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Catinca Tabacaru Gallery, Art Brussels
Rachel Monosov BORN 1987, ST. PETERSBURG, RUSSIA CURRENTLY LIVES AND WORKS IN BERLIN, GERMANY EDUCATION 2016 MFA in Film, The Royal Academy of Fine Arts (KASK), Ghent, Belgium 2014 MFA The Royal Academy of Fine Arts (KASK), Ghent, Belgium 2010 BFA Photography, Bezalel Academy, Jerusalem, Israel 2008 The School of Visual Arts, New York SOLO EXHIBITIONS 2021 LIMINAL, Academia Tedesca Rome Villa Massimo, Rome, Italy 2020 It’s All Written In The Stars, Galeria Catinca Tabacaru, Bucharest 2019 The Challenge of Realism, Performance in collaboration with Lisa Lapierre and Victor Dumont, Goethe Institut, Hanoi, Vietnam We are Almost There, Tarble Arts Center, Eastern Illinois University, USA; Curators: Catinca Tabacaru, Rehema Barber and Michael Schuetz (catalogue) Solo Presentation, Catinca Tabacaru Gallery, Art Brussels 2018 The Blind Leader, Catinca Tabacaru Gallery, New York The Blind Leader, Catinca Tabacaru Gallery, Paris Photo Transcultural Transience (with Isaac Chong Wai), ACUD Galerie, Berlin; Curator: Karma Ltd. Extended 1972 (with Admire Kamudzengerere), Catinca Tabacaru Gallery, New York (catalogue) 2016 Pastoral, AC Repair Co., Toronto, Canada 2015 Pastoral, Barbé Gallery, Ghent, Belgium Effects of Displacement, Catinca Tabacaru Gallery, Volta, New York Effects of Displacement, Catinca Tabacaru Gallery, New York 2014 The Premier of the Audition Acts as Symbol, REH-TRANSFORMER, Berlin, Germany; Curator: Marcus Kettel MUSEUM & BIENNIAL INCLUSIONS 2021 VIDEO+RADIO+LIVE, Collateral Event to Art Encounters Biennial, Casa Artelor, Timisoara, -
BUSINESS MASTER PLAN for Development and Construction of a Ski Cente R in the Galičica National Park
BUSINESS MASTER PLAN FOR Development and Construction of a Ski Cente r in the Galičica National Park AD MEPSO d.d. Orce Nikolov b.b. 1000 SKOPJE MASTER PLAN SKI CENTER GALIČICA INTRODUCTION DISCLAIMER Our study and report are based on assumptions and estimates that are subject to uncertainty and variation. In addition, we have made assumptions as to the future behaviour of consumers and the general economy, which are uncertain. This Report is for your internal purposes and for submission to strategic partners and potential creditors of the project. Any use of the Report must include the entire content of such report in the form delivered to you. No portion or excerpts thereof may be otherwise quoted or referred to in any offering statement, prospectus, loan agreement, or other document unless expressly approved in writing by Horwath HTL. Reproducing or copying of this Report may not be done without our prior consent. MASTER PLAN SKI CENTER GALIČICA © COPYRIGHT 2014 by HORWATH HTL All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of Horwath HTL or a license permitting restricted copying. This publication may not be lent, resold, hired out or otherwise disposed of by way of trade in any form of binding or cover other than that in which it is published, without prior consent of Horwath HTL. MASTER PLAN SKI CENTER GALIČICA TABLE OF CONTENTS 1 ASSIGNMENT -
4.10.2013 > 26.01.2014 PRESS CONFERENCE a Preliminary Outline of the Programme 6 November 2012
