Bilvavi.On.Tefillah.1-45.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Bilvavi.On.Tefillah.1-45.Pdf on Tefillah 1 | Bilvavi on Tefillah 1 Editor’s Introduction __________________________________________________________________ 3 001 | Before Shemoneh Esrei ___________________________________________________________ 4 002 | Having Something and Missing Something ___________________________________________ 9 003 | Hashem, Open My Lips __________________________________________________________ 15 004 | The Beginning and End of Shemoneh Esrei __________________________________________ 19 005 | Revealing Hashem _____________________________________________________________ 24 006 | Bowing in Shemoneh Esrei _______________________________________________________ 28 007 | You, Hashem __________________________________________________________________ 33 008 | Standing in Front of the King _____________________________________________________ 35 009 } My G-d _______________________________________________________________________ 38 010 | What Our Matriarchs Revealed ___________________________________________________ 41 011 | Giving Myself Up For Hashem’s Will _______________________________________________ 46 012 | Integrating The Mind With The Heart ______________________________________________ 50 013 | Yitzchok Avinu’s Path ___________________________________________________________ 54 014 | Balanced Compassion ___________________________________________________________ 58 015 | Inheritance From The Avos & Dovid HaMelech _______________________________________ 60 016 | True Aspirations _______________________________________________________________ 64 017 | Living With Clarity _____________________________________________________________ 67 018 | To Live In A Perfect Place ________________________________________________________ 69 019 | Revealing Oneness _____________________________________________________________ 73 020 | The Longing For A Smile _________________________________________________________ 80 021 } Inner Love _____________________________________________________________________ 88 022 } Becoming Connected ____________________________________________________________ 91 023 | Owning This World Vs. Borrowing This World _______________________________________ 95 024 | Emulating Our Forefathers _______________________________________________________ 98 025 | The Avodah of The Era Preceding Moshiach ________________________________________ 101 026 | Tisha B’Av: Crying From Within __________________________________________________ 104 027 | Our King, And Our Companion ___________________________________________________ 108 028 | Real Life _____________________________________________________________________ 111 029 | True Salvation ________________________________________________________________ 114 030 | Surviving The Scariest Time In History _____________________________________________ 117 031 | The Intent In Giving Tzedakah ___________________________________________________ 121 032 } Our Middos Enable Hashem’s Middos______________________________________________ 124 033 | The Final Judgment ____________________________________________________________ 127 034 | Revival of the Living ____________________________________________________________ 131 2 | Bilvavi on Tefillah 1 035 | Yearning For The Future ________________________________________________________ 136 036 | A Generation of Abundance _____________________________________________________ 140 037 | The Danger In Going Out To Work ________________________________________________ 144 038 | Rising From Failure ____________________________________________________________ 148 039 | Before We Get Sick ____________________________________________________________ 152 040 | Escaping The Self-Imposed Prison _________________________________________________ 155 041 | Believing In Resurrection ________________________________________________________ 161 042 | What It Means To Have Good Middos _____________________________________________ 166 043 | Finding Renewal ______________________________________________________________ 172 044 | Redemption Unfolding and The Decree on Torah ____________________________________ 179 045 | To Yearn For A Pure World ______________________________________________________ 184 3 | Bilvavi on Tefillah 1 Editor’s Introduction Many wonderful commentaries are available on Shemoneh Esrei (the silent prayer), which explain the meaning of the words and what to have in mind. This is certainly necessary to understand what we are saying when we daven. But we can still be left with a void after we daven, wondering why we don’t feel connected to the prayers, even though we know the meaning of the words well. And we can also get caught up in trying to concentrate and not space out when