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Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Senior Newsletter September 2017
T HE S ENIORS CENE Programs and Activities for Older Adults Programas y Actividades para Adultos Mayores Offered by: Division of Senior Services SEPTEMBER http://www.santafenm.gov/senior_scene_newsletter 2017 CITY OF SANTA FE, DIVISION OF SENIOR SERVICES Administration Offices 1121 Alto Street, Santa Fe, New Mexico 87501 SEPTEMBER - 2017 The City of Santa Fe Division of Senior Services offers a variety of programs and services at five senior centers throughout Santa Fe. If you are age 60 or over, we invite you to utilize our facilities and participate in the various programs and activities that are available, most of which are free (some do request a small donation). Read through the activities section for more information about ongoing and current activities. These facilities and services are here for you – we encourage you to stop by and use them, and we look forward to meeting you! The Senior Scene newsletter is a free monthly publication designed to help you navigate our services and learn about upcoming events. You will find sections on community news, senior center activities and menus, volunteer programs, 50+ Senior Olympics, health, safety, legal and consumer issues, as well as word puzzles to sharpen the mind. The newsletter is available at all City of Santa Fe senior centers, fitness facilities, and public libraries, as well as various senior living communities and healthcare agencies. It is also available online at www.santafenm.gov, simply type “Senior Scene” in the keyword search box at the top then click the purple underlined words “Senior Scene Newsletter.” Front Desk Reception (505) 955-4721 In Home Support Services: Respite Care, Toll-Free Administration Line (866) 824-8714 Homemaker Gino Rinaldi, DSS Director 955-4710 Theresa Trujillo, Program Supervisor 955-4745 Katie Ortiz, Clerk Typist 955-4746 Administration Cristy Montoya, Administrative Secretary 955-4721 Foster Grandparent/Senior Companion Program Sadie Marquez, Receptionist 955-4741 Melanie Montoya, Volunteer Prog. -
For Christmas I'd Like Betty Aldrich Iowa State College
Volume 23 Article 5 Number 5 The Iowa Homemaker vol.23, no.5 1943 For Christmas I'd Like Betty Aldrich Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Aldrich, Betty (1943) "For Christmas I'd Like," The Iowa Homemaker: Vol. 23 : No. 5 , Article 5. Available at: http://lib.dr.iastate.edu/homemaker/vol23/iss5/5 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Betty Aldrich describe bring holiday sparkle f, ICKY will usher in the holiday sea low-heeled comfortable shoes the most V son with a flattering wardrobe in popular. But for dress, the opera pump spite of the curtailment of her wartime is still the hit of the coupon No. 18 era clothes budget. Christmas presents and would be an ideal Christmas pres which add to Vicky's wardrobe will be ent. especially welaome this year-particu Gone are the days when Vicky bought larly if they are convertible clothes which the first thing that looked pretty, re can be the foundation of numerous gardless of quality. A duration sensation smart, though inexpensive outfits. in her wardrobe is a dress of flame cash Vicky would be happy to find a dou mere wool. Its dash is carried out in such ble-purpose wool suit under the tree details as the buttoned patch pockets and Christmas morning. -
Glossary of Terms
