DOCSLIB.ORG

K U N – Y a N G L in / Dancers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
K U N – Y a N G L in / Dancers DANCERS Kun Yang Lin/Dancers celebrates the ability of dance to integrate body, Artistic excellence drives all of Kun-Yang Lin/Dancers’ programming. All of our mind, and spirit, inviting viewers to engage in their own journeys of activities inculcate principles central to KYL/D’s mission: enhanced self self-discovery. The company draws upon an Asian-American cultural awareness, physical and mental discipline and a realization of the unique role the perspective to create and present contemporary works that, while movement arts can play in the discovery of one’s place in the world. We engage inspired by the traditions and aesthetic of Eastern Asia, transcend cultural the public through classes, workshops, open dialogues and dance performances, boundaries and speak to the universality of the human experience. and we create opportunities for other movement artists to develop and share their Chi, Mandarin for “vital life source”, is at the core of our artistry and our work, all with the aim of promoting dance as a respected and accessible art form educational activities. Through the sharing of our critically-acclaimed that offers all people opportunities for self-discovery. CHI MAC, is, as Governor artistry and educational vision, we invite and challenge the community to Ed Rendell described, “a place where the entire Philadelphia community can experience this essence and discover the power of art to transform lives. experience the art of multicultural creative dance expression.” KYL/D’s major programmatic activities are: (1) Performances; (2) Education & Outreach; Chi Movement Arts Center, the home of Kun-Yang Lin/Dancers, is (3) Community Engagement; and (4) Artist Support. Visit our website for more committed to enriching the cultural life of its South Philadelphia information: www.kunyanglin.org. neighborhood and broader Philadelphia. The center is a place of learning, exploration, and growth for everybody. KUN–YANG LIN / Philadelphia, PA 19147 Philadelphia, PA 1316 South 9th Street Lin Dancers Kun-Yang DANCERS KUN–YANG LIN / LIN / KUN–YANG “…at the pinnacle of Philadelphia’s outstanding dance community” – Philadelphia Inquirer DANCERS Kun-Yang Lin/Dancers is immensely grateful for the support of The Tibetan Sacred Ritual & Dance Workshops with Losang Samten Pew Center for Arts & Heritage through Dance Advance, which November 11th - 4pm to 6pm; November 12th - 6pm to 8pm is supporting a comprehensive training program for our dancers November 13th - 11:45am to 1:45pm and the community in the contemplative practices that are at the Elements of sacred, Tibetan dance and ritual including exploration of the meaning of core of the creative process of Artistic Director, Kun-Yang Lin. Lin the mandala, will be explored through the eyes of one of Tibet’s most accomplished will use the working laboratory of the studio to investigate with the arts practitioners. Losang Samten, a former Buddhist monk, is a world-renown sand mandala artist and teacher who also served as the Ritual Dance Master at the Namgyal dancers how the internal practices made accessible by the project’s Monastery of the Dalai Lama in Dharamsala India, to where Samten and his family had teachers are used to embody his artistic approach in a compelling fled from Tibet in 1959. He resides in Philadelphia but travels extensively, sharing his way. Each of the guest artists shares with Lin a deep connection to knowledge of Buddhist philosophy and meditation, and his skills in the Tibetan ritual Eastern contemplative practices as source material for their artistic arts. He earned a Master’s Degree in Buddhist Philosophy, Sutra, and Tantra, from the expression. The project activities described below are open to the Namgyal Monastery and, at the request of the Dalai Lama, moved to the U.S. in 1988 public. We encourage you to participate! order to impart with the West the meditative art of sand painting. Samten has created sand mandalas for leading arts institutions including the American Museum of Natural WORKSHOPS ARE $12 PER SESSION, $10 FOR DANCE ARTISTS History in New York City, Chicago’s Field Museum and the Philadelphia Museum of Art, among others. He also acted in and served as the religious, technical advisor for Martin Internally-centered, Contemporary Movement Workshops with Scorsese’s film, Kundun. Samten is spiritual director of the Tibetan Buddhist Center Hsu-Hui Huang of Philadelphia; Chenrezig Tibetan Buddhist Center of Middletown, Connecticut; and August 2,3,4,5,6 12:30pm-2:30pm Chenrezig Himalayan Cultural Center of El Paso, Texas. Expand your technique and understanding of contemporary movement by In addition to the workshops, KYL/D invites the public into its creative exploring Eastern-inspired methods of accessing internal, energetic impulses. Renown process in the following ways: dancer and master teacher, Hsu-Hui Huang, former principal dancer