we daven, which makes us forget the basic essence of prayer- to stand before the King, aware of His presence, and to pray to Him from our heart. In this unique series of derashos, the Rav explains concepts of serving Hashem which can come alive and receive greater meaning, through the words of Shemoneh Esrei that we say. It also draws light on many important issues of hashkafah (Jewish thought) today about current events, which further awaken in us the words we are saying and how they express various issues we face, both on a personal scale as well as on the communal and global scale. The Rav begins each shiur by first explaining the simple meaning of the words, based on Chazal, and then explains a deeper meaning. A discussion about a certain important topic then ensues, and finally the Rav concludes by going back to the words of Shemoneh Esrei and explaining it with the deeper meaning. These derashos are not “what to have in mind” as you are saying the words. Rather, the derashos here serve to awaken our inner world to us through the meaning of the words that we say, thereby enabling us to pray more from our heart and stand before our King with greater awareness. If the lessons here are internalized, you will see changes in your davening – inner changes. And it doesn’t necessarily mean that you will be “shuckling” more or swaying more when you say the words. Rather, you feel the words coming alive in your heart – an inner experience that cannot be described in the written word. There are 170 classes in this series. In this PDF we have included the first 45 classes. 4 | Bilvavi on Tefillah 1 תפילה 001 הקדמה 001 | Before Shemoneh Esrei Tefillah — A Ladder that Ascends to Heaven Tefillah (davening — prayer), in essence, is to ascend to the Heavens. It is something we do here on this Earth, but it reaches Heaven, like we find by the ladder of Yaakov’s dream: “A ladder placed on the ground, and its head reached the Heavens.” We also see this from the statement of the Sages, that tefillah is “a matter that stands at the 1 height of the world.”0F Tefillah is to ascend to the Heavens. This doesn’t mean, though that tefillah is only in Heaven! What it really means is that if one ascends to the Heavens, he will find tefillah there; in other words, just because tefillah is such a lofty matter doesn’t mean that we can’t reach it. We reach tefillah by ascending the “ladder” found even on our physical world, which we will see. The Difference Between Torah and Tefillah We have two major vehicles that bring us close to Hashem — Torah and tefillah. What is the difference between them? The sefer Nefesh HaChaim writes that learning Torah is called “achdus hamochin” (unity of the minds). This means that Torah is all-inclusive, because it is a power that comes and unifies things. Torah is all-inclusive in that it unifies the Heavens with the earth. Tefillah is also all- inclusive — but from a different aspect: it unifies Earth to the Heavens. Tefillah is in essence a ladder that ascends to the Heavens, but it is footed on Earth. Torah was in Heaven, but Hashem brought it down to this world. Tefillah, however, is found on this world — but is ascends to Heaven. Tefillah is like Yaakov Avinu’s ladder: we begin from its foot here on Earth, and we ascend up it, step-by-step — until Heaven. Chazal say that tefillah “stands” at the height of the world — and standing is Amidah, which is another term for the silent Shemoneh Esrei. This doesn’t mean that tefillah stands in Heaven while the person praying remains here in This World. The opposite is true: tefillah is the ladder 1 Berachos 6b. 5 | Bilvavi on Tefillah 1 that a person ascends on — until the person himself reaches Heaven. Through tefillah, a person climbs a ladder toward Heaven, and he is actually standing in Heaven and praying there! This has to be. Only in Heaven can a person be standing “in front of the King.” When a person davens, he is actually standing in Heaven — “in front of the King.” How do we get from Earth to Heaven?! If we are to climb the ladder toward Heaven, through tefillah, then our tefillah cannot just be a lip service we do. There must be a specific path to take through tefillah in order to get to Heaven, and it must be a step-by-step plan. How do we ascend this ladder toward Heaven? Before we get to the top of the ladder — which is the Amidah, the silent Shemoneh Esrei — we have to climb the beginning steps of the ladder. These beginning rungs of the ladder are the first three sections of davening, before we get to Shemoneh Esrei. Our davening (before Shemoneh Esrei) is split into three sections: 1) The morning blessings and recitation of korbonos (sacrifices), 2) Pesukei Dezimrah, 3) Shema and its blessings. The “Actions” in Tefillah There are three parts that make up a person — actions, feelings, and thoughts.
