 9.30pm Supported by LSO Patrons 2 Welcome 15 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, THE LSO ON TOUR which features the UK premiere of one of two works by Mark-Anthony Turnage co-commissioned by the This month, the LSO will embark on a landmark LSO this season. Håkan is Mark-Anthony Turnage’s tour of the Far East. On 20 February the Orchestra second work for trumpeter Håkan Hardenberger; will open the UK-Korea Year of Culture in Seoul, regular members of the audience will remember the followed by performances in Beijing, Shanghai and LSO’s performance of the first concerto, From the Macau. To conclude the tour, on 4 March the LSO will Wreckage, in 2013. It is a great pleasure to welcome make history by becoming the first British orchestra this collaboration of composer and soloist once again. to perform in Vietnam, conducted by Elim Chan, winner of the 2014 Donatella Flick LSO Conducting The LSO is very pleased to welcome conductor Competition. A trip of this scale is possible thanks to John Wilson for this evening’s performance, and the support of our tour partners. The LSO is grateful is grateful to him for stepping in to conduct at to Principal Partner Reignwood, China Taiping, short notice. -
Julia Bullock, Soprano John Arida, Piano
Sunday, March 25, 2018, 3pm Hertz Hall Julia Bullock, soprano John Arida, piano Franz SCHUBERT (1797 –1828) Suleika I Lachen und Weinen Wanderers Nachtlied II Seligkeit Samuel BARBER (1910 –1981) Hermit Songs At St Patrick’s Purgatory Church Bell at Night St Ita’s Vision The Heavenly Banquet The Crucifixion Sea-Snatch Promiscuity The Monk and his Cat The Praises of God The Desire for Hermitage INTERMISSION Gabriel FAURÉ (1845 –1924) From La chanson d’Ève Prima verba Roses ardentes Comme Dieu rayonne Veilles-tu, ma senteur de soleil Crépuscule O mort, poussière d’étoile Spencer WILLIAMS (1889 –1969) Driftin’ Tide* Maceo PINKARD (1897 –1962) You Can’t Tell the Difference After Dark* Cora “Lovie” AUSTIN (1887 –1972) Downhearted Blues* Alberta HUNTER (1895 –1984) Jeremy SISKIND (b. 1986) Frog Tongue Stomp: A Lovie Austin Tribute* Billie HOLIDAY (1915 –1959) Our Love is Different* Sonny WHITE (1917 –1971) Nina SIMONE (1933 –2003) Revolution Weldon Jonathan IRVINE, Jr. (1943–2002) SIMONE Four Women* * arrangements by Jeremy Siskind Cal Performances’ 2017 –18 season is sponsored by Wells Fargo. PLAYBILL ABOUT THE ARTISTS Equally at home with opera and concert Medical Center, and the Shropshire Music repertoire, soprano Julia Bullock has captivated Foun dation, a nonprofit that serves war- audiences with her versatile artistry and com - affected children and adolescents through manding stage presence. During the current music education and performances in Kosovo, season, s he launched the Boston Symphony Or - Northern Ireland, and Uganda. chestra’s -
Julia Bullock, Collaborative Partner Biography
Julia Bullock, Collaborative Partner Biography Combining versatile artistry with a probing intellect and commanding stage presence, American classical singer Julia Bullock has, in her early thirties, already headlined productions and concerts at some of the preeminent arts institutions worldwide. An innovative programmer whose artistic curation is in high demand, her curatorial positions include San Francisco Symphony Artist-in-Residence in 2019–20 and Collaborative Partner beginning with the 2020–21 season, Esa-Pekka Salonen’s first as Music Director; Artist-in-Residence of London’s Guildhall School for the 2020–21 and 2021–22 seasons; opera- programming host of new broadcast channel All Arts; founding core member of the American Modern Opera Company (AMOC); and 2018–19 Artist-in-Residence of New York’s Metropolitan Museum of Art. Bullock is also a prominent voice of social consciousness and activism. Bullock has made key operatic debuts at San Francisco Opera in the world premiere of John Adams’ Girls of the Golden West; Santa Fe Opera in Adams’ Doctor Atomic; Festival d’Aix-en-Provence and Dutch National Opera in Stravinsky’s The Rake’s Progress; and the English National Opera, Spain’s Teatro Real, and Russia’s Bolshoi Theatre