of Taiwan’s famed Cloud Gate Dance Theatre, will lead you through a variety of dynamic practices used Open Dialogs: Conversations with KYL/D at CHI MAC by CGDT’s professional dancers, including those inspired by Qi Gong, meditation August 8 at 2:30pm FREE; December 5 at 2:30pm FREE and Tai Chi Dao Yin, that will deepen movement skills of all genres. During Huang’s Enjoy behind-the-scenes access to KYL/D’s creative process in the intimacy of our dance 13 years with CGDT he performed in over 100 concerts annually, including some of center. Whether you participate in any of the workshops or not, you are invited to attend the dance world’s most prestigious venues and festivals such as: BAM’s Next Wave and participate in a conversation with KYL/D’s dance artists about this project and its Festival, the Tanz Festivals in Berlin and Vienna, Norway’s Bergen International Festival relation to the Company’s artistic vision and ongoing work. Each dialogue will feature and the Chekhov International Theatre Festival in Moscow. Huang was a classmate of movement demonstrations and discussion with the artists. Kun-Yang Lin at Taiwan’s National Institute of the Arts in Taipei. In addition, he is a KUN–YANG LIN / LIN / KUN–YANG longtime practitioner of Iyengar and Ashtanga Yoga, having received his Sivanda Yoga Writings about the project, KYL/D’s training & creative process Education certificate in 2003 from Yoga Vidyapeetham Institute in India. Since 2008, by Merilyn Jackson Huang has served as CGDT’s Modern Dance Master Teacher, in which capacity he Follow the unfolding of this project and gain further insight into KYL/D’s artistic vision leads the Company’s Modern classes. and values through the writings of Philadelphia’s own Merilyn Jackson. Ms. Jackson Tai Chi Dao Yin & Martial Arts with Chik Qadir Mason regularly writes on dance for The Philadelphia Inquirer, Broad Street Review and national publications such as Pointe, Dance and Dance Teacher magazines. She specializes in the Sep. 12 through Dec. 5 every Sun. (except Nov. 28) 11:30am-12:30pm arts, literature, food, travel and Eastern European culture and politics. More than 700 of Cultivate your body, mind and spirit with weekly classes over three months in martial her articles have appeared in publications as diverse as The New York Times, The Arizona arts and Tai Chi Dao Yin. Chik Qadir Mason’s study of Eastern, internal arts spans four Republic, Phoenix New Times, Arizona Highways, The Philadelphia Daily News, The decades and two continents. In addition to holding dual black belt status in Wu Tang Warsaw Voice and MIT’s Technology Review. Kung Fu and Tai Chi Chuan, Mason earned the degree of O.M.D (Oriental Medical Visit the “News” page of www.kunyanglin.org, or Ms. Jackson’s blog primeglib.com. Doctor) from the Chinese School of Natural Healing in Hong Kong, where he lived for three years. Mason has performed and taught martial arts all over the world and Open Rehearsals has returned to Philadelphia where he maintains an active practice in the healing arts, Yes, it’s true…you can pop in to see the Company in rehearsal. With rare exceptions, our including acupuncture, Lin Zi Chi Therapy, reiki and Tui Na massage, and teaching doors are open on the weekends for the public to drop by and take a look at what we Tai Chi Dao Yin, Chi Gong, Ba Gua, yoga and Kung Fu. are working on. No appointment is necessary, but please call ahead for our rehearsal schedule: 267.687.3739. There is no charge, but donations are always appreciated! Movement With Objects. Workshops for Actors and Dancers with Hua Hua Zhang Upcoming Events Sep. 18 (3 hours)10:45 am-1:45pm; Sep. 25; Oct. 2; Oct. 9; Oct. 16; Oct. 23; Oct. 30 September – Multiple Philly Fringe events at CHI MAC; October 8, 2010 & January all at 11:45am-1:45pm 14, 2011 InHale Performances at CHI MAC; February 10-12, 2011 Home Season Explore and experience creative techniques of movement with objects with master Performances at The Painted Bride. Our shows have sold out in advance for the past puppet artist, Hua Hua Zhang. Zhang’s visual and performing arts prowess draws two years, so please book your tickets early! You can book NOW by stopping by upon Taoist philosophy as primary inspiration. A true craftsman who creates dramatic CHI MAC. visual expressions using Asian and Western puppet art with dance, masks, fabric and plays on shadow and light, Zhang toured internationally with the renown China Artistic Director: Kun-Yang Lin; Executive Director: Ken Metzner Puppet Arts Troupe of Beijing for over 20 years before emigrating to the U.S. Her Board of Directors: Shaun Smith, Christine Jowers-Friedman, Dawn Ang, multiple gifts in performance art, Chinese calligraphy, design and sculpture lend an Virginia Dillon, Steven Vendola, Matthew Woskres, Ken Metzner, Kun-Yang Lin extraordinary breadth and originality to her artistry, for which she has won numerous Company: Kun-Yang Lin, Jillian Harris, Kimberly Miller, Olive Prince, WASHINGTON AV E AV awards in the U.S.
