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Remnant/Referent

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Remnant/Referent 0 C T 0 B E R 1 9 9 8 C A L E N D A R jf, ..... ._... þÿ:1:1:2;=;2:=-'~'~"'#'""<':1:1:1:1:1S:1:2:1:¥:1:1:2:¥$:1:1:f:=E¥21E¢:Z_2;'"~'-'-2;¥:%¥:=:15E2E"'-'*G$212¥E1:1:¥:1:f:f:f:»:-:<:~:a-: ¬1:=:1§f§=:?§1§¥:23112252121:152:22¢E=:=f=:=§¢§1:2E¥:=i¥"<':"'5252252:IE252:$¢:¢5¢E1'=§2:='¥=?:1'='Iii21:121$E1_ - ¬¥:IEI:=E2iC:=E2F15112EliiziiiilziiiiiiizIiiziiifsffizF2EI:==2$E~.-.<.»_-_- -:-:-:-:-I»:<:»:-I<:~!<:~:~:-Z~:-:-:-:-:-:-:-:-:- :-'~Z<:»:~::~:~ _-:-:-:»:-:~:-2-I-Z-:»Z-:~Z~:~:-:-:-:-:~:-:-:-2:-;-:-1-:»:<:»Z~:-:-:<:»:~2-:-:-: -5-:~:-Z:-:-bo:-:~:»:Q»Z-:»Z-:-:-:~:¥!£~:3:-:PI-25:-5.»:-:-:-:lC-:-:c~:-:-1-:»:-:#:»:<:»þÿ51i¥E¢$E1:lf3¥:¢E¥:¢'1E2:1E1:1EI'.21£:1EiE2:2?2$if:¥EI;IE22E2:ZiI».».-.~.ZE¥:1E1:E2'fE1:1$E5§f§§ ¬?~1E==f:3¢§¢:§21:2E>1§¥ ¬E1:=E13:1EtliifizfE þÿ?§5E5E5E5ES1?§?§EIE5'>:-5555355555555E=E3E=E3E5§13E15IE2E3E11IE2E5EIE55E55E5E5§5EE5E5?21E511'5§13 ¬=§E1¥f5E5§5¢5EiE3i55i5552155535¥'5?5¢5E5S$E525§E5E5§5E3E5535E552E? __._ ._ __ ,_ .___ :;:;:¢:;:;:;:¢:;:;:-:<:»:~:»:-:-:-:-:~:-:-:gi;;;;;,:;:;:1:1:;:;:5_1;z¢:;:;:;:¢:;;§;5;5;;5;§3;;:<~:-:~:<:»:<.»:-_»:~_~:;.;g;;§;§35;:;z¢;.¢:¢.5;:;¢:;.;,;§;_;:;_;;;§;:;¢;;;;5¢.151_;;;;;_;:;_;:~:-_-:»_~:»_~:-:~_»:-_-:-:-_-:-.-:-:,_,§;:¢35;5:;;;;1_ _ __ _ __ _. _,__ =55§5§5§5§?§2§i§5§E§i2= EE ;;;;;¢;=;1;:;¢;:gg:=¢;:r=;;f:;;;¢;=;;;;;;:;;;¢;¢;;;:=:=_; gg;;;1==;_;=;_;f;_;¢;:;;:;_;:;;;:-¢;;;;:;;;;;;1;;: 1¢;=;:;=;;:;=;=51,=;=;._,___-.,.__1.-__.__._¢1 2555?iii§5§?s52%§E5i2i5i§%§E§2§E§2§5§2§5§S§5§E§i§5§5§5§5 "'=2si E5E5E5S5E5E5E5E3£5E3E525535535555355555?§E5E5E5E5E5E5E5E5E _ _ _ _ _ ............. _ ____ ____ _ ¢;=:==;=;=;¢;¢;_:¢=¢;¢ _,s_ ;===r:r===;=;¢;=:=§¢g;,. LL A_LLS¢1;==¢:_=;=;=;=_r==¢= :=_=;1:==t====£z-sz-===z==_.___ _.___¢==::=== ° cloud-net Sunday, October 25 5-7 pm A solo exhibition Consuming by Chilean artist ' (Qfr and poet Cecilia Vicufla Passions _ > I $20.00 advance $25.00 door J _ ` ,f _,__a __ __ ff- __ ;_- ___ -<,_¢_ _=_=_ An eV°"'"g of P' o tive art'S umptuo" s 26-November 1998 .. we //t ,t _ September 7, af'\- ..,;/g, ~; f _ Y"°" 2-rsz;2= f00d and ele ant dr1nk_ We have Combined ' the ver finest Of Wmes and S I10rS "" Plflts, - Hallwalls x2l1er¢=11°r0S=_f=~' _ Organized by Contemporary Arts , d oeuvres, and the finest desserts that the best _->_<=z:= DiverseWorks * =-'==;;s='* _ Center; Artspace, __ ,___-.4 _ þÿP''-'~'--»-Ia ¬§.§§§;'TEEE5' e:-2 restaraunts m Buffalo have to offer. Jom us & Art in General - ;g§;,__§;j 5,_;_;¢;;;;;;;§;_.WéB=§;__ _ ;___=_=_55 ___ _,_.:_:::§¢_ ;::_,=.én þÿld§._§ ¬5_3,__v_,;= V _.- for a compelling look at food, art and culture. This me that special Hours: 11 a.m.~6 Gallery p.m_, Tuesday-Friday, = ~ - ~ þÿ thi'é5d'§§'5tHé'?