Dance Company Presents Final Performance of the Year
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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
SUBJECT INDEX Volume 1
SUBJECT INDEX A Volume 1 B A–I —Arthur Turns Green. 2014. (Arthur Adventures Ser.). (J). lib. —Who’s in Love with Arthur? (Arthur Chapter Bks.: Bk. 10). —The Errand Boy: Or, How Phil Brent Won Success. 2013. A bdg. 17.20 (978-0-606-34069-4(6)) Turtleback. 57p. (J). (gr. 3-6). pap. 3.95 (978-0-8072-1306-3(3), (Works of Horatio Alger Jr.). 425p. reprint ed. lthr. 79.00 —Arthur Writes a Story. 2004. (Arthur Adventure Ser.). (J). (gr. Listening Library) Random Hse. Audio Publishing Group. (978-0-7812-3566-2(9)) Reprint Services Corp. k-3). spiral bd. (978-0-616-01604-6(2)); spiral bd. Brown, Marc & Sarfatti, Esther. Arturo y la Navidad. 2004. Alonso, Manuel L. Rumbo Sur. 2005. (978-84-263-5948-3(5)) (978-0-616-01605-3(0)) Canadian National Institute for the (SPA.). (J). pap. 6.95 (978-1-930332-48-5(3)) Lectorum Vives, Luis Editorial (Edelvives). ABCBOOKS Blind/Institut National Canadien pour les Aveugles. Pubns., Inc. Baratz-Logsted, Lauren. Jackie’s Jokes. 2009. (Sisters Eight see Alphabet Books —Arthur Writes a Story. 2003. (Arthur Adventure Ser.). (Illus.). deRubertis, Barbara. Marty Aardvark: Vowel Combination Ar. Ser.: 4). (ENG., Illus.). 128p. (J). (gr. 1-4). pap. 6.99 A. D. C. 14.95 (978-1-59319-021-7(2)) LeapFrog Enterprises, Inc. Cockrille, Eva Vagreti, illus. 2006. (Let’s Read Together (r) (978-0-547-05328-8(2), 1036247) Houghton Mifflin Harcourt see Child Welfare —Arthur’s Birthday Surprise. 2004. (ENG., Illus.). 24p. (J). (gr. Ser.). (ENG.). 32p. -
'I' of the Front Camera
The ‘I’ of the Front Camera 1 Navajyoti, International Journal of Multi-Disciplinary Research Volume 3, Issue 2, February 2019 THE ‘I’ OF THE FRONT CAMERA: WHERE EVERYBODY IS AN AUTEUR Chandana Surapaneni Mount Carmel College Abstract: Identity construction in the post digital revolution era has taken a futuristic narrative, where the role of technology in capturing the nuances of daily life has been downplayed by factors such as legitimacy and accountability. One such gradation is the emergence of the idea of Instant sharing through vlog channels. To avoid ambiguities of terms, a vlog is typically an audio visual clip that brings the viewer closer to a certain experience of lifestyle, traveling, clothing, eating, or even daily life that is highly specific to the vlogger’s point of view. This paper aims to highlight the problems in theorising the concept of vlogging as a media object. The author of this paper attempts to highlight the dynamism involved in the field of vlogging and offers a critique of its demystifying nature. The idea of a vlog as a self theorising media object and its role in the conception of the “I” is traced through the understanding of vlogging as a mundanely extraordinary experience with a wide network of sinthomatic expressions that define what is personal and private. This paper questions the applicability of the postmodern notion of “we are all auteurs” and the possibility of experiencing vlogging as a scope providing medium and not as a self-theorising entity. Keywords: Identity, Legitimacy, Digital, Vlogs, Media object, Demystifying, Self Theorising, Mundanely Extraordinary, Personal and Private, Auteurs, Scope Medium. -
The Badger Pause Volume 10, Issue 4 14510 N
The Badger Pause Volume 10, Issue 4 14510 N. Cheshire Street, Burton, Ohio December 2014 Color those winter blues... purple by Samantha Hargis, BP Staff Writer We all look forward to winter break, ing the Berkshire Basketball Holiday right? The funny thing is, after a few Tournament on Saturday, Decem- days boredom sets in. Most of us have ber 20. They also play at home on grown up in these snowy, cold, bleak Tuesday, December 23, at 7:30. The Ohio winters, but we struggle with girls varsity basketball team plays at beating the winter blues. Are you home against West Geauga on Tues- in need of fun things to do over the day, December 30, at 7:30. Our ath- winter break? Here are some ideas: letes love a home crowd! Our wres- Many of us love sleeping and eat- tling