4.10.2013 > 26.01.2014 PRESS CONFERENCE A preliminary outline of the programme 6 November 2012 - Palais d’Egmont, Brussels www.europalia.eu 1 PRACTICAL INFORMATION PRESS Inge De Keyser [email protected] T. +32 (0)2.504.91.35 High resolution images can be downloaded from our website www.europalia.eu – under the heading press. No password is needed. You will also find europalia.india on the following social media: www.facebook.com/Europalia www.youtube.com/user/EuropaliaFestival www.flickr.com/photos/europalia/ You can also subscribe to the Europalia- newsletter via our website www.europalia.eu Europalia International aisbl Galerie Ravenstein 4 – 1000 Brussels Info: +32 (0)2.504.91.20 www.europalia.eu 2 WHY INDIA AS GUEST COUNTRY? For its 2013 edition, Europalia has invited India. Europalia has already presented the rich culture of other BRIC countries in previous festivals: europalia.russia in 2005, europalia.china in 2009 and europalia.brasil in 2011. Europalia.india comes as a logical sequel. India has become an important player in today’s globalised world. Spontaneously India is associated with powerful economical driving force. The Indian economy is very attractive and witnesses an explosion of foreign investments. But India is also a great cultural power. The largest democracy in the world is a unique mosaic of peoples, languages, religions and ancient traditions; resulting from 5000 years of history. India is a land of contrasts. A young republic with a modern, liberal economy but also a land with an enormous historical wealth: the dazzling Taj Mahal, the maharajas, beautiful temples and palaces and countless stories to inspire our imagination. -
Ohrid the Balkan Congress Pearl
Meetologue OHRID INDIVIDUAL GRADES 2016 Natural and cultural factors: 4.70 General and transport infrastructure: 4.16 Tourist infrastructure: 4.40 Meeting infrastructure: 3.75 Subjective grade: 4.13 Marketing Buzz: 3.21 ICCA index: 1.26 Numbeo Quality of Life Index: 3.20 Global Peace Index: 2.94 DESTINATION MARK: 3.53 110 Meetologue OHRID THE BALKAN CONGRESS PEARL ake Ohrid was, in my youth, a compulsory topic in ge- on the same place. During the reign of Czar Samuel, Ohrid ography. I remember that it is supposed to be one of the was the capital of the Bulgarian Empire. The fort was recon- Loldest lakes, similar to Lake Baikal and the lake with structed in 2003 and it offers a magnificent view of the city the funny name, Tititaka. I also remember that Lake Prespa and the lake. With a little effort it can be a superb venue for and Lake Ohrid are connected underground and are full of events. endemic species. I can certainly confirm that Macedonia is a land of beautiful national parks and the lake is one of the OHRID PEARLS biggest Macedonian natural pearls - a kind of Macedonian Few know that only the Talev and Filev families deal with the sea. Despite enormous natural conditions, Ohrid is one of traditional production of Ohrid pearls. These pearls are made the most overlooked meeting destinations in the region, al- from pastrmka fish scales, the fish that lives in Lake Ohrid, though it attracts a lot of tourists from the former Yugoslavia but precise production remains a mystery. -
Rheingau Music Festival 2020 the 33Rd “A Summer Full of Music” – from 20 June to 5 September 2020
Press release – Please publish – Rheingau Music Festival 2020 The 33rd “A summer full of music” – from 20 June to 5 September 2020 Oestrich-Winkel, 23 January 2020 – At a press conference in Oestrich-Winkel, the Artistic Director of the Rheingau Music Festival, Michael Herrmann, unveiled the programme for the 33rd season. Lisa Ballhorn and Timo Buckow (both from the programme planning team for the Rheingau Music Festival), Marsilius von Ingelheim (Managing Director of Rheingau Musik Festival Konzert GmbH), Dr. jur. Heinz-Georg Sundermann (Managing Director of LOTTO Hessen) and Claus Wisser (Chairman of Rheingau Musik Festival e.V.) were also on the platform. The 33rd Rheingau Music Festival will take place from 20 June to 5 September 2020, and is themed around the concept of “freedom”. As the Artist in Residence, Lisa Batiashvili will be showcasing all her talent in four concerts featuring music ranging from Bach to Arvo Pärt. The soprano Julia Lezhneva will be appearing in five events as the Focus Performer, with music from Bach to