Helen of Troy (1882)
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Alexander the Great and Hephaestion
2019-3337-AJHIS-HIS 1 Alexander the Great and Hephaestion: 2 Censorship and Bisexual Erasure in Post-Macedonian 3 Society 4 5 6 Same-sex relations were common in ancient Greece and having both male and female 7 physical relationships was a cultural norm. However, Alexander the Great is almost 8 always portrayed in modern depictions as heterosexual, and the disappearance of his 9 life-partner Hephaestion is all but complete in ancient literature. Five full primary 10 source biographies of Alexander have survived from antiquity, making it possible to 11 observe the way scholars, popular writers and filmmakers from the Victorian era 12 forward have interpreted this evidence. This research borrows an approach from 13 gender studies, using the phenomenon of bisexual erasure to contribute a new 14 understanding for missing information regarding the relationship between Alexander 15 and his life-partner Hephaestion. In Greek and Macedonian society, pederasty was the 16 norm, and boys and men did not have relations with others of the same age because 17 there was almost always a financial and power difference. Hephaestion was taller and 18 more handsome than Alexander, so it might have appeared that he held the power in 19 their relationship. The hypothesis put forward here suggests that writers have erased 20 the sexual partnership between Alexander and Hephaestion because their relationship 21 did not fit the norm of acceptable pederasty as practiced in Greek and Macedonian 22 culture or was no longer socially acceptable in the Roman contexts of the ancient 23 historians. Ancient biographers may have conducted censorship to conceal any 24 implication of femininity or submissiveness in this relationship. -
The Function of Lethe
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Flinders Academic Commons This is an electronic version of an article published in M. Baker and D. Glenn (eds) 2000. ‘Dante Colloquia in Australia: 1982-1999’, Australian Humanties Press: Adelaide. Coassin, Flavia 2000. The Function of Lethe. In M. Baker and D. Glenn (eds). ‘Dante Colloquia in Australia: 1982-1999’, Australian Humanties Press: Adelaide, 95-102. THE FUNCTION OF LETHE FLAVIA COASSIN WHEN, in the last canto of the Purgatorio, Dante-character claims not to remember having ever estranged himself from Beatrice, she reminds him that he has just drunk of Lethe, and adds that his inability to remember is proof of his estrangement, just as from smoke fire is inferred: "E se tu ricordar non te ne puoi," sorridendo rispuose, "or ti rammenta come bevesti di Letè ancoi; e se dal fummo foco sargomenta, cotesta oblivion chiaro conchiude colpa ne la tua voglia altrove attenta". (Purg. XXXIII, 94-99) According to Reggio, l who also quotes Chimenz, the comparison is insubstantial, because there is no logical connection between oblivion and sin as there is between smoke and fire, and thus oblivion does not count as proof, his assumption being that there could be oblivion without sin. This assumption, however, is incorrect. In Dantes poem, as well as in the classical myths concerning the afterlife, we find that the connection between the two is, on the contrary, one of cause and effect. It is not by coincidence that the episode in question (lines 91-129) contains two instances of forgetfulness, namely, of having sinned and of Mateldas previous explanation of the function of the two rivers. -
Greek and Roman Perceptions of the Afterlife in Homer's
