Constructing Mothers Who Kill
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fifth Report Data: January 2009 to December 2015
Fifth Report Data: January 2009 to December 2015 ‘Our daughter Helen is a statistic in these pages. Understanding why, has saved others.’ David White Ngā mate aituā o tātou Ka tangihia e tātou i tēnei wā Haere, haere, haere. The dead, the afflicted, both yours and ours We lament for them at this time Farewell, farewell, farewell. Citation: Family Violence Death Review Committee. 2017. Fifth Report Data: January 2009 to December 2015. Wellington: Family Violence Death Review Committee. Published in June 2017 by the Health Quality & Safety Commission, PO Box 25496, Wellington 6146, New Zealand ISBN 978-0-908345-60-1 (Print) ISBN 978-0-908345-61-8 (Online) This document is available on the Health Quality & Safety Commission’s website: www.hqsc.govt.nz For information on this report, please contact [email protected] ACKNOWLEDGEMENTS The Family Violence Death Review Committee is grateful to: • the Mortality Review Committee Secretariat based at the Health Quality & Safety Commission, particularly: – Rachel Smith, Specialist, Family Violence Death Review Committee – Joanna Minster, Senior Policy Analyst, Family Violence Death Review Committee – Kiri Rikihana, Acting Group Manager Mortality Review Committee Secretariat and Kaiwhakahaere Te Whai Oranga – Nikolai Minko, Principal Data Scientist, Health Quality Evaluation • Pauline Gulliver, Research Fellow, School of Population Health, University of Auckland • Dr John Little, Consultant Psychiatrist, Capital & Coast District Health Board • the advisors to the Family Violence Death Review Committee. The Family Violence Death Review Committee also thanks the people who have reviewed and provided feedback on drafts of this report. FAMILY VIOLENCE DEATH REVIEW COMMITTEE FIFTH REPORT DATA: JANUARY 2009 TO DECEMBER 2015 1 FOREWORD The Health Quality & Safety Commission (the Commission) welcomes the Fifth Report Data: January 2009 to December 2015 from the Family Violence Death Review Committee (the Committee). -
News Media Coverage of Domestic Violence Fatalities
News Media Coverage of Domestic Violence Fatalities National Domestic Violence Fatality Review Initiative Delray Beach, FL September 20, 2004 Mike Brigner, J.D. [email protected] Author, Ohio Domestic Violence Benchbook for Judges Former Ohio Domestic Relations Judge Some Statistical Issues A Boston Surprise In one recent year, Boston homicide detectives opened 150 case files That would be an all-time record high for murders in that city BUT: It turned out the city did not actually have a record number of homicides that year WHY? 3 A Boston Surprise In 82 of those 150 cases the victim did not die as originally expected Boston’s medical care system saved over half of potential homicide victims Those 82 cases became aggravated assault files, instead of homicide files Many victims are alive today who would have been a death statistic 25 years ago 4 What Have We Accomplished? DOJ study found that since 1976, the number of women killed by intimate partners has dropped slightly From about 1,600 a year then, To about 1,300 a year now That’s about a 19% decline in fatalities for battered women 5 Maybe, The Answer is Not Much So, if the medical community is arguably saving 50% of battered women who would have died a quarter century ago And women’s death statistics have fallen by only 19% Two logical conclusions: 1. Serious domestic violence incidents are actually increasing 2. The justice system has had no impact upon domestic violence and possibly has contributed to its increase 6 Florida Governor’s Task Force on Domestic -
DISCUSSION of the NEW OPERA MARGARET GARNER at the NATIONAL CONSTITUTION CENTER As Part of the Members Only Constitution Culture Club Series
