Spring 2020 Course Guide
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The Stranglers - Peaches (The Very Best Of)
The Stranglers - Peaches (The Very Best Of) 24-09-2020 15:00 CEST The Stranglers - Peaches (The Very Best Of) blir tilgjengelig på vinyl For første gang på vinyl skal The Stranglers «Peaches (The Very Best Of)» gjøres tilgjengelig som dobbelt-LP-sett. Dette vil være den eneste «Best Of»- samlingen av The Stranglers som vil være tilgjengelig på vinyl. Stranglers «Peaches (The Very Best Of)» er tilgjengelig for forhåndsbestilling nå. The Stranglers ble dannet tidlig i 1974, og ble oppdaget via punkrock-scenen. Bandet etablerte sitt omdømme og store fanskare gjennom deres aggressive og kompromissløse stil. Bandets sound utviklet seg derimot gjennom hele karrieren, og ble aldri kategorisert til en spesifikk sjanger. Som et resultat av dette, er deres verk svært variert og enormt verdsatt. Hittil har bandet oppnådd 23 britiske Top 40 singler og 17 britiske Top 40 album. The Stranglers er et av de lengst overlevende og mest kjente bandene som har sitt utspring fra den britiske punk-scenen. «Peaches (The Very Best Of)» er en samling av deres mest berømte låter fra de første to tiårene av deres berømte karriere, inkludert ikoniske spor som «Peaches», «Golden Brown», «No More Heroes» og «Hanging Around». Side A 1. Peaches 2. Golden Brown 3. Walk On By 4. No More Heroes 5. Skin Deep Side B 1. Hanging Around 2. All Day And All Of The Night 3. Straighten Out 4. Nice ‘N’ Sleazy 5. Strange Little Girl 6. Who Wants The World Side C 1. Something Better Change 2. Always The Sun (Sunny Side Up Mix) 3. European Female 4. -
The Portrayal of the Historical Muslim Female on Screen
THE PORTRAYAL OF THE HISTORICAL MUSLIM FEMALE ON SCREEN A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2017 SABINA SHAH SCHOOL OF ARTS, LANGUAGES AND CULTURES LIST OF CONTENTS List of Photographs................................................................................................................ 5 List of Diagrams...................................................................................................................... 7 List of Abbreviations.............................................................................................................. 8 Glossary................................................................................................................................... 9 Abstract.................................................................................................................................... 12 Declaration.............................................................................................................................. 13 Copyright Statement.............................................................................................................. 14 Acknowledgements................................................................................................................ 15 Dedication............................................................................................................................... 16 1. INTRODUCTION........................................................................................................ -
Discussing Racial Preference with White Norwegian Women: Stereotypes and Colorblind Rationalizations
University of South-Eastern Norway Faculty of Humanities, Sports and Educational Science Institute of Culture, Religion and Social Studies – Master’s Thesis MSc Human Rights and Multiculturalism Spring 2019 Karoline Sundsøy Moholt Discussing racial preference with white Norwegian women: stereotypes and colorblind rationalizations University of South-Eastern Norway Faculty of Humanities, Sports and Educational Science Institute of Culture, Religion and Social Studies PO Box 235 NO-3603 Kongsberg, Norway http://www.usn.no © 2019 Karoline Sundsøy Moholt This thesis is worth 45 study points ___ ii Abstract This thesis aims to take a critical look at stereotypes that can be connected to different racial groups and how they work in conjunction with categorizing according to preference. The questions of the thesis are a) Which stereotypes emerge when discussing racial preference with white Norwegian women? b) How are these stereotypes explained by the participants? c) To what degree is personal preference seen as something deeply individual and unique or affected by external factors? Bonilla- Silva’s “4 frames of colorblind racism” is used as theoretical framework in order to further understand the participants narratives and how they reason their stereotypes and preference. The thesis presents and deliberates the interviewees applying the “4 frames” and with previous research in mind. This thesis concludes that two examples of common cultural stereotypes from the literature was observed in the interviews: the sexualization of the black man and the undesirability of the Asian man. Furthermore, some features of the frame of “naturalization” was noted in the reasoning of why the participants found Asian men in general to be unattractive. -