McNair Scholars Journal Volume 11 | Issue 1 Article 2 2007 Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Jeff Adams Grand Valley State University Follow this and additional works at: http://scholarworks.gvsu.edu/mcnair Recommended Citation Adams, Jeff (2007) Gr" eek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid," McNair Scholars Journal: Vol. 11: Iss. 1, Article 2. Available at: http://scholarworks.gvsu.edu/mcnair/vol11/iss1/2 Copyright © 2007 by the authors. McNair Scholars Journal is reproduced electronically by ScholarWorks@GVSU. http://scholarworks.gvsu.edu/ mcnair?utm_source=scholarworks.gvsu.edu%2Fmcnair%2Fvol11%2Fiss1%2F2&utm_medium=PDF&utm_campaign=PDFCoverPages Greek and Roman Perceptions of the Afterlife in Homer’s Iliad and Odyssey and Virgil’s Aeneid Abstract Homer’s Odyssey says that death “is the This study is a literary analysis of way of mortals, whenever one of them Homer’s Iliad and Odyssey and Virgil’s should die, for the tendons no longer Aeneid. Of specific interest are the hold flesh and bones together, but the interactions of Achilles, Odysseus, strong might of blazing fire destroys and Aeneas with their beloved dead. these things as soon as the spirit has left I focused on what each party, both the the white bones, and the soul, having living and the dead, wanted and the flown away like a dream, hovers about.”1 results of their interaction. Methods People have always been fascinated by included reading passages from the death and the afterlife. -
Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2018 Underworld Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: https://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. 2019. "Underworld." In Oxford Classical Dictionary. New York/Oxford: Oxford University Press. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/classics_pubs/123 For more information, please contact [email protected]. Underworld Radcliffe G. Edmonds III In Oxford Classical Dictionary, in Oxford Research Encyclopedia of Classics. (Oxford University Press. April 2019). http://dx.doi.org/10.1093/acrefore/9780199381135.013.8062 Summary Depictions of the underworld, in ancient Greek and Roman textual and visual sources, differ significantly from source to source, but they all draw on a common pool of traditional mythic motifs. These motifs, such as the realm of Hades and its denizens, the rivers of the underworld, the paradise of the blessed dead, and the places of punishment for the wicked, are developed and transformed through all their uses throughout the ages, depending upon the aims of the author or artist depicting the underworld. Some sources explore the relation of the world of the living to that of the dead through descriptions of the location of the underworld and the difficulties of entering it. By contrast, discussions of the regions within the underworld and existence therein often relate to ideas of afterlife as a continuation of or compensation for life in the world above. -
Interpv31issue1 1 29 04 (Page 1)
Volume 31 Issue 1 Interpretation, Inc. 11367-1597 U.S.A. Flushing, N.Y. Queens College 31/1 A JOURNAL OF POLITICAL PHILOSOPHY Interpretation Fall 2003 3 Ronald Hamowy Two Whig Views of the American Revolution: Adam Ferguson’s Response to Richard Price Discussion: 37 Patrick Coby Mind Your Own Business: The Trouble with Justice in Plato’s Republic 59 Sean Steel Katabasis in Plato’s Symposium Book Reviews: 85 Martin Yaffe The Beginning of Wisdom: Reading Genesis by Leon R. Kass 93 Mera Flaumenhaft Colloquial Hermeneutics: Eva Brann’s Odyssey 103 Wayne Ambler Our Attraction to Justice Devin Stauffer The Idea of Enlightenment: Hanover, PAHanover, 17331 109 Fall 2003 Fall U.S. POSTAGE U.S. POSTAGE Non-Profit Org. A Post-Mortem Study by Permit No. 4 Robert C. Bartlett PAID A JOURNAL OF POLITICAL PHILOSOPHY Editor-in-Chief Hilail Gildin, Dept. of Philosophy, Queens College Associate Editor Erik Dempsey General Editors Seth G. Benardete (d. 2001) • Charles E. Butterworth • Hilail Gildin • Leonard Grey • Robert Horwitz (d. 1978) • Howard B. White (d. 1974) Consulting Editors Christopher Bruell • Joseph Cropsey • Ernest L. Fortin (d. 2002) • John Hallowell (d. 1992) • Harry V. Jaffa • David Lowenthal • Muhsin Mahdi • Harvey C. Mansfield • Arnaldo Momigliano (d. 1987) • Michael Oakeshott (d. 1990) • Ellis Sandoz • Leo Strauss (d. 1973) • Kenneth W. Thompson International Editors Terence E. Marshall • Heinrich Meier Editors Wayne Ambler • Maurice Auerbach • Robert Bartlett • Fred Baumann • Amy Bonnette • Eric Buzzetti • Susan Collins • Patrick Coby • Elizabeth C’de Baca Eastman • Thomas S. Engeman • Edward J. Erler • Maureen Feder-Marcus • Pamela K. Jensen • Ken Masugi • Carol M. -
