Yes on R-Reform LA Jails on Mar. 3 Ballot
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ethnic Studies Review
esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 2 COLOR IS FOR APPROXIMATION ONLY – DO NOT USE FOR COLOR APPROVAL Volumes 37 and 38 Volumes National Association For Ethnic Studies Ethnic Studies Review Ethnic Studies Review Pages 1–154 Pages 2014-2015 2014-2015 Volumes 37 and 38 ISSN: 1555-1881 esr37-38_cv_esr37-38_cv 7/28/2017 1:37 PM Page 3 The National Association For Ethnic Studies Ethnic Studies Review (ESR) is the journal of the National Association For Ethnic Studies (NAES). ESR is a multi-disciplinary international journal devoted to the study of ethnicity, ethnic groups and their cultures, and inter-group relations. NAES has as its basic purpose the promotion of activities and scholarship in the field of Ethnic Studies. The Association is open to any person or institution and serves as a forum for its members in promoting research, study, and curriculum as well as producing publications of interest in the field. NAES sponsors an annual spring Ethnic Studies Review conference. Journal Information Editorial Board Editor Associate Editors Ron Scapp, College of Mount Saint Vincent David Aliano, College of Mount Saint Vincent Guidelines for Submitting Manuscripts Ravi Perry, Virginia Commonwealth University ESR uses a policy of blind peer review. All papers are read by at least two Book Review Editor reviewers who are experts in the area. Manuscripts must not have been Emily M. Drew, Willamette University published previously or be under consideration by other publications. ESR seeks manuscripts of 7500 words or less, inclusive of notes and works cited. Editorial Advisory Board Endnotes rather than footnotes should be utilized, although these should be Edna Acosta-Belen Rosanne Kanhai kept to a minimum. -
The Department Is Accused of Falsely Identifying Thousands of Blacks and Latino Men and Women As Gang Members
Comedian Tiffany Haddish Joins Councilmember Herb Wesson in Donating Computers to Stu- Breakout comic Jason Weems dents in Foster Care talks new comedy special ‘UN- (See page A-2) KNOWN’ (See page B-4) VOL. LXXXVI NO. 32, $1.00 +CA. Sales Tax “For Over Eighty Years, The Voice of Our Community Speaking for Itself.” THURSDAY, AUGUST 6, 2020 VOL. LXXVV, NO. 49 • $1.00 + CA. Sales Tax “For Over Eighty Years The Voice of Our Community Speaking for Itself THURSDAY, DECEMBER 12 - 18, 2013 McClain-Hill looks to weave a level of accountability for racial equity into the fabric of LADWP. nia’s practicing attorneys. She explained her jour- ney; how her strong roots to family and social equity are working as pillars of strategy for the course of the Los Angeles Board of Water and Power. Los Angeles City May- or Eric Garcetti appointed McClain-Hill for the role and she was elected presi- dent on July 28, 2020. Ac- cording to the LADWP press release, the mayor stated, “from the Police Commission to the DWP, COURTESY PHOTO Cynthia McClain-Hill has Tia Boatman Patterson executive director of the been unafraid to tackle California Housing Finance Agency (CalHFA) our toughest challenges, giving her time, energy, BY TANU HENRY across the state. resolve, and experience to California Black Media Over the years, Boat- the cause of a fairer, safer, man Patterson, 53, says, more equitable Los Ange- Last week, Gov. Newsom she has learned how to les.” reappointed Tia Boatman work across government He continued, “as we Patterson, executive director -- federal, state and lo- COURTESY PHOTO endure and emerge from of the California Housing cal -- to get things done. -
Stevie Ray Vaughan
An the Bullcrafe news US~ that's tH paldpennlt to pitch no. 2419 C' PITCtI KCMO February '1986 Kansas City's ffee music and entertainment newspaper Issue 62 A Texas tidal wave Blues, rock, rarb, ballads, you name it from the latest- Hammond discovery the Chantones, Blackbird and Nightcrawlers. by Roger Naber His senior year of high school, he dropped out He's been the most talked-about guitarist in and left his hometown of Dallas in the early 70s. blues and rock circles for the last three years. He followed his brother Jimmie to AUstin, which He dominated reader's and critic's polls in has been his home base ever since. various magazines. For the last two years he has From 1975-77 Stevie played with Austin's been the recipient of "Best Blues Instrumentalist" most popular r&b club band, the Cobras. He at the W.C. Handy Awards in Memphis. And then formed his own r&b revue, Triple Threat, there is no indication that the crest Stevie Ray which featured vocaUst Lu Ann Barton. In ear ~ Vaughan is riding is ready to level off. ly '81 Lu Ann quit the band in the middle of I first met the guitar genius four-and-a-half a tour, and that forced Vaughan to take over years ago. After spending several weeks trying lead vocals. He regrouped the band and named to locate him, I hired Vaughan and his band it Double Trouble pr an Otis Rush song. The Double Trouble to perform at HarUng's. The group consisted of Tommy Shannon on elec man who urged me to book him was his older tric bass and Chris Layton on drums. -