§2fsf § ¬"s5ysii§§£ =" f°"""'d '°' ' "ms 'ms and during all evening events '°°"5 .D°" °PP°""""y __ to all the wine and food heart ` enjoy your þÿ '=¥ff2§;§§:§?f~;_1 4 ¬§§j¢e3E'fixtiiiidti"` _;_ ;§;jeif'gl__agua;_ ' ' d°S"°S' '"' h° °°""'""' of g°°" fr''°" dS a" d Chilean-bom visual artist, performance - » ~"_u1=r»=i1; ;z;.___ '°"=fS °f af" artist, and poet Cecilia Vicuna uses weaving, " ESQ: _f'an"actignites§2§e§ei 2s ~-=_;1=_____I_I_ =§; <-fT_4§§f " ff" eff? iiioiiiénti§'dé1éambio'5 _ thread, and knots to connections . explore CALL FOR WORK: ` -255 4sE="'==°" _. _?==e _-='=:' 42¢ ~:2*-2 :"__22f'112: - between and þÿ :22=2a§=E ¬§E '=" '»==_ _;? ;-ff' - - weaving language. By making __.=2f=f > §;§;___- 'f '2§2 ;- _;E_afé=_ _2;e;;§2=;f;§- _; "ri-nz' B\1ff==\I0 Afflsfs' Sllde Pr¢S¢Hf2U°" works that are as ephemeral as words in the ' _ in New Ygrk Vicuna transforms indoor and outdoor City air, __ Westem 5§sS§2§= HallwallS'ViS11aI An Committee invites ell environments, challenging notions of 1 """' art and language with an Andean 7i'f i'}'ii'3" §=;=' Westem New York artists to send documenta- perspective. " - -e*='>"" ' _ ____ 3% Her work is <~* tion of their work for a slide of filled with " seemingly minimal, ' s=;:2:;: =;5=_- $5 presentation _____=f» = "='=:i=' __==' =- ._____.. _ _ _ ;E= ' _=: * ___s====i===_-- - " " - J i" feminine references of and ""' - at;-; Buffalo amsts Whlch Wm "ke Pla¢° at Aff H1 weaving _ sewing. _ ;2= _ _ ea~ '_ <'_§;2;f;-_= _ _ ig. ___ ._ The line is a General in Manhattan in the of 1999. for the knot for =:z:s:a:§:=s:=:5e§====~=-' SED; ____: Spring metaphor time; ~' '~=~=~§= -f'=:===~=__-= ' ,~ ¢ / 2:5=f-"'s255E§i§E§§5s~=2_e=--'§§=.?===-3=§aE?555?i5§5='5ein:aa . ,<= _ _ , , its constant These _;~_:-_><_- _,_ das # was announced to take changing. gentle gestures = (This previously place '_ ~ hide :-- _- In the but due 1° the low we powerful political commentary and calls fall, tumour, for f action. - ___.__ 5 cloudea'_ » ._.___._ -__ __ dwded'OP°S'P°"<=the__Qr=S°n'af1°"->_ _ _ .asa -.__=_____=_a- _,_ The WIII be an - __ The exhibition as a whole takes a layered, _ to _-f. ___a=;=§=s2=a=a=_=_f====_===_====_¢ fs=s:=a==z:-=.- _~>=<-_=2:s=5:s=;=====<§_=4ftes;==>¢=¢et=;=a=_ _== ___:_=-:==-===2:;=a:_=§:a:=:_:._ -__:aas:_===§=z:z:;==@:==_:¢_===== New Y0l'k be this artist and ___.;:1:=-'42-'' ;;j-j_'_ - þÿ£2ki¥§==1t1ldl¢H ¬E»=5§¢I&QIiQH$¢=WlII archaeological approach poet " '-=5- '-'='E='§2;;:;:;:§;;;,;¢_-.___42321153E5E=;5:5;5:§;;;5;§;5:3:§:¢ -=;3:3:;:5:;:5:5;5;;;;:§;5:;:§;54;;; _;§¢1:2:=:=:=;-_~;2;=:=:;;;:;;;; :;:;:=:f:;;1:=.=;;;=:;;=:5;=:=:;: _ra;:;:;:2:2:2:;¢2:;:=:r;;=-:;:-;i . =§i`" ._=:_;i5=.=_' ,___ __ .__1Es=' __ who crosses barriers dis- __-EQEESQEEEQSQS' :J made þÿfr0nf2 ¬¥I;;§}¢§¥§\lfg?"W'N?'¥§"S1iGé':fFi]¢_rf:-__ by weaving together ¥ E§=s1§2i35=` ==a = _ =="' _ f ¢:2?_=_:2===§=¢=_===_:¢%3:§e~5-_ -¢rE='i_f_l=1'¢=:f£i_--:1_£§;1§E";";¢E'~__r_'_'~__5E1E_:= =:;=_=§$==2=_=z__ parate media, particularly visual art and lan- _ __ All Visual Her work is a fusion of a invited to guage. powerful ; ; _ _~ £51 32 _;§5§:;§¢,::;,:_=_,`»::s<_'-#'¢_ ' _ _ 252211'-<=;:=-Z=::~__;=~`__;ZsS2 _§§E=E§_-:_===:_-:=`=;~=§'";*=1=fi;52;:~='=:2§-'1'22§§'Z=;~_-%=§5?