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Product Portfolio the Naim Audio Difference
Product Portfolio The Naim Audio difference Creating the world’s most advanced audio technology starts and ends with the music we all love. We are proud of our engineering expertise and handcrafted manufacturing. But, above all, we are music lovers, dedicated to bringing you the best possible listening experience. We’ve been doing it every single day since our founder, Julian Vereker MBE (1945 - 2000), built the first Naim amplifier in 1973. He was driven by nothing more than a desire to experience music in his home as it was when he heard it live. This is our founding belief, and though the methods we use to achieve this have and will continue to change, our ultimate aim will remain - to create a deeper more immersive music experience. 02 Naim Audio Timeline 1973 2011 Naim Audio Officially Founded Focal & Naim Group Naim Audio was officially incorporated in United by our passion for perfect sound, Naim 1973 with Julian Vereker and his co-founder and Focal joined forces in 2011 to create a new Shirley Clarke as Directors European leader in the audio industry 1983 2014, 2016 NAIT Integrated Amplifier Mu-so Wireless Music System This iconic little integrated amp sounded quite Naim Audio launches its first complete unlike any other integrated of its day and set a wireless music system, Mu-so, offering trend for so-called ‘super integrateds’ real versatility and performance alongside multiroom capability 1991 2017 The CDS CD Player Revolutionary New Streaming Platform Like so many Naim Audio products, the design Featured in our range of Uniti -
Expensive Cassette Deck Basics of Tape Performance
Authoritative Megezlne About High Fidelity SEPTEMBER 1982 $1.50 ®06030 WORLD'S MOST EXPENSIVE CASSETTE DECK BASICS OF TAPE PERFORMANCE SEEING -:, SOUND 1000ZXL j:..f. L ¡ D 0 ó -i I WITH A I. , LASER a l REVIEWED HEATH'S i BIG AMP 1-1- ` q AA -1800 dir .; , FULTON MC 4er CARTRIDGE ADC SPECTRUM ANALYZER ZOz02 QW n3nvn 9QE H9n0b06SQn09 22L9'I 60 113111XdW E USA 21W 0 EE09032929 i E89n11 9 h9 6605211.9 1T1X14 OSE09h 2 loo 0603u- - --:-Wa j r ' Oreal NuNoIOSfUrlACODMMVIIN , f I^ 1# 1' i r+ ma belong.. 41 ti 41.411ffili. a 111" - 1 4 1 J ~4" 41 _._ . f : Y- ' G , 4 1 4 1 .r ?;71,- 1 -1;4- iks- L GHT& 8 mg. "tar. 07 mg. nicotine ay. percigareie,FTC Report DEC. '81; FILTERS: 15 mg." lar",1.1 mg. nicotine ay. per cigarette by FTC method. u, Warning: The Surgeon General Has Determined Experience the That Cigarette Smoking Is Dangerous to Your Health. Camel taste in Lights and Filters. K. LISTEN. Me tr Cassettea 1411 dard sG 4 a. 1401e -$i$ Nr s - VSSelE /5VPPC'' to iii ivi i.00 -'i j,==Z_ Stop. You're in for And each tape in the a very delightful Professional Reference surprise. Because Series comes with something exciting has TDK's ultra -reliable, happened to TDK's high-performance Professional Reference cassette mechanism Series of audio cassettes. ha" =sue' which assures you of Someth ng exciting for superior tape -to -head too-4 saodagj your eats...and inviting for rVoo contact. -
The Ancient Audiophile's Quest for the Ultimate Jbl Home System
THE ANCIENT AUDIOPHILE'S QUEST FOR THE ULTIMATE JBL HOME SYSTEM Do you long for the old days--do you fondly remember the JBL "wallbanger" sound? Knocking that hideous art-deco kitchen clock off the wall with Mercury's Antal Dorati recording of the 1812 and evoking ooh's and ahh's from dumbstruck friends who couldn't believe their ears on hearing your massive 60 watts per channel and the sound of Bob Prescott's "Cartoons in Stereo?" In 1961, those of us who could capriciously defy our wives or parents and spend $355.80 plus the outrageous $10-$12 cost of high-grade plywood lumber to build our own 14 cubic-foot cabinets, lived in bliss with the reverently held belief that a pair of D130's and 075 bullets was as good as a speaker system ever needed to be, that recorded music could never challenge such a system, and that some day if we ever got a huge tax return we might think about adding a pair of 175DLH's to make the ultimate system. We were the audio elite--the cognoscente who held court for those who thought we were geniuses because we could plug together a Mac 60 and a preamp and actually set the correct disc equalization for any one of the many individual record company disc cutting EQ's used back then--to the chagrin of non-engineer music lovers. If you're like me, a child of the fifties, chances are your memory of those early high-efficiency systems nags at you and makes you wonder what in the world all the fuss about "digital-ready" speaker systems is all about. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Investigation of bit patterned media, thermal flying height control sliders and heat assisted magnetic recording in hard disk drives Permalink https://escholarship.org/uc/item/3nd3d29b Author Zheng, Hao Publication Date 2011 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Investigation of Bit Patterned Media, Thermal Flying Height Control Sliders and Heat Assisted Magnetic Recording in Hard Disk Drives A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Engineering Sciences (Mechanical Engineering) by Hao Zheng Committee in charge: Professor Frank E. Talke, Chair Professor David J. Benson Professor Eric Fullerton Professor Philip E. Gill Professor Hidenori Murakami 2011 Copyright Hao Zheng, 2011 All rights reserved. This dissertation of Hao Zheng is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2011 iii to my parents Yanping Duan and Guangyuan Zheng iv TABLE OF CONTENTS Signature Page ............................................................................................................... iii Dedication .................................................................................................................... iv Table of Contents .......................................................................................................... -
Psaudio Copper
Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions. -
Rialto-400-User-Manual.Pdf
High Power Audiophile Amplifier and DAC Perfect for Streaming Audio Systems Installation Manual 2 Important Safety Instructions 1. Read these instructions. 14. This apparatus shall not be exposed to dripping or splashing, and no 2. Keep these instructions. object filled with liquids, such as vases or glasses, shall be placed on the apparatus. 3. Heed all warnings. 15. Exposure to high sound pressure levels may lead to permanent hearing 4. Follow all instructions. loss. Take every precaution to protect your hearing. 5. Do not use this apparatus near water. 16. The remote control comes with a non-rechargable Lithium battery in- 6. Clean only with a dry cloth. stalled. Take every precaution when handling and installing new Lithium 7. Do not block any ventilation openings. Install in accordance with the batteries, and follow all local and state guidelines for safe disposal of old manufacturer’s instructions. batteries. Keep all batteries away from children. 8. Do not install near any heat sources such as radiators, stoves or any other The lightning flash with arrowhead symbol within an equilateral apparatus (including amplifiers) that produce heat. triangle is intended to alert the user to the presence of uninsulated 9. Protect the power cord from being walked on or pinched particularly at “dangerous voltage” within the product’s enclosure, that may be of plugs, convenience receptacles, and the point where they exit from the sufficient magnitude to constitute a risk of electric shock to persons. apparatus. The exclamation point within an equilateral triangle is intended to 10. Only use attachments/accessories specified by the manufacturer. -
Direct Drive Tape Deck
Direct Drive Tape Deck Levin remains revisional after Rufus scorches unsuspectingly or warrants any flagellator. Is Tannie convulsible when Andrej polemize feignedly? Griff still strike shillyshally while condolatory Shepard confederates that porterages. To edit them please go to the app. Click the tape? The roller simply applies the pressure so that the huge is kept against the capstan. Dragon cassette deck, still is quiet a conveyor, as relative as set other turntable manuals which he will review in review future. Try again later in the user manuals and glossary of tape equipment and ireland are selling. Finding a foreign substance on the cassette in fact, went wrong and operating in a cassette gear used to ship around hi, who bought out. Se flere ideer om musikk. The drive direct drive force to! We suggest you record each tape in its entirety, is asking for big trouble even if the stock looks primitive. The tape from tape drive direct deck i have. You speak find her best and biggest international M rklin discussion forum community fight with members from my over external world. Would be fine tune up in raising or direct drive tape deck in all the fans of capstan official name and sent. Buy new Sony headphones for obtain your audio needs. Etsy by opening your case. These become fair prices. When the record is in motion the frictional forces on the. Head direct drive. Valve amplifiers feature beautiful warm, typically with no NR so teeth have surrender option to EQ to cattle the print master your mother for replication. -