The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Glossary of Terms Bay: A compartment in a barn, used fore storing hay or grain. Britches or Breeches: Short trousers, especially fastened below the knee. Breeches were originally made of leather, but were made of various materials. Buckskin: Leather made from a buck’s skin, could also refer to a thick smooth cotton or woolen cloth. Coating: A cloth used for making coats. Drab coloured: A dull brownish yellow or dull gray color. Felt: A fabric made of wool and hair. Fife: A small high-pitched flute without keys, often used in military and marching bands. Fustian: A coarse sturdy cloth of a cotton-linen blend; any durable fabric with a raised nap made mainly from cotton, for example, corduroy or moleskin. Gaol: is an early Modern English spelling for jail, with the same pronunciation and meaning of a place of legal detention. Grogram: A rough fabric of silk and wool with a diagonal weave. High Dutch: An eighteenth century term for German. Homespun: Spun or woven in the home; a plain coarse woolen cloth made of homespun yarn. Instant (inst.): The current calendar month. Inventory: a detailed list of things in one’s view or possession; especially, a regular survey of all goods and materials in stock. Linsey Woolsey: A coarse fabric of cotton or linen woven with wool. Low Dutch: used to signify those persons of Netherlandish descent. Manchester velvet: A fine cotton used in making dresses. The Missing Chapter: Untold Stories of the African American Presence in the Mid-Hudson Valley Nanekeen: A sturdy yellow or buff cotton cloth. -
Checklist for Textiles U.S.A
THE MUSEUM OF MODERN ART 11 WEST 53 STREET, NEW YORK 19, N. Y. TELEPHONE: CIRCLE 5-8900 No. &• TENTATIVE AND CONFIDENTIAL CHECKLIST FOR TEXTILES U.S.A. Home Furnishings Category Anderson Studio of Handweaving - East Gloucester, Massachusetts. Drapery material. Cotton, viscose and Jute. Designed by Beatrice Anderson, 1951*. Thelma Becherer - West Franklin, New Hampshire. Tapestry. Handwoven of green, yellow and clear "velon" plastic, with dried horsetails and cattails. Plain weave. 1956. Monica Bella Broner, Tapestry. "Fur Weave." Wool, cotton and fur strips, 195^• Bill Carter and Dodie Childs - Chicago, Illinois. Roll Shade, Handwoven matchstick bamboo across multicolored and textured cotton, wool and metallic yarn warp, 1955* Arundell Clarke Drapery fabric. "Strocm Draden". Handscreened white print on trans parent white silk. Designed by Pierre Kleykamp, 1955. Drapery fabric, "Primitive Forms." Handscreened black print on brown cotton. Designed by Baldwin-Machado, 1950, Drapery fabric. "10,000 B.C." Cotton jacquard, charcoal on white. Designed by Naomi Raymond, 1952. Cohn-Hall-Marx Co, (For Colvin, see Bertha Schaefer Callery - Page 3.) Upholstery fabric, Saran and metal, novelty weave. Brown, 1955. Fazakas Fabrics, Inc. Drapery fabric, "Hit & Miss," Black spray on white cotton batiste, Designed by DoneIda Fazakas, 1950, Qeraldine Punk - Lancaster, Pennsylvania, Window ahade, Handwoven red and rust cotton and rayon warp. Banana bark and coconut cord weft. 1950, Screen, Handwoven in Puerto Rico, White string warp,, white jnaguey and coconut sliver weft, 19^8, % Ginstrom - Cedar Falls, Iowa. Screen. "Scallops." Handwoven, handtied openwork; all linen panel. 1955. folding Decorative Fabrics. Drapery fabric. "Torero-Vermilion 33." Silk screened cotton sateen. Designed by Otto and Grete Wollner,1955» LiUy E. -
Pillowcase with Rickrack Band Pattern 21
American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: Pillowcase with Rickrack Band Pattern 21 FABRICS are from the Stockholm Collection by Robin Zingone for Robert Kaufman Fabrics (robertkaufman.com). Patt ern may be downloaded for personal use only. No electronic or printed reproduction permitt ed without the prior writt en consent of Meredith Corporation. ©Meredith Corporation 2012. All rights reserved. 