Making Metadata: the Case of Musicbrainz
Making Metadata: The Case of MusicBrainz Jess Hemerly [email protected] May 5, 2011 Master of Information Management and Systems: Final Project School of Information University of California, Berkeley Berkeley, CA 94720 Making Metadata: The Case of MusicBrainz Jess Hemerly School of Information University of California, Berkeley Berkeley, CA 94720 [email protected] Summary......................................................................................................................................... 1! I.! Introduction .............................................................................................................................. 2! II.! Background ............................................................................................................................. 4! A.! The Problem of Music Metadata......................................................................................... 4! B.! Why MusicBrainz?.............................................................................................................. 8! C.! Collective Action and Constructed Cultural Commons.................................................... 10! III.! Methodology........................................................................................................................ 14! A.! Quantitative Methods........................................................................................................ 14! Survey Design and Implementation..................................................................................... -
The Formation of a New Female Identity in the Russian
Abstract of the Thesis The Early Women’s Emancipation Movement: Formation of a New Female Identity in the Russian and Late-Victorian Novel by Elena V. Shabliy Thesis Director: Professor Raymond C. Taras Women's emancipation altered the course of Victorian and Russian literature by challenging the literary conventions that governed the portrayal of women and women's experience at the fin de siècle. Emancipationist writing either explicitly advocated social change or embodied a feminist impulse in their treatment of particular themes and questions. The second half of the nineteenth century was marked by the emergence of the women’s movement; this focused primarily on women’s social and moral emancipation. In the 1830s and 1850s, in the German Federation of States, Denmark, England, France, Poland, Russia, and Spain women began to mobilize under the influence of emancipationist novels, discussing the role of women and shifting gender relations. This dissertation The Early Women’s Emancipation Movement: The Formation of a New Female Identity in the Russian and Late-Victorian Novel is comprised of two parts. The first part focuses on the women’s liberation movement in Russia and literary responses to the social change. The second part is dedicated to the women’s movement in Victorian England and its feminist literary discourse. Relatively little research exists on the Russian women’s movement in the nineteenth century, while there is a vast scholarship on the early women’s movement in England. To date, there is no scholarship that treats Russian and Victorian emancipationist work comparatively. The choice of female (S. V. -
Official Journal of the European Union C 11/1
Official Journal C 11 of the European Union Volume 61 English edition Information and Notices 12 January 2018 Contents EUROPEAN PARLIAMENT 2015-2016 SESSION Sittings of 18 to 21 January 2016 The Minutes of this session have been published in OJ C 100, 30.3.2017. TEXTS ADOPTED I Resolutions, recommendations and opinions RESOLUTIONS European Parliament Tuesday 19 January 2016 2018/C 011/01 European Parliament resolution of 19 January 2016 on the Annual report on EU Competition Policy (2015/2140(INI)) . 2 2018/C 011/02 European Parliament resolution of 19 January 2016 on the role of intercultural dialogue, cultural diversity and education in promoting EU fundamental values (2015/2139(INI)) . 16 2018/C 011/03 European Parliament resolution of 19 January 2016 on stocktaking and challenges of the EU Financial Services Regulation: impact and the way forward towards a more efficient and effective EU framework for Financial Regulation and a Capital Markets Union (2015/2106(INI)) . 24 2018/C 011/04 European Parliament resolution of 19 January 2016 on external factors that represent hurdles to European female entrepreneurship (2015/2111(INI)) . 35 2018/C 011/05 European Parliament resolution of 19 January 2016 on skills policies for fighting youth unemployment (2015/2088(INI)) . 44 2018/C 011/06 European Parliament resolution of 19 January 2016 on Towards a Digital Single Market Act (2015/2147(INI)) . 55 EN Wednesday 20 January 2016 2018/C 011/07 European Parliament resolution of 20 January 2016 in support of the peace process in Colombia (2015/3033(RSP)) . 79 Thursday 21 January 2016 2018/C 011/08 European Parliament resolution of 21 January 2016 on Association Agreements / Deep and Comprehensive Free Trade Areas with Georgia, Moldova and Ukraine (2015/3032(RSP)) . -
