The BIJOU TM Seven Channel THX® Room Equalizer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Product Portfolio the Naim Audio Difference
Product Portfolio The Naim Audio difference Creating the world’s most advanced audio technology starts and ends with the music we all love. We are proud of our engineering expertise and handcrafted manufacturing. But, above all, we are music lovers, dedicated to bringing you the best possible listening experience. We’ve been doing it every single day since our founder, Julian Vereker MBE (1945 - 2000), built the first Naim amplifier in 1973. He was driven by nothing more than a desire to experience music in his home as it was when he heard it live. This is our founding belief, and though the methods we use to achieve this have and will continue to change, our ultimate aim will remain - to create a deeper more immersive music experience. 02 Naim Audio Timeline 1973 2011 Naim Audio Officially Founded Focal & Naim Group Naim Audio was officially incorporated in United by our passion for perfect sound, Naim 1973 with Julian Vereker and his co-founder and Focal joined forces in 2011 to create a new Shirley Clarke as Directors European leader in the audio industry 1983 2014, 2016 NAIT Integrated Amplifier Mu-so Wireless Music System This iconic little integrated amp sounded quite Naim Audio launches its first complete unlike any other integrated of its day and set a wireless music system, Mu-so, offering trend for so-called ‘super integrateds’ real versatility and performance alongside multiroom capability 1991 2017 The CDS CD Player Revolutionary New Streaming Platform Like so many Naim Audio products, the design Featured in our range of Uniti -
Expensive Cassette Deck Basics of Tape Performance
Authoritative Megezlne About High Fidelity SEPTEMBER 1982 $1.50 ®06030 WORLD'S MOST EXPENSIVE CASSETTE DECK BASICS OF TAPE PERFORMANCE SEEING -:, SOUND 1000ZXL j:..f. L ¡ D 0 ó -i I WITH A I. , LASER a l REVIEWED HEATH'S i BIG AMP 1-1- ` q AA -1800 dir .; , FULTON MC 4er CARTRIDGE ADC SPECTRUM ANALYZER ZOz02 QW n3nvn 9QE H9n0b06SQn09 22L9'I 60 113111XdW E USA 21W 0 EE09032929 i E89n11 9 h9 6605211.9 1T1X14 OSE09h 2 loo 0603u- - --:-Wa j r ' Oreal NuNoIOSfUrlACODMMVIIN , f I^ 1# 1' i r+ ma belong.. 41 ti 41.411ffili. a 111" - 1 4 1 J ~4" 41 _._ . f : Y- ' G , 4 1 4 1 .r ?;71,- 1 -1;4- iks- L GHT& 8 mg. "tar. 07 mg. nicotine ay. percigareie,FTC Report DEC. '81; FILTERS: 15 mg." lar",1.1 mg. nicotine ay. per cigarette by FTC method. u, Warning: The Surgeon General Has Determined Experience the That Cigarette Smoking Is Dangerous to Your Health. Camel taste in Lights and Filters. K. LISTEN. Me tr Cassettea 1411 dard sG 4 a. 1401e -$i$ Nr s - VSSelE /5VPPC'' to iii ivi i.00 -'i j,==Z_ Stop. You're in for And each tape in the a very delightful Professional Reference surprise. Because Series comes with something exciting has TDK's ultra -reliable, happened to TDK's high-performance Professional Reference cassette mechanism Series of audio cassettes. ha" =sue' which assures you of Someth ng exciting for superior tape -to -head too-4 saodagj your eats...and inviting for rVoo contact. -
Audio Coding for Digital Broadcasting
Recommendation ITU-R BS.1196-7 (01/2019) Audio coding for digital broadcasting BS Series Broadcasting service (sound) ii Rec. ITU-R BS.1196-7 Foreword The role of the Radiocommunication Sector is to ensure the rational, equitable, efficient and economical use of the radio- frequency spectrum by all radiocommunication services, including satellite services, and carry out studies without limit of frequency range on the basis of which Recommendations are adopted. The regulatory and policy functions of the Radiocommunication Sector are performed by World and Regional Radiocommunication Conferences and Radiocommunication Assemblies supported by Study Groups. Policy on Intellectual Property Right (IPR) ITU-R policy on IPR is described in the Common Patent Policy for ITU-T/ITU-R/ISO/IEC referenced in Resolution ITU-R 1. Forms to be used for the submission of patent statements and licensing declarations by patent holders are available from http://www.itu.int/ITU-R/go/patents/en where the Guidelines for Implementation of the Common Patent Policy for ITU-T/ITU-R/ISO/IEC and the ITU-R patent information database can also be found. Series of ITU-R Recommendations (Also available online at http://www.itu.int/publ/R-REC/en) Series Title BO Satellite delivery BR Recording for production, archival and play-out; film for television BS Broadcasting service (sound) BT Broadcasting service (television) F Fixed service M Mobile, radiodetermination, amateur and related satellite services P Radiowave propagation RA Radio astronomy RS Remote sensing systems S Fixed-satellite service SA Space applications and meteorology SF Frequency sharing and coordination between fixed-satellite and fixed service systems SM Spectrum management SNG Satellite news gathering TF Time signals and frequency standards emissions V Vocabulary and related subjects Note: This ITU-R Recommendation was approved in English under the procedure detailed in Resolution ITU-R 1. -