1 American Patchwork & Quilting | Quilt Sampler | Quilts and More Project: Pillowcase with Rickrack Band Materials To cut out rickrack appliqués with Assemble Band For one pillowcase: scissors, complete the following 1. Sew together appliquéd and 1 • ⁄4 yard of appliqué print steps. remaining secondary print 6×41" (rickrack appliqués) strips along a pair of long edges 1 • ⁄ 2 yard secondary print 1. The Rickrack Pattern is in (Band Assembly Diagram). (pillowcase band) three parts on pages 4–6. Cut 7 • ⁄8 yard main print (pillowcase out pieces and tape together 2. Join short edges of Step 1 unit body) to make a full pattern before to make a loop. Press seam • Lightweight fusible web tracing. Place fusible web, paper open. Fold loop in half with • Tear-away stabilizer side up, over pattern. Use a wrong side inside; press to make • AccuQuilt Go! Fabric cutter pencil to trace pattern twice, pillowcase band. The band unit 1 1 (optional) leaving ⁄ 2" between tracings. should be 5 ⁄ 2×20" including • AccuQuilt Go! Rickrack Die Cut out drawn shapes roughly seam allowances. 1 #55056 (optional) ⁄4" outside drawn lines. Assemble Pillowcase Finished pillowcase: 30×20" 2. Following manufacturer’s 1. Fold body print 26×41" (fits a standard-size bed pillow) instructions, press fusible-web rectangle in half crosswise to 1 shapes onto wrong side of form a 26×20 ⁄ 2" rectangle. -
SEWING MACHINE MACHINE a CO UDRE MAQUINA DE COSER I Illlllllll Ill Illlllllllllll I MODELS 385
OWNER'S MANUAL MANUEL D'INSTR UCTIONS MANUALDE INSTRUCCIONES SEWING MACHINE MACHINE A CO UDRE MAQUINA DE COSER I Illlllllll Ill Illlllllllllll I MODELS 385. 17026 MODELES MODELOS 385, 17828 SEARS, ROEBUCK AND CO. Dear Customer: You have iust invested in a very fine zigzag sewing machine. Before using your new Kenmore machine, please pause tor a moment and carelully read this booklet which contains instructions on how to operate and care tot your machine. Specific instructions are given on threading, tension adjustments, cleaning, oiling, etc. This wiI] help you obtain the best sewing results and avoid unnecessary service expense tot conditions beyond our control. Advice on the operation and care ot your machine is afways available at your nearest Sears Retal] Store. Please remember, if you have questions about your machine or need parts and service, always mention the model number and serial number when you inquire. Kenmore Sewing Machine Record in space provided below the model number and serial number of this appliance. The model number and serial number are located on the nomenclature plate, as identified on Page 4 of this book]eL Model No. 385. Senal No. Retain these numbers for future reference. THIS MODEL IS A CENTER NEEDLE, LOW BAR SEWING MACHINE. IMPORTANT SAFETY 4. Never operate the sewing machine with any air opening blocked. Keep ventilation openings of the sewing machine and toot controller tree trom accumulation INSTRUCTIONS of lint, dust, and loose cloth. 5. Never drop or insert any obiect into any opening, Your sewing machine is designed and constructed only for HOUSEHOLD use. -
THE PHYSICAL PROPERTIES AJ.\1D WASH -A..ND-~~EAR PERFORMANCE of VIYELLA, a WOOL and COTTON BLEND FABRIC a THESIS Ubv1itted I
THE PHYSICAL PROPERTIES AJ.\1D WASH - A..ND-~~EAR PERFORMANCE OF VIYELLA , A WOOL AND COTTON BLEND FABRIC A THESIS UB v1 ITTED I PARTIAL FULFILLMENT OF THE REQUIREL'1EJTS FOR THE DEGREE OF MASTER OF SCIENCE IN TEXTILES A D CLO THI G IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN 'S U IVERSITY COLLEGE OF UTRITION, TEXTILES AND HUMM DEVELOPME T BY SALLY CRISLER LO\ E , B . S . DE TO I TEXAS AUGUST I 198 1 -n • -.,~ • ! f ..f /'! 'I t"' i vr( '. ~ ~ d-- I/ { { ~- Texas VVoman's University Denton, Texas July 14 81 19 ------ We hereby recon1mend that the thesis prepared under our'supervision by Sally Crisler LOvJe entitled The Physical Properties and Wash-and-Wear Petfcirmance of Viyella, A Wool and Cotton Blend Fabric be accepted as fulfilling this part of the requiren1ents for the Degree of Master of Science in Textiles and Clothing Dissertation/Theses signature page is here. To protect individuals we have covered their signatures. TABLE OF CONTENTS LIST OF ILLUSTRATIONS v LIST OF TABLES . vii ACKNO~\TLEDGENENTS X Chapter I. INTRODUCTION . 