in the title role of Purcell’s The Indian Queen. In concert, she has collaborated with the Los Angeles Philharmonic and Gustavo Dudamel, the New York Philharmonic and Alan Gilbert, the Boston Symphony Orchestra and Andris Nelsons, Japan’s NHK Symphony and Paavo Järvi, and both the Berlin Philharmonic and London Symphony Orchestra with Sir Simon Rattle, among others. Her recital highlights include appearances at New York’s Carnegie Hall, the Philadelphia Chamber Music Society, Cal Performances at UC Berkeley, Boston’s Celebrity Series, Washington’s Kennedy Center, and the Mostly Mozart and Ojai Music festivals, where she joined Roomful of Teeth and the International Contemporary Ensemble for the world premiere of Josephine Baker: A Portrait. -
The Black Clown
Wednesday–Saturday, July 24–27, 2019 at 7:30 pm Post-performance talk with Davóne Tines, Zack Winokur, and Chanel DaSilva on Thursday, July 25 NEW YORK PREMIERE The Black Clown Adapted from the Langston Hughes poem by Davóne Tines & Michael Schachter Music by Michael Schachter Directed by Zack Winokur A production of American Repertory Theater at Harvard University With the kind cooperation of the Estate of Langston Hughes Please make certain all your electronic devices are switched off. Major endowment support for contemporary dance and theater is provided by the Doris Duke Charitable Foundation. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Gerald W. Lynch Theater at John Jay College Mostly Mozart Festival American Express is the lead sponsor of the Mostly Mozart Festival Major endowment support for contemporary dance and theater is provided by the Doris Duke Charitable Foundation Additional endowment support is provided by the Blavatnik Family Foundation Fund for Dance, Nancy Abeles Marks and Jennie L. and Richard K. DeScherer The Mostly Mozart Festival is also made possible by Rita E. and Gustave M. Hauser. Additional support is provided by The Shubert Foundation, LuEsther T. Mertz Charitable Trust, Howard Gilman Foundation, The Fan Fox and Leslie R. Samuels Foundation, Inc., The Katzenberger Foundation, Inc., Mitsui & Co. (U.S.A.), Inc, Harkness Foundation for Dance, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, Friends of Mostly Mozart, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. -
John Wilson Conductor Francesca Chiejina Soprano Royal Northern Sinfonia
John Wilson conductor Francesca Chiejina soprano Royal Northern Sinfonia RICHARD RODNEY BENNETT 1936-2012 The first movement, markedAllegro tranquillo, makes SUMMER MUSIC (10 MINS) use of two themes, the first exploring the scale and the second based on arpeggio, spreading, chords. I Allegro tranquillo - II Siesta: Lento e dolce - A sultry blues-inflected Siesta movement follows, III Games: Vivo; Sempre con molto moto marked lento e dolce (slow and sweet) before the spirited and flirtatious Games proves a sparkling Richard Rodney Bennett was one of the most versatile climax. British composers and musicians of the 20th century’s latter-half and well into the first decade of the 21st. As FREDERICK DELIUS 1862-1934 an accomplished pianist he was equally at home with A SONG BEFORE SUNRISE (7 MINS) works of the Classical and Romantic periods as with Great American Songbook numbers, accompanying The ailing composer wrote this idyllic miniature jazz singers like Cleo Laine and Marion Montgomery. on a visit to Biarritz in the summer of 1918. He had hoped the French resort’s spa baths would alleviate His most familiar legacy are the commissioned scores symptoms of the syphilis that would eventually bring to more than 30 films, includingFar From the Madding blindness and paralysis. Crowd (1967), Murder on the Orient Express (1974) and Four Weddings and a Funeral (1994) – but back in the Delius dedicated A Song Before Sunrise to composer 1950s he was one of French avant-garde composer Philip Heseltine, better known as Peter Warlock, an and conductor Pierre Boulez’s few chosen pupils, enthusiast for English folk melodies and song. -
Lineage Curated by Julia Bullock Soundbox
