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Bibliography Primary Sources Anderson, Pamela. Star. London: Simon & Schuster, 2004. ———. Star Struck. London: Simon & Schuster, 2006. Arulpragasm, Mathangi “Maya”. M.I.A. New York: Rizzoli, 2012. Brown, Melanie, Catch a Fire. London: Headline, 2002. Beckham, Victoria. Learning to Fly. London: Michael Joseph, 2001. Calloway, Caroline. Scammer. Forthcoming. https://carolinecalloway.com/pro ducts/scammer-pre-order?variant=31554651095086. Contostavlos, Tulisa. Honest: My Story So Far. London: Headline, 2012. Cyrus, Miley. Miles to Go. Bath: Parragon, 2009. Daniels, Stormy. Full Disclosur. London: MacMillan, 2018. Defoe, Daniel. Moll Flanders. London: HarperCollins, [1722] 2010. Ezarik, Justine. I, Justine. New York: Keywords Press, 2015. Faiers, Sam. Living Life the Essex Way. London: Simon and Schuster, 2012. Franklin, Benjamin. The Autobiography of Benjamin Franklin. New York: Dover, 1996 [written between 1771–1790]. Frey, James. A Million Little Pieces. London: John Murray, 2003. Gaga, Lady and Terry Richardson. Gaga X Richardson. London: Hodder and Stoughton, 2011. Goody, Jade. Jade Fighting to the End. London: John Blake, 2009. Halliwell, Geri. Just for the Record. London: Ebury Press, 2003. Hilton, Paris. Confessions of an Heiress: A Tongue-in-Chic Peek Behind the Pose. New York: Fireside Books, 2004. J, Jessie. Nice to Meet You: My Story. London: Simon and Schuster, 2012. © The Editor(s) (if applicable) and The Author(s) 2020 281 H. Yelin, Celebrity Memoir, https://doi.org/10.1007/978-3-030-44621-5 282 BIBLIOGRAPHY Jameson, Jenna. How to Make Love Like a Pornstar: A Cautionary Tale.New York: HarperCollins 2010. Katona, Kerry. Too Much, Too Young. London: Ebury, 2006. Kardashian, Kim, Kourtney Kardashian, and Khloe Kardashian. Kardashian Konfidential. New York: St. Martin’s Press, 2011. McAllister, Jenn. Really Professional Internet Person. London: Scholastic, 2015. Osbourne, Kelly. Fierce. London: Virgin, 2010. Price, Katie. Being Jordan: My Autobiography. London, John Blake, 2005. ———. A Whole New World. London: Century, 2006. ———. You Only Live Once. London: Century, 2010. Quin, Tegan, and Sara Quin. High School. London: Virago, 2019. Richardson, Samuel. Pamela, or Virtue Rewarded. Oxford: Oxford University Press, [1740] 2001. Steffans, Karrine, Confessions of a Video Vixen. New York: HarperCollins, 2009. Strauss, Neil. The Game: Penetrating the Secret Society of Pick-Up Artists.New York: HarperCollins, 2005. Sugg, Zoe. Girl Online. London: Penguin, 2015. Sullivan, Brendan Jay. Rivington Was Ours: Lady Gaga, the Lower East Side, and the Prime of our Lives. New York: It Books 2013. Trump, Donald. The Art of the Deal. New York: Warner Books, 1987. Victory, Grace. No Filter. London: Hachette, 2017. Academic Sources Abidin, Crystal. ‘# familygoals: Family Influencers, Calibrated Amateurism, and Justifying Young Digital Labor.’ Social Media+ Society, 3 (2), 2017: 1–15. ———. Internet Celebrity: Understanding Fame Online. Emerald Publishing, 2018. Allen, Kim and Heather Mendick. ‘Young People’s Uses of Celebrity: Class, Gender and “Improper” Celebrity.’ Discourse: Studies in the Cultural Politics of Education, 34 (1), 2013: 77–93. Allen, Kim. ‘Girls Imagining Careers in the Limelight: Social Class, Gender and Fantasies of “Success.”’ In the Limelight and Under the Microscope, ed. by Holmes and Negra. Amnesty, Toxic Twitter: A Toxic Place for Women. (2018). https://www.amn esty.org/en/latest/research/2018/03/online-violence-against-women-cha pter-1/#topanchor. Anderson, Linda. Autobiography, 2nd ed. London: Routledge, [2001] 2011. Cited in Rachael McLennan, American Autobiography. Edinburgh: Edinburgh University Press, 2013. Andrejevic, Marc. ‘Watching Television Without Pity: The Productivity of Online Fans.’ Television & New Media, 9 (1), 2008: 24–46. BIBLIOGRAPHY 283 Annandale, David. ‘Rabelais Meets Vogue: The Construction of Carnival, Beauty and Grotesque.’ The Performance Identities of Lady Gaga, ed. by R. J. Gray. Jefferson, NC: McFarland Publishing, 2012. Attwood, Feona. ‘Reading Porn: The Paradigm Shift in Pornography Research.’ Sexualities, 5 (1), 2002. ———. ‘Through the Looking Glass? Sexual Agency and Subjectification Online.’ New Femininities: Postfeminism, Neoliberalism and Subjectivity,ed. by Rosalind Gill and Christina Scharff. Basingstoke: Palgrave Macmillan, 2011. Babuscio, Jack. ‘Camp and Gay Sensibility.’ Camp Grounds: Style and Homosex- uality, ed. by David Bergman. Amherst: University of Massachusetts Press, 1993. Bakhtin, Mikhail. Rabelais and His World. Bloomington: Indiana University Press, 1965. Banet-Weiser, Sarah. ‘Branding the Post-Feminist Self: Girls’ Video Production and YouTube.’ Mediated Girlhoods: New Explorations in Girls’ Media Culture. New York: Peter Lang, 2011. ———. AuthenticTM: The Politics of Ambivalence in a Brand Culture. New York: New York University Press, 2012. ———. Empowered: Popular Feminism and Popular Misogyny. Durham: Duke University Press, 2018. Barcan, Ruth. Nudity: A Cultural Anatomy. Oxford: Berg, 2004. Barry, Kathleen. The Prostitution of Sexuality: The Global Exploitation of Women. New York: New York University Press, 1995. Barthes, Roland. Roland Barthes by Roland Barthes, trans. Richard Howard. New York: Hill and Wang, 1977. ———. ‘The Death of the Author.’ Image/Music/Text, trans. Stephen Heath. New York: Hill and Wang, 1977, 142–47. ———. Camera Lucida: Reflections on Photography, trans. Richard Howard. New York: Farrar, Straus, and Giroux, 1981. ———. Mythologies, trans. Annette Lavers. London: Vintage, 1993. Bazin. André, ‘The Ontology of the Photographic Image.’ Classic Essays on Photography, ed. by Trachtenberg. New Haven, CN: Leete’s Island Books, 1980. Bell, Emma. ‘Bad Girl to Mad Girl: British Female Celebrity, Reality Products, and the Pathologization of Pop-Feminism.’ Genders, 48, 2008. http://www. genders.org/g48/g48_bell.html. Bell, Katherine M. ‘Raising Africa? Celebrity and the Rhetoric of the White Saviour.’ PORTAL Journal of Multidisciplinary International Studies,10(1), 2013. Benjamin, Walter. ‘The Work of Art in the Age of Mechanical Reproduction.’ Stardom and Celebrity, ed. by Holmes and Redmond. Los Angeles: Sage. 284 BIBLIOGRAPHY Berger, John. Ways of Seeing. London: Penguin Books, 1972. Berger‚ Richard. Framing the Subversive: Journalism, Celebrity and the Web. Paper presented at The End of Journalism? Technology, Education and Ethics, Univer- sity of Bedfordshire, 18 October 2008. http://theendofjournalism.wikidot. com/richardberger. Berlant, L. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Durham, N.C.: Duke University Press, 2008. Berryman, Rachel and Misha Kavka. ‘Crying on YouTube: Vlogs, Self-Exposure and the Productivity of Negative Affect.’ Convergence, 24, 2017a: 85–98. ———. ‘I Guess A Lot of People See Me as a Big Sister or a Friend: The Role of Intimacy in the Celebrification of Beauty Vloggers.’ Journal of Gender Studies, 26 (3), 2017b: 307–20. Bhabha, Homi K. The Location of Culture. London: Routledge 1994. Binder, Nellie. ‘From the Message Board to the Front Door: Addressing the Offline Consequences of Race-and Gender-Based Doxxing and Swatting.’ Suffolk University Law Review, 51, 2018: 55. Biressi, Anita and Heather Nunn. Reality TV: Realism and Revelation. London: Wallflower Press, 2005. Bishop, Sophie. ‘#YouTuberAnxiety: Anxiety as Emotional Labour and Masquerade in Beauty Vlogs.’ Youth Mediations and Affective Relations,ed. by S. Driver, N. Coulter. London: Palgrave Macmillan, 2018. Boorstin, Daniel. The Image. London: Penguin, 1963. Booth, Wayne C. The Rhetoric of Fiction, 2nd ed. Chicago: University of Chicago Press, 1983. ———. The Company We Keep: An Ethics of Fiction. Berkeley: University of California Press, 1988. Bose, Nandana. ‘Big Brother’s Frankenstein: The Media Construction of Jade Goody as an “Abject-Other.”’ Feminist Media Studies, 7 (4), 2007: 455–69. Bourdieu, Pierre. Outline of a Theory of Practice. Cambridge: Cambridge University Press, 1977. ———. Distinction: A Social Critique of the Judgement of Taste. London: Routledge, 1984. ———. The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity, 1993. Boyle, Karen. ‘Producing Abuse: Selling the Harms of Pornography.’ Women’s Studies International Forum, 34, 2011: 593–602. Brandt, Deborah. ‘“Who’s the President?”: Ghostwriting and Shifting Values in Literacy.’ College English, 69 (6), 2007: 549–71. Braudy, Leo. The Frenzy of Renown: Fame and Its History. New York: Vintage, 1997. Budgeon, Shelley. ‘Identity as an Embodied Event.’ Body & Society, 9 (1), 2003: 35–55. BIBLIOGRAPHY 285 ———. ‘Theorizing Subjectivity and Feminine Embodiment: Feminist Approaches and Debates.’ Handbook of Children and Youth Studies,30 January 2015: 243–56. Burgess, Jean and Joshua Green. YouTube: Online Video and Participatory Culture. Cambridge: Polity, 2009. Butler, Judith and Sara Salih. The Judith Butler Reader. Oxford: Blackwell, 2004. Butler, Judith. ‘Sex and Gender in Simone de Beauvoir’s Second Sex.’ Yale French Studies, 72, 1986: 35–50. ———. Gender Trouble. Feminism and the Subversion of Identity. London: Routledge, 1990. ———. Bodies that Matter. On the Discursive Limits of Sex. London: Routledge, 1993. ———. ‘Imitation and Gender Insubordination.’ Women, Knowledge, and Reality: Explorations in Feminist Philosophy, edited by Ann Garry, Marilyn Pearsall, New York and London: Routledge, 1996. ———. Excitable Speech: A Politics of the Performative. London: Routledge, 1997. ———. Precarious Life: The Powers of Mourning and Violence.
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