1 Justification for Study . 2 Statement of Problem . • . • . • • . • 4 Objectives of Study . 4 Delimitations . .•..•. 5 II. REVIE\v OF LITERATURE 6 III. PLAN OF PROCEDURE . 10 Fabric Types . • . 10 Laundering Procedure . • • . • . 10 Equipment . • . • • . 13 Fabric Evaluations . 14 Fiber Content • . • . • 14 Yarn Count . • . • • . 15 Fabric Weight . • 15 Breaking Strength • . 16 Tearing Strength • . 17 Durable Press Appearance . • • . 17 Pilling Resistance . 18 Dimensional Stability . 19 Colorfastness . 21 Whiteness Retention . • . 21 Statistical Analysis . 22 IV. PRESENTATION OF DATA AND DISCUSSION OF FINDINGS . • . 23 Fabric Description . -
Apparel Performance Specifications March 2011
APPAREL PERFORMANCE SPECIFICATIONS MARCH 2011 APPAREL PERFORMANCE SPECIFICATIONS NPS -1 All Children’s Apparel All Children’s Apparel NPS - 2 Knit Apparel Children’s Apparel Knit Sleepwear NPS - 3 Knit Apparel Fine Gauge - Natural Fibers NPS - 4 Knit Apparel Fine Gauge - Wool, Silk NPS - 5 Knit Apparel Fine Gauge - Man - made Fibers NPS - 6 Knit Apparel Sweaters - Man-made Fibers NPS - 7 Knit Apparel Sweaters - Natural Fibers NPS - 8 Knit Apparel Swimwear NPS - 12 Woven Apparel Children’s Woven Sleepwear NPS - 13 Woven Apparel Indigo, Sulfur Dyed, Denim and Chambray NPS - 14 Woven Apparel Silk NPS - 15 Woven Apparel Stretch Woven NPS - 16 Woven Apparel Wool and Specialty Fibers NPS - 17 Woven Apparel Terry Cloth/Velour NPS - 18 Woven Apparel Water Repellent Woven’s NPS - 19 Woven Apparel Man-made Fibers NPS - 20 Woven Apparel Natural Fibers NPS - 21 Woven Apparel Swimwear NPS - 22 Woven Apparel Synthetic Lining Fabrics NPS - 24 Leather and Suede Leather and Suede NPS - 25 Trims & Findings For all adult apparel NPG Supplier Procedures Manual © 2011 Nordstrom, Inc., all rights reserved. CONFIDENTIAL: These documents contain proprietary, trade secret, and confidential information which are the property of Nordstrom, Inc. These documents and their contents may not be duplicated or disclosed to any other party without express authorization of Nordstrom, Inc. Page 1 of 23 APPAREL PERFORMANCE SPECIFICATIONS MARCH 2011 KNIT PRODUCT SPECIFICATIONS The Knit Product Specifications are divided by Fiber Content and Fabrication. The following chart gives some examples of which Nordstrom Product Specification (NPS) to use for some of the more common fabrications. The colorfastness level indicated as “Special” indicates a raised surface or special treatment that affects the colorfastness properties differently than a plain surface. -
Hunting Shirts and Silk Stockings: Clothing Early Cincinnati
Fall 1987 Clothing Early Cincinnati Hunting Shirts and Silk Stockings: Clothing Early Cincinnati Carolyn R. Shine play function is the more important of the two. Shakespeare, that fount of familiar quotations and universal truths, gave Polonius these words of advice for Laertes: Among the prime movers that have shaped Costly thy habit as thy purse can buy, But not expressed infancy; history, clothing should be counted as one of the most potent, rich not gaudy; For the apparel oft proclaims the man.1 although its significance to the endless ebb and flow of armed conflict tends to be obscured by the frivolities of Laertes was about to depart for the French fashion. The wool trade, for example, had roughly the same capital where, then as now, clothing was a conspicuous economic and political significance for the Late Middle indicator of social standing. It was also of enormous econo- Ages that the oil trade has today; and, closer to home, it was mic significance, giving employment to farmers, shepherds, the fur trade that opened up North America and helped weavers, spinsters, embroiderers, lace makers, tailors, button crack China's centuries long isolation. And think of the Silk makers, hosiers, hatters, merchants, sailors, and a host of others. Road. Across the Atlantic and nearly two hundred If, in general, not quite so valuable per pound years later, apparel still proclaimed the man. Although post- as gold, clothing like gold serves as a billboard on which to Revolution America was nominally a classless society, the display the image of self the individual wants to present to social identifier principle still manifested itself in the quality the world. -