Load more

Recommended publications
  • Varieties of Buddhist Healing in Multiethnic Philadelphia "2279
    religions Article Varieties of Buddhist Healing in Multiethnic Philadelphia † C. Pierce Salguero Division of Humanities, The Abington College of Penn State University, 1600 Woodland Rd., Abington, PA 19001, USA; [email protected] † Portions of this article have appeared in nascent form on the Jivaka Project website, http://www.jivaka.net (all links up to date as of 4 January 2019). I wish to thank my research students and assistants, as well as the project’s advisory board, all of whom are listed on the website’s credits page. I also wish to thank Scott Mitchell, Michael Stanley-Baker, and all the colleagues who have commented on previous oral and written versions of this paper (most memorably at the 2016 AAR annual meeting and the 2018 gathering of the Philadelphia Area Buddhist Studies Working Group). Received: 28 November 2018; Accepted: 10 January 2019; Published: 13 January 2019 Abstract: While an increasing amount of attention has been paid in the last decade to mindfulness meditation, the broader impact of Buddhism on healthcare in the United States, or any industrialized Western countries, is still much in need of scholarly investigation. The current article presents preliminary results from an ethnographic study exploring the impact of a wide range of Buddhist institutions, practices, and cultural orientations on the healthcare landscape of the Philadelphia metropolitan area. By particularly focusing on segments of the population that are non-white and that have limited English language skills, one of the main goals of this project is to bring more diverse voices into the contemporary conversation about Buddhism and wellbeing in America.
    [Show full text]
  • Mini-Unit Plans to Accompany a Teachers' Guide to a School-Wide
    Mini-Unit Plans to accompany A Teachers’ Guide to a School-Wide Folk Arts Residency: Losang Samten, Tibetan Sand Mandala Artist Linda Deafenbaugh Eric Joselyn Jennifer Lee Suzanne Lee Pheng Lim Mayuko Iwaki Perkins Debra Repak Marisol Rivera Fanny Tan Cover photo credit: Toni Shapiro-Phim Copyright © 2016 by Folk Arts–Cultural Treasures Charter School and Philadelphia Folklore Project Folk Arts-Cultural Treasures Charter School Philadelphia Folklore Project 1023 Callowhill Street 735 South 50th Street Philadelphia, PA 19123 Philadelphia, PA 19143 P: 215.569.2600 P: 215-726-1106 www.factschool.org www.folkloreproject.org This project was made possible, in part, with funding from The American Folklore Society’s Consultancy and Professional Development Program. This program provides contracts for consultancies and professional development opportunities that—in addition to any other outcomes—will create case studies of issues, challenges, organizations, or events in the folk and traditional arts field, or descriptions of best practices in some area of folk and traditional arts work. The program is funded by the National Endowment for the Arts. The teacher’s guide to accompany these grade-specific mini-unit lesson plans, as well as the support materials for this curriculum, are all available online through our websites. Introduction The curriculum framework for these mini-units can be found in the companion document: A Teachers’ Guide to a School-Wide Folk Arts Residency: Losang Samten, Tibetan Sand Mandala Artist. The mini-unit plans reference various support materials for use in specific lessons - support materials most often found on our website www.folkloreproject.org or on Losang’s website www.losangsamten.com.