='='=;;§§§§s§§;2;a;¢;5§5§: """" ' mClUdlI1 of a 2 - knowledge colonial Chilean and local '=?= _»:'p}{"' 1- =~_;=_i_1;_1_-_i=~':-~ 1~¢__~:;= £15222--=;2»"'£=iE'f_`2f1§~E2E1I§E-'I'E'E--If-12.52."~2Ef-: =¢:2~_=___:-____~_;__i1:;3;2 8 Andean culture and the for a quest global 2295-:_:=E' _-e-s:»éE&5=E I -_ '"b1¢d)» `-'aft-:-:a;t< ; f"'E;E;E;3E3Ej§E;E5E;;; "fa: =_;_-r:_-': _' -12:11 =_ -I-23:53-j'=E¢5-::E=E¢s:'=;=53=,;2-__;:=E=;5E=:=E;E;E§;E;E£=-"' __-=-=¢<""~'-'_f_ :__ - = '5 1 "j__ ¢E§:;:,:,.¢:;E:: -.2121 "£=f~'-r '=_ Z:-_"="'E;E==rIf_ ;;_'_:f-'_-:Er _-.-:r==¢- and a þÿSASB=f9§_tI1e;'Ie ¬!1m'=_0E2=¥0U¥'¥It=>'1§x33TS_. avant-garde.The collaborating organizations -»°' ' 2 :¢::=;r=r;r;¢ -- __;=;=;=;£=;2;=:=:=, _ '=;2:¢:r;=;f;=;=:= ;1;=;=;1;=:=:1:1¢;=:=:=:r:=:=:=:__<-?fE=:' ;1:===;=;=:=:=;- _=¢' =;:¢ are working with Vicuna on developing a unique, full-color artist's book/post-exhibition _ _ _ __._ ~ e- _ which will be in Summer _ _ _ _._ catalogue 1.-¢._.1¢;-wsysvg-~.==- ~4-=~ __-.»»-~ _ available ln this collaborative at'tl§l the _ _ _ : Installation, AEST installation , tie research will ;;_¢ '_ 1999. The catalogue will include documenta- ":__: ;i;a:: »i__;_.- --_;_~'=;__1;:~_:___~_=-;§;=;5__=____;= ___':__§;5, Mary Lum (Hornell, NX) and architect culminate in a new bookwork. tion ofthe project at all three sites, as well as Beth Tauke will This ' and exhibition -' (Buffalo, - NX) employ residency '-=;=;=;1. <==:__~_r¢_:-='_>'_=-'-- 2- four commissioned -;'1='¢¢»__ ~'<-=-=_'-=-;==* -=:=: ;;_;_ essays. the space in the back two galleries at have been supported by major grants from Hallwalls as a carrier for remnants the National Endowment for the This has received physical Arts, project major grants from 'iiz of work. found -1'i Through objects and found a federal agency, and The Andy Warhol the National Endowment for the Arts, a texts, several questions will be asked. Foundation for the Visual Arts. federal agency, and Lannan Foundation. What happens to work? How does work construct the identity of a place and the CALL FOR WORK: people in it? What remains after a tile is HALLWALLS' 2000/01 SEASON discarded, a is closed, a worker building All visual artists are invited to send docu- retires? the of Beyond tangible products mentation of their work for consideration remnant/referent work, what is left when all is said and for the 2000/01 exhibitions season at AH*§§e=Z31t9¥§1<1a@:f'%!lfP@§£?°1P§f1f§_Wt¥i h@§f§lf§§e An done? In one room, the floor is covered exhibition and residency with Hallwalls. Independent curators are also with hundreds of file folders packed wall Lum and Beth Tauke encouraged to send proposals for exhibi- Mary to wall. ln the second titles from room, job tions.
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