Heroic Death in Ancient Greek Poetry and Art
Trinity University Digital Commons @ Trinity Classical Studies Faculty Research Classical Studies Department 2009 The Hero Beyond Himself: Heroic Death in Ancient Greek Poetry and Art Corinne Ondine Pache Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/class_faculty Part of the Classics Commons Repository Citation Pache, C.O. (2009). The hero beyond himself: Heroic death in ancient Greek poetry and art. In S. Albersmeier (Ed.), Heroes: Mortals and myths in ancient Greece (pp. 88-107). Walters Art Museum. This Contribution to Book is brought to you for free and open access by the Classical Studies Department at Digital Commons @ Trinity. It has been accepted for inclusion in Classical Studies Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. In all those stories the hero is beyond himself into the next thing, be it those labors of Hercules, or Aeneas going into death. I thought the instant of the one humanness in Virgil's plan of it was that it was of course human enough to die, yet to come back, as he said, hoc opus, hie labor est. That was the Cumaean Sibyl speaking. This is Robert Creeley, and Virgil is dead now two thousand years, yet Hercules and the Aeneid, yet all that industrious wis- dom lives in the way the mountains and the desert are waiting for the heroes, and death also can still propose the old labors. -Robert Creeley, "Heroes" HEROISM AND DEATH The modern mind likes its heroism served with death. -
Dante Alighieri's Divine Comedy – Inferno
DIVINE COMEDY -INFERNO DANTE ALIGHIERI HENRY WADSWORTH LONGFELLOW ENGLISH TRANSLATION AND NOTES PAUL GUSTAVE DORE´ ILLUSTRATIONS JOSEF NYGRIN PDF PREPARATION AND TYPESETTING ENGLISH TRANSLATION AND NOTES Henry Wadsworth Longfellow ILLUSTRATIONS Paul Gustave Dor´e Released under Creative Commons Attribution-Noncommercial Licence. http://creativecommons.org/licenses/by-nc/3.0/us/ You are free: to share – to copy, distribute, display, and perform the work; to remix – to make derivative works. Under the following conditions: attribution – you must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work); noncommercial – you may not use this work for commercial purposes. Any of the above conditions can be waived if you get permission from the copyright holder. English translation and notes by H. W. Longfellow obtained from http://dante.ilt.columbia.edu/new/comedy/. Scans of illustrations by P. G. Dor´e obtained from http://www.danshort.com/dc/, scanned by Dan Short, used with permission. MIKTEXLATEX typesetting by Josef Nygrin, in Jan & Feb 2008. http://www.paskvil.com/ Some rights reserved c 2008 Josef Nygrin Contents Canto 1 1 Canto 2 9 Canto 3 16 Canto 4 23 Canto 5 30 Canto 6 38 Canto 7 44 Canto 8 51 Canto 9 58 Canto 10 65 Canto 11 71 Canto 12 77 Canto 13 85 Canto 14 93 Canto 15 99 Canto 16 104 Canto 17 110 Canto 18 116 Canto 19 124 Canto 20 131 Canto 21 136 Canto 22 143 Canto 23 150 Canto 24 158 Canto 25 164 Canto 26 171 Canto 27 177 Canto 28 183 Canto 29 192 Canto 30 200 Canto 31 207 Canto 32 215 Canto 33 222 Canto 34 231 Dante Alighieri 239 Henry Wadsworth Longfellow 245 Paul Gustave Dor´e 251 Some rights reserved c 2008 Josef Nygrin http://www.paskvil.com/ Inferno Figure 1: Midway upon the journey of our life I found myself within a forest dark.. -
Helen of Troy Chiswick Press:—Charles Whittingham and Co., Tooks Court, Chancery Lane
