Baltic 100 Gabrielius Alekna Piano Lauma Skride Piano
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Erkki-Sven Tüür
© Kaupo Kikkas Erkki-Sven Tüür Contemporary BIOGRAPHIE Erkki-Sven Tüür Mit einem breit gefächerten musikalischen Hintergrund und einer Vielzahl von Interessen und Einflüssen ist Erkki- Sven Tüür einer der einzigartigsten Komponisten der Zeitgenössischen Musik. Tüür hat 1979 die Rockgruppe In Spe gegründet und bis 1983 für die Gruppe als Komponist, Flötist, Keyboarder und Sänger gearbeitet. Als Teil der lebhaften Szene der Zeitgenössischen Musik Estlands unternahm er instrumentale Studien an der Tallinn Music School, studierte Komposition mit Jaan Rääts an der Estonian Academy of Music und erhielt Unterricht bei Lepo Sumera. Intensive energiereiche Transformationen bilden den Hauptcharakter von Tüürs Werken, wobei instrumentale Musik im Vordergrund seiner Arbeit steht. Bis heute hat er neun Sinfonien, Stücke für Sinfonie- und Streichorchester, neun Instrumentalkonzerte, ein breites Spektrum an Kammermusikwerken und eine Oper komponiert. Tüür möchte mit seiner Musik existenzielle Fragen aufwerfen, vor allem die Frage: „Was ist unsere Aufgabe?“ beschäftigt ihn. Er stellte fest, dass dies eine wiederkehrende Frage von Denkern und Philosophen verschiedener Länder ist. Eins seiner Ziele ist es, die kreative Energie des Hörers zu erreichen. Tüür meint, die Musik als eine abstrakte Form von Kunst ist dazu fähig, verschiedene Visionen für jeden von uns und jedes individuelle Wesen zu erzeugen, denn wir sind alle einzigartig. Sein Kompositionsansatz ähnelt der Art und Weise, mit der ein Architekt ein mächtiges Gebäude wie eine Kathedrale, ein Theater oder einen anderen öffentlichen Ort entwirft. Er meint dennoch, dass die Verantwortung eines Komponisten über die eines Architekten hinausgeht, weil er Drama innerhalb des Raums mit verschiedenen Charakteren und Kräften konstruiert und dabei eine bestimmte, lebende Form von Energie kreiert. -
Gershwin's Concerto
NOV. 30 – DEC. 2 classical series SEGERSTROM CENTER FOR THE ARTS RENÉE AND HENRY SEGERSTROM CONCERT HALL presents 2017-18 HAL & JEANETTE SEGERSTROM FAMILY FOUNDATION CLASSICAL SERIES Performance begins at 8 p.m.; Preview talk with Alan Chapman begins at 7 p.m. ANU TALI • CONDUCTOR XIAYIN WANG • PIANO Gershwin’s Concerto Bedřich Smetana (1824–1884) The Moldau from Má Vlast George Gershwin (1898–1937) Concerto in F for Piano and Orchestra Allegro Adagio – Andante con moto Allegro agitato Xiayin Wang INTERMISSION Antonín Dvořák (1841–1904) Symphony No. 7 in D Minor, Op. 70 Allegro maestoso Poco adagio Scherzo: Vivace Finale: Allegro The 2017-18 Season Piano Soloists are generously sponsored by The Michelle F. Rohé Distinguished Pianists Fund. The Thursday night concert is generously sponsored by Symphony 100. The Friday night concert is generously sponsored by Joann Leatherby and Greg Bates. PACIFIC SYMPHONY PROUDLY RECOGNIZES ITS OFFICIAL PARTNERS Official Hotel Official Television Station Official Classical Radio Station The Saturday, December 2 concert is being recorded for broadcast on Sunday, February 18, 2018, at 7 p.m. on Classical KUSC. NOTES by michael clive arrangement of a French opera overture), and complete devotion to the art of music (at the expense of his academic studies). In his early teens, when Smetana sought instruction from the best Czech piano teachers available to him, his abilities quickly exceeded theirs. His worried father sent him to make up lost academic ground at the Gymnasium in modern-day Pilsen, where he successfully completed his studies. But he had been swept away by performances by Franz Liszt in 1840, and even when his studies kept him from composing or performing, his reading was dominated by music history, giving his eventual interest in musical nationalism a firm academic grounding. -