FOR IMMEDIATE RELEASE CONTACTS: Denise Venuti Free Ashley Berke Director of Public Relations Public Relations Coordinator 215.409.6636 215.409.6693 [email protected] [email protected] DISCUSSION OF THE NEW OPERA MARGARET GARNER AT THE NATIONAL CONSTITUTION CENTER As part of the members only Constitution Culture Club series PHILADELPHIA, PA (January 26, 2006) – Members of the National Constitution Center will have the chance to discuss the new American opera Margaret Garner on Thursday, February 16 from 6:00 p.m.-7:30 p.m. The opera, based on one of the most significant slave stories in pre- Civil War America, marks the debut collaboration of composer Richard Danielpour and Nobel Prize-winning author Toni Morrison, and stars renowned mezzo-soprano Denyce Graves in the title role. Admission is free, but the Culture Club is limited to National Constitution Center members only. Please call the membership line at 215.409.6767 to reserve your place. Margaret Garner, presented by the Opera Company of Philadelphia, tells the story of a runaway slave, who tragically made the decision to sacrifice her own children when facing recapture rather than see them returned to slavery. Her trial became the subject of national debate, addressing issues of constitutional law and human rights. Participants are expected to see the opera prior to attending the Culture Club meeting. The National Constitution Center obtained a 10% discount for Garner Culture Club participants. Please contact The Opera Company at 215.732.8400 or visit www.operaphilly.com for more information. The Culture Club is an exclusive offering for members of the National Constitution Center. -
Yates Was Insane When Children Drowned, Jury Finds (Update2) Page 1 of 2 Bloomberg Printer-Friendly Page 7/28/2006
Bloomberg Printer-Friendly Page Page 1 of 2 Yates Was Insane When Children Drowned, Jury Finds (Update2) July 26 (Bloomberg) -- Andrea Yates, the Texas mother accused of drowning her five children in a bathtub in 2001, was found innocent by reason of insanity after a retrial. The jury, selected after an appeals court overturned a 2002 guilty verdict, accepted Yates's plea of not guilty based on the argument that she didn't know it was wrong to kill the children at the time. Yates, 42, will be sent to a mental institution, though it hasn't been determined where. According to Texas law, defendants can be declared not guilty by reason of insanity if it is determined that they were unaware that their actions were wrong at the time they committed the crime. When Yates was first tried in 2002, she also confessed to the killings and pleaded not guilty by reason of insanity. ``The jury was able to see past what happened and look at why it happened,'' Rusty Yates, Andrea Yates's former husband, said during a press conference after the verdict. The couple divorced last year. Yates, who had a history of postpartum depression, said she drowned her children one by one and then dialed 911 to request police assistance. When officers arrived, Yates led them into a bedroom where 6- month-old Mary, sons Luke, 2; Paul, 3; and John, 5, lay on a bed, covered with a sheet. The oldest, Noah, 7, was found dead in the bathtub, police said. Postpartum Depression Yates will probably remain in a mental institution for life, said Charles Ewing, a forensic psychologist, professor of law at Buffalo Law School and author of books including ``Battered Women Who Kill'' and ``Fatal Families: The Dynamics of Intrafamilial Homicide.'' ``Theoretically, she's eligible for release when she's no longer mentally ill and dangerous,'' Ewing said. -
Piteous Massacre’: Violence, Language, and the Off-Stage in Richard III
Journal of the British Academy, 8(s3), 91–109 DOI https://doi.org/10.5871/jba/008s3.091 Posted 15 June 2020 ‘Piteous massacre’: violence, language, and the off-stage in Richard III Georgina Lucas Abstract: Shakespeare regularly stages extreme violence. In Titus Andronicus, Chiron and Demetrius are baked in a pie and eaten by their mother. Gloucester’s eyes are plucked out in King Lear. In contradistinction to this graphic excess are moments when violence is relegated off-stage: Macbeth kills King Duncan in private; when Richard III suborns the assassination of his nephews—the notorious ‘Princes in the Tower’—the boys are killed away from the audience. In such instances, the spectator must imagine the scope and formation of the violence described. Focussing on Richard III, this article asks why Shakespeare uses the word ‘massacre’ to express