HELEN OF TROY CHISWICK PRESS:—CHARLES WHITTINGHAM AND CO., TOOKS COURT, CHANCERY LANE. “Le joyeulx temps passé souloit estre occasion que je faisoie de plaisants diz et gracieuses chançonnetes et ballades. Mais je me suis mis à faire cette traittié d’affliction contre ma droite nature . et suis content de l’avoir prinse, car mes douleurs me semblent en estre allegées.”—Le Romant de Troilus. To all old Friends; to all who dwell Where Avon dhu and Avon gel Down to the western waters flow Through valleys dear from long ago; To all who hear the whisper’d spell Of Ken; and Tweed like music swell Hard by the Land Debatable, Or gleaming Shannon seaward go,— To all old Friends! To all that yet remember well What secrets Isis had to tell, How lazy Cherwell loiter’d slow Sweet aisles of blossom’d May below— Whate’er befall, whate’er befell, To all old Friends. BOOK I—THE COMING OF PARIS Of the coming of Paris to the house of Menelaus, King of Lacedaemon, and of the tale Paris told concerning his past life. I. All day within the palace of the King In Lacedaemon, was there revelry, Since Menelaus with the dawn did spring Forth from his carven couch, and, climbing high The tower of outlook, gazed along the dry White road that runs to Pylos through the plain, And mark’d thin clouds of dust against the sky, And gleaming bronze, and robes of purple stain. II. Then cried he to his serving men, and all Obey’d him, and their labour did not spare, And women set out tables through the hall, Light polish’d tables, with the linen fair. -
Katabasis “Down Under” in the Novels of Margaret Mahy and Maurice Gee
chapter 17 Katabasis “Down Under” in the Novels of Margaret Mahy and Maurice Gee Elizabeth Hale Two writers of fiction for young adults have dominated the New Zealand liter- ary scene in the past few decades. Margaret Mahy and Maurice Gee are well- known, both at home and abroad, for their intelligent, sensitive, and dramatic fantasy, historical, and science fiction novels, which bring exciting action to the shores of this small country in the Southern Pacific Ocean. New Zealand consists of three islands, and is located in the very far South. Along with Australia it is affectionately known as the Antipodes, or “Down Un- der.” The first human inhabitants, Polynesians, are thought to have migrated to the islands in the thirteenth century, forming the seeds of what became the Maori culture. They called the islands Aotearoa, or Land of the Long White Cloud. The first Western sighting of Aotearoa was in 1642 by the Dutch explorer Abel Tasman; the Dutch called the place Nova Zeelandia. The name became Anglicised after James Cook visited the islands in 1769–1770. European migra- tion began in the nineteenth century, first by missionaries and then by set- tlers, in an organised scheme of land purchase and farming. The country was claimed as part of the British Empire, following the Treaty of Waitangi in 1840; it has remained in the Commonwealth, and the bulk of its population is of Brit- ish origin. The population is currently around four million people. It has strong political ties to Australia, the uk, and the United States, and is a leader in the Pacific region, with links to Asia as well. -
Dante's Hidden
Dominican Scholar Graduate Master's Theses, Capstones, and Culminating Projects Student Scholarship 5-2016 Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries Michael J. Rupers Dominican University of California https://doi.org/10.33015/dominican.edu/2016.hum.01 Survey: Let us know how this paper benefits you. Recommended Citation Rupers, Michael J., "Dante’s Hidden Sin - Wrath: How Dante Vindictively Used The Inferno Against Contemporaries" (2016). Graduate Master's Theses, Capstones, and Culminating Projects. 214. https://doi.org/10.33015/dominican.edu/2016.hum.01 This Master's Thesis is brought to you for free and open access by the Student Scholarship at Dominican Scholar. It has been accepted for inclusion in Graduate Master's Theses, Capstones, and Culminating Projects by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Dante’s Hidden Sin: Wrath How Dante Vindictively Used The Inferno Against Contemporaries by Michael Rupers A culminating thesis submitted to the faculty of Dominican University of California in partial fulfillment of the requirements for the degree of Master of Arts in Humanities San Rafael, California May 2016 This thesis, written under the direction of the candidate’s thesis advisor and approved by the department chair, has been presented to and accepted by the Department of Humanities in partial fulfillment of the requirements for the degree of Master of Arts. The content and research presented in this work represent the work of the candidate alone. Michael Rupers May 2016 Candidate Joan Baranow, Ph.D. May 2016 MAH Program Director Sister Aaron Winkelman, Ph.D., Professor Emerita (English) May 2016 Thesis Advisor Leslie Ross, Ph.D., Professor (Art History) May 2016 Secondary Thesis Advisor "II Copyright @ 2016 by Michael Rupers All Rights Reserved "III Table of Contents Introduction: Contemporaries of Dante in The Inferno ……………….……… 1 Pope Celestine V ………………………………………………………………. -