Nbu-Music-Department-Brochure1.Pdf
DEGREE GeneraL 1 information PROGRAMS MAIN BacHELOR ANNUAL 2 proGram music ACTIVITIES AND EVENTS master 3 OF music PHD proGram 4 music MAIN anuaL 5 music actiVities New Bulgarian University (NBU) is MAIN music a modern higher education EVents 6 institution recognized as organization with strong national influence and academic presence in wider international 7 staff university networks. NBU was established in 1991 for meeting the partners & need of a new liberal model of 8 erasmus + education. Every academic year NBU offers Bachelor, Master, Doctoral programs, administration courses and continuing education 8 programs in various fields. The Department of Music at NBU exists since the foundation of the University. Its creative work and research activities are in the genres of both classical and popular music- opera, folklore, music theatre, integration of music and new computer technologies. DEPARTMENT DEPARTMENT OF MUSIC 1 THE DEPARTMENT OF MUSIC The Department of Music is part of most modern world standards The department has signed contracts New Bulgarian University, which without leaving their homeland. with “Erasmus +” - the new EU offers education in several The department offers Bachelor program for education, training, professional fields and has over program after secondary education youth and sport in 2020 with over 15,000 students. An average of 250 as well as Master’s programs in 20 universities in Europe in Austria, students per year are enrolled in the Bulgarian and in English and PhD Great Britain, Greece, Spain, Italy, music programs; they are taught by programs with two profiles: research Poland, Finland France, Croatia, an academic staff of 31 lecturers, 15 in the area of musicology, or based on Switzerland, Turkey and others. -
Part I Introduction and Context
PART I INTRODUCTION AND CONTEXT 1 Part I – Introduction and Context 1. Introduction The issues of cultural cooperation in Europe dealt with in this report have a special relevance when confronting the needs of European integration, the fostering of sensitive and responsible citizenship and the implementation of Human and Cultural Rights. Intergovernmental cultural cooperation is a concept which has not yet been developed to its full potential, having often been reduced to the signature of bilateral or multilateral agreements of a purely diplomatic nature and comparatively unspecific content. And yet, as governments enjoy full authority in official international relations, it is to be expected that they should take responsibility in leading the way – especially as cultural cooperation can signify much more than mere exchanges of concerts and exhibitions, and can instead become an exercise where the values of creativity, solidarity and diversity are being actively pursued. The promotion of values related to cultural diversity and pluralism must not only be understood as a reflection of ethical principles but also as an active inducement to cooperation. The final reason to foster diversity must be to ensure a maximum of expressive options, combined with a view to improving the quality of sensitivity and the renewal of the creative pool of society. Cultural systems do not live in isolation, and only by promoting cross-fertilisation of their creative patterns can they improve and grow. Cooperation therefore is not an abstract notion of good-will but is the very essence of cultural survival and the sharpening of critical conscience in society. This report is set to fulfil a mandate focusing on the description of intergovernmental cultural cooperation in 31 European states but also on providing an interpretation of the present situation and its relationship to future scenarios. -