Rachmaninoff. Gabriela Montero is this year’s Composer & Artist in Residence. In three events, she will be performing some of her own compositions, together with works by composers ranging from Wolfgang Amadeus Mozart to Alfred Schnittke. As the Focus Jazz Performer, Wolfgang Haffner will be showcasing the entire gamut of his musical flair in four events, supported by virtuosi like Michael Wollny, Max Mutzke and Thomas Quasthoff. This year the Rheingau Music Festival will also be spotlighting the 250th anniversary of Ludwig van Beethoven’s birth, celebrating the great composer with numerous concerts and events. -
Honegger Y Enescu Piotr Anderszewski Anja Silja
REVISTA DE MÚSICA Año XX - Nº 198 - Junio 2005 - 6,30 DOSIER Honegger y Enescu ENTREVISTA Piotr Anderszewski Nº 198 - Junio 2005 SCHERZO ENCUENTROS Anja Silja EDUCACIÓN La música en la nueva Ley JAZZ Atomic: Libre y nuclear 9778402 134807 9100 7 AÑO XX Nº 198 Junio 2005 6,30 € 2 OPINIÓN El misterio medieval Santiago Martín Bermúdez 114 Jeanne d’Arc au bûcher CON NOMBRE Josep Pascual 118 PROPIO La obra de una vida 8 Claudio Abbado Harry Halbreich 122 Carmelo Di Gennaro Proteico y descomunal Arturo Reverter 124 10 Pierre Hantaï Pablo J. Vayón Edipo, de la cuna a la tumba Santiago Salaverri 128 12 AGENDA Enescu y Honegger en CD Juan Manuel Viana 132 18 ACTUALIDAD NACIONAL ENCUENTROS Anja Silja 44 ACTUALIDAD Rafael Banús Irusta 142 INTERNACIONAL EDUCACIÓN Pedro Sarmiento 148 60 ENTREVISTA Piotr Anderszewski EL CANTAR DE Bruno Serrou LOS CANTARES Arturo Reverter 150 64 Discos del mes JAZZ SCHERZO DISCOS Pablo Sanz 152 65 Sumario LIBROS 154 DOSIER LA GUÍA 156 113 Honegger y Enescu CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número: Jeffrey Alexander, Javier Alfaya, Julio Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Jacobo Cortines, Carmelo Di Gennaro, Patrick Dillon, Pedro Elías, Fernando Fraga, Ramón García Balado, Manuel García Franco, Joaquín García, José Antonio García y García, Mario Gerteis, José Guerrero Martín, Harry Halbreich, Federico Hernández, Fernando Herrero, Leopoldo Hontañón, Bernd Hoppe, Enrique Igoa, Antonio Lasierra, Norman Lebrecht, Fiona Maddocks, Nadir Madriles, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Blas Matamoro, Erna Metdepenninghen, Antonio Muñoz Molina, Javier Palacio Tauste, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Pablo Queipo de Llano Ocaña, Francisco Ramos, Arturo Reverter, Leopoldo Rojas O’Donnell, Stefano Russomanno, Santiago Salaverri, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Digibooklet Elisso Bolkvadze Plays Prokofiev and Schubert
PROKOFIEV Piano Sonata No. 2 SCHUBERT Impromptus D 899 Elisso Bolkvadze SERGEJ PROKOFIEV PIANO SONATA NO. 2 IN D MINOR, OP. 14 18:27 I. Allegro, ma non troppo 6:35 II. Scherzo. Allegro marcato 1:57 VIDEO III. Andante 6:05 IV. Vivace 4:50 VIDEO auf AUDITE.DE FRANZ SCHUBERT IMPROMPTUS, OP. 90 (D 899) 28:57 No. 1 in C minor: Allegro molto moderato 10:50 No. 2 in E flat major: Allegro 4:24 No. 3 in G flat major: Andante 6:36 No. 4 in A flat major: Allegretto 7:07 HD-DOWNLOADS & stereo surround ‹ ‹ available at audite.de e-mail: [email protected] • http: //www.audite.de P 2015 + © 2015 Ludger Böckenhoff recording: November 17 - 19, 2014 recording location: Funkhaus Berlin Nalepastraße, Großer Sendesaal – Saal 1 instrument: Steinway D piano technician: Gerd Finkenstein recording / executive producer: Dipl.-Tonmeister Ludger Böckenhoff sound engineer: Martin Offik editing: Dipl.-Tonmeister Justus Beyer photos: Uwe Arens, Berlin design: AB-Design, Detmold “Virility, confidence, Ukrainian countryside, swept the fin-de-siècle depression steely determination” out of his works with an iron broom, hammering home the “A young man with the expression of a Petersburg student pulse of the machine age. In his memoirs of 1941, out of his comes on stage: Sergei Prokofiev. He sits down at the piano five main styles he emphasised the “innovative” and “that of and starts playing, sometimes brushing the keys, sometimes the toccatas”, “the motoric one which probably emanates trying out which are higher and which lower, all with a from Schumann’s Toccata that made a great impression on pointed, dry touch. -