LINEAGE CURATED BY JULIA BULLOCK SOUNDBOX 1 julia bullock on lineage “I’ve found that musicians often share a lot about the various influences in their lives— whether they be historical, political, philosophical, personal, or based on other mediums of art. They let diverse influences not only impact their work, but find ways to let them register explicitly. It’s like musicians are hyper conscious of their lineage—they honor it and value it. So, as I continue to follow along the path and legacy of artists that came before me, lineage has become increasingly important—it’s a part of knowing from where I originated and letting that inform where I envision myself going. The musicians on this SoundBox program could not make music all together in one place, or even at one time, but the very nature of this program—which links material that spans across almost 900 years—captures an audio and visual snapshot of how lineage can inform, influence, impact, and express itself in a musical context.” 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. -
FOR IMMEDIATE RELEASE 8 June 2018
PRESS RELEASE FOR IMMEDIATE RELEASE 8 June 2018 Two Bernstein 100 Programmes to close the HK Phil’s 2017/18 Season West Side Story in Concert (29 & 30 June) Celebrate Bernstein On Broadway! (6 & 7 July) [8 June 2018, Hong Kong] The Hong Kong Philharmonic Orchestra (HK Phil) closes its 2017/18 season with a dazzling, colourful and glitzy parade of Leonard Bernstein’s greatest hits in two consecutive weeks. First in the row is the complete film of West Side Story with live orchestral music under the baton of conductor Jayce Ogren. Next is Celebrate Bernstein On Broadway! conducted by John Wilson and featuring musical and opera theatre stars Lorina Gore, Louise Dearman, Nadim Naaman and Nathaniel Hackmann in famous tunes including New York, New York, Glitter and be Gay, Maria and many more. West Side Story in Concert (29 & 30 June) “In many ways the star of this particular ‘show’ ... is the conductor, Jayce Ogren, who got a thoroughly well-deserved standing ovation.” --- Review on Bernstein’s West Side Story, The Daily Mail Winner of ten Oscars (including Best Picture and Best Scoring of a Musical), three Golden Globes (including Best Motion Picture, Musical) and one Grammy Award (Best Soundtrack), the movie West Side Story is an adaptation of the 1957 Broadway musical of the same name, which in turn was inspired by William Shakespeare's play Romeo and Juliet. In the concert, the audience will experience Leonard Bernstein’s electrifying score performed live by the HK Phil under the baton of emerging American young conductor Jayce Ogren, completed with Stephen Sondheim’s lyrics, while the newly re-mastered film is shown in glorious high definition on the big screen with the original vocals and dialog intact. -
Masterclass Programme 2020
1 Class of 2019 ABOUT Hellensmusic is a music festival that takes place every May in and around Hellens Manor, Herefordshire. Its aims are threefold: to create opportunities for world-class musicians to collaborate outside the concert circuit and explore new ideas; to provide a platform for talented music students from all over the UK and beyond to learn from leading experts; and to bring great music to this corner of England, inspiring local audiences. Hellensmusic Masterclass Programme consists of six days of intense learning, with individual masterclasses, chamber music classes and music improvisation sessions taught by the Festival’s resident artists. The course culminates in two final concerts where students will have the opportunity to perform some of the pieces they worked on during the week and play alongside their tutors in chamber music ensembles. Our aim is to create a rich and inspiring musical week that can fast-track meaningful learning. We create a welcoming environment where everyone is warmly encouraged to explore, be curious and enjoy music to the fullest. Beyond the masterclasses, students have the chance to engage with their tutors at meals and breaks and can see them in action at rehearsals and performances. This provides a unique opportunity for informal learning, which sets Hellensmusic apart from other short courses. “An invaluable experience. I feel I gained so much knowledge from the tutors and learnt so much in such a short time. It has been a wonderful, encouraging environment in which to learn” THE TEAM We are proud to have a team of resident artists who are not only acclaimed performers but also committed and passionate teachers. -