Recommended publications
  • Subversive Repetition Choreographies of Israeli Domination and Jewish Diaspora
    Subversive Repetition Choreographies of Israeli Domination and Jewish Diaspora By Li Lorian 1. Introduction: Reading with the Body Motionless he sat, his spectacled eyes fixed upon the printed page. Yet not altogether motionless, for he had a habit (acquired at school in the Jewish quarter of the Galician town from which he came) of rocking his shiny bald pate backwards and forwards and humming to himself as he read. There he studied catalogs and tomes, crooning and rocking, as Jewish boys are taught to do when reading the Talmud. The rabbis believe that, just as a child is rocked to sleep in its cradle, so are the pious ideas of the holy text better instilled by this rhythmical and hypnotizing movement of head and body. In fact, as if he had been in a trance, Jacob Mendel saw and heard nothing while thus occupied. Buchmendel, Stefan Zweig To read like Jacob Mendel means reading with the body, being involved in the text, no mediation between body and mind. The reader, engaging in the act of reading, is a doer who is one in movement and consciousness. Mendel's character stands as a contradictory certificate to Susan Leigh Foster's testimony that “[W]e used to pretend the body was uninvolved, that it remained mute and still while the mind thought” (Foster 1995: 3). The We Foster is talking about points at a tradition of Western epistemology that “divided the world into oppositional categories such as body/mind, nature/culture, private/public, spirituality/corporeality, and experience/knowledge” (Albright 1997: 35). The heritage of these binaries is a disembodied self that conceives the body as Other, and other bodies – predominantly women, as well as people of color, people with disabilities, homosexuals and queers – as lacking selfhood.
    [Show full text]
  • The Catholic University of America
    THE CATHOLIC UNIVERSITY OF AMERICA Sabbath / Sunday: Their spiritual Dimensions in the Light of Selected Jewish and Christian Discussions A DISSERTATION Submitted to the faculty of the School of Theology and Religious Studies Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Jeanne Brennan Kamat Washington, D.C. 2013 Sabbath / Sunday: Their Spiritual Dimensions in the Light of Selected Jewish and Christian Discussions Jeanne Brennan Kamat, Ph.D. Christopher Begg, S.T.D., Ph.D. The Sabbath as the central commandment of the Law relates all of Judaism to God, to creation, to redemption, and to the final fulfillment of the promises in the eternal Sabbath of the end-time. However, early in the inception of Christianity, Sunday replaced the Sabbath as the day of worship for Christians. This dissertation is a study of the various aspects of the Sabbath in order to gain a deeper insight into Jesus’ relationship to the day and to understand the implications of his appropriation of the Sabbath to himself. Scholars have not looked significantly into Jesus and the Sabbath from the point of view of its meaning in Judaism. Rabbi Abraham Heschel gives insight into the Sabbath in his description of the day as a window into eternity bringing the presence of God to earth; Rabbi André Chouraqui contends that the Sabbath is the essence of life for Jews. According to S. Bacchiocchi when Christianity separated from Judaism by the second century, Sunday worship was established as an ecclesiastical institution.
    [Show full text]
  • Re:Membrance of Absence
    Re:membrance of Absence Disrupting perceptions of Jewish and minority identity in Ireland through theatre. by Aideen Wylde Supervisor: Doctor Michael Finneran A thesis submitted for the degree of DOCTOR OF PHILOSOPHY Department of Drama and Theatre Studies Mary Immaculate College (Coláiste Mhuire Gan Smál) University of Limerick Abstract This research examines social, historical and theoretical reasons that have contributed to the noticeable omission of minority voices, specifically Jewish voices, from Irish theatre narratives to date. The creation of the play Here Shall We Rest (HSWR) was the practical culmination of this investigation. Testimonials from eight participants around their experience as either Irish-Jewish or Jewish and resident in Ireland form the foundational material for the play text of HSWR. The qualitative research methodology employed here combines elements of ethnography and auto-ethnography, practice research and narrative enquiry. As a direct result of the work undertaken, I propose an early iteration of a new methodology for making theatre on minority culture: Third Voice Theatre. Inspired by S. Anksy’s Yiddish play Der Dibuk, HSWR follows the journey of a supernatural character through a liminal landscape inhabited by various narratives expressed in the fieldwork interviews I conducted. These stories expose complexities around Jewish identity, whether self-expressed or socially imposed. The play draws on my experience of perceptions of Jewish culture in Ireland as expressed by some non-Jews, and as non-Jewish myself. The play also seeks to address some of the misconceptions about Jewish heritage and incidences of antisemitisim in Ireland through social and historical lenses. Creating a piece of theatre on this subject allowed me to reimagine negative representations of Jewish characters in Irish theatre.