NEGRIER-BONET-GUERIN-2013-Music-Festivals-A-Changing-World
Music Festivals, a Changing World Cover Design: Sandra Musy Cover Photo: Jacques Verrees (Festival Musical de Namur) Book Design: Benoît Cannaferina © Éditions Michel de Maule, November, 2013. www. micheldemaule.com Music Festivals, a Changing World An International Comparison Edited by Emmanuel Négrier, Lluis Bonet and Michel Guérin Michel de Maule List of participants — Kai Amberla is the executive director of the Finland Festivals Association in Helsinki (Finland). — Claudine Audet is a research fellow at the Ministry of Culture and Communications of Quebec (Canada). — Lluís Bonet is a professor of applied economics and the director of the Cultural Management Program at the University of Barcelona (Spain). — Luisella Carnelli is a researcher at the Performing Arts Organization and a consultant at the Fondazione Fitzcarraldo, Torino (Italy). — Tino Carreño is a cultural manager and a research professor at the Cultural Management Postgraduate Program (University of Barcelona). — Luca Dal Pozzolo is the head of research at the Fondazione Fitzcarraldo and the director of the Piedmont Cultural Observatory, Turin (Italy). — Aurélien Djakouane is a post-doctoral fellow in political science at the University of Montpellier I (France). — Michel Guérin is the director of the Observatory of Cultural Policies of the Ministry of the Wallonia-Brussels Federation (Belgium). — Marie Jourda is a CNRS senior research engineer at CEPEL, University of Montpellier I (France). 7 — Christopher Maughan is an associate research fellow at the Faculty of Art, Design and Humanities at De Montfort University, Leicester (United Kingdom). — Emmanuel Négrier is a CNRS senior research fellow in political science at CEPEL, University of Montpellier I (France). — Isabelle Paindavoine is a senior research fellow at the Observatory of Cultural Policies of the Ministry of the Wallonia-Brussels Federation (Belgium). -
Artur Kapp •Mihkel Lüdig •Artur Lemba
Artur Kapp • Mihkel Lüdig • Artur Lemba ORCHESTRAL WORKS Triin Ruubel violin Mihkel Poll piano Estonian National Symphony Orchestra Neeme Järvi Artur Kapp Artur Photograph now at the Glinka State Central Museum of Musical Culture, Moscow / AKG Images, London / Sputnik Mihkel Lüdig (1880 – 1958) 1 Overture-Fantasy No. 2 (1945) 8:47 in B minor • in h-Moll • en si mineur Allegro moderato – [Poco più mosso] – Andante – Tempo I – [Poco più mosso] – Andante Artur Lemba (1885 – 1963) Concerto No. 1 (1905, revised 1910)* 21:59 in G major • in G-Dur • en sol majeur for Piano and Orchestra 2 I Allegro moderato – Animato – Maestoso – Vivo – Poco meno mosso – Tranquillo – A tempo [Allegro moderato] – Più mosso – Tempo I – Molto più mosso e animato – Tempo I (Maestoso) – Vivo – Poco meno mosso (Tranquillo) – Tranquillo – Più mosso, ma non troppo 10:26 3 II Andante con espressione – L’istesso tempo – 4:40 4 III [Rondo.] Allegro = 100 – Tranquillo = 88 – = 100 – = 80 – = 100 – Tranquillo = 88 – = 100 – = 120 Accelerando 6:51 3 Mihkel Lüdig 5 Midsummer Night (1910) 6:27 (Jaaniöö) Symphonic Scene Adagio misterioso – Con moto – Allegro – Adagio 6 Overture-Fantasy No. 1 (1906) 6:48 in B minor • in h-Moll • en si mineur Moderato – Andante – Vivace – Andante – Allegro – Tempo I Artur Kapp (1878 – 1952) 7 The Last Confession (1905)† 6:08 (Viimne piht) for Piano and Organ Orchestrated 1990s for Violin and Strings by Charles Coleman (b. 1968) Andantino – Meno mosso 4 Symphony No. 4 ‘Youth Symphony’ (1948) 22:54 (Noortesümfoonia) Dedicated to the All-Union Leninist Young Communist League (Komsomol) on its thirtieth anniversary 8 I Moderato – Allegro – Tempo I 6:02 9 II Andante con variazioni [Tema] – Variazione 1. -