The AGA Song Book up to Date
3rd Edition Songs, Poems, Stories and More! Edited by Bob Felice Published by The American Go Association P.O. Box 397, Old Chelsea Station New York, N.Y., 10113-0397 Copyright 1998, 2002, 2006 in the U.S.A. by the American Go Association, except where noted. Cover illustration by Jim Rodgers. No part of this book may be used or reproduced in any form or by any means, or stored in a database or retrieval system, without prior written permission of the copyright holder, except for brief quotations used as part of a critical review. Introductions Introduction to the 1st Edition When I attended my first Go Congress three years ago I was astounded by the sheer number of silly Go songs everyone knew. At the next Congress, I wondered if all these musical treasures had ever been printed. Some research revealed that the late Bob High had put together three collections of Go songs, but the last of these appeared in 1990. Very few people had these song books, and some, like me, weren’t even aware that they existed. While new songs had been printed in the American Go Journal, there was clearly a need for a new collection of Go songs. Last year I decided to do whatever I could to bring the AGA Song Book up to date. I wanted to collect as many of the old songs as I could find, as well as the new songs that had been written since Bob High’s last song book. You are holding in your hands the book I was looking for two years ago. -
Subjective Assessment of Audio Quality – the Means and Methods Within the EBU
Subjective assessment of audio quality – the means and methods within the EBU W. Hoeg (Deutsch Telekom Berkom) L. Christensen (Danmarks Radio) R. Walker (BBC) This article presents a number of useful means and methods for the subjective quality assessment of audio programme material in radio and television, developed and verified by EBU Project Group, P/LIST. The methods defined in several new 1. Introduction EBU Recommendations and Technical Documents are suitable for The existing EBU Recommendation, R22 [1], both operational and training states that “the amount of sound programme ma- purposes in broadcasting terial which is exchanged between EBU Members, organizations. and between EBU Members and other production organizations, continues to increase” and that “the only sufficient method of assessing the bal- ance of features which contribute to the quality of An essential prerequisite for ensuring a uniform the sound in a programme is by listening to it.” high quality of sound programmes is to standard- ize the means and methods required for their as- Therefore, “listening” is an integral part of all sessment. The subjective assessment of sound sound and television programme-making opera- quality has for a long time been carried out by tions. Despite the very significant advances of international organizations such as the (former) modern sound monitoring and measurement OIRT [2][3][4], the (former) CCIR (now ITU-R) technology, these essentially objective solutions [5] and the Member organizations of the EBU remain unable to tell us what the programme will itself. It became increasingly important that com- really sound like to the listener at home. -
Equalization
CHAPTER 3 Equalization 35 The most intuitive effect — OK EQ is EZ U need a Hi EQ IQ MIX SMART QUICK START: Equalization GOALS ■ Fix spectral problems such as rumble, hum and buzz, pops and wind, proximity, and hiss. ■ Fit things into the mix by leveraging of any spectral openings available and through complementary cuts and boosts on spectrally competitive tracks. ■ Feature those aspects of each instrument that players and music fans like most. GEAR ■ Master the user controls for parametric, semiparametric, program, graphic, shelving, high-pass and low-pass filters. ■ Choose the equalizer with the capabilities you need, focusing particularly on the parameters, slopes, and number of bands available. Home stereos have tone controls. We in the studio get equalizers. Perhaps bet- ter described as a “spectral modifier” or “frequency-specific amplitude adjuster,” the equalizer allows the mix engineer to increase or decrease the level of specific frequency ranges within a signal. Having an equalizer is like having multiple volume knobs for a single track. Unlike the volume knob that attenuates or boosts an entire signal, the equalizer is the tool used to turn down or turn up specific frequency portions of any audio track . Out of all signal-processing tools that we use while mixing and tracking, EQ is probably the easiest, most intuitive to use—at first. Advanced applications of equalization, however, demand a deep understanding of the effect and all its Mix Smart. © 2011 Elsevier Inc. All rights reserved. 36 Mix Smart possibilities. Don't underestimate the intellectual challenge and creative poten- tial of this essential mix processor. -