    [Show full text]
  • Sanctuary Guide
    Welcome to Congregation Ohav Shalom This guide contains the name of God. Please treat it with respect and do not discard it. Any and all parts of this guide may be downloaded from our website: www.ohavshalom.com PLEASE DO NOT REMOVE FROM SANCTUARY Ohav Shalom Mission Statement Congregation Ohav Shalom is committed to the enhancement of Jewish life through worship, religious education, mitzvot (commandments), communal outreach, and social action (Tikun Olam). Our synagogue is committed to being a welcoming place where all people feel at home and share each other’s simchas (joyous milestones) and sadness. It is our mission to meet the diverse spiritual, religious, educational and social needs of our members within the framework of Conservative Judaism and to further the causes of the Jewish people and the State of Israel. We strive to build unity with our fellow Jews of all persuasions and affiliations and the community at large, in a spirit of love and respect. We hope this guide will help make your worship experience with us this morning more comfortable and enjoyable. If you have any questions, please speak with one of our ushers or with our clergy following services. Our rabbis are always available for Jewish spiritual guidance and can be contacted through the synagogue office. Information about our religious services, programs, etc. is available at our website (www.ohavshalom.com) or at our office. Synagogue Etiquette e W Thank you for respecting the dignity of our worship. In accordance with traditional Jewish practice, and to maintain a spirit of sanctity, our synagogue does not permit the use of cell phones, cameras, other electronic elcome ou devices or writing instruments anywhere in the building on Shabbat and Holy Days.
    [Show full text]
  • Iggeret Ha-Kodesh: the Principles of Rabbinical Love in Terms of Creativity, Morality and Mysticism
    Iggeret ha-Kodesh: The Principles of Rabbinical Love in terms of Creativity, Morality and Mysticism Norman Simms Since the days of Adam and Eve, since the time when one became two, nobody has been able to live without wanting to put himself in his neighbour’s place and explore his situation, even while trying to see it objectively.1 Introduction The Iggeret ha-Kodesh or Letter of Sanctity is a sacred letter traditionally provided to young Jewish men before marriage to prepare them for the mysteries of love: it addresses what to do, why, and what it means in spiritual terms. It is assumed that such recipients are yeshiva students in late adolescence, who have spent most of their lives in study, and therefore, aside from their own mothers and sisters at home, have had very little, if any, contact with women. Such readers are taken to be naïve but intelligent, inexperienced as to the procedures of love-making, and perhaps frightened by the expectations married life will place on them. On the other hand, given their intellectual training, these young men understand the processes of Talmudic argumentation and are familiar with abstruse allusions and forms of metaphorical language. The original document’s provenance remains somewhat ambiguous and controversial. However, it is variously understood as arising in the tenth or the twelfth or even fifteenth century, probably as an evolving compilation.2 Although still promoted by the Lubavitch Chasidim3 through the commentary of Norman Simms, now retired from Waikato University, continues to write books and articles, most recently on Marranos and Crypto-Jews, Alfred Dreyfus, and French Jewish writers.