Towards a New Generation of African American Leaders
TOWARDS A NEW GENERATION OF AFRICAN AMERICAN LEADERS By Marqueece Harris-Dawson IN LOS ANGELES President & CEO, Community Coalition 2015 | TTHIS PROJECTPROJECT WAS MADE POSSIBLE BY THETHE DURFEE FOUNDATIONOUNDATION STANTONTANTON FELLOWSHIP 30031_03 1 6/19/15 1:36 PM Community Coalition leaders celebrate the Coalition’s 25th Anniversary and show solidarity with the #BlackLivesMatter movement at the Dr. Martin Luther King, Jr. Kingdom Day Parade in South Los Angeles. #BlackLivesMatter was created by Alicia Garza, Patrisse Cullors and Opal Tometi. CONTENTS Executive Summary 1 Introduction: African American 5 Leadership at a Crossroads in Los Angeles My History 9 Twelve Lessons for 15 Cultivating Leadership Stories of Leadership Transitions 25 Summary of Six Lessons 31 for Leadership Transitions Concept for the Future: 37 A Systematic Pipeline Program for African American Leaders in Los Angeles Conclusion 40 Acknowledgments 42 Resources 43 Community Coalition youth leader Tanness Walker advocates for equitable investment in Los Angeles schools outside of LAUSD headquarters. Towards a New Generation of African American Leaders in Los Angeles EXECUTIVE SUMMARY In 2012, I set out on a journey of research and won by the Civil Rights movement, and the drug personal reflection to better understand African trade and gang organizations have siphoned off American leadership transitions in Los Angeles and much of the talent from the working class and to offer some ideas on how we—African American poor that formerly might have produced Black leaders and our multiracial allies—can more effectively movement leaders. More generally although cultivate African American social justice leadership Black people have surged to the polls over and support successful leadership transitions in Black the last decade, the grassroots motion among organizations in Los Angeles. -
Pittsburgh CLO Thanks Its Many Community Partners Who Have Supported the 2013 Annual Pittsburgh CLO Thanks the Guild and Listing Is Complete As of 5/31/13
The Pittsburgh Keep a work-life balance. Civic Light Opera Association Keep ahead of health costs. OFFICERS Keep your head from spinning. Honorary Chairman of the Board Vice Presidents/ Vice President/Special Events Julie Andrews Education & Outreach Laurie M. Mushinsky Christine M. Kobus Chairman of the Board Gary R. Truitt Vice Presidents Joseph C. Guyaux G. Reynolds Clark Vice Presidents/Human Resources James R. Kane President Todd C. Moules William M. Lambert Charlene Petrelli Secretary Vice President/CLO Ambassadors Johanna G. O’Loughlin Vice Presidents/ Frederick C. Leech Long Range Planning Treasurer Vice Presidents/Audit Michael E. Bleier Edward T. Karlovich Timothy K. Zimmerman Alvaro Garcia-Tunon Joseph C. Guyaux Executive Director Emeritus Chairman of the Board Todd C. Moules Vice Presidents/Marketing Charles Gray Michael F. Walsh Vice Presidents/Budget & Finance Corporate Counsel Timothy K. Zimmerman Richard S. Hamilton James M. Doerfler John C. Williams, Jr. Vice Presidents/New Works Chairmen of the Board Emeritus Development & Funding Vice President/Cabaret Theater John C. Williams, Jr. William J. Copeland Daniel I. Booker Mark J. Minnaugh George A. Davidson, Jr. Vice President/ James E. Rohr Construction Center & Facilities Vice Presidents/Nominating Daniel I. Booker Floyd R. Ganassi Scott F. Neill Louis D. Astorino John E. Kosar Vice Presidents/Development Executive Producer Tony Bucci Vice Presidents/Production Van Kaplan Mark J. Minnaugh Helen Hanna Casey Ronald L. Violi Peter J. Germain William M. Lambert President DIRECTORS Neil H. Alexander Stacy Leshock Dee Edward T. Karlovich Mark J. Minnaugh Joann L. Tissue Michael E. Bleier Eric F. Dickerson Joseph M. Klaja Mildred E. -
Sussan Deyhim the House Is Black