4. MPEG Layer-3 Audio Encoding
MPEG Layer-3 An introduction to MPEG Layer-3 K. Brandenburg and H. Popp Fraunhofer Institut für Integrierte Schaltungen (IIS) MPEG Layer-3, otherwise known as MP3, has generated a phenomenal interest among Internet users, or at least among those who want to download highly-compressed digital audio files at near-CD quality. This article provides an introduction to the work of the MPEG group which was, and still is, responsible for bringing this open (i.e. non-proprietary) compression standard to the forefront of Internet audio downloads. 1. Introduction The audio coding scheme MPEG Layer-3 will soon celebrate its 10th birthday, having been standardized in 1991. In its first years, the scheme was mainly used within DSP- based codecs for studio applications, allowing professionals to use ISDN phone lines as cost-effective music links with high sound quality. In 1995, MPEG Layer-3 was selected as the audio format for the digital satellite broadcasting system developed by World- Space. This was its first step into the mass market. Its second step soon followed, due to the use of the Internet for the electronic distribution of music. Here, the proliferation of audio material – coded with MPEG Layer-3 (aka MP3) – has shown an exponential growth since 1995. By early 1999, “.mp3” had become the most popular search term on the Web (according to http://www.searchterms.com). In 1998, the “MPMAN” (by Saehan Information Systems, South Korea) was the first portable MP3 player, pioneering the road for numerous other manufacturers of consumer electronics. “MP3” has been featured in many articles, mostly on the business pages of newspapers and periodicals, due to its enormous impact on the recording industry. -
The Ancient Audiophile's Quest for the Ultimate Jbl Home System
THE ANCIENT AUDIOPHILE'S QUEST FOR THE ULTIMATE JBL HOME SYSTEM Do you long for the old days--do you fondly remember the JBL "wallbanger" sound? Knocking that hideous art-deco kitchen clock off the wall with Mercury's Antal Dorati recording of the 1812 and evoking ooh's and ahh's from dumbstruck friends who couldn't believe their ears on hearing your massive 60 watts per channel and the sound of Bob Prescott's "Cartoons in Stereo?" In 1961, those of us who could capriciously defy our wives or parents and spend $355.80 plus the outrageous $10-$12 cost of high-grade plywood lumber to build our own 14 cubic-foot cabinets, lived in bliss with the reverently held belief that a pair of D130's and 075 bullets was as good as a speaker system ever needed to be, that recorded music could never challenge such a system, and that some day if we ever got a huge tax return we might think about adding a pair of 175DLH's to make the ultimate system. We were the audio elite--the cognoscente who held court for those who thought we were geniuses because we could plug together a Mac 60 and a preamp and actually set the correct disc equalization for any one of the many individual record company disc cutting EQ's used back then--to the chagrin of non-engineer music lovers. If you're like me, a child of the fifties, chances are your memory of those early high-efficiency systems nags at you and makes you wonder what in the world all the fuss about "digital-ready" speaker systems is all about. -
Officers Named by Bruneau Group Are Not Accepting Posts Flying
—It takes a woman to do —The real bone of a bang-op job of parking contention is in the a car. The Glengarry News jaw. THE FINEST WEEKLY NEWSPAPER IN EASTERN ONTARIO VOL. LXII—No. 17 ALEXANDRIA, ONTARIO, FRIDAY, APRIL 24th, 1953 SINGLE COPY 7c Officers Named By Bruneau Glengarry Priests Visit Grave Of Away Since 1907 But Flying Seguin From B.C. To District Soldier Killed In Japan Still Wants Home News Among our new subscribers Stand Trial In Hurd Murder Group Are Not Accepting Posts this week is a Glengarrian who has been In the West for 46 Six Key Men Advise Eastern Ontario years but who, in his own Defence Lawyers May Ask Change words, is “still very interested in Liberal Federation Head That They the news from Glengarry”. Of Venue From Cornwall To Ottawa Do Not Recognize New Group John A. McNaughton of 220- Prisoner Being Brought To Toronto 6th Ave. West, Prince Rupert, Aftermath of a meeting at Hawkesbury last Friday night when a B.C., writes that he was bom in Henry Seguin, 35-year-old Cornwall man, is being flown from British Lancaster, May 9th, 1883, and rival group to the recently organized Glengarry - Presoott Federal Liberal Columbia to Toronto on Sunday, to face trial in the murder of Leonard left for the West in June, 1907. Association formed a new two-county association — six men named as Hurd, Maxville, shot (to death in his taxi near Maxville last August. My brother, Peter McNaughton Inspector Robert Wannell of the Ontario Provincial Police, Toronto, and .key officiais of the latter group have indicated they do not recognize it of Green Valley, sends me a and are not accepting any office. -