    [Show full text]
  • Selection of Shiurim 001, 003, 031, 032, 046, 050, 057, 061, 070, 077, 084, 093, 100, 101, 107, 118, 126, 131, 138, 146, 164, 170 1 | Bilvavi on Tefillah Selection
    on Tefillah Selection of Shiurim 001, 003, 031, 032, 046, 050, 057, 061, 070, 077, 084, 093, 100, 101, 107, 118, 126, 131, 138, 146, 164, 170 1 | Bilvavi on Tefillah Selection Editor’s Introduction __________________________________________________________________ 2 001 | Before Shemoneh Esrei ___________________________________________________________ 3 003 | Hashem, Open My Lips ___________________________________________________________ 8 031 | The Intent In Giving Tzedakah_____________________________________________________ 12 032 | Our Middos Enable Hashem’s Middos ______________________________________________ 15 046 | Disconnecting From The World ___________________________________________________ 18 050 | How Learning Gemara Brings You Closer To Hashem __________________________________ 22 057 | Returning To Our Source _________________________________________________________ 26 061 | Remaining Pure ________________________________________________________________ 31 070 | Hashem Is Our Doctor ___________________________________________________________ 38 077 | “Making The Most Of Our Time” __________________________________________________ 41 084 | Preparing For The Redemption ____________________________________________________ 45 093 | Media Influence ________________________________________________________________ 51 100 | Yeish Tikvah (There Is Hope) ______________________________________________________ 54 101 | Living From Our Emunah _________________________________________________________ 60 107 | Your True Identity ______________________________________________________________
    [Show full text]
  • Jewish Counterculture Oral History Project DAVID SHNEYER
    Jewish Counterculture Oral History Project DAVID SHNEYER Interviewed by Jayne K. Guberman December 15, 2016 A Project of the Jewish Studies Program at the University of Pennsylvania David Shneyer, 12/15/16 Jayne Guberman (JG): My name is Jayne Guberman. Today is Thursday, December 15, 2016. I'm here with David Shneyer at his home in Rockville, Maryland, and we're going to record an interview for the Jewish Counterculture Oral History Project. David, do I have your permission to record this interview? David Shneyer (DS): Yes, you do. JG: As you know, today we're going to explore your experiences during the late sixties and early seventies, and particularly your involvement with Fabrangen and the impact that the havurah has had on your own life and on the larger Jewish world. I'd like to begin by talking about your personal and family background a little bit, and to flesh out who you were at the time you first got involved with Fabrangen. Can you tell me, to start, very briefly about your family when you were growing up? You were born in 1948 in Brooklyn, right? DS: Right. — JG: Tell me about your father and your mother, and your family. DS: Both my parents were also born in Brooklyn. They were married in Brooklyn and left New York to start a poultry farm in New Jersey. My father had been working in the poultry business before then and wanted to have his own place. My mother was looking for a way to get out of Brooklyn. So, they settled just outside of Lakewood, New Jersey, in Jackson Township, on an eleven-acre poultry farm.
    [Show full text]
  • Jewish Egodocuments: Revelation of the Self in Early Modern Europe
    JEWISH EGODOCUMENTS: REVELATION OF THE SELF IN EARLY MODERN EUROPE Eighth Early Modern Workshop, 2011 Schusterman Center for Jewish Studies, University of Texas at Austin August 21-23 Keynote address by Natalie Zemon Davis, University of Toronto: “Revealing, Concealing: Ways of Recounting the Self in Early Modern Times” Monday, August 22 1. Gershon Hundert, McGill University: “Mining an Unusual Ego Text (or Two)” 2. Pawel Maciejko, Hebrew University: “Descent to the Abyss: Jacob Frank’s Going to Poland” 3. Yaakov Dweck, Princeton University: “The Travel Diaries of Hayim Joseph David Azulai” 4. Francesca Bregoli, Queens College: “Autobiographical Accounts for a Non-Jewish Friend” 5. Sara Nalle, William Paterson University: “Generational Conflict in Converso Families, 1492- 1550” Tuesday, August 23 6. J.J. Schacter, Yeshiva University: “Rabbi Jacob Emden’s Megillat Sefer” 7. Avriel Bar-Levav, The Open University, Tel Aviv: “Personal Life in the Context of Personal Death” 8. Rachel Greenblatt, Harvard University: “’My Happiness Overturned’: Mourning, Memory and a Woman’s Writing” Round Table: Natalie Zemon Davis, Gershon Hundert, Miriam Bodian EMW 2011 1 EARLY MODERN WORKSHOP: Jewish History Resources Volume 8: Egodocuments: Revelation of the Self in the Early Modern Period, 2011, University of Texas at Austin Revealing, Concealing: Ways Of Recounting The Self In Early Modern Times Natalie Zemon Davis, Princeton University The study of autobiography has enlarged dramatically since Georg Misch pronounced in his magisterial study a half century ago that it was at best a European genre, with individual consciousness at its core, germinating in Augustine’s Confessions and fully blossomed in the Confessions of Jean- Jacques Rousseau.