    [Show full text]
  • Fall/Winter 2006 Works in Progress
    Philadelphia Folklore Project NON-PROFIT ORG. U.S. POSTAGE 735 S. 50th Street PAID Philadelphia, PA 19143 PHILADELPHIA, PA [ 1987 - 2007 ] PERMIT NO. 1449 magazine of the Address service requested magazine of the philadelphia folklore project Volume 19:3 winter 2006-2007 ISSN 1075-0029 G Tibetan mandalas G Hmong culture G Anti-racist zone G Wobbly songlore G Ukrainian weaving Works in progress is the magazine of the Philadelphia Folklore Project, a 20-year-old public interest folklife agency. We work with people and communities in the Philadelphia inside area to build critical folk cultural knowledge, sustain the complex folk and traditional arts of our region, and challenge practices that diminish these local grassroots arts and humanities. To learn more, please visit us: www.folkloreproject.org or call 215.726.1106. 3 From the editor philadelphia folklore project staff 4 We try to be strong: Pang Xiong Editor/PFP Director: Debora Kodish Sirirathasuk Sikoun Associate Director: Toni Shapiro-Phim By Sally Peterson Members’ Services Coordinator: Roko Kawai Designer: IFE designs + Associates The witnessing of patience: Printing: Garrison Printers 8 [ Printed on recycled paper] Losang Samten By Toni Shapiro-Phim philadelphia folklore project board 10 The Big Red Songbook: 100 Years of Wobbly Songlore Linda Goss Germaine Ingram Ife Nii-Owoo Yvette Smalls By Archie Green Ellen Somekawa Dorothy Wilkie Mary Yee Juan Xu 1 2 My art is my passion By Vera Nakonechny we gratefully acknowledge support from: 1 4 What you got to say? Eric G The National
    [Show full text]
  • Herefore, Prajfiabecomeseven on the Research Are Professionally the Mind May Have Been Made Perceive
    PRAJNA: Sharp, Illuminating, and Rationale for the Compassionate Inquisitiveness Establishment of a Network of Contemplative Observatories by KARL BRUNNHOLZL by B. ALAN WALLACE This excerpt is taken from SINCE IHH I URN OF THE CENTURY, Karl Brunnholzl's The Heart a rapidly growing number of sci- Attack Sutra, a practical and entific studies have revealed the clear explanation of The health benefits of various kinds Heart Sutra, perhaps the of mindfulness-based meditation. most well-known of the core Brain scans, EEG measurements, Buddhist texts. behavioral studies, and question- naires have shown the influence of meditation on the brain and As .the basic inquisitiveness behavior, which in the minds of and curiosity of our mind, prajna many people lends some degree is both precise and playful at the ,«****■ of credibility to the practice of same time. Iconographically it is meditation. In the overwhelm- often depicted as a double-blad- ing majority of such studies, ed, flaming sword which is ex- those who conduct and report B. Alan Wallace with Mathieu Ricard tremely sharp. Such a sword ob- (Courtesy of Mind & Life Institute, viously needs to be handled with ...a worldwide network photo by Raphaele Demandre) great care, and mav even seem of contemplative ob- somewhat threatening. servatories linked by tion, and all discoveries pertain- Prajna is indeed threatening to way of the internet, and our ego and to our cherished be- ing to meditation are claimed by ; collaborating with each lief systems since it undermines our very solid-looking objective selves. Prajna means being found- the scientists, who in many cases our verv notion of reality and reality, but it also cuts through out bv ourselves, which first of all other, modeled after the have little or no meditative expe- the reference points upon which the subjective experiencer of such requires taking an honest look at Human Genome Project.