the murder of the two princes. Determining the varied, and competing, meanings of the term in the 16th and 17th centuries, the article uncovers a range of ways an early audience might have interpreted the killings—as mass murder, assassination, and butchery—and demonstrates their thematic connections to child-killing across the cycle of plays that Richard III concludes. Keywords: Shakespeare, massacre, Richard III, off-stage violence, child-killing. Notes on the author: Georgina Lucas is Lecturer in Shakespeare and Renaissance Literature in the School of Arts, English and Languages at Queen’s University, Belfast. Her research focusses upon the representation of mass and sexual violence on the early modern stage, and the performance and reception of Shakespeare during and after acts of atrocity. -
Anger Led to 8 Boone Co. Lynchings
6A ❚ TUESDAY, MAY 1, 2018 ❚ THE ENQUIRER Anger led to 8 Boone Co. lynchings Mark Curnutte Cincinnati Enquirer USA TODAY NETWORK Geography and prevailing anger among former Confederate soldiers were major reasons Boone County was the site of eight lynchings of black men during the 1870s and 1880s. The lynchings occurred from 1876 through 1885, which one historian re-fers to as an “intense 10-year period.” “For the time period, we had a pre-carious location, 40 miles of river-front” with free states Indiana and Ohio to the west and north, said Hillary Delaney, local history services associate at the Boone County Public Library. “This county aggressively tried to keep slaves in the state.” After the Civil War, a band of Con-federate army veterans organized loosely in Walton at the Gaines Tavern, which still stands today on Old Nicholson Road. “A segment of the population was intent on keeping slaves in their place,” Delaney said. “The lynchings were driven by these people from the Walton-Verona area. They fed off each other. They got people out of jail or just found them on their own.” Four of the eight documented lynchings of black men in Boone County are commemorated on a monument in the National Memorial for Peace and Justice in Montgomery, Alabama. Billed as the first of its kind, the memorial that opened last month names 4,400 known African-Americans lynched during a 70-year reign of racial terror beginning in 1877. The names are inscribed in a 6-foot, rust-colored steel monument that hangs vertically – like a body – from the ceiling in the open-air memorial. -
Death - the Eternal Truth of Life
© 2018 JETIR March 2018, Volume 5, Issue 3 www.jetir.org (ISSN-2349-5162) DEATH - THE ETERNAL TRUTH OF LIFE The „DEATH‟ that comes from the German word „DEAD‟ which means tot, while the word „kill‟ is toten, which literally means to make dead. Likewise in Dutch ,‟DEAD‟ is dood and “kill” is doden. In Swedish, “DEAD” is dod and „Kill‟ is doda. In English the same process resulted in the word “DEADEN”, where the suffix “EN” means “to cause to be”. We all know that the things which has life is going to be dead in future anytime any moment. So, the sentence we know popularly that “Man is mortal”. The sources of life comes into human body when he/she is in the womb of mother. The active meeting of sperm and eggs, it create a new life in the woman‟s overy, and the woman carried the foetus with 10 months and ten days to given birth of a new born baby . When the baby comes out from the pathway of the vagina of his/her mother, then his/her first cry is depicted that the new born baby is starting to adjustment of of the newly changing environment . For that very first day, the baby‟s survivation is rairtained by his/her primary environment. But the tendency of death is started also. In any time of any space the human baby have to accept death. Not only in the case of human being, but the animals, trees, species, reptailes has also the probability of death. The above mentioned live behind are also survival for the fittest. -
MARGARET GARNER a New American Opera in Two Acts