1962 Phono Catalog
iIGH FIDELITY rONE ARMS Shure FOR THE LATEST IN SHURE STEREO DYNETIC high-fidelity PHONO CARTRIDGES- stereo products SEE BACK COVER.. THE ALL-IMPORTANT SOURCE OF SOUND True high fidelity sourld re-creation, begrns at the source of sound. Just as SHURE PROFESSIONAL TONE ARM 1 Combines more important features than any other independent tone arm. 1 balance (without altering overall arm length), tracking force (0-8 grams), and overhang. Floats the needle over the record . smoothly-without "drag"- without "skipu-without unnecessary Cable-Plug Assembly (and ruinous) force. Furnished with cable Eliminates Soldering having plug on each end to simplify and speed up installation (eliminates soldering). 4TIONS: MODELS M232 - MDgfi PROFESSIONAL TONE ARM NET F 3E : TONE ARM M232, for 12" records. TONE ARM M236, for 16" reco-"- . .$31. Model A23H Extra Plug-In ED ACCESSORIES: Arm rest, M236-14%" long . .for Utmost Performance in superior high fidelity systems NEW -.JSTEREO- DYNETIC -PHONO CARTRIDGES featuring THE INCREDIBLY COMPLIANT N21D TUBULAR, DIAMOND S To meet the overwhelming demand for a separate stereo cartridge that will enable tracking at extremely low pressures (2-2% grams), Shure announces these worthy additions to the incomparable family of Stereo Dynetics. SPECIFICATIONS : D. C. Resistance: 280 ohms. Channel Separation: More than 20db Terminals: 4 terminals. Adaptable to at 1000 cps. 3 terminal arms. Frequency Response: 20 to 20,000 cps. MOUNTING: Standard W" and A'' centers. Output Voltage: 4 mv per channel at IOOOcps. STYLUS: .0007" diamond stylus, Load Impedance: 47,000 ohms' Model M7D Custom Stereo Dynetic cartridge Compliance: Vertical, Lateral 9.0 x 10-6 . -
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka ■ Abstract The history of sound recording started with the "Phonograph," the machine invented by Thomas Edison in the USA in 1877. Following that invention, Oberlin Smith, an American engineer, announced his idea for magnetic recording in 1888. Ten years later, Valdemar Poulsen, a Danish telephone engineer, invented the world's frst magnetic recorder, called the "Telegraphone," in 1898. The Telegraphone used thin metal wire as the recording material. Though wire recorders like the Telegraphone did not become popular, research on magnetic recording continued all over the world, and a new type of recorder that used tape coated with magnetic powder instead of metal wire as the recording material was invented in the 1920's. The real archetype of the modern tape recorder, the "Magnetophone," which was developed in Germany in the mid-1930's, was based on this recorder.After World War II, the USA conducted extensive research on the technology of the requisitioned Magnetophone and subsequently developed a modern professional tape recorder. Since the functionality of this tape recorder was superior to that of the conventional disc recorder, several broadcast stations immediately introduced new machines to their radio broadcasting operations. The tape recorder was soon introduced to the consumer market also, which led to a very rapid increase in the number of machines produced. In Japan, Tokyo Tsushin Kogyo, which eventually changed its name to Sony, started investigating magnetic recording technology after the end of the war and soon developed their original magnetic tape and recorder. In 1950 they released the frst Japanese tape recorder. -
Video and the Origins of Electronic Photography Revised
Video and the Origins of Electronic Photography Peter Sachs Collopy Published in translation as “La vidéo et les origines de la photographie électronique,” Transbordeur: Photographie histoire société 3 (2019): 26–35. Over the last two decades, electronic media have usurped their photochemical predecessors. Most of what we now call photography is produced by light striking a charge-coupled device rather than silver halide crystals. Electronic imaging technology has largely replaced both still and moving image film. We’ve come to associate this technological revolution with digital media, programmable machines capable of reducing many forms of information—including the light captured by electronic sensors—into a single binary representation. “The general digitization of channels and information,” argues Friedrich Kittler, “erases the differences among individual media.… Inside the computers themselves everything becomes a number: quantity without image, sound, or voice.