Newsletter December 2019 Recent Events
NEWSLETTER DECEMBER 2019 The Estonian Music Information Centre is committed to the representation, advocacy, promotion and support of Estonian classical and contemporary music and musicians both in Estonia and abroad. The EMIC newsletter aims to present an overview of new Estonian compositions, undertakings of Estonian musicians and music organisations and musical life in Estonia in general. RECENT EVENTS At the end of November, the 9th Estonian Piano Competition was held at the Estonian Academy of Music and Theatre. The competition comprised 27 participants in total with 6 of them reaching to the final round to perform with the Estonian National Symphony Orchestra. The first prize of the 9th Estonian Piano Competition was shared between two awardees: the youngest competitor, 16-year old Tähe-Lee Liiv from Estonia, and Mantas Šernius from Lithuania. The third prize went to Estonian Evita Lohu. Three other finalists received finalist diplomas. All the finalist were presented numerous special prizes, including performances with the Estonian National Symphony Orchestra, the Tallinn Chamber Orchestra, and the Pärnu City Orchestra. The international jury of the competition comprised acclaimed pianists and piano professors, including Graham Scott from the Royal Northern College of Music, Manchester, Jurgis Karnavicius from the Lithuanian Academy of Music and Theatre, and Ivari Ilja from the Estonian Academy of Music and Theatre among others. See also: Estonian Piano Competition Tähe-Lee Liiv. Photo by Vahur Lõhmus In November, the Estonian Academy of Music and Theater hosted a conference on music education, aiming to articulate some of the key issues facing the future of professional music culture in Estonia. -
Chorégies D'orange
EFA Members Yerevan Perspectives International Music Festival Yerevan, Armenia > MUSIC From 03/04 to 27/12/2017 Byurakan Sacred Music Festival [week of 24/04/2017] ARMENIA Yerevan Perspectives is one of the leading festivals in Europe, established in 2000. The 10 festival presents top class musicians and orchestras of the world. It launched an Acad- emy in Byurakan. The Festival patron is the President of Armenia. There are concerts each Spring and Autumn, occasionally also in another season. One-week festivals focusing on great living composers take place as special projects. The festival also presents sacred music series and features legends of jazz and pop music. www.yerevanfestival.am Stepan Rostomyan President, Founder Sona Hovhannisyan General Manager Hasmik Khachatryan Marketing Officer Ani Hovsepyan Administrative assistant, International relations David Grigoryan Press officer Armine Arabyan Social Media and Development Officer Hayk Bilyan Chief Accountant Levon Babamyan Events Coordinator Nonna Isajanyan Designer BOZAR Brussels, Belgium > MUSIC, DANCE, CINEMA From 01/01 to 31/12/2017 Afropolitan Festival [03/02 – 05/02/2017] BELGIUM BOZAR Electronic Arts Festival [09/2017] Are You Series? [12/2017] BOZAR is a multidisciplinary festival hub in the heart of Brussels, based 11 in the Centre for Fine Arts, designed by Victor Horta. Creativity, quality and artistic diversity are at the heart of the centre’s mission. BOZAR organizes, co-organizes and hosts over ten different festivals focusing on various disciplines, from cinema and music to theatre, dance and visual arts. Most festivals take place annually or biennially, but some are one-offs, coinciding with a particular cultural or political occasion. -
