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The Visual Arts in Colonial and Post Colonial India | University of Warwick 09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick HA3C4: East meets West: The Visual Arts View Online in Colonial and Post Colonial India (2016/17) Alavi, Seema. 2002. The Eighteenth Century in India. Vol. Oxford in India readings; debates in Indian history and society. New Delhi: Oxford University Press. Alcalá, Luisa Elena, and Philadelphia Museum of Art. 2013. Journeys to New Worlds: Spanish and Portuguese Colonial Art in the Roberta and Richard Huber Collection. edited by S. L. Stratton-Pruitt and M. A. Castro. Philadephia, Pennsylvania: Philadelphia Museum of Art. Allen, Brian. n.d. ‘“The Indian Mutiny and British Painting”.’ Apollo 132:152–58. De Almeida, Hermione, and George H. Gilpin. 2005a. Indian Renaissance: British Romantic Art and the Prospect of India. Vol. British art and visual culture since 1750, new readings. Aldershot, England: Ashgate. De Almeida, Hermione, and George H. Gilpin. 2005b. Indian Renaissance: British Romantic Art and the Prospect of India. Vol. British art and visual culture since 1750, new readings. Aldershot, England: Ashgate. De Almeida, Hermione, and George H. Gilpin. 2005c. Indian Renaissance: British Romantic Art and the Prospect of India. Vol. British art and visual culture since 1750, new readings. Aldershot, England: Ashgate. De Almeida, Hermione, and George H. Gilpin. 2005d. Indian Renaissance: British Romantic Art and the Prospect of India. Vol. British art and visual culture since 1750, new readings. Aldershot, England: Ashgate. Anderson, Tracy. 2011. ‘Fashioning the Viceroy: Portraits of Edward Robert Bulwer-Lytton (1831–91).’ Visual Culture in Britain 12(3):293–311. Anon. 5AD. ‘The Daguerreotype: Photographic Processes.’ Anon. 11AD. ‘"Seven Artists in Delhi: Pushpamala N”.’ The Guardian Online. Anon. 12AD. ‘The Collodion Process: Photographic Processes.’ Anon. 14AD. ‘"Beyond the Self: Pushpamala N”.’ Anon. 20ADa. ‘Atul Dodiya with Jitish Kallat - Re-Searching the Nation, and Artist Archive Part 1.’ 1/16 09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick Anon. 20ADb. ‘Atul Dodiya with Jitish Kallat - Re-Searching the Nation, and Artist Archive Part 2.’ Anon. 20ADc. ‘The Albumen Print: Photographic Processes.’ Anon. 24ADa. ‘Jitish Kallat - Slide Lecture Complete Video - Chandigarh Lalit Kala Akademi.’ Anon. 24ADb. ‘Subodh Gupta - Lecture Slide Show and Interaction- at Chandigarh Lalit Kala Akademi.’ Anon. 30AD. ‘Art Talk - Subodh Gupta (Artist / Sculptor).’ Anon. 1989. Hartly House, Calcutta: A Novel of the Days of Warren Hastings. London: Pluto. Anon. 2009a. The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge: Cambridge University Press. Anon. 2009b. The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge: Cambridge University Press. Anon. 2009c. The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge: Cambridge University Press. Anon. 2009d. The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge: Cambridge University Press. Anon. 2009e. The Making of a New ‘Indian’ Art: Artists, Aesthetics and Nationalism in Bengal, C. 1850-1920. Cambridge: Cambridge University Press. Anon. 2011. ‘Art Talk - Jitish Kallat (Artist).’ Anon. 2013. ‘"The Unstoppable Indians: Subodh Gupta”, Aired on NDTV, November 2008.’ Anon. 2014. ‘James Skinner’s Tazkirat Al-Umara Now Digitised - Asian and African Studies Blog.’ Retrieved (http://britishlibrary.typepad.co.uk/asian-and-african/2014/08/james-skinners-tazkirat-al-u mara-now-digitised.html). Anon. 2016. Bhupen Khakhar: You Can’t Please All. [Place of publication not identified]: Univ Of Washington Press. Anon. n.d. ‘BBC Radio 4 - In Our Time, The Indian Mutiny.’ Retrieved (http://www.bbc.co.uk/programmes/b00qprnj). Anon. n.d. ‘India Perspectives-Special Issue of Indian Contemporary Art by Indian Diplomacy - Issuu.’ Retrieved (https://issuu.com/indiandiplomacy/docs/india_perspectives-special_issue_on_indian_conte mp?e=1985439/2596792). 2/16 09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick Anon. n.d. ‘Julie Codell, On the Delhi Coronation Durbars, 1877, 1903, 1911" | BRANCH.’ Retrieved (http://www.branchcollective.org/?ps_articles=julie-codell-on-the-delhi-coronation-durbars- 1877-1903-1911). Anon. n.d. ‘Memory and the Aesthetics of Military Experience: Viewing the Landscape of the Anglo-Mysore Wars | Tate.’ Retrieved (http://www.tate.org.uk/research/publications/tate-papers/19/memory-and-the-aesthetics-o f-military-experience-viewing-the-landscape-of-the-anglo-mysore-wars). Anon. n.d. ‘Michael Wood: The Story of India.’ Anon. n.d. ‘Michael Wood: The Story of India.’ Anon. n.d. ‘Michael Wood: The Story of India.’ Anon. n.d. ‘Michael Wood: The Story of India.’ Anon. n.d. ‘Michael Wood: The Story of India.’ Anon. n.d. ‘Nikhil Chopra | Performer Artist Yog Raj Chitrakar Sir Raja | Mumbai India.’ Retrieved (http://www.nikhilchopra.net/). Anon. n.d. ‘The Birth of Empire: The East India Company.’ Anon. n.d. ‘The Birth of Empire: The East India Company.’ Anon. n.d. ‘The Story of India.’ Anon. n.d. Views in India, Chiefly among the Neelgherry Hills, Taken during a Short Residence on Them in 1835, with Notes and Descriptive Illustrations. Archer, Mildred, Graham Parlett, and Victoria and Albert Museum. 1992. Company Paintings: Indian Paintings of the British Period. Vol. Indian art series. London: The Museum. Banerjee, Sandeep. 2014. ‘“Not Altogether Unpicturesque: Samuel Bourne and the Landscaping of the Indian Himalaya”.’ Victorian Culture and Society 42:351–68. Banerji, Debashish. 2010a. The Alternate Nation of Abanindranath Tagore. New Delhi: SAGE. Banerji, Debashish. 2010b. The Alternate Nation of Abanindranath Tagore. Delhi: SAGE. Barringer, T. J., Geoff Quilley, and Douglas Fordham. 2007. Art and the British Empire. Manchester, UK: Manchester University Press. Bean, Susan S., Homi K. Bhabha, and Peabody Essex Museum. 2013. Midnight to the Boom: Painting in India after Independence : From the Peabody Essex Museum’s Herwitz Collection. New York, New York: Peabody Essex Museum in association with Thames & Hudson. 3/16 09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick Bose, Brinda, and Subhabrata Bhattacharyya. 2006. The Phobic and the Erotic: The Politics of Sexualities in Contemporary India. London: Seagull. Bridge, Gary, and Sophie Watson. 2010. The Blackwell City Reader. 2nd ed. Chichester, West Sussex, U.K.: Wiley-Blackwell. Brook, Daniel. 2013. A History of Future Cities. First Edition. New York: W. W. Norton & Company. Brosius, Christiane, and Roland Wenzlhuemer. n.d. Transcultural Turbulences: Towards a Multi-Sited Reading of Image Flows. Vol. Transcultural research-- Heidelberg studies on Asia and Europe in a global context. Berlin: Springer. Brown, Rebecca M. 2009a. Art for a Modern India, 1947-1980. Durham: Duke University Press. Brown, Rebecca M. 2009b. Art for a Modern India, 1947-1980. Vol. Objects/histories. Durham: Duke University Press. Brown, Rebecca M., and Deborah S. Hutton. 2006. Asian Art. Vol. Blackwell anthologies in art history. Malden, MA: Blackwell Pub. Burnage, Sarah. 2010. ‘Commemorating Cornwallis: Sculpture in India 1792–1813.’ Visual Culture in Britain 11(2):173–94. doi: 10.1080/14714781003784249. Byrd, Antawan I., Duygu Demir, Hyun Jung, Geeta Kapur, Pablo Léon de la Barra, Kiki Mazzucchelli, Tracy Murinik, Jane Neal, José Roca, Reid Shier, Eugene Tan, and Kaelen Wilson-Goldie. 2013. Art Cities of the Future: 21st Century Avant-Gardes. London: Phaidon Press Limited. Carol A. Breckenridge. 1989. ‘The Aesthetics and Politics of Colonial Collecting: India at World Fairs.’ Comparative Studies in Society and History 31(2):195–216. Catṭọpādhyāẏa, Pārtha, and Centre for Studies in Social Sciences. 1995. Texts of Power: Emerging Disciplines in Colonial Bengal. Minneapolis, Minn: University of Minnesota Press. Chambers, Iain, Alessandra De Angelis, Celeste Ianniciello, Mariangela Orabona, and Michaela Quadraro, eds. 2014. The Postcolonial Museum: The Arts of Memory and the Pressures of History. Farnham, Surrey, England: Ashgate. Chatterjee, Amal. 1998a. Representations of India, 1740-1840: The Creation of India in the Colonial Imagination. Basingstoke: Macmillan. Chatterjee, Amal. 1998b. Representations of India, 1740-1840: The Creation of India in the Colonial Imagination. Basingstoke: Macmillan. Chattopadhyay, Swati. 2000. ‘Blurring Boundaries: The Limits of “White Town” in Colonial Calcutta’. Journal of the Society of Architectural Historians 59(2):154–79. doi: 10.2307/991588. 4/16 09/30/21 HA3C4: East meets West: The Visual Arts in Colonial and Post Colonial India | University of Warwick Chattopadhyay, Swati. 2005. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Vol. Asia’s great cities. London: Routledge. Chattopadhyay, Swati. 2006. Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny. Vol. Asia’s transformations. London: Routledge. Chaudhary, Zahid R. 2012. Afterimage of Empire: Photography in Nineteenth-Century India . Minneapolis: University of Minnesota Press. Chaudhuri, Sukanta. 1995. Calcutta, the Living City. 1st paperback ed. Calcutta: Oxford University Press. Chawla, Rupika. 2010. Raja Ravi Varma: Painter of Colonial India. Ahmedabad, India: Mapin
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