The Art of Imperial Entanglements Nautch Girls on the British Canvas and Stage in the Long Nineteenth Century
The Art of Imperial Entanglements Nautch Girls on the British Canvas and Stage in the Long Nineteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg vorgelegt von Zara Barlas, M.A. Erstgutachterin: Prof. Dr. Monica Juneja Zweitgutachterin: Prof. Dr. Dorothea Redepenning Heidelberg, den 6. Mai 2018 Contents Acknowledgements .......................................................................................................... 5 I Introduction .................................................................................................................. 6 Art and Imperialism ........................................................................................................... 9 Hypothesis and Premise ..................................................................................................21 Disciplinary Theory & Methods in the Arts: A Brief Overview ........................................22 Historical Processes .........................................................................................................33 Overview ..........................................................................................................................42 II Framing an Enigma: The Nautch Girl in Victorian Britain .............................................. 44 Defining the Nautch Girl ..................................................................................................45 The Nautch-Girl Genre .....................................................................................................59 -
Art and Power in the Reign of Catherine the Great: the State Portraits
Art and Power in the Reign of Catherine the Great: The State Portraits Erin McBurney Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Erin McBurney !All rights reserved ABSTRACT Art and Power in the Reign of Catherine the Great: The State Portraits Erin McBurney This dissertation examines the relationship between art and power in the reign of Catherine II of Russia (1762-1796). It considers Catherine’s state portraits as historical texts that revealed symbolic manifestations of autocratic power, underscoring the close relationship between aesthetics and politics during the reign of Russia’s longest serving female ruler. The Russian empress actively exploited the portrait medium in order to transcend the limitations of her gender, assert legitimacy and display herself as an exemplar of absolute monarchy. The resulting symbolic representation was protean and adaptive, and it provided Catherine with a means to negotiate the anomaly of female rule and the ambiguity of her Petrine inheritance. In the reign of Catherine the Great, the state portraits functioned as an alternate form of political discourse. TABLE OF CONTENTS List of Illustrations…………………………………………………..ii-v Introduction………………………………………………………...1-33 I. Ennui and Solitude……………………………………………...34-105 II. Seizing the Stage of Power…………………………………….106-139 III. Minerva Ascendant……………………………………………..140-212 IV. “Victorieuse et Legislatrice”…………………………………...213-279 V. Picturing the Greek Project…………………………………...280-340 VI. The Judgment of History…………………………………....…341-393 Conclusion……………………………………………………….394-397 Bibliography……………………………………………………,..398-426 i McBurney Art and Power List of Illustrations Figure 1. Godfrey Kneller, Peter I of Russia, 1698 2. -
The Stranglers Death and Night and Blood Mp3, Flac, Wma
The Stranglers Death And Night And Blood mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Death And Night And Blood Country: UK Style: New Wave, Punk MP3 version RAR size: 1186 mb FLAC version RAR size: 1628 mb WMA version RAR size: 1268 mb Rating: 4.2 Votes: 106 Other Formats: ASF VQF DTS WAV MP2 VOX MP4 Tracklist 1 Punch And Judy 2 Aural Sculpture (In French) 3 Tea Break 4 London Lady 5 JJ Interview 6 Midnight Summer Dream 7 Hugh Interview 8 Euroman Interview Dave 9 La Folie 10 Strange Little Girl 11 SIS 12 Uptown 13 JJ Interview / Paradise 14 Grip 15 Go Buddy Go 16 Peaches 17 Hanging Around 18 Curfew 19 Death And Night And Blood 20 Nice `N` Sleazy 21 Something Better Change 22 Interview 23 Nice `N` Sleazy 24 Threatened 25 Interview 26 Hanging Around 27 Interview 28 Death And Night And Blood 29 JJ Burnel - Reves 30 The Purple Helmets - Brand New Cadillac 31 (Get A) Grip (On Yourself) 32 Something Better Change 33 Peaches 34 Hanging Around 35 Straighten Out 36 Five Minutes 37 No More Heroes 38 Sweden 39 Nice `N` Sleazy 40 Dutchess 41 Nuclear Device 42 Bearcage 43 Who Wants The World 44 Golden Brown 45 La Folie 46 Strange Little Girl 47 European Female 48 Midnight Summers Dream 49 All Roads Lead To Rome 50 Skin Deep 51 No Mercy 52 Nice In Nice 53 Always The Sun 54 White Room 55 Rok It To The Moon 56 Freddie Laker 57 Tank 58 Curfew 59 Go Buddy Go 60 No More Heroes 61 Tramp 62 Walk On By 63 Thrown Away 64 Don`t Bring Harry 65 Nuclear Device 66 Toiler 67 Ships That Pass In The Night 68 Small World 69 Just Like Nothing On Earth 70 No More Heroes 71 Who Wants The World 72 Never Say Goodbye 73 Baroque Bordello 74 Golden Brown 75 Princess Of The Street 76 Midnight Summer Dream 77 European Female 78 Tramp 79 The Raven 80 Dutchess 81 London Lady 82 Coctail Nubiles 83 Genetics Notes 1.