Karl Malden Re-Elected Academy President
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Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
Understanding Screenwriting'
Course Materials for 'Understanding Screenwriting' FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 Evan Wm. Cameron Professor Emeritus Senior Scholar in Screenwriting Graduate Programmes, Film & Video and Philosophy York University [Overview, Outline, Readings and Guidelines (for students) with the Schedule of Lectures and Screenings (for private use of EWC) for an extraordinary double-weighted full- year course for advanced students of screenwriting, meeting for six hours weekly with each term of work constituting a full six-credit course, that the author was permitted to teach with the Graduate Programme of the Department of Film and Video, York University during the academic years 2001-2002 and 2002-2003 – the most enlightening experience with respect to designing movies that he was ever permitted to share with students.] Overview for Graduate Students [Preliminary Announcement of Course] Understanding Screenwriting FA/FILM 4501 12.0 Fall and Winter Terms 2002-2003 FA/FILM 4501 A 6.0 & FA/FILM 4501 B 6.0 Understanding Screenwriting: the Studio and Post-Studio Eras Fall/Winter, 2002-2003 Tuesdays & Thursdays, Room 108 9:30 a.m. – 1:30 p.m. Evan William Cameron We shall retrace within these courses the historical 'devolution' of screenwriting, as Robert Towne described it, providing advanced students of writing with the uncommon opportunity to deepen their understanding of the prior achievement of other writers, and to ponder without illusion the nature of the extraordinary task that lies before them should they decide to devote a part of their life to pursuing it. During the fall term we shall examine how a dozen or so writers wrote within the studio system before it collapsed in the late 1950s, including a sustained look at the work of Preston Sturges. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Finding Aid for the Steven Jay Rubin Papers Collection Processed
Finding Aid for the Steven Jay Rubin Papers Collection Processed by: Maya Peterpaul, 2.23.18 Revised, Emily Wittenberg, 7.11.18 Finding Aid Written by: Maya Peterpaul, 2.23.18 Revised, Emily Wittenberg, 7.11.18 OVERVIEW OF THE COLLECTION: Origination/Creator: Rubin, Steven Jay Title of Collection: Steven Jay Rubin Papers Date of Collection: ca. 1980s-1990s Physical Description: 3 boxes; 0.834 feet Identification: Special Collection #11 Repository: American Film Institute Louis B. Mayer Library, Los Angeles, CA RIGHTS AND RESTRICTIONS: Access Restrictions: Collection is open for research. Copyright: The copyright interests in this collection remain with the creator. For more information, contact the Louis B. Mayer Library. Acquisition Method: Donated by Steven Jay Rubin in 1983. BIOGRAPHICAL/HISTORY NOTE: Steven Jay Rubin was born in Chicago, Illinois, on September 9, 1951. Rubin is a film historian and the founder and president of the production company, Fast Carrier Pictures, Inc. He has worked as a publicist for over 150 films and television series. Rubin has also directed and produced various film projects, contributed to DVD commentaries (THE GREAT ESCAPE), and contributed writing to magazines (Cinefantastique, CinemaRetro). Rubin is considered to be an expert on James Bond films, and has written the following books: The James Bond Films (1981), The James Bond Films: A Behind the Scenes History (1981), and The Complete James Bond Movie Encyclopedia (1990). Other books by Rubin include: Combat Films: American Realism, 1945-70 (1981), Combat Films : American Realism, 1945-2010, Reel Exposure : How to Publicize and Promote Today's Motion Pictures (1991), and The Twilight Zone Encyclopedia (2017). -
"The Writer Speaks" Oral History Collection
http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive. -
20Th Anniversary Initiation Banquet ·=- February 1956
( LlKA 20th anniversary initiation banquet ·=- february 1956 ALPHA CHAPTER DELTA KAPPA ALPHA 20th ANNIVERSARY INITIATION BANQUET Saturday, February 11, 1956 Biltmore Hotel - Los Angeles PROGRAM Introduction of Guests Barry Kirk Introduction of Honorary and Associate Members - Chris Seiter Introduction of Alumni and Active Members Welcome from the President Daulat Masuda "25 Years of Cinema at SC" Dr. Robert 0. Hall Message from the National President ('Daulat Masuda Initiation Ceremonies (Chris Seiter (Tom Conrad Presentation of Awards Daulat Masuda Introduction of Mr. Williams Daulat Masuda Acceptance Speech Elmo Williams, A.C.E. Intermission Film Showing of SC Cinema Production, THE FACE of LINCOLN Delta Kappa Alpha N a tiona! Honorary Cinema Fraternity SILVER ANNIVERSARY BANQUET honoring MARY PICKFORD and HAROLD LLOYD January 6, 1963 TOWN and GOWN University of Southern California / PROGRAM I. Opening Dr. Norman Topping, President, USC II. Representing DKA and Cinema Dr. Bernard Kantor III. l\!listress of Ceremonies Bette Davis IV. Harold Lloyd interviewed by Steve Allen Delmer Daves Jack Lemmon V. Film clips of Harold Lloyd VI. Adolph Zukor VII. Mary Pickford interviewed by Bette Davis George Cukor Arthur Knight VIII. Film clips of Mary Pickford Piano-Dave Raksin IX. Leonard Firestone, Chairman of USC Board of Trustees Presentation to Mary Pickford and Harold Lloyd X. In closing Dr. Norman Topping Banquet Committee of USC Friends and Alumni Mrs. George Axelrod Miss Jeanette MacDonald Mrs. Harry Brand Mrs. Robert Stack George Cukor Miss Barbara Stanwyck Bette Davis Mrs. Norman Taurog Y. Frank Freeman Charles Walters Mrs. Beatrice Greenough Miss Ruth Waterbury l\llrs. Leiland Atherton Irish Mrs. -