Concert Program
most successful chamber music group” (2015) for Elyon Trio Orchestra, BBC Philharmonic, Orchestre National de France and (Victoria Vassilenko - piano; Laura Szabo - cello and Mohamed Dresden Philharmonic in Europe, and the Philadelphia Orchestra, Hiber - violin) Dallas Symphony, San Diego Symphony and St Louis Symphony in the US. In his native Canada he regularly performs with the Concerts in important venues, International Music major orchestras in Toronto, Vancouver, Montreal, Ottawa and Festivals, orchestras: Calgary. Further afield, collaborations include the Shanghai Sym- Auditorio Nacional de Música (Madrid), Palau de la Música phony, the Hong Kong Philharmonic and the National Symphony (Barcelona), “Alte Oper” (Frankfurt), “Atheneum” (Bucharest), Orchestra of Taiwan, and the Adelaide and Sydney Symphony Or- „Flagey“ and „BOZAR“ (Brussels), „Teatro de la Maestranza“, chestras. Regular partnerships with conductors include, among Sevilla; “Bulgaria” hall (Sofia), solo and chamber music con- others, Yannick Nézet-Séguin, Edward Gardner, Sir Andrew Davis, certs in Austria, Germany, France, Belgium, Italy, USA, Slovakia, Jaap Van Zweden, Simone Young, Antoni Wit and Thierry Fischer. Spain, Palma de Mallorca, Portugal etc. “Musica Mundi” Chamber Music Festival, Waterloo (2009,2010,2011), “Santander” Inter- In recital and chamber music, Louis Lortie appears in the national Academy and Festival, Spain; “Mozarteum”, Salzburg, world’s most prestigious concert halls and festivals, including „Oberstdorfer Musiksommer“, “Young Classics Europe”, -
A Platform for Arts Institute of Art Studies, BAS
A Platform for Arts Institute of Art Studies, BAS DEUTSCHES THEATER’S WAITING FOR GODOT IN SOFIA Kamelia Nikolova page: 26 IF PROFESSORS WERE GAMERS Emmanuel Moutafov page: 31 A LETTER TO GOD Tereza Bacheva page: 11 SYMPHONY AND CHAMBER MUSIC AT VARNA SUMMER Milena Bozhikova page: 13 1 Content FESTIVAL PRACTICES AND SPATIAL, TIME AND 04 HISTORICAL DISTANCES THE SIXTH INTERNATIONAL CONFERENCE ON TYPOGRAPHY 17 & VISUAL COMMUNICATION (ICTVC) FESTIVALS MUSIC FESTIVAL PRACTICES AND SPATIAL, TIME AND HISTORICAL DISTANCES Milena Bozhikova page: 04 TOPICAL A LETTER TO GOD Tereza Bacheva page: 11 FESTIVALS MUSIC SYMPHONY AND CHAMBER MUSIC AT VARNA SUMMER Milena Bozhikova page: 13 DEUTSCHES THEATER’S 26 WAITING FOR GODOT IN SOFIA DEUTSCHESIF PROFESSORS THEATER’S WERE 2631 WAITINGGAMERS FOR GODOT IN SOFIA ARCHITECTURE THE SIXTH INTERNATIONAL CONFERENCE ON TYPOGRAPHY & VISUAL COMMUNICATION (ICTVC) Stela Tasheva, Sasha Lozanova page: 17 FESTIVALS MUSIC VARNA SUMMER Milena Bozhikova page: 22 THEATRE DEUTSCHES THEATER’S WAITING FOR GODOT IN SOFIA Kamelia Nikolova page: 26 TOPICAL IF PROFESSORS WERE GAMERS Emmanuel Moutafov page: 31 FESTIVALS MUSIC Festival Practices and Spatial, Time and Historical Distances Milena Bozhikova of social control. According to Bakhtin’s concept of ‘the carni- valesque’, such events are so- cially induced and determined, ‘suspending social hierarchies’, ‘linking’ and uniting people. The practice shows though that fes- tival policies impose restrictions, establishing social, spatial, time Festivals as a strategic tool are a and artistic distances. In his book much-discussed subject by many on urban festivals, Australian researchers varying from philos- Professor of Human Geography ophers to anthropologists to so- Gordon Waitt (Waitt G. -