Sussan Deyhim The House is Black WORLD PREMIERE ABOUT THE PROGRAM Fri Jan 23 The House is Black is Sussan Deyhim’s media-film-performance project, inspired by the works Royce Hall of Forough Farrokhzad, one of Iran’s most influential feminist poets and filmmakers of the 20th Century. This project seeks to shed light on the importance of progressive Iranian contemporary arts through the vision of two of Iran’s most avant-garde female artists, Forough Farrokhzad and Sussan Deyhim. PERFORMANCE DURATION: Deyhim has created a series of non-linear poetic tableaux inspired by the poems of Forough Approximately 75 minutes Farrokhzad. The audience travels through a visual, sonic and theatrical journey into the heart of Forough ‘s prophetic vision where her most intimate, soulful and provocative moments leap off the page and onto the stage. Her message is as poetically and politically relevant today for the women of PRE-SHOW POETRY BUREAU Iran and the world as it was fifty years ago when she died tragically at the age of 32. Join us in the West Lobby and get a poem written An original score composed by Deyhim and Golden Globe-winning composer Richard Horowitz, on the spot. featuring brilliant special guests, creates a cinematic musical landscape, including influences rooted Doors open at 6:45 in Persian and Western contemporary classical music, jazz and electronic music with an elaborate vocal soundscape and intricate sound design component. Archival images and scenes from Forough’s documentary The House is Black and Bernardo CAP UCLA SPONSOR: Bertolucci’s 1965 interview with Forough, along with Deyhim’s original film and visual projections, Supported in part by the will create the backdrop and provide a window into the life of Iran’s most controversial poet and Performing Arts at Royce filmmaker. -
Karen Mantler by Karen Mantler
Karen Mantler by Karen Mantler I was conceived by Carla Bley and Michael Mantler at the Newport Jazz Festival in 1965. Born in 1966, I was immediately swept into the musician's life on the road. After having checked me at the coatroom of the Berlin Jazz Festival, to the horror of the press, my parents realized that I was going to have to learn to play an instrument in order to be useful. But since I was still just a baby and they couldn't leave me alone, they had to bring me on stage with them and keep me under the piano. This is probably why I feel most at home on the stage. In 1971, when I was four, my mother let me have a part in Escalator Over The Hill and the next year I sang on another of her records, Tropic Appetites. By 1977 I had learned to play the glockenspiel, and I joined the Carla Bley Band. I toured Europe and the States with her several times and played on her Musique Mecanique album. After playing at Carnegie Hall in 1980, where I tried to steal the show by pretending to be Carla Bley, my mother fired me, telling me "get your own band". I realized that I was going to have to learn a more complicated instrument. After trying drums, bass, and flute, which I always lost interest in, I settled on the clarinet. I joined my elementary school band and quickly rose to the head of the clarinet section. The band director let me take the first improvised solo in the history of the Phoenicia (a small town near Woodstock, NY) elementary school. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Racial Conflict Are U.S
Published by CQ Press, an Imprint of SAGE Publications, Inc. www.cqresearcher.com Racial Conflict Are U.S. policies discriminatory? ac e-centered conflicts in several U.S. cities have led to the strongest calls for policy reforms since the turbulent civil rights era of the 1960s. Propelled R largely by videos of violent police confrontations with African-Americans, protesters have taken to the streets in Chicago, New York and other cities demanding changes in police tactics. meanwhile, students — black and white — at several major universities have pressured school presidents to deal aggressively Demonstrators on Christmas Eve protest an alleged with racist incidents on campus. And activists in the emerging cover-up of a video showing a white Chicago police officer shooting 17-year-old African-American Laquan Black Lives matter movement are charging that “institutional racism” McDonald 16 times. The shooting — and others in which white police officers killed black suspects, often unarmed — has added fuel to a persists in public institutions and laws a half century after legally nationwide debate about systemic racism. sanctioned discrimination was banned. Critics of that view argue that moral failings in the black community — and not institutional racism — e xplain why many African-Americans lack parity with whites in such areas as wealth, employment, housing and educa - I tional attainment. B ut those who cite institutional racism say enor - THIS REPORT N THE ISSUES ......................27 mous socioeconomic gaps and entrenched housing and school S BACKGROUND ..................33 segregation patterns stem from societal decisions that far outweigh I CHRONOLOGY ..................35 individuals’ life choices. D CURRENT SITUATION ..........40 E CQ Researcher • Jan. -
Page | 1 Funding for the Smithsonian Jazz Oral History Program NEA