Artes 21-22.Docx
DOI: 10.2478/ajm-2020-0004 Artes. Journal of Musicology Constantin Silvestri, the problematic musician. New press documents ALEX VASILIU, PhD “George Enescu” National University of Arts ROMANIA∗ Abstract: Constantin Silvestri was a man, an artist who reached the peaks of glory as well as the depths of despair. He was a composer whose modern visions were too complex for his peers to undestand and accept, but which nevertheless stood the test of time. He was an improvisational pianist with amazing technique and inventive skills, and was obsessed with the score in the best sense of the word. He was a musician well liked and supported by George Enescu and Mihail Jora. He was a conductor whose interpretations of any opus, particularly Romantic, captivate from the very first notes; the movements of the baton, the expression of his face, even one single look successfully brought to life the oeuvres of various composers, endowing them with expressiveness, suppleness and a modern character that few other composers have ever managed to achieve. Regarded as a very promising conductor, a favourite with the audiences, wanted by the orchestras in Bucharest in the hope of creating new repertoires, Constantin Silvestri was nevertheless quite the problematic musician for the Romanian press. Newly researched documents reveal fragments from this musician’s life as well as the features of a particular time period in the modern history of Romanian music. Keywords: Romanian press; the years 1950; socialist realism. 1. Introduction The present study is not necessarily occasioned by the 50th anniversary of Constantin Silvestri’s death (23rd February 1969). -
Nbu-Music-Department-Brochure1.Pdf
DEGREE GeneraL 1 information PROGRAMS MAIN BacHELOR ANNUAL 2 proGram music ACTIVITIES AND EVENTS master 3 OF music PHD proGram 4 music MAIN anuaL 5 music actiVities New Bulgarian University (NBU) is MAIN music a modern higher education EVents 6 institution recognized as organization with strong national influence and academic presence in wider international 7 staff university networks. NBU was established in 1991 for meeting the partners & need of a new liberal model of 8 erasmus + education. Every academic year NBU offers Bachelor, Master, Doctoral programs, administration courses and continuing education 8 programs in various fields. The Department of Music at NBU exists since the foundation of the University. Its creative work and research activities are in the genres of both classical and popular music- opera, folklore, music theatre, integration of music and new computer technologies. DEPARTMENT DEPARTMENT OF MUSIC 1 THE DEPARTMENT OF MUSIC The Department of Music is part of most modern world standards The department has signed contracts New Bulgarian University, which without leaving their homeland. with “Erasmus +” - the new EU offers education in several The department offers Bachelor program for education, training, professional fields and has over program after secondary education youth and sport in 2020 with over 15,000 students. An average of 250 as well as Master’s programs in 20 universities in Europe in Austria, students per year are enrolled in the Bulgarian and in English and PhD Great Britain, Greece, Spain, Italy, music programs; they are taught by programs with two profiles: research Poland, Finland France, Croatia, an academic staff of 31 lecturers, 15 in the area of musicology, or based on Switzerland, Turkey and others. -