team will be at Kenston High ing excessively during the break, but School on December 27 and 28 also. spending so much time alone can get Of course, you can always grab your monotonous. Change it up by curling gift cards and hit the mall for some af- up with a friend and watching all kinds ter Christmas shopping. Find exactly of movies. Bad, good, sad, funny – what you wanted but didn’t get! Take start a movie marathon! If you can’t an evening drive and check out all the pick, go with the classics. Everyone sparkly Christmas lights before they loves at least one Disney movie, right? disappear for another year. Take the What about a comedy classic, Tommy RTA Rapid Transit trains to Tower City Boy? Baking and cooking could be an- Photo courtesy of www.thetimes.co.uk and see the beautiful holiday decora- other satisfying option. -
Youtube & Web Video
The Ultimate Guide To Making Money With YOUTUBE & WEB VIDEO 125 TIPS TO EASILY CREATE, PROMOTE AND MONETIZE VIDEOS IN YOUR NICHE In just the past few years Web-based But Web videos aren’t simply an videos have gone from a brand new entertaining hobby. They’re big business, concept to a part of our daily lives. Thanks generating billions of dollars in revenue in large part to sites such as YouTube, each year and making new millionaires of Americans now watch billions of hours of video stars each year. The following list of videos each month. It’s hard to believe 125 tips and resources will give you the that just nine years ago, YouTube tools you need to start creating and didn’t exist. monetizing Web videos in your niche. JUMP TO SECTION INTRO TO YOUTUBE I how videos make money 01 basic web video recording tools 02 screen recording tools 03 advanced video and audio equipment 04 editing within youtube 05 HOW TO MAKE MONEY II ways to make money on youtube 06 other ways to make money off your videos 07 RESOURCES III youtube success stories 08 tools, inspiration, & research 09 FURTHER READING IV youtube economics 10 insights from youtube stars & experts 11 research & resources 12 youtube alternatives 13 youtube seo 14 making a viral video 15 building an audience 16 youtube myths, tips, tricks, and inspiration 17 video production tips 18 PREMIUM RESOURCES V paid youtube tools, courses, and consultants 19 01 HOW WEB VIDEOS MAKE MONEY It’s important to first understand how HISTORY OF YOUTUBE publishers make money from YouTube or April 2005 First Video Uploaded other video-sharing websites. -
090617-Session-2-Keynote-John-Zuern Safra
Page 1 of 20 090617-Session-2-Keynote-John-Zuern_Safra Speaker Key: MS: Max Saunders MS: Monica Soeting ID: Isabel Duran JZ: John Zuern F: Female M: Female H: Hannah R: Rosanna J: Julia 00:00:00 MS: Good morning ladies and gentlemen, if we can start this session please, welcome back for the last day of the conference and our final keynote talk. Before we move on to that I just want to invite Monica Soeting and Isabel Duran to say a little bit about the European Journal, so over to Monica. MS: Right, thank you very much, Max. Actually just three things we want to talk about really briefly. Firstly, at the European Journal we’re firefighting, we’d really like to invite you to send us articles based on your papers of this conference, so would you please think about that and contact me if you want to. Thank you very much for that. Now, Isabel’s going to very shortly say something about her next conference. ID: Good morning everyone, I said it on the first day but some of you were not here yet, so just we should announce that IABE 2019 will be hosted by the Complutense University of Madrid, the Department of English Studies where I teach and where I belong. And, well, you know, Madrid is a very nice place to visit, the university has a tube station right in the middle of the campus so it’s approachable and reachable. The hotels are reasonably inexpensive, so it’s, I think, a good place to have a conference. -
Top 1000 Searches in Youtube Australia