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. CARLA BLEY NEA Jazz Master (2015) Interviewee: Carla Bley (May 11, 1936 - ) Interviewer: Ken Kimery Date: September 9, 2014 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 60 pp. Ken Kimery: My name is Ken Kimery. I’m here in wonderful Willow, New York. Blue sky; wonderfully clear air, with Carla Bley. Carla Bley, composer, bandleader, pianist, organist? Umm, doctorate? Umm, raconteur, vocalist, umm, guess I’ve heard you sing. Carla Bley: You have? When was that? Kimery: Well there’s a couple of recordings that I’ve heard you sing on, so... Bley: Oh my god! Kimery: Umm… Bley: Gotta have those destroyed! Kimery: [Laughter] And, uhh, 2015, coming up 2015, National Endowment for the Arts Jazz Master. Bley: Isn’t that amazing? Kimery: Thank you very much for allowing me to invade your home here in wonderful Willow, New York, and for the next couple of hours to sit down with you and have you share with us your life story. For additional information contact the Archives Center at 202.633.3270 or [email protected] Page | 1 Bley: Okay. Kimery: If we can start, if you could give us your full name, and if you don’t mind your birth date, birth year. Bley: Mhmm Kimery: And where you were born. Bley: Well, my full name is not the name I was born with. My real name that I was born with is, oh my god, I think I can say it. -
Left-Wing Media Hide Radical, Marxist Agenda of Black Lives Matter
Creating a Media Culture in America Where Truth and Liberty Flourish Left-Wing Media Hide Radical, Marxist Agenda of Black Lives Matter, Smear Trump as a Racist The liberal media are no longer the the organization Black Lives Matter liberal media. They are hard left radicals was founded by three revolutionaries Vol. 27 • Issue 8 • August 2020 promoting the revolutionary goals of who describe themselves as “trained groups like Antifa and Black Lives Matter. Marxists.” One of the founders, Patrisse This is obvious from their sympathetic Cullors, was mentored by Eric Mann, a INSIDE “news coverage” of the riots, looting, member of the Weather Underground toppling of statues, attacks on police, who was charged with attempted murder and myriad violent acts occurring in our in 1969. PAGE 3 streets. On its website, The Great They are not BLM says it is part Charlie Daniels: neutral observers. of the “global Legendary Musician, The leftist media are Black family” Patriot, and MRC Friend stoking the chaos to that disrupts the Passes Away keep Americans in “Western-prescribed fear, and they are nuclear family,” PAGES 4-5 fanning the bedlam a “collective of BITS & PIECES: to attack everything liberators” moving It’s the End — Again, President Trump says Prof. Melina Abdullah (right), co-founder of beyond “narrow MSNBC’s COVID-19 or does in order to BLM Los Angeles, called President Trump “the nationalism.” Deception, cripple his chances embodiment of white supremacist terrorism Their mission is to ESPN: F You!, of reelection in … [and] the terrorist-in-chief.” CNN’s Brooke “eradicate white Trump, Hitler, Stalin, November. -
Spring 2018 Vinyl
Vinyl Spring 2018 V I N Y L E 18 / I CM Vinyl Spring 2018 4 New Albums on Vinyl 56 From Analog Masters 76 Also Available 84 ECM New Series ECM I New Albums on Vinyl Nik Bärtsch’s Ronin Awase ECM 2603 Nik Bärtsch piano Sha bass clarinet, alto saxophone Thomy Jordi bass Kaspar Rast drums NIK BÄRTSCH’S RONIN AWASE ECM 4 2-LP 180g Vinyl 673 5869 May 2018 5 Marcin Wasilewski Trio Live ECM 2592 Marcin Wasilewski piano Slawomir Kurkiewicz double bass Michal Miskiewicz drums Marcin Wasilewski Trio Live ECM 6 2-LP 180g Vinyl 673 9916 Autumn 2018 7 ECM 2584 Mathias Eick Ravensburg One of the pleasures of Mathias Eick’s Midwest album was hearing his vaulting trumpet supported by violin, an instrumental combination further developed on Ravensburg. The new violinist in Eick’s ensemble is Håkon Aase, one of the up-and-coming players of the new Norwegian scene, whom attentive ECM listeners will already know from his work with Thomas MATHIAS EICK Strønen’s group. The core Eick road band is further shored up by the addition of Helge Andreas Norbakken, who interacts excitingly with fellow drummer Torstein Lofthus. Eick is in great form as a writer on this show- RAVENSBURG ing, deploying driving rhythm at the bottom end of his music and soaring melody at the top in this series of pieces which add up to a kind of collective family portrait. ECM Mathias Eick trumpet, voice Håkon Aase violin Andreas Ulvo piano Audun Erlien electric bass Torstein Lofthus drums Helge Andreas Norbakken drums, percussion 8 LP 180g Vinyl 672 4656 9 Vijay Iyer Far From Over ECM 2581 “As the arc of history lurches forward and backward, the fact remains: local and global struggles for equality, justice, and basic human rights are far from over.