    [Show full text]
  • PBA NL 07-09.Qxd
    Philadelphia buddhist association www.PhilaBuddhist.orng ewSLeTTeNovemR ber, 2013 SCHEDULE OF PROGRAMS AND EVENTS Introduction to Aspects of Tibetan Buddhism The Purification Ritual of Dorje Namjum novembeR DecembeR Venerable Losang Samten Saturday, November 9 1 2 1234567R auGuST Plymouth Meeting Friends, 10am-4pm P3456789 R T L89 10 1R1 12 13 14 R/P Geshe Losang Samten will guide us on 10 11 12 13 14 15 16 15 16 17 18 19 20 21 L R P R a retreat that is intended to give a taste 1P7 18 19 2R0 21 22 23 2P2 23 24 25 26 27 28 of the variety, the beauty, and the mys - 2P4 25 26 27 28 29 30 2P9 30 31 tery of Tibetan Buddhist practices. He will lead traditional Buddhist prayers that are teachings in themselves. There januaRy febRuaRy will be meditations in silence as well as 1234 1 meditations using sacred mantras and R prayers. Losang-la will speak on the 56789L R 10 11 P2345678 R Dharma, and will allow time for discus - 1P2 13 14 1R5 16 17 18 L9 10 11 1R2 13 14 15 sion (debate is important for Tibetan 1P9 20 21 2D2 23 24 25 1P6 17 18 1R9 20 21 22 Buddhism). A featured part of this retreat will be the Purification Ritual of 26 27 28 29 30 31 23 24 25 26 27 28 P R P D Dorje Namjum. This beautiful ritual contains many profound teaching within it. Losang-la was taught this ritual by His Holi - ness the Dalai Lama and will teach it to us from this unbroken ocTobeR lineage.
    [Show full text]
  • Iron Hare 2011 – Flames of Resistance
    Iron Hare 2011 – flames of resistance ____A detailed account of the historic Self Immolation Protest against China’s oppression by Tibetans Translated and edited by Matthew Akester Published By Dhomay Alliance for Freedom and Justice To the brave men, women and children who died martyrs to the cause of a free Tibet. Dhomay Alliance for Freedom and Justice March 16th 2012 English language version translated and edited by Matthew Akester 23 July 2012 First Edition: August 2012 First Print: 1000 Copies CONTENT Contents Introduction .............................................................V Section 1 Chronicle of the Iron Hare year fire protests One: Tabey’s protest on February 27th 2009 .........................1 Two: Losang Puntsok’s protest on March 16th .....................2 Three: Tsewang Norbu ........................................................91 Four: Losang Kalsang ........................................................103 Five: Losang Konchok ......................................................103 Six: Kalsang Wangchuk .....................................................105 Seven: Kaying and Eight: Choepel ...................................107 Nine: Norbu Dramdul ........................................................112 - III - CONTENT Ten: Tenzin Wangmo .........................................................114 Eleven: Dawa Tsering .......................................................139 Twelve: Palden Choetso ....................................................154 Thirteen: Rongtsa Tenzin Puntsok ....................................157
    [Show full text]
  • The Venerable Losang Samten's Sand Mandala at Our IFPE
    The Venerable Losang Samten’s Sand Mandala at our IFPE Conference Mandala (मण्डल) is Sanskrit for ‘circle.’ As circular representations of spiritual truths, and positing a microcosm of the universe from an enlightened perspective, mandala are intended to designate a sacred space to help us reflect on the transient nature of life, and to impart peace and healing to all beings. IFPE is honored to announce that the The Venerable Lama Losang Samten, sent to the West by the Dalai Lama to create sand mandalas as a cultural offering, be in our conference space creating a traditional sand mandala. There are many mandalas, and Losang has chosen to create the “Kalachakra” mandala, referred to as "The Wheel of Time," to represent our conference theme of Transience and Permanence. Lama Losang will be creating the mandala throughout the conference, in full view for all to see and watch his progress. Once completed, we are all invited to participate in the dismantling ceremony and join in sweeping away this work of beauty with our own hands -- a profound affirmation of the impermanence of all things. Each conference attendee is invited to take a small amount of the sand to pour into the nearby Delaware River adjacent to our hotel or to carry home and pour into a body of water near your own homes. In the age old tradition of the Namgyal Monastery in Dharamsala, Losang creates this artwork using the long, narrow metal funnels called chakpu that cause the sand to flow, creating a meditative sound as he works. Sacred union and its representations are seen everywhere in this particular mandala as repeated affirmations of wholeness and completion, as well as pristine awareness with transcendental knowledge, merged in the symbols of this artwork.