Top 1000 Searches in YouTube Australia https://www.iconicfreelancer.com/top-1000-youtube-australia/ # Keyword Volume 1 pewdiepie 580000 2 music 368000 3 asmr 350000 4 pewdiepie vs t series 268000 5 james charles 222000 6 old town road 214000 7 lazarbeam 207000 8 david dobrik 202000 9 billie eilish 197000 10 dantdm 194000 11 norris nuts 190000 12 fortnite 179000 13 bts 176000 14 joe rogan 172000 15 ksi 163000 16 wwe 151000 17 jacksepticeye 147000 18 songs 141000 19 baby shark 132000 20 t series 132000 21 markiplier 131000 22 minecraft 126000 23 nightcore 123000 24 sidemen 116000 25 shane dawson 111000 26 lofi 110000 27 ariana grande 110000 28 ssundee 105000 29 logan paul 101000 30 blackpink 101000 31 amv 99000 32 eminem 97000 33 peppa pig 97000 34 jake paul 96000 35 msnbc 96000 36 taylor swift 95000 37 study music 94000 38 senorita 93000 39 mrbeast 91000 40 crime patrol 2019 90000 41 ufc 89000 42 lachlan 89000 43 trump 88000 44 nba 87000 45 game of thrones 85000 46 ed sheeran 84000 47 sis vs bro 84000 48 jeffree star 80000 49 jre 77000 50 morgz 77000 51 mr beast 75000 52 fgteev 74000 53 cnn 74000 54 stephen colbert 74000 55 post malone 73000 56 flamingo 73000 57 gacha life 72000 58 wiggles 70000 59 try not to laugh 70000 60 unspeakable 69000 61 twice 68000 62 bad guy 68000 63 avengers endgame 67000 64 superwog 67000 65 isaac butterfield 67000 66 memes 66000 67 tati 66000 68 documentary 65000 69 rebecca zamolo 64000 70 f1 64000 71 movies 64000 72 dance monkey 64000 73 popularmmos 63000 74 chad wild clay 62000 75 tfue 61000 76 jelly 61000 -
Bibliography
Bibliography Primary Sources Anderson, Pamela. Star. London: Simon & Schuster, 2004. ———. Star Struck. London: Simon & Schuster, 2006. Arulpragasm, Mathangi “Maya”. M.I.A. New York: Rizzoli, 2012. Brown, Melanie, Catch a Fire. London: Headline, 2002. Beckham, Victoria. Learning to Fly. London: Michael Joseph, 2001. Calloway, Caroline. Scammer. Forthcoming. https://carolinecalloway.com/pro ducts/scammer-pre-order?variant=31554651095086. Contostavlos, Tulisa. Honest: My Story So Far. London: Headline, 2012. Cyrus, Miley. Miles to Go. Bath: Parragon, 2009. Daniels, Stormy. Full Disclosur. London: MacMillan, 2018. Defoe, Daniel. Moll Flanders. London: HarperCollins, [1722] 2010. Ezarik, Justine. I, Justine. New York: Keywords Press, 2015. Faiers, Sam. Living Life the Essex Way. London: Simon and Schuster, 2012. Franklin, Benjamin. The Autobiography of Benjamin Franklin. New York: Dover, 1996 [written between 1771–1790]. Frey, James. A Million Little Pieces. London: John Murray, 2003. Gaga, Lady and Terry Richardson. Gaga X Richardson. London: Hodder and Stoughton, 2011. Goody, Jade. Jade Fighting to the End. London: John Blake, 2009. Halliwell, Geri. Just for the Record. London: Ebury Press, 2003. Hilton, Paris. Confessions of an Heiress: A Tongue-in-Chic Peek Behind the Pose. New York: Fireside Books, 2004. J, Jessie. Nice to Meet You: My Story. London: Simon and Schuster, 2012. © The Editor(s) (if applicable) and The Author(s) 2020 281 H. Yelin, Celebrity Memoir, https://doi.org/10.1007/978-3-030-44621-5 282 BIBLIOGRAPHY Jameson, Jenna. How to Make Love Like a Pornstar: A Cautionary Tale.New York: HarperCollins 2010. Katona, Kerry. Too Much, Too Young. London: Ebury, 2006. Kardashian, Kim, Kourtney Kardashian, and Khloe Kardashian. -
Surfacing the Relationship Between Social Media Influencers and Emotional Capital
Vassar College Digital Window @ Vassar Senior Capstone Projects 2021 Verified: Surfacing the Relationship Between Social Media Influencers and Emotional Capital Hattie Goodwin Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Goodwin, Hattie, "Verified: Surfacing the Relationship Between Social Media Influencers and Emotional Capital" (2021). Senior Capstone Projects. 