The Festival Quarterly
THE FESTIVAL QUARTERLY Aleš Šteger Ayoko Mensah Alicja Gescinska Tomáš Sedláček Melanie Burge Simon Mundy 3 Aleš Šteger How to live after the end of reflection THE FESTIVAL QUARTERLY 6 Ayoko Mensah Eye-to-Eye... ...with those that inform, influence or inspire festival makers Afropolitan festivals: a challenge and making: the artist, the economist, the philosopher, the urban planner, the academic, the politician. The European Festivals Association’s (EFA) ‘The Festival Quarterly’ Eye-to-Eye assembles a variety of voices that speak Alicja Gescinska 9 about our society, the state of the arts and reasons why the On Music, Morality and Krzysztof Penderecki arts exist, concepts, and moments in contemporary life. It includes articles we commission and material we ask editors to provide. Eye-to-Eye offers a mosaic of reflections, opinion pieces, personal statements, seemingly unrelated yet 13 Tomáš Sedláček fitting with each other. It reflects EFA’s journey to broadenour Advantages of disadvantages, or don’t let conversations and dig into the habitat of festivals, taking us the quarantine slip through your fingers well beyond the process of festival making. Today we are sharing with you the very first issue: The Festival Quarterly’s Summer 2020 edition. We intend to publish 16 Melanie Burge Eye-to-Eye articles, film abstracts and material every 3 months. The pandemic’s immediate impact on We will develop this project with the experience of each performing arts in Australia edition: Eye-to-Eye will be an evolving project, taking into consideration the suggestions we will receive from festivals and our stakeholders community. -
Rheingau Musik Festival Ouvertüre 2017 Das Magazin Des Rheingau Musik Festivals 1/2017 Gesamtprogramm Vom 24.6
Rheingau Musik Festival Ouvertüre 2017 Das Magazin des Rheingau Musik Festivals 1/2017 Gesamtprogramm vom 24.6. bis 2.9.2017 Igor Levit Artist in Residence Aufbruch 30 Jahre Festival 1/2017 · www.rheingau-musik-festival.de Hauptsponsoren: © Jörg Steinmetz © Robbie Lawrence Robbie © Hauptsponsoren 2 Co-Sponsoren Official Airline Medienpartner Premium-Projektpartner Inhalt © Matthias Baus Matthias © Magazin 4 Aufbruch in den 30. Sommer voller Musik 6 Artist in Residence: Igor Levit 12 Fokus: Anna Lucia Richter 16 Fokus Jazz: Michael Wollny 19 Erinnerungen an Prades 24 30 Jahre Rheingau Musik Festival 35 Konzertführer live 36 Next Generation Fokus-Künstler 2017: 38 Tanz!Musik Michael Wollny 40 Expedition Sound Igor Levit Anna Lucia Richter 42 Festival für Kinder und Jugendliche 43 Programm 2017 113 Service Hier können Sie ab Bitte beachten Sie, … 114 Kartenvorverkauf sofort Karten bestellen: … dass Kartenbestellungen ab dem 115 Abonnements 20. Februar 2017 schriftlich oder über die Rheingau Musik Festival Website entgegengenommen werden. 116 Der Rheingau Servicegesellschaft mbH & Co. KG Postfach 1125 … dass der telefonische Vorverkauf erst am 117 Anreise 65367 Oestrich-Winkel 7. März 2017 beginnt. 118 Spielstätten 3 … dass die Mitglieder des Rheingau Musik Am einfachsten mit dem Bestellschein Festival e. V. ein exklusives Vorkaufsrecht 124 Hotelempfehlungen auf den auf Seite 82 folgenden Seiten genießen. Mit der Pressekonferenz am oder über unsere Website: 20. Februar 2017 endet dieses Vorkaufsrecht, 126 Allgemeine Geschäftsbedingungen www.rheingau-musik-festival.de und es beginnt der öffentliche Vorverkauf. Ihre Bestellungen werden in der Reihenfolge 130 Impressum Ab dem 7. März 2017 können Sie des Post- oder E-Mail-Eingangs bearbeitet. Karten auch telefonisch bestellen: Einfach und bequem bestellen Sie Ihre Konzert- karten mit dem Bestellschein auf den auf 0 67 23 / 60 21 70 Seite 82 folgenden Seiten.