'The Unmissable LMP'
LMP at St John’s Smith Square St John’s LMP at ‘The Unmissable LMP’ GRAMOPHONE Contents London Mozart Players Inspiring a Culture of Creativity & Performance The Orchestra pages 3-4 Principal Conductor & LMP Leaders pages 5-7 The LMP is one of the world’s finest chamber orchestras. We are dedicated to harnessing the passion and talent of our musicians, so Associates of the LMP pages 8-11 that our audiences can experience and delight in the joy of world- Venues, Touring & International Presence page 12 class live performance. LMP Voyager - Education & Community pages 13-16 We use music to bring together communities and give meaning to the world around us. We build inspiring partnerships that allow our Working with Businesses page 17 music to live on with integrity through all walks of life. We create LMP Members & Administration Team page 18-19 experiences that leave a lasting and significant impression on our audiences, inspiring future generations with our commitment to Contact page 20 excellence, quality and creativity. ‘ A more dedicated group of musicians does not exist’ JOHN SUCHET, CLASSIC FM PAGE 3 The Orchestra Principal Conductor & Music, Form & Specialities LMP Leaders Formed in 1949 by Harry Blech to play music from the Classical The Principal Conductor of the LMP is Gérard Korsten, himself an period, particularly Haydn and Mozart, the LMP now has a broader accomplished violinist who understands the special character of focus while retaining its original speciality. the chamber orchestra. He is joined by three outstanding violinists who share the role of Leader (often directing the LMP and playing concertos as well): Marieke Blankestijn, Simon Blendis and Ruth Rogers. -
Julia Bullock, Classical Singer Laura Poe, Piano
Allison Michael Orenstein Allison Michael Streaming Premiere – Thursday, January 14, 2021, 7pm Julia Bullock, classical singer Laura Poe, piano Filmed exclusively for Cal Performances at the Konzerthaus Blaibach, Blaibach, Germany, on December 10, 2020. Major support provided by The Bernard Osher Foundation. Note: following its premiere, the video recording of this concert will be available on demand through April 14, 2021. 1 PROGRAM Hugo Wolf (1860–1903) from Italienisches Liederbuch Auch kleine Dinge from Spanisches Liederbuch In dem Schatten meiner Locken Bedeckt mich mit Blumen Robert Schumann (1810–1856) from Dichterliebe, Op. 48 Die Rose, die Lilie, die Taube, die Sonne Wenn ich in deine Augen seh’ Ich grolle nicht Und wüßten’s die Blumen, die kleinen Hör’ ich das Liedchen klingen Kurt Weill (1900–1950) “Speak Low” from One Touch of Venus “Denn wie man sich bettet, so liegt man” from Aufstieg und Fall der Stadt Mahagonny Wie lange noch? “Lost in the Stars” from Lost in the Stars William Grant Still (1995–1978) The Breath of a Rose Margaret Bonds (1913–1972) The Negro Speaks of Rivers Winter Moon (music prepared by Louise Toppin) John Adams (b. 1947) Three Women: (arr. by Laura Poe and Julia Bullock) Josefa, Ah Sing, and Dame Shirley from Girls of the Golden West Ven esta noche, amado (Josefa) The Ship Has Reached America (Ah Sing) Sometimes, I Lounge Forlornly (Dame Shirley) Richard Rodgers (1902–1979) from The Sound of Music The Sound of Music The Lonely Goatherd Something Good Climb Every Mountain Edelweiss 2 ABOUT THE ARTISTS JULIA BULLOCK, classical singer Carnegie Hall, the Phila delphia Chamber Music American classical singer Julia Bullock, “a mu- Society, Boston’s Celebrity Series, Wash ington’s sician who delights in making her own rules” Kennedy Center, and the Mostly Mozart and (The New Yorker), combines versatile artistry Ojai Music festivals, where she joined Roomful with a probing intellect and commanding stage of Teeth and the International Contemporary presence.