1101. https://digitalwindow.vassar.edu/senior_capstone/1101 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College VERIFIED: SURFACING THE RELATIONSHIP BETWEEN SOCIAL MEDIA INFLUENCERS AND EMOTIONAL CAPITAL A Thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Sociology by Hattie Goodwin Thesis Advisor: Abigail Coplin, Assistant Professor of Sociology and Science, Technology and Society May 2021 VERIFIED: SURFACING THE RELATIONSHIP BETWEEN SOCIAL MEDIA INFLUENCERS AND EMOTIONAL CAPITAL Hattie Goodwin Department of Sociology Vassar College May 2021 Abstract Motivated by my own complicated and confusing relationship with social media, this thesis seeks to track and surface the dynamics of social media fame through case studies of certain “influencers”. Drawing on scholarship about capital and social performance, this work intends to deconstruct the narrative of social media as a democractic marketplace to share and consume content. Using data from six main case study subjects along with research regarding the structural mechanisms for celebrity production in the context of social media, I construct an understanding of social media celebrity as being intimately connected to the flow of capital, especially “emotional capital” (Cottingham, 2016). -
Deaf and Disabled Women on Youtube
Disability Visibility Podcast Episode 10: Deaf and Disabled Women on YouTube Guests: Rikki Poynter and Annie Segarra Host: Alice Wong Transcript by Cheryl Green For more information: https://disabilityvisibilityproject.com/podcast/ Introduction [radio static, voices singing with hip-hop beat] LATEEF: This is the Disability Visibility Podcast with your host, Alice Wong. ALICE WONG: Heyyyy! Welcome to the disability visibility podcast, conversations on disability politics, culture, and media. I’m your audio co-pilot, Alice Wong. YouTube is basically our online encyclopedia. You can find anything and everything. Today’s episode is on Deaf and disabled media makers on YouTube Rikki Poynter and Annie Segarra. Rikki and Annie are two women I follow on Twitter who are prolific YouTubers. We talk about the creative process and work behind creating accessible videos, finding community on YouTube, and specific campaigns they each created such as Rikki’s No More Craptions, and Annie’s The Future Is Accessible. And by the way, you’ll hear two terms during this episode: Vlogging and VidCon. Vlogging is similar to blogging but in video form. VidCon is a huge annual event where creators on YouTube come together and celebrate and learn from each other. Are you ready? Away we go! [electronic beeping] ELECTRONIC VOICE: 5, 4, 3, 2, 1! Rikki Poynter, Deaf YouTuber ALICE: So, Rikki, thank you so much for joining me today. I'm really delighted to get a chance to talk to you and learn more about your work on accessibility and your media on YouTube. So, tell me a little bit about yourself. -
Women on Youtube: Exploring Identity Performances of Female Creators Using Intersectionality and Media Ecology
WOMEN ON YOUTUBE: EXPLORING IDENTITY PERFORMANCES OF FEMALE CREATORS USING INTERSECTIONALITY AND MEDIA ECOLOGY Alyssa N. Fisher A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2019 Committee: Radhika Gajjala, Advisor Lubomir Popov Graduate Faculty Representative John Dowd Sandra Faulkner © 2019 Alyssa Fisher All Rights Reserved iii ABSTRACT Radhika Gajjala, Advisor Makeup tutorials, cooking demonstrations, cocktail recipes, fashion reviews: these are the topics dominating the content of some of the most popular channels on YouTube that are led by women. In this project, conceptualizing the ways in which women express their identity through everyday enactments of life in public and at home is examined through case studies of performances from four female youtubers. The platform’s emerging content, new practices of creative control, and distribution are shaping production, consumption, and the conversation about feminism and gender identity. Through the lenses of visual analysis, media ecology, critical feminist media studies, and performativity of gender, the study examines the established ways in which four women on YouTube enact their identities online, picking and choosing which identifiers, qualities, characteristics, and actions are shared in an effort to personify their chosen self. I first use a critical feminist framework and perform a qualitative visual analysis of YouTube videos from female YouTube creators. Findings include the setting and negotiating of content templates, collaboration, use of YouTube trending content, revealing intersectional identifiers, using comedic frames, dismantling the male gaze, and catchphrases. Secondly, an exploration and analysis are done on the media ecology of the YouTube Studio.