Richard Danielpour MARGARET GARNER A New American Opera in Two Acts Libretto by Toni Morrison Based on a true story First performance: Detroit Opera House, May 7, 2005 Opera Carolina performances: April 20, 22 & 23, 2006 North Carolina Blumenthal Performing Arts Center Stefan Lano, conductor Cynthia Stokes, stage director The Opera Carolina Chorus The Charlotte Contemporary Ensemble The Charlotte Symphony Orchestra The Characters Cast Margaret Garner, mezzo slave on the Gaines plantation Denyce Graves Robert Garner, bass baritone her husband Eric Greene Edward Gaines, baritone owner of the plantation Michael Mayes Cilla, soprano Margaret’s mother Angela Renee Simpson Casey, tenor foreman on the Gaines plantation Mark Pannuccio Caroline, soprano Edward Gaines’ daughter Inna Dukach George, baritone her fiancée Jonathan Boyd Auctioneer, tenor Dale Bryant First Judge , tenor Dale Bryant Second Judge, baritone Daniel Boye Third Judge, baritone Jeff Monette Slaves on the Gaines plantation, Townspeople The opera takes place in Kentucky and Ohio Between 1856 and 1861 1 MARGARET GARNER Act I, scene i: SLAVE CHORUS Kentucky, April 1856. …NO, NO. NO, NO MORE! NO, NO, NO! The opera begins in total darkness, without any sense (basses) PLEASE GOD, NO MORE! of location or time period. Out of the blackness, a large group of slaves gradually becomes visible. They are huddled together on an elevated platform in the MARGARET center of the stage. UNDER MY HEAD... CHORUS: “No More!” SLAVE CHORUS THE SLAVES (Slave Chorus, Margaret, Cilla, and Robert) … NO, NO, NO MORE! NO, NO MORE. NO, NO MORE. NO, NO, NO! NO MORE, NOT MORE. (basses) DEAR GOD, NO MORE! PLEASE, GOD, NO MORE. -
RIVERFRONT CIRCULATING MATERIALS (Can Be Checked Out)
SLAVERY BIBLIOGRAPHY TOPICS ABOLITION AMERICAN REVOLUTION & SLAVERY AUDIO-VISUAL BIOGRAPHIES CANADIAN SLAVERY CIVIL WAR & LINCOLN FREE AFRICAN AMERICANS GENERAL HISTORY HOME LIFE LATIN AMERICAN & CARIBBEAN SLAVERY LAW & SLAVERY LITERATURE/POETRY NORTHERN SLAVERY PSYCHOLOGICAL ASPECTS OF SLAVERY/POST-SLAVERY RELIGION RESISTANCE SLAVE NARRATIVES SLAVE SHIPS SLAVE TRADE SOUTHERN SLAVERY UNDERGROUND RAILROAD WOMEN ABOLITION Abolition and Antislavery: A historical encyclopedia of the American mosaic Hinks, Peter. Greenwood Pub Group, c2015. 447 p. R 326.8 A (YRI) Abolition! : the struggle to abolish slavery in the British Colonies Reddie, Richard S. Oxford : Lion, c2007. 254 p. 326.09 R (YRI) The abolitionist movement : ending slavery McNeese, Tim. New York : Chelsea House, c2008. 142 p. 973.71 M (YRI) 1 The abolitionist legacy: from Reconstruction to the NAACP McPherson, James M. Princeton, NJ: Princeton University Press, c1975. 438 p. 322.44 M (YRI) All on fire : William Lloyd Garrison and the abolition of slavery Mayer, Henry, 1941- New York : St. Martin's Press, c1998. 707 p. B GARRISON (YWI) Amazing Grace: William Wilberforce and the heroic campaign to end slavery Metaxas, Eric New York, NY : Harper, c2007. 281p. B WILBERFORCE (YRI, YWI) American to the backbone : the life of James W.C. Pennington, the fugitive slave who became one of the first black abolitionists Webber, Christopher. New York : Pegasus Books, c2011. 493 p. B PENNINGTON (YRI) The Amistad slave revolt and American abolition. Zeinert, Karen. North Haven, CT : Linnet Books, c1997. 101p. 326.09 Z (YRI, YWI) Angelina Grimke : voice of abolition. Todras, Ellen H., 1947- North Haven, Conn. : Linnet Books, c1999. 178p. YA B GRIMKE (YWI) The antislavery movement Rogers, James T. -
Toni Morrison's the Bluest
Bloom’s GUIDES Toni Morrison’s The Bluest Eye Biographical Sketch Raised in the North, Toni Morrison’s southern roots were deliberately severed by both her maternal and paternal grandparents. Her maternal grandfather, John Solomon Willis, had his inherited Alabama farm swindled from him by a predatory white man; as a consequence of this injustice, he moved his family first to Kentucky, where a less overt racism continued to make life intolerable, and then to Lorain, Ohio, a midwestern industrial center with employment possibilities that were drawing large numbers of migrating southern blacks. Her paternal grandparents also left their Georgia home in reaction to the hostile, racist culture that included lynchings and other oppressive acts. As a result, the South as a region did not exist as a benevolent inherited resource for Morrison while she was growing up; it became more of an estranged