On the Topography of the Greek Underworld and the 'Orphic' Gold
On the Topography of the Greek Underworld and the ‘Orphic’ Gold Tablets Author(s): Alexandra Wheatcroft Source: Prandium - The Journal of Historical Studies, Vol. 3, No. 1 (Fall, 2014). Published by: The Department of Historical Studies, University of Toronto Mississauga Stable URL: http://jps.library.utoronto.ca/index.php/prandium/editor/submission/21849/ Prandium: The Journal of Historical Studies Vol. 3, No. 1, (2014) On the Topography of the Greek Underworld and the ‘Orphic’ Gold Tablets Alexandra Wheatcroft1 The descent into the underworld is said to be a parallel to the birth of a god: both actions result in the beginning of a transcendent existence.2 It is through death that mortals are able to gain immortal status, albeit in a very different form than their Olympian counterparts. Ancient Greek conceptions of death are still murky, but with the discovery of artifacts such as the so-called ‘Orphic’ gold tablets, Classical scholars are getting closer to constructing a complete picture of the afterlife of Hellenes. It is interesting, however, that despite the amount of literature written on the subject of mystery cults and their relationship to death (that is, their promise of a more comfortable afterlife assuming initiation into their rites), there is a surprising lack of comment on what happens after the fateful moment. While it is true that the gold tablets mentioned above provide what appear to be directions for navigating the underworld, such instructions can be of little use to Classical underworld scholars when the topography of Hades is unknown to them. I have yet to find a comprehensive body of work that details all the aspects of the Greek underworld in such a structured way as to create what amounts to a roadmap. -
Heracles and the Foundings of Sparta and Rome
Heracles and the Foundings of Sparta and Rome A Thesis by Nicholas Granitz Advised by Dr. Edith Foster Assisted by Drs. Burkett and Levithan In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts and the Ashbrook Statesmanship Thesis and Honors Capstone Project Ashland University, Ashland, Ohio 2011 Submitted November 29th, 2011 Nicholas Granitz Abstract This thesis finds that both the Spartans and the Romans consciously adopted Heracles as a model for their societies. This adoption is seen both through their historical actions and, especially, in their founding myths, which identify the city’s founders with Heracles. Although the argument relies on previous scholarly work interpreting the character of Heracles, several connections, especially those in the Sparta chapter, are original arguments for Heracles’ relevance in founding mythology. A close analysis of the Twelve Labors of Heracles is the foundation for my arguments. The analysis of Sparta relies on the works of Tyrtaeus, Herodotus, Thucydides, Xenophon, and Plutarch. The analysis of Rome relies on the works of Fabius Pictor, Virgil, Livy, and Plutarch. Secondary sources were also important, especially the writings of G. Karl Galinsky, whose work is influential throughout the thesis. 2 Nicholas Granitz Table of Contents Introduction 04 Chapter One: Heracles 07 Chapter Two: Sparta and Heracles 37 Chapter Three: Rome and Hercules 55 Conclusion 71 Works Cited 77 I am indebted to Dr. Edith Foster, Dr. Chris Burkett, and my family and friends for making the completion of this thesis possible. Thank you. 3 Nicholas Granitz Introduction Heracles and the Foundings of Sparta and Rome Greek and Roman polytheism was an influential cultural force in the ancient world, ingrained in every facet of ancient life.