SARP Data~Sep 2018
1 Screenwriting Research Network www.screenwritingresearch.com Screenwriting Archives and Resources Project (SARP) A worldwide statement of screenwriting resources. September 2018 © SRN 2018 Coordination: Ian W. Macdonald [email protected] 1 2 Introduction The Screenwriting Archives and Resources Project (SARP) is an initiative of the Executive Council of the Screenwriting Research Network (SRN). The SRN is a group of scholars worldwide whose research focuses on the genesis, generation and development of screen ideas, i.e. those intended to become moving image productions, whether fiction, fact or entertainment, in any medium (e.g. film, TV, interactive etc.). More information can be found on the SRN website at www.screenwritingresearch.com. Scholars of screenwriting have, until the 2000s, tended to work in isolation from like- minded others, often in academic environments where screenwriting is seen as a specialism in the industrial sense, of some interest within the broad study of Film, or Creative Industries and other sub-fields of Media, Media Practice, Communication and Cultural Studies. Screenwriting scholars have now come together to focus on the practices, processes, discourse, industry and cultural meanings of developing screen ideas; and in following these interests, we have discovered that the collection and preservation of textual material (including scripts, screenplays etc.) has been badly neglected by both academics and archivists, with a few honourable exceptions. This database is intended to draw together information on the collections that do exist, providing us with a greater awareness of what’s available, and therefore also – sadly – what is not. This document is compiled from a basic questionnaire available to anyone, whether scholar, practitioner, archivist or enthusiast. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
ELIOT ELISOFON: BRINGING AFRICAN ART to LIFE By
ELIOT ELISOFON: BRINGING AFRICAN ART TO LIFE by KATHERINE E. FLACH Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Catherine B. Scallen Dr. Constantine Petridis, Co-Advisor Department of Art History and Art CASE WESTERN RESERVE UNIVERSITY May 2015 2 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Katherine E. Flach ______________________________________________________ Doctor of Philosophy candidate for the ________________________________degree *. Catherine B. Scallen (signed)_______________________________________________ (chair of the committee) Constantine Petridis ________________________________________________ Henry Adams ________________________________________________ Jonathan Sadowsky ________________________________________________ DATE OF DEFENSE March 4, 2015 *We also certify that written approval has been obtained for any proprietary material contained therein. 3 This dissertation is dedicated to my family John, Linda, Liz and Sam 4 Table of Contents Acknowledgements ......................................................................................................... 11 Abstract ............................................................................................................................ 12 Eliot Elisofon and African Art: An Introduction ........................................................ 14 Elisofon and LIFE ...................................................................................................... -
The Dark Side of Hollywood
TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment. -
February 27, 2018 (XXXVI:5) Fred Zinnemann HIGH NOON (1952), 85 Min
February 27, 2018 (XXXVI:5) Fred Zinnemann HIGH NOON (1952), 85 min. DIRECTOR Fred Zinnemann WRITER Carl Foreman (screenplay), John W. Cunningham (from “The Tin Star”) PRODUCER Stanley Kramer MUSIC Dimitri Tiomkin CINEMATOGRAPHY Floyd Crosby EDITOR Elmo Williams SINGER Tex Ritter LYRICIST Ned Washington CAST FRED ZINNEMANN (b. April 29, 1907, Vienna, Austria—d. Gary Cooper…Will Kane March 14, 1997, London, England) was considered for several Thomas Mitchell…Jonas Henderson years, along with William Wyler and George Stevens, one of the Lloyd Bridges…Harvey Pell three directorial “intellectuals” in Hollywood. Initially, Katy Jurado…Helen Ramirez Zinnemann planned to become a lawyer until he saw three films Grace Kelly…Amy Kane that forever changed his future: Greed (1924), The Big Parade Otto Kruger…Percy Mettrick (1925) and Battleship Potemkin (1925). After college, he Lon Chaney Jr….Martin Howe become an assistant cameraman in Berlin, where, in the company Harry Morgan…Sam Fuller of such future Hollywood filmmakers as Robert Siodmak, Billy Ian MacDonald…Frank Miller Wilder and Edgar G. Ulmer, he would collaborate on the Eve McVeagh…Mildred Fuller celebrated documentary, People on a Sunday (1929). In 1929, he Morgan Farley…Minister emigrated to Hollywood where he was hired as an extra on Lewis Harry Shannon…Cooper Milestone’s All Quiet on the Western Front (1930). Following Lee Van Cleef…Jack Colby years directing now forgotten B-movies, Zinnemann eventually Robert J. Wilke…James Pierce established a name for himself in 1948 with The Search, a film Sheb Wooley…Ben Miller following the growing friendship between a GI (Montgomery Jack Elam…Charlie Clift) and a young concentration camp survivor.