    [Show full text]
  • The Venerable Lama Losang Samten
    For Immediate Release Tuesday, May 3, 2016 Westdale United Church presents 2016’s Distinguished Visiting Speaker THE VENERABLE LAMA LOSANG SAMTEN WORKSHOP WITH LAMA LOSANG SAMTEN SATURDAY, MAY 28, 2016 9AM – 11:30AM BUDDHA AND BUDDHISM: THEN AND NOW $20 Registration. Includes coffee and muffins. AN EVENING WITH LAMA LOSANG SAMTEN SUNDAY, MAY 29, 2016 7:30 PM BUDDHISM IN THE 21ST CENTURY: ANCIENT TEACHINGS FOR MODERN TIMES Adults $20. Students free. Includes a reception and mandala release. All events take place at Westdale United Church 99 North Oval, Hamilton, Ontario, L8S 3Z2 www.westdaleunited.ca Westdale United Church will be open to the public during the weekend to allow for the viewing of our sand mandala as it is being created. VEN. LAMA LOSANG SAMTEN has been sharing teachings of loving-kindness, joy and compassion, as well as the path to enlightenment for almost 30 years. Losang lived and studied over 20 years in the Namgyal Monastery, the monastery of His Holiness the Dalai Lama. Losang is one of the Mandala Masters who created the first public sand mandala in the West in 1988. Losang has received the National Heritage Fellowship from the National Endowment for the Arts, a PEW Fellowship, and two honorary doctoral degrees from Trinity College in Hartford, Connecticut, and the Maine College of Art. Losang played the role of the attendant to the young Dalai Lama in Martin Scorsese's film Kundun, where he also served as the religious technical advisor and sand mandala supervisor. Losang has written two books, one in Tibetan on the history of the Monastery of His Holiness the Dalai Lama and one in English, Ancient Teachings in Modern Times: Buddhism in the 21st Century.
    [Show full text]
  • Questions & Answers
    Questions & Answers Question: How do you view yourself? Answer: I always consider myself as a simple Buddhist monk. I feel that is the real me. I feel that the Dalai Lama as a temporal ruler is a man-made institution. As long as the people accept the Dalai Lama, they will accept me. But being a monk is something which belongs to me. No one can change that. Deep down inside, I always consider myself a monk, even in my dreams. So naturally I feel myself as more of a religious person. Even in my daily life, I can say that I spend 80% of my time on spiritual activities and 20% on Tibet as a whole. The spiritual or religious life is something I know and have great interest in. I have some kind of confidence in it, and thus I want to study it more. Regarding politics, I have no modern education except for a little experience. It is a big responsibility for someone not so well equipped. This is not voluntary work but something that I feel I must pursue because of the hope and trust that the Tibetan people place on me. Question: Will you be the last Dalai Lama? Answer: Whether the institution of the Dalai Lama remains or not depends entirely on the wishes of the Tibetan people. It is for them to decide. I made this clear as early as in 1969. Even in 1963, after four years in exile, we made a draft constitution for a future Tibet which is based on the democratic system.
    [Show full text]
  • March 2019 Newsletter
    Philadelphia Buddhist association www.PhilaBuddhist.orng ewSLetteMRarch, 2019 SCHEDULE OF PROGRAMS AND EVENTS In Memoriam: Bill Cunninham maRch aPRiL 12S 123456R L Philadelphia Buddhist Association sadly announces P3456789 R P7891R0 11 12 13 that Bill Cunningham, our long-time wit and source 1L0 11 12 1R3 14 15 16 L14 15 16 1R7 18 19 2S0 of wisdom, passed away earlier this winter. His 1P7 18 19 2R0 21 22 23 P21 22 23 2D4 25 26 27 was the smiling face that made every new-comer 2P4 25 26 2D7 28 29 30 P28 29 30 welcome. Having often been in Philadelphia’s Quaker Meetinghouses, he delighted in showing 3P1 our visitors the beauty of Plymouth Meeting may june Friends’ meeting hall. Bill was a serious writer of R1234S S1 poetry and short fiction; he was working on a 56789L R 10 11 P2345678R historical novel. PBA is lucky to have his published 1P2 13 14 1R5 16 17 18 L9 10 11 1R2 13 14 15 work, Tell Me a Story , in its library. See page 3 for 1P9 20 21 2D2 23 24 25 P16 17 18 1R9 20 21 22 an excerpt from his work. We missed his presence 2P6 27 28 2R9 30 31 P23 24 25 2D6 27 28 29 during his long illness. He will be continuing to P30 make others smile. A service in Bill’s memory will be held in the com - L Buddhism Lecture and Discussion Series at Plymouth Meeting Friends 7:30pm to 9:00pm ing weeks and will be announced via email and on the PBA website.