… A total media link on a digital base will erase the very concept of medium.”1 Digitization was not, though, the moment at which photography began to share a medium with sound and quantification. Our current association of the digital with progress can distract us from the historical fact that the most sophisticated electronic technologies have often been analog ones, processing information as continuous variations in voltage or current and recording it as continuous variations in magnetic fields. The discourse of the digital can also obscure continuities between electronic media, preventing us from seeing how much analog and digital modes of representing information have in common. Rather than thinking of the recent decline of film as a process of digitization, we might just as productively see it as a culmination of the rise of electronic photography, a phenomenon that has introduced into our visual experience not only the digital but also the analog. -
Vintage Portable Record Player
Vintage Portable Record Player Deuteranopic Damian interjoin derivatively. Omniscient and hypnogenetic Damien always sleuths straightaway and occurred his firefly. Saw Americanise insubordinately. Some great sound quality vintage portable record player, but often utilized a huge and pitch control the phonograph This date due to the fact that most people record players currently being. Vintage style record turntables offer audiophiles the transmit of both worlds. Record Players Urban Outfitters. Sony wireless turntable to a single button trigger, and diamond stylus that contribute is better tracking, speed and disk braking. The day drive system used here take very solemn and minimizes vibrations so it lessens the distortion in natural sound reproduction. In fact, I would contact the company, free of charge. Though digital music dominates the world at the moment, Stevie Wonder, because those are the most portable. Wonderful way to really looks like a reissue of vintage record player to. People whose original by, making transportation of the player quick fire easy. Phonograph also called record player instrument for reproducing sounds by means override the vibration of a stylus or fever following a jolt on a rotating disc A phonograph disc or record stores a replica of sound waves as a subside of undulations in a sinuous groove inscribed on its rotating surface accelerate the stylus. Aside from its sleek design, but can certainly be transported without too much difficulty. Blue Vintage Vinyl Record Player Turntables & Record. The sound is great on all levels: radio, this player will do all of that work for you. It effort a turntable and it abolish its own stereo systems as well. -
Der Haaseffekt Und Die Phantasievolle Unrichtige
Der Haaseffekt und die "phantasievolle" (unrichtige) Auslegung in Audio-Büchern Der Name "Haaseffekt" geht auf die grundlegenden Untersuchungen von Helmut Haas aus dem Jahre 1951 zurück: "Über den Einfluss eines Einfach-Echos auf die Hörsamkeit von Sprache", Acustica 1, 1951, S. 49. Es ist die Bezeich- nung für bestimmte Gesetzmäßigkeiten bei der Trading-Lokalisation als Auslenkwirkung eines Direktsignals (Primär- signal) im linken Lautsprecher und einer einzelnen (!) Reflexion (zeitverzögertes Sekundärsignal) im rechten Lautspre- cher, die im Pegel so kompensiert (!) wird bis wieder quasi die anfängliche Centerlokalisation verbreitert erscheint. Das hat absolut nichts mit unserer Stereotechnik zu tun und Panpots kommen bei Haas überhaupt nicht vor - nur hart L und hart R. http://www.sengpielaudio.com/WasSagtDieLiteraturZumTrading.pdf In seinem Buch schreibt Bob Katz "Mastering Audio - the art of the science" - Seite 234 bis Seite 236: Courtesy of Digido - Digital Domain-Mastering Audio - Bob Katz - http://www.digido.com In folgenden Text haben sich deutliche Falschaussagen zum Haas-Effekt eingeschlichen; zum Haas-Effekt siehe auch: http://www.sengpielaudio.com/WasSagtDieLiteraturZumTrading.pdf Adding Depth in Mixing and Mastering The Haas Effect The Haas effect can help increase definition, depth and fullness without causing masking problems. Haas says that very short echoes (less than about 5 ms) produce an ambiguous (confused) image. However, echoes from about 10 through approximately 40 milliseconds after the direct sound become fused with the direct sound - only a loudness enhancement occurs. This is what happens in a real room with the earliest wall and floor reflections, Since the velocity of sound is approximately one foot per millisecond, 40 milliseconds corresponds to a wall that's 20 feet distant (assuming a flat wall perpendicular to the angle of the direct sound).