2018 Sewing and Stitchery Expo
WSU Conference Management 2606 West Pioneer Puyallup, WA 98371-4998 Shop Learn Experience The Expo features more Top industry teachers & Free style shows daily. than 400 unique vendors innovative newcomers Hands-on demos. across two massive sales present fun new techniques, Expo-only deals and fl oors. Get hands-on with fabulous time savers, new product launches. fabric, notions and the and personal instruction Fun sewing-themed Join Us! newest machines from on projects you can entertainment Friday Washington State Fair top manufacturers. fi nish at the show! & Saturday nights. Events Center 110 Ninth Avenue Southwest Puyallup, Washington 98371 Tickets & Information 866-554-8559 www.sewexpo.com PUYALLUPMarch FAIR & EVENT CENTER 1 – 4, PUYALLUP, 2018 WA Classes Begin Wednesday* Thursday – Saturday Sunday February 28*Classes Only 8:00 am to 6:00 pm 8:00 am to 4:00 pm Inside-Front Inside-Back Fold Out Easy Thread Lace and Yarn Michelle Umlauf Sulky Expo Vendors FRI 3:30 PM 1 Source Publications, Inc Fine French Laces Quiltmania Inc. Fri. March 2 If you thought Sulky’s threads were just for ma- A1 Quilting Machines Flair Designs Quilts In The Attic chine embroidery, hand sewing, or decorative AllAboutBlanks.com Flower Box Quilts Reets Rags to Stitches stitches, then you will want to attend this stage American Sewing Guild French European, Inc. Renaissance Flowers presentation. Michelle is a Sulky of America $ Andrew’s Gammill G & P Trading Robin Ruth Designs National Educator, and will inspire you with Northwest LLC Glitz & Glamour Rochelle’s Fine Fabric.com 25 thread lace techniques using a sewing machine Anne Whalley Pattern Great Yarns Rusty Crow and a serger. -
And Now for Something Completely Different
And now for something completely different... Our revolutionary new cloth made from Bamboo has been so popular that despite there being insufficient time to complete a Model to show here, we had to tell you about it’s glorious silky handle and rich sheen, irresistible to many of our clients. We look forward to showing you this marvellous fabric. New Escorials and House Cloths Escorials Autumn 2004 saw the introduction of the beautiful For Mohair enthusiasts (and we have many), 60% Escorial cloth - made from the wool of the Mahgreb Kid Mohair has been mixed with 40% Escorial to sheep from a small flock in New Zealand, Escorial is add the attributes of this fine Goat Hair with the officially classified as the ‘finest ever naturally grown wonderful Escorial, resulting in a fine cloth that is a hair or wool fibre’. Devotees will be delighted to learn sheer pleasure to wear. that the Sherlock Holmes-like investigative skills of Both collections are extremely comprehensive the Richard Anderson Team have made a new find: comprising plain and classic designs with fancy and The Summer Escorial – The Emperor of luxurious ‘avant garde’ patterns. wool worsted fibres is now being produced in 8 ozs. Both are being launched in September 2005, this for lightweight suits. A must have for those who means we have not been able to make models for you appreciate superfine cloths. We are deighted to be the to see but we are sure you will be impressed by the first House with a selection of these cloths and look Swatch Books.