    [Show full text]
  • SNOW LION NEWSLETTER & CATALOG H Oz
    BULK RATE U.S. POSTAGE PAID ITHACA, NY 14851 Permit No. 746 Deliver to current resident SNOW LION NEWSLETTER & CATALOG H oZ SNOW LION PUBLICATIONS PO BOX 6483, ITHACA, NY 14851, (607)-273-8506 VOLUME 3, NUMBER 1 SAKYA JETSUNMA CHIME LUDING by Katherine Pfaff She is known by many names: "old enough to scare crows away" Mrs. Luding, Lama Chime, Jet- at the age of seven. sun Kushok, Chime Osel Rikdzin When she was ten years old, she Bhutri Thrinley Wangmo, Sakya made her first retreat. She medi- Jetsunma, Chime Luding, or just tated on the form of Vajrapani plain Chime-La. She is often men- known as Bhutadamara, and in tioned in conjunction with her fa- one month completed one million mily: the sister of His Holiness recitations of the short mantra, Sakya Trizin, the sister-in-law of HUM VAJRA PHAT, and one His Eminence Luding Khen Rin- hundred thousand recitations of poche, or the mother of Luding the long mantra. Shabdrung Rinpoche. On other In her eleventh year, her father, occasions she is invoked as one of Kunga Rinchen, sent her on her the few known high lamas and first teaching assignment. She lineage holders who are also wom- spent the fourth through tenth en. She is known as one of the Tibetan months among the three women in the history of nomads on the northern plains of Sakya to have transmitted the Lam Tibet, giving transmissions and Dre teachings. She is spoken of as teachings on Phowa, or transfer- an emanation of Vajrayogini, the ence of consciousness, as well as enlightened energy of liberation.
    [Show full text]
  • Tibetan Buddhism - Wikipedia, the Free Encyclopedia
    Tibetan Buddhism - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Tibetan_Buddhism Tibetan Buddhism From Wikipedia, the free encyclopedia Tibetan Buddhism[1] is the extant form of the Pāla tradition of Buddhism, practiced historically in the Indian university of Nālanda and others.[2] Once known merely as the main religion of the Tibetan nation, it is now understood as the modern form of that predecessor, whose literature, once in Sanskrit, is now in Tibetan language. It is the body of Buddhist religious doctrine and institutions characteristic of Tibet, Mongolia, Tuva, Bhutan, Kalmykia and certain regions of the Himalayas, including northern Nepal, and India (particularly in Arunachal Pradesh, Ladakh, Dharamsala, Lahaul and Spiti in Himachal Pradesh, and Sikkim). It is the state religion of Bhutan.[3] It is also practiced in Mongolia and parts of Russia (Kalmykia, Buryatia, and Tuva) and Northeast China. Texts recognized as scripture and commentary are contained in the Tibetan Buddhist canon, such that Tibetan is a spiritual language of these areas. A Tibetan diaspora has spread Tibetan Buddhism to many Western countries, where the tradition has gained popularity.[4] Among its prominent exponents is the 14th Dalai Lama of Tibet. The number of its adherents is estimated to be between ten and twenty million.[5] Contents 1 Buddhahood 2 General methods of practice 2.1 Transmission and realization 2.2 Analytic meditation and fixation meditation 2.3 Devotion to a guru 2.4 Skepticism 2.5 Preliminary practices and approach to Vajrayāna 2.6 Esotericism 3 Native Tibetan developments 4 Study of tenet systems 5 Schools 6 Monasticism 6.1 Nyingma 6.2 Kagyu 6.3 Sakya 6.4 Gelug 7 Tibetan Buddhism in the contemporary world 8 Glossary of terms used 9 See also 10 Notes 11 References 12 Further reading 13 External links Buddhahood Tibetan Buddhism comprises the teachings of the three vehicles of Buddhism: the Foundational Vehicle, Mahāyāna, and Vajrayāna.
    [Show full text]