-13. -
Grace Onyango and African Women's
ABSTRACT DAUGHTER OF ODORO: GRACE ONYANGO AND AFRICAN WOMEN’S HISTORY by Phoebe Musandu Since the eighties, the Academy has produced a modest amount of scholarship on African women’s history. A number of these works at have been limited demographically to allow for in- depth culture-specific analysis. They trace the various spaces in which women exercised power and authority, the various ways in which that agency was confronted by colonial-era challenges and how women struggled to adapt to those challenges with varying levels of success. However, works of African women’s history produced thus far are limited in ethno-geographic scope and even within those ethnic groups and geographical areas they have touched, there are more issues requiring historical research. This project is thus a contribution to the process of recovering women’s history in what is today Kenya. It will engage historical and ethno- historical data to demonstrate Kenyan female socio-economic and political agency, with a focus on the latter and with greater emphasis on Luo women. DAUGHTER OF ODORO: GRACE ONYANGO AND AFRICAN WOMEN’S HISTORY A Thesis Submitted to the Faculty of Miami University In partial fulfillment of the requirements for the degree of Master of Arts Department of History by Phoebe Atieno Musandu Miami University Oxford, Ohio 2006 Advisor_______________________________ Dr. Osaak Olumwullah Reader________________________________ Dr. Arpana Sircar Reader________________________________ Dr. Judith Zinsser CONTENTS Abstract ... .. i Acknowledgements . .. iv Chapter 1 Introduction…………………………………………………………………………….... 1 Chapter 2 Kenya: Gender and Societal Restructuring à la Grande Bretagne (1895-1950) ……….. 6 Chapter 3 Women and Power in the Luo Community: Contextualizing Grace Onyango Ethnically …………………………………………………………………………….… 26 Chapter 4 Locating Grace Onyango in Kenyan Politics (1964 – 1983) …………………………. -
Women and the Colonial State
EIsbeth Locher-Scholten Women and t e Colonial State WOMEN AND THE COLONIAL STATE Women and the Colonial State Essays on Gender andModernity in the Netherlands Indies Elsbeth Locher-Scholten AMSTERDAM UNIVERSITY PRESS This publication was made possible by a grant from the Netherlands Organization of Scientific Research (NWO) Cover illustration:]antje and Agnes in the care ofBaboe Mina. Surabaya 1915 (KIT Amsterdam) Cover design: NAP, Amsterdam Lay-out: Magenta, Amsterdam NUGI 646/665 ISBN 90 5356 403 9 © Amsterdam University Press, Amsterdam, 2000 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or other wise), without the written permission of both the copyright owner and the author of this book. Contents Preface 9 ByWay ofa Prologue and Epilogue: '3 Gender, Modernity and the Colonial State Mter the 'The Family ofMan' '3 Women and the Colonial State '4 Historical Context ,6 Contents 23 Orientalism, Gender and Class 25 Whiteness and 'European-ness' 30 Colonial Modernity and Gender 32 Nation-State and Female Colonial Citizenship 37 II Female Labour in Twentieth Century ColonialJava: 49 European Notions - Indonesian Practices Introduction 49 European Notions 50 Female Night Labour in the Netherlands Indies 52 The Indonesian Practice: Figures from the '920S and '930S 55 Analyses ofIndigenous Agriculture 55 The Census of '930 -
The Eurasian Problem in Nineteenth Century India
Anderson, Valerie E.R. (2011) The Eurasian problem in nineteenth century India. PhD Thesis, SOAS (School of Oriental and African Studies) http://eprints.soas.ac.uk/13525 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. The Eurasian Problem In Nineteenth Century India Valerie E.R. Anderson Department of History School of Oriental and African Studies (SOAS) A thesis submitted to the University of London in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) in History 2011 1 DECLARATION I undertake that all material presented for examination is my own work and has not been written for me, in whole or in part, by any other person(s). I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work that I present for examination. Valerie E.R. Anderson The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author.