section of the country from which she had been helped to flee. As is evident in her novels, Morrison returned by a spiritually circuitous route to the strong southern traditions that would again be reinvigorated and re-experienced as life sustaining. The future Nobel literature laureate was born Chloe Ardelia Wofford at home in Lorain, Ohio, on February 18, 1931, the second child and daughter to George and Ella Ramah Willis Wofford. Two distinguishing experiences in her early years were, first, living with the sharply divided views of her parents about race (her father was actively disdainful of white people, her mother more focused on individual attitudes and behavior) and, second, beginning elementary school as the only child already able to read. -
Et Moi, Tituba, Sorcière Noire De Salem (Maryse Condé) Kathleen Gyssels
« Sages sorcières? » Révision de la mauvaise mère dans Beloved (Toni Morrison), Praisesong for the Widow (Paule Marshall), et Moi, Tituba, sorcière noire de Salem (Maryse Condé) Kathleen Gyssels University Press of America, Inc. [copyright informatiοn] I would like to thank Stephen E. James, for his trust in this long-range affair, Colleague Tom De Herdt for his precious help with the layout, Neighbour and poet Elie Rodenbach, for revising the manuscript. I dedicate this work to my beloveds, Manon and Peter April 2000 Table des matières Introduction ................................................................................................................................... xi Chapitre 1 Légitime Défense d'une nouvelle Renaissance .......................................................... 1 1.1 « Trace the New Web » .......................................................................................................... 1 1.2 Marshall, Morrison et Condé: passeuses de langue, tisseuses de liens................................... 4 1.3 Marshall, Morrison et Condé: veilleuses du lieu .................................................................... 8 1.4 Dossa et Doxa....................................................................................................................... 10 1.5 Sages sorcières?.................................................................................................................... 16 Chapitre 2 L'exil, entre l'ancrage et la fuite.............................................................................. -
Re-Arranging Deck Chairs on the Titanic
\\server05\productn\H\HHL\5-1\HHL101.txt unknown Seq: 1 4-MAY-05 12:06 5 HOUS. J. HEALTH L. & POL’Y 1–73 1 R Copyright 2005 Jennifer S. Bard, Houston Journal of Health Law & Policy ISSN 1534-7907 RE-ARRANGING DECK CHAIRS ON THE TITANIC: WHY THE INCARCERATION OF INDIVIDUALS WITH SERIOUS MENTAL ILLNESS VIOLATES PUBLIC HEALTH, ETHICAL, AND CONSTITUTIONAL PRINCIPLES AND THEREFORE CANNOT BE MADE RIGHT BY PIECEMEAL CHANGES TO THE INSANITY DEFENSE Jennifer S. Bard* Anyone who has spent any time in the criminal justice system—as a defense lawyer, as a district attorney, or as a judge—knows that our treatment of criminal defendants with mental disabilities has been, forever, a scandal. Such defendants receive substandard counsel, are treated poorly in prison, receive disparately longer sentences, and are regularly coerced into confessing to crimes * Associate Professor of Law, Texas Tech University School of Law, Lubbock Texas; J.D., Yale Law School, 1987; M.P.H., University of Connecticut, 1997; A.B., Wellesley College, 1983. This work grew out of an invitation to give the second Nordenberg Lecture at the University of Pittsburgh Law School in October 2002, where I had the honor of Chancellor Nordenberg’s presence at the lecture. I very much appreciate the questions and comments following the lecture, which informed this article. Thank you also to Professor Elyn Saks, Orrin B. Evans Professor of Law, Psychiatry and Behavioral Sciences, University of South- ern California Law School, who read a late draft and made many helpful comments; Donna Vickers of the University of Texas Medical Branch; and to my primary research assistant at Texas Tech Law School, Kristi Ward ’05, for her invaluable contributions to the project.