EBU Evaluations of Multichannel Audio Codecs
EBU – TECH 3324 EBU Evaluations of Multichannel Audio Codecs Status: Report Source: D/MAE Geneva September 2007 1 Page intentionally left blank. This document is paginated for recto-verso printing Tech 3324 EBU evaluations of multichannel audio codecs Contents 1. Introduction ................................................................................................... 5 2. Participating Test Sites ..................................................................................... 6 3. Selected Codecs for Testing ............................................................................... 6 3.1 Phase 1 ....................................................................................................... 9 3.2 Phase 2 ...................................................................................................... 10 4. Codec Parameters...........................................................................................10 5. Test Sequences ..............................................................................................10 5.1 Phase 1 ...................................................................................................... 10 5.2 Phase 2 ...................................................................................................... 11 6. Encoding Process ............................................................................................12 6.1 Codecs....................................................................................................... 12 6.2 Verification of bit-rate -
Jarrett Stevens Introducing People That Can Collaborate Chief Curator for the Creative Collective and Create Something That They Could Never Create on Their Own
CREATIVE MATTERS P R E S E N T E D b y i n PARTNERSHIP w i t h C reat O rs o f CO NTENTS i Introduction 1 Chapter 1: Created to Create 15 Chapter 2: Bring On the Blank Canvas 33 Chapter 3: Getting to Work 57 Chapter 4: Resisting Resistance 76 Chapter 5: Further Thoughts from the Front Lines 92 Contributors WELCOme to the CreatiVE COLLECtiVE The book that you are holding in Creativity matters to God. You creating, your…computer…is no book at all. and your creative work, matters to God. Be it big or small, good or bad, First, it is not bound by the limitations for thousands of people or for your own of, well, bookbinding, publishers, price internal sense of creative obligation, the structures, etc. art and work of creating matters. Second, it is a manifesto—a call to This book is meant to remind you of arms for creative teams and individuals that. It is also meant to do a few other in and around the Church to take the things. gift of creativity seriously. And that’s exactly what creativity Inspire. is: a gift. It’s a gift from our Creator God, who, when we first meet Him, We have gathered creative individuals is at the work of creating. He creates from multiple disciplines and contexts, the universe, this planet, sunsets, and from all over the country (and even rhythmic ocean tides, densely intricate the world) to inspire you as a creative ecosystems of rain forests…and us. -
Methods of Sound Data Compression \226 Comparison of Different Standards
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/251996736 Methods of sound data compression — Comparison of different standards Article CITATIONS READS 2 151 2 authors, including: Wojciech Zabierowski Lodz University of Technology 123 PUBLICATIONS 96 CITATIONS SEE PROFILE Some of the authors of this publication are also working on these related projects: How to biuld correct web application View project All content following this page was uploaded by Wojciech Zabierowski on 11 June 2014. The user has requested enhancement of the downloaded file. 1 Methods of sound data compression – comparison of different standards Norbert Nowak, Wojciech Zabierowski Abstract - The following article is about the methods of multimedia devices, DVD movies, digital television, data sound data compression. The technological progress has transmission, the Internet, etc. facilitated the process of recording audio on different media such as CD-Audio. The development of audio Modeling and coding data compression has significantly made our lives One's requirements decide what type of compression he easier. In recent years, much has been achieved in the applies. However, the choice between lossy or lossless field of audio and speech compression. Many standards method also depends on other factors. One of the most have been established. They are characterized by more important is the characteristics of data that will be better sound quality at lower bitrate. It allows to record compressed. For instance, the same algorithm, which the same CD-Audio formats using "lossy" or lossless effectively compresses the text may be completely useless compression algorithms in order to reduce the amount in the case of video and sound compression.