    [Show full text]
  • Judaism for Dummies, 2Nd Edition
    Index Apocrypha, 38, 176 • A • Aron Kodesh, 35, 55 The Arranged Table abortion, 97–98 (Schilchan Aruch) (Caro), 48, 354 Abraham (Bible character), 44, 155–157 arranging funerals, 140–144 act, charged to, 91–92 art, anti-Semitism in, 225–226 ADL (Anti-Defamation League), 228, 395 Arvit, 52 Adonai, 26 Aseret Ha-Dibrot/Aseret Ha’D’varim, 46–47 African-Americans, 227–228 Aseret Y’mai Teshuvah (“Ten Days of afterlife, 148 Repentance”), 259–260 aggadah, 41 Ashamnu, 268 agricultural roots, of Counting of the Omer, Ashkenazi, 14, 196–197, 309 329–330 Ashkenazi Charoset recipe, 319 agunah, 134–135 assisted suicide, 140 Ain Sof, 85 Assiyah, 86 Akiba (rabbi), 182 “atonement” (kapparah), 264 Al Khet, 268 attending funerals and burials, 142–144 Aleinu, 54 Atzilut, 86 Alexander II, Tsar of Russia, 200 aufruf, 126 aliyah, 119, 246 Ausubel, Nathan (author) alter kahker, 377 394 American Jewish Committee (website), 395 A Treasury of Jewish Folklore, autopsies, 141 American Jewish Congress (website), 395 Avinu Malkenu, 269 American National Socialist Movement, 229 Avodah, 269 Americas avoiding enticement, 96–97 about, 212 100 assimilation in, 212–213 Avot De Rabbi Natan, Ayn Sof, 84 “choosing” rather than “chosen” people, 213 Amidah, 53–54, 266 • B • Amitai, Yona (professor), 312 animals, respecting, 101–103 Ba’al Shem Tov, 76, 132, 355 Anti-Defamation League (ADL), 228, 395 ba’al teshuvah, 215, 217 anti-Jewish sentiment, 188 Babylonian Talmud (Bavli), 184 Antioch, 220 bad news, blessings on hearing, 392 Antiochus IV, Emperor,COPYRIGHTED 176, 282, 283
    [Show full text]
  • Listening to a Different Drummer
    Jewish Spirituality in America Listening to a Different Drummer { A Symposium { n their influential book The Jew Within (2000), the Isociologist Steven M. Cohen and the scholar of religion Arnold M. Eisen took the pulse of American Jewry at the turn of the millennium. On the basis of poll data, supplemented and enriched by 50 in-depth interviews, the authors concluded that an important shift had occurred within the mainstream Jewish community: 4 | Spring 2009 Jewish Spirituality in America /// A Symposium Jewish Spirituality in America American Jews at century’s end, we be- the ‘grand narrative’ (in this case, the exalted lieve, have come to view their Jewishness story of Jewish peoplehood and destiny) to in a very different way than either their the ‘local narratives’ and ‘personal stories’ of parents or they themselves did only two or family and self.” three decades ago. Today’s Jews, like their peers in other religious traditions, have In an effort to better understand this phe- High Holidays at turned inward in the search for meaning. nomenon, Havruta asked six American Congregation Ruach They have moved away from the organiza- Jewish scholars and spiritual leaders to Hamidbar (Spirit tions, institutions, and causes that used contribute their own personal stories and in- of the Desert), to anchor identity and shape behavior. tuitions. How can one explain the increased Scottsdale, Arizona. Photo by Barry focus on spirituality? What need does it fill? Bisman That search for meaning, observed Cohen What pitfalls may it entail? What does it au- and Eisen, is manifest in a “shift of pas- gur for the future of Judaism? Their various sion from the public domain to the private responses, thoughtful and well-informed, in- sphere, from what postmodern theorists call evitably inspire new questions.