SCANDINAVIAN, FINNISH & BALTIC CONCERTOS from the 19Th
SCANDINAVIAN, FINNISH & BALTIC CONCERTOS From the 19th Century to the Present A Discography of CDs and LPs Prepared by Michael Herman Composers R-Z JAAN RÄÄTS (b. 1932, ESTONIA) Born in Tartu. He studied piano at the Tartu Music High School and graduated from the Tallinn Conservatory as a composition student of Mart Saar and Heino Eller. Subsequently, he worked as a recording engineer at the Estonian Radio, chief editor of music programs, and then chief director and music manager of the Estonian Television and chairman of the Estonian Composers' Union. Most significantly, he has taught composition at the Estonian Academy of Music and his pupils include many of the most prominent Estonian composers of the present generation. He has composed orchestral, chamber, solo instrumental, choral, vocal and electronic music as well as film scores. His other orchestral works include Concerto for Chamber Orchestra No. 2 for Strings, Op.78 (1987) and the following concertante works: Piano Concertos Nos. 1, Op. 34 (1968) and 3, Op. 83 (1990), Concerto for Piano and Chamber Orchestra, Op. 41 (1971), Concerto for Piano, Four Hands and Orchestra, Op. 89 (1992), Concerto for Two Pianos and Orchestra, Op. 77 (1986), Concerto for Two Pianos, String Orchestra and Percussion, Op. 22 (1963), Concerto for Piano Trio and Orchestra, Op.127 (2006), Mini Concerto for Piano and Orchestra (2000), Violin Concerto, Op. 51 (1974), Concerto for Violin and Chamber Orchestra No. 3, Op. 96 (1995), Cello Concerto No.1, Op. 43 (1971, recomposed as Op.59 (1977), Cello Concerto No. 3, Op. 99 (1997), Concerto for Cello and Chamber Orchestra No. -
Personal Information Erten Deniz Ispir 04/10/1995 Van
Personal Information Erten Deniz Ispir 04/10/1995 Van Oldenbarneveldtstraat 87H, Amsterdam, Netherlands +31 6 85802038 [email protected] www.ertendenizispir.com Current Violin 1797 J. T. Cuypers on loan from Dutch Musical Instrument Fond Higher Education 09/2018 - Conservatory of Amsterdam, Bachelor of Music, Violin, Prof. Ilya Grubert 09/2014 – 07/2018 Moscow Tchaikovsky Conservatory, Bachelor of Music, Violin, Prof. Sergey Kravchenko Musical Education 02/2010 - 06/2014 Violin, Çukurova University State Conservatory, Hakan Çuhadar 02/2009 - 02/2010 Violin, Çukurova University State Conservatory, Prof. Ferhang Huseynov 09/2006 - 02/2009 Violin, Çukurova University State Conservatory, Hakan Çuhadar 09/2004 - 06/2006 Violin, Çukurova University State Conservatory, Dania Kainova Schooling 09/2009 - 06/2013 Çukurova University State Conservatory High School, High School Diploma (GPA 88.41) 09/2004 - 06/2009 Çukurova University State Conservatory Middle School 09/2001 - 06/2004 Ismet Inönü Elementary School Solo Performances 2019 Dnepropetrovsk Philarmonic Orchestra – J. Sibelius Violin Concerto Betuws Symphony Orchestra – A. Dvorak – Romance, C. Saint-Saens – Introduction & Rondo Capriccioso Netherlands Philarmonic Orchestra – J. Sibelius Violin Concerto (conducting masterclass of Marc Albrecht) 2018 Antalya State Symphony Orchestra – P. I. Tchaikovsky – Violin Concerto D Major İzmir Karsiyaka Chamber Orchestra – A. Vivaldi – Four Seasons 2017 Yarosavl State Symphony Orchestra – N. Paganini – Violin Concerto No.1 D Major 2016 İzmir State Symphony Orchestra– N. Paganini – Violin Concerto No.1 D Major 2015 Çukurova State Symphony Orchestra– Saint-Saens – Havanaise Fulya Sanat “Chamber Music with Young Talents” - Saint Saens – Havanaise, J. N. Hummel - Piano Trio No.2, B. Martenu - Sextet “La Revue de Cuisine” 2013 Rusya, Moskova Stanislavsky Theatre - Ekrem Zeki Ün - Yudumluk, F.