    [Show full text]
  • Prozdor Course Guide
    COMMUNITY EDUCATION WINTER/SPRING 2021 1 TABLE OF CONTENTS Winter and Spring 2021 Online Courses COMMUNITY EDUCATION STAFF............................................................................. 4 ADULT LEARNING ............................................................................................. 5 HEBREW LANGUAGE ULPAN ................................................................................. 5 ME’AH ........................................................................................................... 6 ME’AH CLASSIC ................................................................................................. 6 ME’AH SELECT .................................................................................................. 6 PARENTING & GRANDPARENTING THROUGH A JEWISH LENS .......................................... 11 OPEN CIRCLE JEWISH LEARNING ........................................................................... 12 OPEN CIRCLE JEWISH LEARNING: 20S & 30S .............................................................. 13 OPEN CIRCLE JEWISH LEARNING: SOCIAL ACTION ........................................................ 17 OPEN CIRCLE JEWISH LEARNING: GENDER STUDIES ...................................................... 19 OPEN CIRCLE JEWISH LEARNING: ARTS AND CULTURE ................................................... 20 OPEN CIRCLE JEWISH LEARNING: MINDFULNESS .......................................................... 22 OPEN CIRCLE JEWISH LEARNING: TEXTS AND TRADITIONS .............................................
    [Show full text]
  • Gesto Musical E Transcendência Em Nigun, De Bloch
    DOI: 10.35699/2317-6377.2021.33956 eISSN 2317-6377 Gesto Musical e Transcendência em Nigun, de Bloch Edison Valério Verbisck https://orcid.org/0000-0001-8524-2532 Universidade Federal de Mato Grosso do Sul [email protected] Eduardo Lopes https://orcid.org/0000-0002-6743-970X Universidade de Évora [email protected] SCIENTIFIC ARTICLE Submitted date: 19 may 2021 Final approval date: 17 jun 2021 Resumo: Ernest Bloch compôs em 1923 a obra Baal Shem: Three Pictures of Chassidic Life, constituída por três movimentos representativos do imaginário hassídico, respetivamente Vidui, Nigun e Simchas Torah. O segundo movimento tornou-se uma peça amplamente conhecida e incorporada ao repertório de violinistas. Bloch associa o nigun, interpretado pela voz humana, ao violino, colocando-o no lugar do Cantor ou Rabino. O violino incorpora o personagem orante que caracteriza o nigun, inclusive no gestual, utilizando a música como um veículo da materialidade para a transcendência (devekut). Através da análise expressiva, o presente ensaio pretende evidenciar as similaridades entre a composição Nigun e o género musical homónimo, ressaltando o gesto musical e a liberdade interpretativa, e despertar algumas reflexões sobre o tema, sem a pretensão de apresentar respostas definitivas ou conclusivas. Palavras-chave: Ernest Bloch; Nigun; Gesto musical; Performance; Devekut. TITLE: MUSICAL GESTURE AND TRANSCENDENCE IN BLOCH’S NIGUN Abstract: In 1923, Ernest Bloch composed Baal Shem: Three Pictures of Chassidic Life. This musical work has three parts representing the Hasidic overground, respectively Vidui, Nigun and Simchas Torah. The second movement became a widely known piece and incorporated into the repertoire of violinists.
    [Show full text]